Baby Art

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Shoes Year: 1974 Medium: Etching, signed and numbered in pencil Edition: II 14 Image Size: 19 x 28 inches Size: 27.5 x 36 ...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 8 x 6.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the vo...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Soviet Union socialist irrigation Bulgarian propaganda poster design (circa 1950s) Gouache on board 18 x 11 cm After a Communist takeover in 1945, Bulgaria was a Soviet ally during the Cold War, and maintained good relationships with Russia until the Revolutions of 1989. From 1945 to 1948, the country became entrenched within the Soviet sphere of influence under the control of the Bulgarian Communist Party (BCP) which oversaw a program of Stalinization in the late 1940s and 1950s. Both countries are Slavic nations, and are bound together by a common Orthodox Christian...

Artist: Chaim Goldberg, Israeli (1917 - 2004) Title: The Horah Dance Year: Circa 1980 Medium: Lithograph on Arches Paper, signed and numbered in pencil ...

ARTIST: Salvador Dali TITLE: Faust Chevalier a Genou MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 9/95 MEASUREMENTS: 15.3" x 11.4" YEAR: 1969 FRAMED: No CONDITION: Ex...

Louis Valtat Young Girl Stamped with initials lower right Pencil on brown paper Sight 7 x 6 inches Provenance: Mrs. Ernest M. Werner, New York Private Collection, Rhode Island Loui...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.75 x 5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the vo...

Dances. Paper, watercolor, 59x83.5 cm "Dances" is a watercolor artwork that portrays colorful figures dancing in nature. The medium used is paper, and the dimensions of the artwork ...

"Memories and Dreams" Photography 32" x 24" inch Edition 2/7 by Larsen Sotelo Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish 32” X 24” inch Limited Edi...

"Snow White" Oil Painting 39" x 35" inch by Yevhenii Shapovalov ATT: SHIPS ROLLED IN TUBE ABOUT: Yevhenii Shapovalov is a highly talented Ukrainian painter and graphic known for h...

Jason Walker's (CAN based) "Plastic Figure 8" is an oil painting that depicts a lone yellow plastic cowboy figure firing his gun into the darkness. Gr...

In this piece, I poured my vibrancy and passion for music into a tapestry of oil and wax. The cubist influences breathe life into the figurative forms, inviting viewers into a dance ...

When love breaks down - 2020 37x50cm, Edition 1/7 plus 2 Artist Proofs, Digital C-print, Based on an original Polaroid. Signed on the back and with certificate. Artist inventory ...

"Vendiendo Frutas," ("Selling Fruit") is an original oil painting on canvas signed by the Peruvian artist Ernesto Gutierrez. Visible is a vibrant rainbow o...

"Roman Bath" is a painting by Bulgarian Eleonora Droumeva. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporary Edition : Unique...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful draftsmanship and precocious insight into the human condition. Part of the first wave of Austrian Modernism, he was swept away by the Viennese fascination with the tension between Life and Death (known in the works of Freud and his later interpreters as Eros and Thanatos). Life, identified with attraction, love, sexuality, and reproduction, and Death, represented by distortion, disease, repulsion, and hysteria, often appeared in the same composition, thereby suggesting the frightening life cycle of the human mind and body. Young throughout his career, Schiele universalized his childhood traumas, thriving libido, insecurities, fears, and longings. His contorted line, jarring contrasts, and flat areas of color, demonstrate an early alliance with Expressionist philosophy and artists who were relentlessly frustrated by conventionality in all its forms. Schiele’s work embodied man’s disorientation and confusion in a seemingly absurd world, a world plagued by disease and war. It continues to be astonishingly relevant today, not just because it helped define Modernism but also because it revealed the dark and immutable aspects of the human condition. Zeichnungen is a fine art print portfolio published by Verlag der Buchhandlung Richard Lanyi, Vienna, 1917, printed by Max Jaffe...

White Roses is painted in the Realist style which the artists acquired when she studied at the Florence Academy of Art. Frame included at no cost. Other paintings by Melissa Sanche...

Painting oil on canvas measuring 80 x 62 cm without frame and 105 x 82 cm with a contemporary frame by the painter Ernest daret, depicting the myth of Diana and Actaeon. According t...

