Accessories Art

The president, vested in some unusual garments. :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: S...

This is a gorgeous hand-carved white marble object. The marble is polished and has an amazing tactile feeling. This piece is celebrates our conne...

Act of Occult at 02:00 am (Mystic Rose) 2023 Archival pigment print 32 × 24 in 81.3 × 61 cm Edition of 1 “To see ourselves we need a mirror and when we look at the mirror what do w...

In this series, Audrey Anastasi has shifted her focus away from naturalistic domestic settings to a dark, enigmatic, and some might say, unsettling, place. These figures could be he...

Antique miniature oil painting of Perseus and Andromeda on papier mache. Extraordinary detail. Titled and artist monogram on reverse. Pr...

"I remember the moment that the idea for Bodyscapes® came to me. I was thinking that the shape and structure of the universe repeated itself at every level and suddenly I had the ima...

Untitled (Nude) by Rene Pena is a black and white photograph of the back of a male figure in the nude. A beaded necklace drapes down his back, tied in a knot near his neck. Gelatin ...

Robin has worked with clay since the age of eleven. Her sculptures have ranged in size from life sized sculptures to the diminutive porcelain pieces. She has been a resident artist a...

This painting acts as a bridge between the past and the present, embodying the echo of primitive culture through modern art. Here we see symbols and signs carved into the stony surfa...

Glazed ceramic black and red

This wheel of life thangka is hand painted on canvas with 24k gold. The contrast of yellow gold on black makes it a stunning art. The artist has painstak...

Classic Beauty - The Noble Thistle - Polaroid Photographic Print Framed by Pia Clodi The blue tones within her work should not be interpreted as coldness, as her works are full of f...

Abstract Waterfall or Abstract Pond ? This contemporary abstract painting has been created by the gestural technique, inspired by Gerhard Richter. Bold c...

Jerry Herr for Lotton Pink Heart Art Glass Vase 2004 Signed. In excellent condition measures 5x4x4

Hand holding a pearl necklace on a light grey background :: Painting :: Photorealism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to...

"Every Kind Of Desire Is Wrong" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, googly eyes, paint. This piece measures 29"h x 29"w x 2.75"d and comes...

I was born in Manhattan, but the most important places in my life have been here on Long Island by the ocean and in the mountains and forests of Vermont. I love to surf, I love to sk...

BETH LIPMAN CLUSTER #17, 2020 black and clear glass, adhesive 8 x 15 x 13 in. 20.3 x 38.1 x 33 cm.

"Good Old Silver Lining" Gestural, shapes lines, gold bronze circles, silver mirror acrylic, acrylics, marker lines, bold, rich Fall hues make a huge statement and speak, "look at m...

Louis Guy Bronze Sleeping Basset Signed and dated 1876 L14 x d8,5 x h4 cms

"FRIDA" Portrait Oil Painting 48" x 36" inch by Isaac Pelayo Medium: oil and aeorosl on canvas ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The Renaissance ...

Grande Baroquial (Acropolis) by Armand FERNANDEZ known as ARMAN (1928-2005) Accumulation of cuts of miniature cellos, welded bronze, patinated gold, signed "Arman" numbered "71/100"...

The Water Table is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 202/275 (there were also 100 Roman and 20 AP). ...

This miniature compact mirror sculpture of a snowy winter scene titled "Child’s Play, Make Way, Replay" is an original artwork by Kendal Murray made of m...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

Drypoint printed in dark brown on heavy cream wove paper with wide margins. This is the third state (of four) from a small edition of only several. Signed and inscribed "II Zustand" ...

This Blue Dog work consists of a solid magenta background. There is a single dog wearing a yellow and orange polka dot tie. The dog has soulful yellow eyes. This pop art animal origi...

Stillfried, Raimund von Japan, Girl Winter Costume Yokohama, Japan: c 1880. Hand-tinted albumen print, 10 1/4 x 7 3/4 inches (260x 200 mm), numbered B 1080 and titled in the lower r...

