Street Art

As your gaze lingers on one of Sally K’s paintings, you notice how Sally’s brush strokes add playfulness and life to the canvas, incorporating unexpected images and shapes of flowers...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Black and Silver Painting, Mixed Media Art, Street Art-The Girl in the Silver A B O U T T H I S P I E C E : "The Girl in the Silver (Bethyie-A3)" is portrait painting mixed media st...

Suburban Pressure, Shepard Fairey x Jamie Reid. 18 inches by 24 inches on white Speckle Tone paper. Numbered Edition of 375. Signed by Shepard Fairey. "The Sex Pistols changed my life. When I was a 14-year-old skateboarder...

Two color screenprint on BFK Rives paper hand finished with spray paint Signed and numbered in pencil

RAISE THE CALIBER Screen Print 18x24 Edition of 350 December 29, 2015 18 x 24 inch screen print on cream speckle tone paper. Signed and numbered edition of 350. “I’m always on ...

Black Sabbath, The End, Red. 18 x 24 inches. Screenprint on cream Speckletone Paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition of 325. F...

David Fredrik Moussallem’s mixed-media abstract paintings tell different “stories from the streets” and respond to urban landscape. His palette is soft, mainly using white, beige and blue that mimic the surface of peeling city walls. Extensive travels all around the world have triggered a fascination for global subcultures and urban street life, while his academic background in advertising, graphic design, and typography have heavily influenced his compositional approach. Moussallem’s mixed media paintings resemble distressed city walls that, like palimpsests have accrued years of graffiti, posters, and fliers. He blends calligraphy and personal inscriptions with blurred color fields, using paint brushes...

JM Robert's portraits start with a bright a bold background done with spray paint. As JM started his career as a graffiti artist, he is now able to bridge fi...

Creativity, Equity, Justice. Screenprint on cream Speckle Tone Paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition of 450. Activism inspired collage style with beautifu...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Eli Harris Title: Covers and Pages Year: 2018 Medium: Digital Print Size: 17 x 11 inches COA provided

Fragile Peace. 18 x 24 inches. Screen print on cream Speckletone paper. Signed by Shepard Fairey and Jim Marshall. Numbered edition of 450. Shepard Fairey is a major influencer in t...

I See Static, Red. 18 x 24 inches. Screen print on cream Speckle Tone paper. Signed by Shepard Fairey. Edition of 300. Contemporary street art print. Shepard Fairey is a major infl...

OBEY Conformity Factory (Orange). Screenprint on cream Speckle Tone Paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition of 300. Superb print highlighting powerful archi...

Black Sabbath, The End, Gold. 18 x 24 inches. Screenprint on cream Speckletone Paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition of 225. ...

Serigraph with collage on canvas. 5/6 Hors Commerce. Clemens Briels grew up in a large family. He wanted to become an artist from an early age. In 1965 he started a course at the Aca...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Edition 10 of 15 Signed, dated, and numbered in pencil

Danny Brown is a first-generation American urban artist born in Los Angeles. His parents relocated their family from Oaxaca, Mexico in search of opportunity in the United States. Dan...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Covert to Overt, Gold, Triptych, Shepard Fairey, Jon Furlong. 3 prints, each with dimensions 18 inches x 24 inches. Screen Prints on cream Speckle Tone paper. Signed by Shepard Faire...

"Where They'll Never Find Us." Iconic piece from Eelus from an edition of 225. Hand signed and numbered by Eelus. A wonderful piece for the collector looking for a contemporary stree...

Title : Astaphos Materials : 310 gsm Premium Paper Date : 2020 Dimensions: 40 x 30 inch Edition of 50 Agent X is an emerging artist who creates experimental multimedia collages ...

Hand signed from an edition of 125. Ships flat in a reinforced box. A unique contemporary beautiful piece of art. From Paco Pomet, “On the majority of occa...

Artist: Peter Mayer Title: Dog (Orange on Pink and Black) Year: Circa 1990 Medium: Acrylic on Canvas, stamped verso Size: 24 x 30 in. (60.96 x 76.2 cm)

Obey Paint it Black 3, From Series of 3 - Shepard Fairey Contemporary Art Print. 18 x 24 inch dimensions. AP (Artist Proof). Two-color silkscreen on Som...