C. Late 19th Century - Early 20th Century This is a Portrait of a Jester Playing an Instrument ( Oil on Canvas ) Done by Thelma Gooch 63"

Hebru Brantley GAIA (Hebru Brantley Lil Mama as Gaia): Hebru Brantley’s ethereal art toy features his much iconic, Lil Mama character as Gaia, the...

Medium: Lithograph on grand vélin d'Arches spécial paper Year: 1961 Paper Size: 14.8 x 11 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Les Côtes Norm...

A native of Charlotte, North Carolina, Paul Rousso attended the Cleveland Institute of Art in Ohio and went on to earn his BFA from the California College of the Arts in 1981. In his...

Medium: etching. Etched by Adrien Didier after the figure by Michelangelo in the Sistine Chapel known as The Libyan Sibyl. This impression on japon paper was printed in 1875 at the A...

" Opened eyes " is a modern art line painting by Maestro Dimitar Voynov -Junior, About the artwork: TECHNIQUE: Acrylic, oil on canvas painting STYLE...

Mary Reilly’s laborious method of toning her paper serves as the starting point for her intricate compositions. She begins by covering the entire sheet with up to eight smooth, unmod...

Francois BOUCHER Mannerist : Lying Nude Etching Unsigned On Vellum 38 x 50 cm (c. 15 x 20 in) Probably edited c. 1950 Excellent condition

Planet Plastic I 27.5 H in. x 35.5 W in. Edition 6 Unframed Planet Plastic Series This safari series, Marisa in the Congo makes reference to plastic animals and her own plastic i...

Pablo Picasso (1881-1973) - Portrait of Francoise Gilot Lithograph from 1954. Dimensions of work: 35.5 x 26.5 cm Publisher: Tériade, Paris. The work is in Excellent condition. F...

MIRA LOEW (b 1984, Vienna) Austrian born, Mira Loew began her journey as a photographer and filmmaker with audio-visual media training at the Federal Graphic Institute in Vienna, at...

Peter Paul Rubens (After) - Helena (Helene) Fourment with her Son Francis (Frans) Very decorative Painting. Oil on canvas. Unsigned. Dimensions include the frame. The painting and...

MARCEL JANCO 1895-1984 Bucarest 1895-1984 Ein Hod (Rumanian/Israeli) Title: Reclining Nude Technique: Original signed Watercolour and Ink on paper s...

Unconscious Female Force Signed and dated lower right, canvas 43x51 with frame 45x53 Born in 1950 Vina Del Mar Chile. Already when a child his drawings and paintings were noticed by the public. From 1966 to 1969 he attended the Academy of Fine Arts in Valparaiso where he received awards every year. Very soon he exhibited his works that document his specific interest in the portrayal of man in Chile. In the age of 24 he went abroad having exhibition in several Latin American countries. In 1983 he joined the League Art Student of New York. Duran developed his style which distinguishes him from present day currents. His work was exhibited in Europe, South America and USA recently his work was exhibited in Chile. Ivan Duran Garlick...

Artist: Peter Max (1937) Title: Profile Series I Year: 1998 Edition: 140/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 9 x 7.5 inches Condition: Excellent Inscri...

Jean Cocteau - Parametabolismes - Original Lithograph Signed "Jean Cocteau" in the plate and dated 1956 in the plate. 39 x 29 cm Edition: 500 Hand numbered Stamp signed lower right

Joan Miró Composition for 'from XXe Siecle', No. 16 1961 Lithograph Numbered 58/75 in the lower left. Hand-signed in the lower right. Image Size: 33 x 23 cm Framed Size: 68 x 53 cm...

Stephen Namara's work is a testament to technical mastery and emotional depth. His artistic execution showcases a level of skill that is both rare and commanding. His ability to rend...