JEFF CHESTER (b. 1976, CANADA) Born in Summerside, P.E.I., Jeff Chester completed a B.F.A. and a B.Sc. from the University of Guelph in 2001. After completing a B.Ed. the following ...

*Listing includes framed archival pigment print and daguerreotype Man with Pocket Watch by Thomas Kennaugh is an enlarged and enhanced print of a dagu...

"Beautiful Lies" Photography 24" x 36" inch Edition of 7 by Brendan North Available sizes: Edition of 15: 16" x 24" inch Edition of 7: 24" x 36" inch Edition of 3: 40" x 60" inch ...

19 x 11.25 inches - 2Edition 4 of 7 with 2 APs Available framing $265 Shot in 2012 in New Orleans, Louisiana Inspired by Jacques Guillaume Lucien Amans’ Creole with a Red...

"M&M MMDH" Photography 40" x 62" inch Edition 1/8 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: M&M MMDH Year: 2022 Pri...

Artist: (Garo) Karapet Balakeseryan Medium: Cream Alabaster, Natural Stone, All one piece of work, One of a Kind Year: 2024 Style: Classic, Impressionism, Subject: Roses, Size: ...

Untitled (spin butterfly) By Damien Hirst Damien Hirst is a British contemporary artist known for his provocative and often controversial works that explore themes of life, death, ...

In the Beginning, 2019 6-colour lithograph printed with Marinoni lithographic press, hand cut on BFK Rives 300 g paper 93 cm x 75 cm Edition of 99 Signed by the artist, numbered and ...

The illusions and reflections in Sietins prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. The numbers reflect up into the ball, along wit...

This lovely acrylic painting of two kittens captures a sense of intimacy and pure innocence. The small artwork is ready to hang with its red velvet ribbon, and the back is decorated ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by...

Finesse Bronze Sculpture Small Horse Green Patina Figurative Animal KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, Belgium 1950 – Sa...

Relief with saint Georges France, 15th Century limestone 26 x 20 cm (10 1/4 x 7 3/4 in) without base

Artist Statement by Rachelle Krieger: These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...