Albrecht Fuchs Straker Giclée on paper Year: 2018 Signed by hand and inscribed Edition: e.a. Size: 14.6 × 19.5 on 23.8 × 18.3 inches COA provided Albrecht Fuchs, born in 1964 in Bie...

Artist: Jon Naar Title: Tree from Faith of Graffiti Year: 1974 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP Size: 19 x 28 inches Printed by Circle Press, Chicago Published by Documentary Photos NYC Graffiti...

Artist: Jon Naar Title: Red Doc from Faith of Graffiti Year: 1974 Medium: Serigraph, signed and numbered in pencil Edition: 300 Size: 34 x 24.5 inches Printed by Circle Press, Chicago Published by Documentary Photos NYC Graffiti...

Mark Drew, Boy I Tell You I Miss Her, comes from a limited edition of 150. This contemporary print is inspired from "I Used To Love H.E.R." by Common. Mark Drew has a unique style o...

Figurative street art painting. Colors are vibrant; the silhouetted male figures would look perfect in various settings. The depth of the canvas makes this painting even more impress...

"Four sharks Untitled #4" 30 H x 40” W Acrylic on canvas 2019 This painting from Michael Myers' "Sharks" series is done in his most recognizable ...

Signed, dated, numbered in pencil with artist's fingerprint

I See Static, Blue. 18 x 24 inches. Screen print on cream Speckle Tone paper. Signed by Shepard Fairey. Edition of 300. Contemporary street art print. Shepard Fairey is a major inf...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

5 layer stencil painting ( Pink, Silver, Red, Black ) Panda Bear holding a FEMINIST sign Political statements in text These are NOT prints. Original works on paper, Comes rolled in ...

Street Art, Black and Blue Painting, Portrait Painting-A Face Between the Words A B O U T T H I S P I E C E : "A Face Between the Words (Beth...

Portrait Paintings, Black Mixed Media Art, Street Art-Era, You There? A B O U T T H I S P I E C E : “Era, You There?” is mixed media street art by Addison Jones featuring her own po...

Serigraph with collage on canvas. 40/45 Clemens Briels grew up in a large family. He wanted to become an artist from an early age. In 1965 he started a course at the Academy for Indu...

Lithograph on BFK Rives papers Edition of 50 Signed and numbered in pencil with artist's fingerprint

Mixed-media contemporary artist from Miami via Corsica, France who has lead national ‪digital art campaigns, most notably for Warner Bros 75 Years of DC Comics, and the development o...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Alexander Reagan's striking, improvisational compositions capture the spirit of contemporary street art. He is a rising star in the world of street art, known for his bold and colorf...

Hand signed and numbered by the artist. 12 Color, Hand-Pulled Screen Print on Mohawk Superfine UltraWhite paper with deckled edges. Edition of 150. Artwork is in excellent condit...

Mixed-media contemporary artist from Miami via Corsica, France who has lead national ‪digital art campaigns, most notably for Warner Bros 75 Years of DC Comics, and the development o...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

David Fredrik Moussallem’s mixed-media abstract paintings tell different “stories from the streets” and respond to urban landscape. Extensive travels all around the world have triggered a fascination for global subcultures and urban street life...

This is a truly unique piece from Mr. Brainwash. From 2007, this print is pre-release of Banksy's "Exit Through the Gift Shop." These pieces...

Drawing inspiration from cultural icons and global events, Soren Grau's street art-infused Neo-expressionism invites art enthusiasts to be a part of a narrative larger than life. In ...

Mixed-media contemporary artist from Miami via Corsica, France who has lead national ‪digital art campaigns, most notably for Warner Bros 75 Years of DC Comics, and the development o...

"Conjuring" is a vibrant piece from Eelus from an edition of 175. Hand signed and numbered by Eelus. A wonderful piece for the collector looking for a contemporary street art...

"Summoning" is a vibrant piece from Eelus from an edition of 125. Hand signed and numbered by Eelus. A wonderful piece for the collector looking for a contemporary street art...

This piece depicts an anonymous portrait of a beautiful woman. Inspired by the every day, JM Robert strives to create paintings that mimic the flash of a bea...

72 color Silkscreen on paper. Hand signed, numbered and dated by the artist. Published by Pace Editions, Inc., New York. Edition of 50. Artwork is in excellent condition. All rea...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...