19th Century Dutch

Bertha Corbett Melcher's The Sunbonnet Babies, with their flat, minimalist, semi-abstract, and symbolic style, are an early example of American Modernism/Surrealism by a lesser-known female artist/illustrator. The present work demonstrates a delicate balance between abstraction and representation and between the commonplace and the mysterious. Her signature use of a hat or sunbonnet to hide the identity of her subjects is a big conceptual and visual idea that has been overlooked in the fine art canon. The exact meaning of this is unknown, but 120 years after they were done, it resonates as somewhat surrealistic. Her work is a contradiction. She shows innocent children engaging in everyday activity but are depicted in vail of mystery. Why does she not show the faces of her subjects? Watercolor on paper (each) Six drawings in all on one board. 6-1/8 x 5 inches (15.6 x 12.7 cm) (each) One signed; two initialed; three not signed. Six drawing in all on one board. 6-1/8 x 5 inches (15.6 x 12.7 cm) (each) One signed; two initialed; three not signed The Sunbonnet Babies characters were created by illustration Bertha L. Corbett when she was challenged to create a faceless character who nonetheless was engaging and appealing. The characters were a wild hit and appeared in books, comics, and popular collectibles. They also became a popular motif in quilting. Few of Corbett's original drawings for the babies are known to survive, making this a rare offering. From: Wikipedia Sunbonnet Babies are characters created by commercial artist Bertha Corbett Melcher (1872–1950). Sunbonnet Babies featured two girls in pastel colored dresses with their faces covered by sunbonnets. Sunbonnet Babies appeared in books, illustrations and advertisements between the years of 1900 and 1930. Sunbonnet Babies were later used as a popular quilting pattern also known as Sunbonnet Sue.[1] Melcher created a male version of the Sunbonnet Babies, named the 'Overall Boys' in 1905.[2][3] History Bertha L. Corbett Melcher Sunbonnet Babies were created by Bertha Corbett Melcher (1872–1950).[4] Melcher was born in Denver and moved with her family to Minneapolis in the 1880s. Melcher attended art school in Minneapolis with plans to become a commercial artist.[5] She may have also studied with Howard Pyle.[6] By the 1920s, Melcher had moved to Topanga, California.[7][4] Melcher started drawing the Sunbonnet Babies in 1897. The origin of the signature style of the faces being covered by sunbonnets is contested by different members of Melcher's family and by Melcher herself. In an interview, Melcher's brother said their mother suggested Bertha avoid the difficulty of drawing faces by covering them with sunbonnets.[4] Melcher herself said that covering faces allowed her to communicate with body position.[4] Melcher has also said that the design came about in "answer to a friend’s challenge to convey emotion without a face."[2] Melcher published her first book, The Sun-Bonnet Babies in 1900.[3] Later, she shopped her illustrations to publisher Rand McNally of Chicago, and nine subsequent books were written by Eulalie Osgood Grover and illustrated by Bertha Corbett. In 1905, Melcher wrote The Overall Boys.[3] Many of these books were used as primers and used widely in primary schools in the midwest. Melcher used the sunbonnet babies in advertising and later established the Sunbonnet Babies Company. She started a studio to illustrate and create merchandise of the Sunbonnet Babies.[2] The characters also appeared in a comic strip.[2] Quilting Melcher herself did not originate the use of the sunbonnet babies as quilting pattern. The Sunbonnet Babies quilting pattern appeared in textile art 1910's in the Ladies Home Journal 1911–1912 in a quilt stitched by Marie Webster. The pattern was popular during the Great Depression. In the American South, it was often known as "Dutch Doll" until the 1970s.[3] There was also a quilt pattern based on the "Overall Boys," known by the various names including “Overall Bill, “Overall Andy,” “Sunbonnet Sam,” “Suspender Sam,” “Fisherman Jim."[3] Many patterns for quilts and sewing were designed by Ruby Short McKim and published in nationally syndicated newspapers.[8] Sunbonnet Sue became symbolic of 'female innocence and docility'.[9] Linda Pershing collected accounts from women quilters who depicted 'Sues' doing activities such as smoking, wearing more revealing clothing, and subverting feminine stereotypes.[10] In 1979, the “Seamsters Union Local #500," a group of quilters from Lawrence, Kansas, created “The Sun Sets on Sunbonnet Sue," a quilt depicting the character murdered in a variety of ways.[3] Collectibles Sunbonnet Babies merchandise includes school books, valentines cards, postcards, china, and quilts.[2][5][11] Sunbonnet Babies were adapted into three dimensional porcelain collectibles and pottery made by Royal Bayreuth Company in the early 1900s. The Royal Bayreuth China...

