Port Art

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print, edition of 5. Signed, titled, dated and numbered b...

Slim Aarons Estate Stamped Edition Limited to 150 only Holidaymakers at a marina on Great Harbour Cay, Bahamas, March 1973. (Photo by Slim Aarons) This photograph epitomises the ...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Brando On The Waterfront (1954) Silver Gelatin Fibre Print - Oversized (photo by Glasshouse Images / Alamy Archives) 1954, Marlon Brando on-set of the Film, On the Waterfront. ...

Alexander Bower (1875 - 1952) Portland Harbor, Maine, 1910 Oil on canvas 27 x 33 inches Signed and dated lower right An American Impressionist, Alexande Bower was born in New York, studied at The Pennsylvania Academy of Fine Art, and was living with his wife in Cliff Island, Maine by 1914. Despite his urban upbringing, the coast and the sea fascinated Bower. A large portion of his paintings are seascapes, particularly scenes depicting the coast of Cape Elizabeth...

Xavier Rodes was born in 1971 in Barcelona, Spain. He studied Art at EINA College, where he created a final project on the subject of “Industrial and Urban Landscape”. Today, he live...

An early twentieth-century, American School oil showing a view of a sailor caulking the seams of a substantial wooden sailing ship with a view beyond towards red-tiled houses beneath...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

'Speedboat Landing' (Slim Aarons Estate Edition) A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Ital...

Slim Aarons Estate Print - Speedboat Landing - Oversize A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole...

Black and White Fine Art Waterscape Photography. Concrete Pier in a bay on the stormy coast of Ireland. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered b...

A quiet port on the Canary Islands in Spain where there are many yachts, with the evening gentle sun, which gilded white blocks and sails. Exhibition: 2017 The exhibition "Enchanted ...

A visceral and direct language emerges powerfully in Leila Erdman-Tabukashvili's poetics, capable of mixing brutality and gentleness, expressive power and narrative delicacy. His app...

We acquired a series of paintings from Claude Muncaster's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller." Claude Muncaster (1903-1974) Liverpool Docks Dated 1928 Inscribed to reverse Watercolour 28x37cm Muncaster's watercolours capture the English countryside feel with great competence and feeling. Here he records the docks at Liverpool, a busy scene with splashes of bright paint enlivening the otherwise dull smoky port. Liverpool Claude Grahame Muncaster, RWS, ROI, RBA, SMA was the son of Oliver Hall RA. At the age of fifteen his career as a landscape painter began, and he soon took to the seas, spending the 1920s and 30s travelling the world with his sketchbook in a series of vessels. With the outbreak of war and he joined the RNVR training as a navigator. Having left school at fifteen his mathematics was very weak and it was a relief for all when his artistic talents meant he was recruited as a camofleur. A master of capturing seascapes he was therefore able to hide huge ships ‘in plain sight’ with clever disguises. After the war he painted for the Royal Family and was a frequent guest at Sandringham. Claude Muncaster was a watercolourist known for his landscapes and maritime scenes. He was born Grahame Hall, the son of the Royal Academician Oliver Hall who taught his son to paint from an early age; Grahame first exhibited his work aged 15 and a few years later was showing at the RA. However, he adopted the name Claude Muncaster in 1922 to dissociate his career from that of his father. Muncaster’s primary choice of subject matter came from a genuine love of the sea. He made several long-distance sea voyages, including one around the Horn...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

This artwork titled "Goletas Pesqueras On La Bahia De San Antonio, Chile" is a large oil painting on canvas by Culean artist Ernesto Romero Diaz. I...

Available in different sizes/prices. Delivery of this and other items may exceed 10 business days. Internationally renowned photographer and multidisciplinary artist David Drebin ...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Signed, numbered and dated on the front of the mount recto. Signed, dated, numbered and titled with artist's copyright stamp on the back of the mount. Number 5 of 45. Printed in 1992...