"Jungle" is an important, rare color lithograph signed by Carol Summers from the early years of his production. The image offers a landscape of a dark jungle, printed mostly in black ink. In the center, a blue pool of water is shaded by two trees. Summers' technique in this print renders a painterly quality to the image: the grasses and leaves of the scene are all created with playful, energetic swiping motions much like watercolor paint. This technique and the use of fields of color predict the style Summers would adopt in the coming decades, making this an important early work. 30 x 22 inches, artwork Numbered 14 of the edition of 27 Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision which would have significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain and Greece. However, as evidenced in Aetna’s Dream, Worldwind and Arch of Triumph, a new look prevailed. These woodcuts were larger in size and in color. Some incorporated metal leaf in the creation of a collage and Summers even experimented with silkscreening. Editions were now between 20 and 50 prints in number. Most importantly, Summers employed his rubbing technique for the first time in the creation of Fantastic Garden in late 1957. Dark Vision of Xerxes, a benchmark for Summers, was the first woodcut where Summers experimented using mineral spirits as part of his printmaking process. A Fulbright Grant as well as Fellowships from the Louis Comfort Tiffany Foundation and the Guggenheim Foundation followed soon thereafter, as did faculty positions at colleges and universities primarily in New York and Pennsylvania. During this period he married a dancer named Elaine Smithers with whom he had one son, Kyle. Around this same time, along with fellow artist Leonard Baskin, Summers pioneered what is now referred to as the “monumental” woodcut. This term was coined in the early 1960s to denote woodcuts that were dramatically bigger than those previously created in earlier years, ones that were limited in size mostly by the size of small hand-presses. While Baskin chose figurative subject matter, serious in nature and rendered with thick, striated lines, Summers rendered much less somber images preferring to emphasize shape and color; his subject matter approached abstraction but was always firmly rooted in the landscape. In addition to working in this new, larger scale, Summers simultaneously refined a printmaking process which would eventually be called the “Carol Summers Method” or the “ Carol Summers Technique”. Summers produces his woodcuts by hand, usually from one or more blocks of quarter-inch pine, using oil-based printing inks and porous mulberry papers. His woodcuts reveal a sensitivity to wood especially its absorptive qualities and the subtleties of the grain. In several of his woodcuts throughout his career he has used the undulating, grainy patterns of a large wood plank to portray a flowing river or tumbling waterfall. The best examples of this are Dream, done in 1965 and the later Flash Flood Escalante, in 2003. In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge. Before printing, he centers a dry sheet of paper over the top of the cut wood block or blocks, securing it with giant clips. Then he rolls the ink directly on the front of the sheet of paper and pressing down onto the dry wood block or reassembled group of blocks. Summers is technically very proficient; the inks are thoroughly saturated onto the surface of the paper but they do not run into each other. The precision of the color inking in Constantine’s Dream in 1969 and Rainbow Glacier in 1970 has been referred to in various studio handbooks. Summers refers to his own printing technique as “rubbing”. In traditional woodcut printing, including the Japanese method, the ink is applied directly onto the block. However, by following his own method, Summers has avoided the mirror-reversed image of a conventional print and it has given him the control over the precise amount of ink that he wants on the paper. After the ink is applied to the front of the paper, Summers sprays it with mineral spirits, which act as a thinning agent. The absorptive fibers of the paper draw the thinned ink away from the surface softening the shapes and diffusing and muting the colors. This produces a unique glow that is a hallmark of the Summers printmaking technique. Unlike the works of other color field artists or modernists of the time, this new technique made Summers’ extreme simplification and flat color areas anything but hard-edged or coldly impersonal. By the 1960s, Summers had developed a personal way of coloring and printing and was not afraid of hard work, doing the cutting, inking and pulling himself. In 1964, at the age of 38, Summers’ work was exhibited for a second time at the Museum of Modern Art. This time his work was featured in a one-man show and then as one of MOMA’s two-year traveling exhibitions which toured throughout the United States. In subsequent years, Summers’ works would be exhibited and acquired for the permanent collections of multiple museums throughout the United States, Europe and Asia. Summers’ familiarity with landscapes throughout the world is firsthand. As a navigator-bombardier in the Marines in World War II, he toured the South Pacific and Asia. Following college, travel in Europe and subsequent teaching positions, in 1972, after 47 years on the East Coast, Carol Summers moved permanently to Bonny Doon in the Santa Cruz Mountains in Northern California. There met his second wife, Joan Ward Toth, a textile artist who died in 1998; and it was here his second son, Ethan was born. During the years that followed this relocation, Summers’ choice of subject matter became more diverse although it retained the positive, mostly life-affirming quality that had existed from the beginning. Images now included moons, comets, both sunny and starry skies, hearts and flowers, all of which, in one way or another, remained tied to the landscape. In the 1980s, from his home and studio in the Santa Cruz mountains, Summers continued to work as an artist supplementing his income by conducting classes and workshops at universities in California and Oregon as well as throughout the Mid and Southwest. He also traveled extensively during this period hiking and camping, often for weeks at a time, throughout the western United States and Canada. Throughout the decade it was not unusual for Summers to backpack alone or with a fellow artist into mountains or back country for six weeks or more at a time. Not surprisingly, the artwork created during this period rarely departed from images of the land, sea and sky. Summers rendered these landscapes in a more representational style than before, however he always kept them somewhat abstract by mixing geometric shapes with organic shapes, irregular in outline. Some of his most critically acknowledged work was created during this period including First Rain, 1985 and The Rolling Sea, 1989. Summers received an honorary doctorate from his alma mater, Bard College in 1979 and was selected by the United States Information Agency to spend a year conducting painting and printmaking workshops at universities throughout India. Since that original sabbatical, he has returned every year, spending four to eight weeks traveling throughout that country. In the 1990s, interspersed with these journeys to India have been additional treks to the back roads and high country areas of Mexico, Central America, Nepal, China and Japan. Travel to these exotic and faraway places had a profound influence on Summers’ art. Subject matter became more worldly and nonwestern as with From Humla to Dolpo, 1991 or A Former Life of Budha, 1996, for example. Architectural images, such as The Pillars of Hercules, 1990 or The Raja’s Aviary, 1992 became more common. Still life images made a reappearance with Jungle Bouquet in 1997. This was also a period when Summers began using odd-sized paper to further the impact of an image. The 1996 Night, a view of the earth and horizon as it might be seen by an astronaut, is over six feet long and only slightly more than a foot-and-a-half high. From 1999, Revuelta A Vida (Spanish for “Return to Life”) is pie-shaped and covers nearly 18 cubic feet. It was also at this juncture that Summers began to experiment with a somewhat different palette although he retained his love of saturated colors. The 2003 Far Side of Time is a superb example of the new direction taken by this colorist. At the turn of the millennium in 1999, “Carol Summers Woodcuts...