Keith Haring Public Illumination 1981: A rare, highly collectible small pamphlet-style art magazine (measuring 4.25 x 2.75 inches), featuring a centerfold spread illustrated by Keith Haring, playfully credited under the moniker "Kip Herring." The illustrations include some of Haring's signature early motifs including dogs, crawling babies, and figures in varying sexual positions. A rare, early Haring collectible which quite possibly marks his first appearance in a printed publication. Staple bound zine (art magazine), 4.25 x 2.75 inches. Good to very good overall vintage condition; appears unused. Unsigned from an edition of unknown. Literature/References: Printed Matter Inc., New York, NY Public Illumination Magazine: Founded by Zagreus Bowery in 1979 in New York and distinguished by its pocket-sized format, the publication rose to prominence in the underground art scene and was revered for its blatant mockery of mainstream magazines. The texts and drawings ranging from parody to absurdities. Contributions will be published exclusively under pseudonyms. By 2007, 51 issues appeared. The magazine is published irregularly and is available in the USA, Italy and Germany. Writers and artists who have contributed include: Keith Haring, Ken Brown, Steve Dalachinsky, Michael Madore, David Sandlin...

Small scale contemporary figurative etching print by Polish artist Marian Bocianowski. Artwork depicts man sitting on a bike with a woman. She is seen from behind and he is seen from...

Subrata Biswas - Untitled - 20.5 x 32 Inches ( framed size) Terracotta Subrata Biswas’s three sculptures ‘Think Green’, ‘Amigo’ and ‘City Bred’ a conscious selection of elements of ...

Kiss By Roy Lichtenstein Roy Lichtenstein was a prominent American pop artist known for his bold, comic strip-inspired paintings. Emerging in the 1960s, his work featured bright co...

Heartbroken Joker (Odd Stories) - 2/25, 2012 digital print, mounted on black mdf, matte coating, dimensions 15x11,3cm hand signed by the artist on the back. --Part of Carmen De Vos...

In crafting this piece, I immersed myself in a world of boundless expression, blending acrylics and oils to capture the dynamic essence of movement and freedom. Shapes and lines danc...

Fool's gold - 2021 20x25cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2021-1086. Not ...

This brilliant study sheet, of which we present here a counterproof, is a souvenir of Fragonard's return journey from Italy. Between April and September 1761, he accompanied the abbot of Saint-Non on his way back to France. Three studies after the masters taken from the Pitti Palace’s gallery in Florence are gathered on this sheet. Although The Ecstasy of Saint Margaret...

This painting is oil enamel on deep-profile canvas, wired and ready to hang, :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the art...

Giclee on canvas. Hand signed lower right by Doug Bloodworth. Hand numbered 8/150 lower right. Canvas size 38 x 48 inches. Canvas is not stretched. Artwork is in excellent con...

Antique Italian painting from the second half of the 17th century. Artwork oil on canvas depicting the mythological subject Rape of Europa of excellent pictorial quality. Painting of...

5216 Late 19th C hand colored lithograph of a man and a woman in an arena participating in Roman games Period wood frame Image size 12x35"

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...

Lithograph on vélin du Marais paper. Paper Size: 11 x 8.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the volume, Poèmes 1923-1958. Dix dessins d...

This original lithograph by Henri-Gabriel Ibels was created to promote his solo exhibition at La Bodinière in Paris from November 6 to December 15, 1894, and was published as Plate 1...

Museo De Arte Moderno, Mexico Bosque De Chapultepec, Exposicion Inaugural El Dia 20 De Septiembre De 1964’ stamp on verso with artist, title, collection, EW birth/death date, number,...

Vadym Mykhalchuk "Odessa.Grekivka.Masha."

Portrait Of CLAUDE-LOUISE DE LORY (1706-1742), 18th Century French School Large 18th Century French portrait of a lady identified as Claude-Louise De Lory. Excellent quality and c...

"Solidarity" is an original etching by surrealist artist Yves Tanguy. The artist signed the piece in pencil in the lower right and wrote the edition number, 109/150, in the lower lef...

Artist: La Pun, Campbell Title: Ohana Heart Flower Chan Series: Mish Mash Date: 2024 Medium: Aerosol on panel Unframed Dimensions: 46.75" x 33.25" Signature: Signed Edition: ...

This original lithographic poster by Jules Chéret was published in 1898 as Plate 165 in the prestigious Les Maîtres de l’Affiche series. Created to promote the famous Concert des Amb...

UNTITLED (INV# NP2233) Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books Ken Price (1935 - ...