Dear clients, Thank you so much for your interest to the art of Maestro Alina Khrapchynska. The artist Maestro Khrapchynska has escaped the war in ...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. In her new exhibition Churilla draws from her years spent as a swimmer, lifeguard, and athlete to capture the forgotten freedom and exuberance of days of youth spent on the water. Viva la Vida is a mix of timeless portraits and candid photographs "I’ve always been drawn to the water- now my art, my sense of athleticism, freedom and oasis have merged in a way", says Churilla. Her nod to iconic photographers from the past, such as Edward Weston, and Herbert List, is apparent in her portrait work. In another Christian & Nathan Fletcher is in the midst of a surf crusade off the coast of Islamorada, Florida. Christian pioneered a new revolution in surfing style with his aerial techniques. The artist’s genuine connection to her subjects allows the viewer to forget the presence of a camera and to be drawn into the personal narrative. The invitational image Longboard Afternoon, taken at Ditch Plains, Montauk, focuses on the portrayal of the atmosphere rather than the individual subjects. With a 70’s feel the viewer is intrigued by the layers of life, activity and parallel moments shared by silhouettes of surfers carrying longboards at hazy days end. One such image, Gustavo, depicts a male figure seated poolside with head bowed. The pose and the wet sheen to his hair and skin give the subject a classic, sculptural look. All the photographs exhibited in are in various sizes are printed on heavy weight cotton paper with the traditional glossy baryta surface in rich tones of black and white. Her artist mother, Barbara Churilla, involved her in creating art, sculpture, painting and photography from an early age. She was raised in Princeton, New Jersey. She graduated from School of Visual Arts in NYC with a BFA in Photography. Lynda began her photo assisting career with legendary photographer Bruce Weber. Over a period of almost a decade she traveled the world with Weber learning not only knowledge of photography, but also life. Eventually becoming his trusted first assistant before embarking on her own photography adventure. Churilla’s work has been celebrated in American Photo, where she was heralded as one of the young visionaries of 21st century. She has photographed numerous celebrities, such as Cameron Diaz, Jewel, Olivier Martinez, Coldplay, Pet Shop Boys, Josh Brolin, and others. Her corporate clients include: Ralph Lauren, L’Oreal, and Microsoft, Nike, Estee Lauder, Coca-Cola, Macy’s and Sony. Her photographs have graced the pages of publications such as Rolling Stone, GQ, Men’s Health and Interview Magazine. Lynda Churilla resides in New York City with her husband John. men, male, swimming, water, black and white, fashion, sports, Long Island, Hamptons, New York, figurative, ocean, sea, boat, acrobatics, synchronized swimming

Image dimensions: 60cm x 60cm Framed dimensions: 75cm x 75cm This original Cornish seascape painting beautifully depicts the coastal town of St Ives. Mike Bernard pays homage to the St Ives group...

In this sunset harbor scene, everything is enveloped in calm. The last rays of the sun bathe a fishing building, while the moored boats play with light a...

Slim Aarons Freeport Yachts 1969 (printed later) Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Yachts in...