Bert stern Marilyn stretching beads No 21/72 Mythical photo of the last seance (1962) Ink jet print by bert stern 2010 signed on both sides certificate signed by the artist in his...

Stacy D'Aguiar's (US based) "Electrogenesis" is an acrylic painting that depicts a colorful and surreal scene of a fish. Artist Statement: My paintings are channeled, Visual Dreamsc...

La Icône de Paris is an exquisite mixed-media painting that exudes grace, sophistication, and timeless elegance. The artwork portrays a confident, regal woman adorned with textured i...

Black and white candid capture of golf legend Jack Nicklaus candid and smiling. Jack Nicklaus , nicknamed "the Golden Bear", is an American retired professional golfer and golf cour...

Contemporary gray and white monoprint in oil-based inks, paper and Mylar relief on Rives BFK paper of a Marquess and Marchioness crown and a fleur-de-lis pattern towards the bottom o...

Artist and collector Hunt Slonem is best known for huge Neo-Expressionist oil paintings of tropical birds based on his personal aviary. His lavishly colored canvases are populated wi...

Jaguar Head Sculpture Cultivated Marble Casted Wild Animal In Stock Chris Tap (1973, Amsterdam) attended university where he studied economy and cultural anthropology, before he bec...

Work on paper without frame

Erté (Romain de Tirtoff) 1892-1990 Russian-French Conte Hindou en noir Signed “Erté”(middle right) Inscribed "Inscribed 1922" (en verso) Gouache on paper Designed for a 1922 show at the Folies Bergère, Erté draws inspiration from the splendors of India in Conte Hindou (Hindu Story). The central bare-chested figure, adorned with a resplendent jewel-encrusted headpiece and draped in cascading pearl...

The 1988 original poster by Andy Warhol, created for the "Cars" series and prominently featuring the Mercedes-Benz Typ C 111 Versuchswagen, is a compelling piece that highlights the ...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Authenticity.

The Late HM Queen Elizabeth II Edne G. Simpson, British 20th century signed oil on canvas, unframed painting: 24 x 20 inches provenance: private col...

I was born in Nice in 1955. In the 80’s, I discovered the world of metal and ornamentation in my father’s workshop where I learnt gold and silver plating and bronze restoration. After many years of practice and technical research dedicated to rehabilitating and re-composing objects, I engaged in an artistic way around 2010. The ornament that is torn from its original support then becomes the very structure of my sculptures. Bronze ornamentations assembled by extremely precise welding are the base material. Weighted with the nobility of the material joined to their own history, they support a fragmented memory and they bring me a precious help as well as a constraint. I got special inspiration from the Renaissance period. Vanitas are one of my favorite themes, typical of classical sceneries...

Moench Portrait Color Photography on Dibond with Perspex Front UV Resistant Billy und Hells are two photographers: Anke Linz (Nürnberg, 1965) and Andreas Oettinger (Munich, 1963). ...

Ed. 7/10, includes white frame. Internationally renowned photographer Nathan Coe had long been shooting the beautiful Nantucket landscapes and yearned for something more, a differen...