It is infrequent, to say the least, that a diagnosis of tuberculosis proves fortuitous, but that was the event, in 1921, that set Paul Starrett Sample on the road to becoming a professional artist. (The best source for an overview of Sample’s life and oeuvre remains Paul Sample: Painter of the American Scene, exhib. cat., [Hanover, New Hampshire: Hood Museum of Art, 1988] with a detailed and definitive chronology by Sample scholar, Paula F. Glick, and an essay by Robert L. McGrath. It is the source for this essay unless otherwise indicated.) Sample, born in Louisville, Kentucky, in 1896 to a construction engineer and his wife, spent his childhood moving with his family to the various locations that his father’s work took them. By 1911, the family had landed in Glencoe, Illinois, settling long enough for Paul to graduate from New Trier High School in 1916. Sample enrolled at Dartmouth College, in Hanover, New Hampshire, where his interests were anything but academic. His enthusiasms included the football and basketball teams, boxing, pledging at a fraternity, and learning to play the saxophone. After the United States entered World War I, Sample, to his family’s dismay, signed on for the Naval Reserve, leading directly to a hiatus from Dartmouth. In 1918 and 1919, Sample served in the U.S. Merchant Marine where he earned a third mate’s license and seriously contemplated life as a sailor. Acceding to parental pressure, he returned to Dartmouth, graduating in 1921. Sample’s undergraduate life revolved around sports and a jazz band he formed with his brother, Donald, two years younger and also a Dartmouth student. In November 1933, Sample summarized his life in a letter he wrote introducing himself to Frederick Newlin Price, founder of Ferargil Galleries, who would become his New York art dealer. The artist characterized his undergraduate years as spent “wasting my time intensively.” He told Price that that “I took an art appreciation course and slept thru it every day” (Ferargil Galleries Records, circa 1900–63, Archives of American Art, Smithsonian Institution, available on line). In 1920, Donald Sample contracted tuberculosis. He went for treatment to the world-famous Trudeau Sanitorium at Saranac Lake, in New York State’s Adirondack Mountains for the prescribed regimen of rest, healthful food, and fresh air. Visiting his brother in 1921, Paul also contracted the disease. Tuberculosis is highly contagious, and had no certain cure before the development of streptomycin in 1946. Even for patients who appeared to have recovered, there was a significant rate of recurrence. Thus, in his letter to Price, Sample avoided the stigma conjured by naming the disease, but wrote “I had a relapse with a bad lung and spent the next four years hospitalized in Saranac Lake.” The stringent physical restrictions imposed by adherence to “the cure” required Sample to cultivate an alternate set of interests. He read voraciously and, at the suggestion of his physician, contacted the husband of a fellow patient for instruction in art. That artist, then living in Saranac, was Jonas Lie (1880–1940), a prominent Norwegian-American painter and an associate academician at the National Academy of Design. Lie had gained renown for his dramatic 1913 series of paintings documenting the construction of the Panama Canal (The Metropolitan Museum of Art, New York; United States Military Academy, West Point, New York). Primarily a landscape artist, Lie had a particular affinity for scenes with water. His paintings, impressionistic, atmospheric, and brushy, never strayed from a realistic rendering of his subject. Sample regarded Lie as a mentor and retained a lifelong reverence for his teacher. Sample’s early paintings very much reflect Lie’s influence. ` In 1925, “cured,” Sample left Saranac Lake for what proved to be a brief stay in New York City, where his veteran’s benefits financed a commercial art course. The family, however, had moved to California, in the futile hope that the climate would benefit Donald. Sample joined them and after Donald’s death, remained in California, taking classes at the Otis Art Institute in Los Angeles. In Sample’s account to Price, “I couldn’t stomach the practice of painting a lot of High Sierras and desert flowers which seemed to be the only kind of pictures that were sold here so I got a job teaching drawing and painting at the art school of the University of Southern California.” Initially hired as a part-time instructor, Sample progressed to full-time status and ultimately, by the mid-1930s, to the post of Chairman of the Fine Art Department. Sample, however, did not want to wind up as a professor. “Teaching is all right in small doses,” he wrote, “but I have a horror of drifting into being a college professor and nothing more.” At the same time as he taught, Sample began to exhibit his work in a variety of venues at first locally, then nationally. Though he confessed himself “a terrible salesman,” and though occupied with continued learning and teaching, Sample was nonetheless, ambitious. In 1927, he wrote in his diary, “I am eventually going to be a painter and a damned good one. And what is more, I am going to make money at it” (as quoted by Glick, p. 15). In 1928, Sample felt sufficiently solvent to marry his long-time love, Sylvia Howland, who had also been a patient at Saranac Lake. The Howland family were rooted New Englanders and in summertime the Samples regularly traveled East for family reunion vacations. While the 1930s brought serious hardship to many artists, for Paul Sample it was a decade of success. Buttressed by the financial safety net of his teacher’s salary, he painted realist depictions of the American scene. While his work addressed depression-era conditions with a sympathetic eye, Sample avoided the anger and tinge of bitterness that characterized much contemporary realist art. Beginning in 1930, Sample began to exhibit regularly in juried exhibitions at important national venues, garnering prizes along the way. In 1930, Inner Harbor won an honorable mention in the Annual Exhibition of the Art Institute of Chicago. That same year Sample was also represented in a show at the Albright-Knox Gallery in Buffalo and at the Biennial Exhibition of the Corcoran Gallery of Art, Washington, D.C. In 1931, Dairy Ranch won the second Hallgarten Prize at the Annual Exhibition of the National Academy of Design, in New York. Sample also made his first appearances at the Carnegie Institute, Pittsburgh, and The Pennsylvania Academy of the Fine Arts, Philadelphia. In 1936, Miner’s Resting won the Temple Gold Medal at the Pennsylvania Academy’s Annual Exhibition. Always interested in watercolor, in 1936, Sample began to send works on paper to exhibitions at the Whitney Museum, New York. While participating in juried exhibitions, Sample also cultivated commercial possibilities. His first New York art dealer was the prestigious Macbeth Gallery in New York, which included his work in a November 1931 exhibition. In 1934, Sample joined the Ferargil Galleries in New York, after Fred Price arranged the sale of Sample’s Church Supper to the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Massachusetts. In 1937, The Metropolitan Museum of Art purchased Sample’s Janitor’s Holiday from the annual exhibition of the National Academy of Design, a notable honor. As prestigious as this exhibition schedule may have been, by far Sample’s most visible presence in the 1930s and 1940s was the result of his relationship with Henry Luce’s burgeoning publishing empire, Time, Inc. Sample’s first contribution to a Luce publication appears to have been another San Pedro...

Ruth Neumann, Kowloon Victoria Harbor, Hong Kong 1957 Archival pigment print Estate stamped, signed and numbered by Andrea Derujinsky with certificate ...

Slim Aarons Speedboat Landing 1973 (printed later) Chromogenic Lambda Print (C Print) Estate edition of 150 August 1973: A motor boat arrives at a j...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Slim Aarons Speedboat Landing 1973 (printed later) Chromogenic Lambda Print (C Print) Estate edition of 150 August 1973: A motor boat arrives at a j...

Butko paints the natural, sprawling light of early, mid, and late day. In this composition–his largest of 2023—Butko takes on early summer's mid-day light in Northeastern U.S. The cl...

This 1950 portrait photograph, captured by society photographer Slim Aarons, features model turned fashion editor turned society hostess, Florence Pritchett Smith, covers her sleevel...

World - Manipulated photography The artist Wei Xiang is an artist who usually travels to obtain sources of inspiration for his art pieces. In this series of photographs manipulated w...

Signed Adolfo Perez Frameless

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

This work depicts a serene landscape of the Tablas de Daimiel, (Ciudad Real, Spain) a unique and UNESCO protected wetland, known for being an important passage point for migratory bi...

ABOUT THIS ARTIST: Photographer Anne Menke occupies the unique realm where high fashion meets bohemian travel and a free spirit. Her editorial work exudes a sense of glamour often amidst a backdrop of far flung, exotic locales. Menke has photographed couture on the mountains of Peru and beauty contests on the plains of Mongolia. Her eye for the authentic-- somehow she's an insider wherever she goes-- has informed her campaigns for clients including Tommy Hilfiger, Nine West, Keds, Clarins, L’Oreal, Aveda, Banana Republic, Ralph Lauren, Macy’s, J. Crew, Nike, Wrangler and Hush Puppies . Menke was born in Germany and has lived and worked in London, Paris, and New York City. Currently, she splits her time between New York City and Sayulita, Mexico where she surfs and chartered a green school, The Costa Verde International school project. Mexico is also the perfect base for her frequent photography excursions. In 2001 Menke published a photography book "Our New York" in conjunction with Tommy Hilfiger. Her second book was published in 2012 titled “See the world beautiful” and is about her personal work from the last 15 years. Over last 2 years she had exhibitions in New York and Mexico. Anne Menke is part of our ongoing collaboration with Trunk Archive...

Title: Watercolor of Fishing Boats in Dry Dock; Entitled Bateaux en Cale de Halage by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Siz...

Traveling to Rovinj in Croatia is like getting in touch with Italian Venice. A very strong influence in architecture, and even one of the languages ​​spoken by the locals is Italian....

This black-and-white photograph showcases the distinctive skyline of San Francisco as seen from the waterfront, likely captured during the 1960s. The image captures a series of high-...

Color fine art long exposure seascape - landscape photography. Archival pigment ink print as part of a limited edition of 5. All Gerald Berghammer prints are made to order in limited...

The picture was painted in the workshop after working in the open air from life on the island of Crete. Fishing boats in the small port of the Greek village of Malia, the smell of fr...

Yellowstone Lake - September 25th, 1893 - is an original vintage black and white photo realized during a journey throughout the world performed by Prince Franz Ferdinand von Osterreich Este (1863-1914), heir to the throne of the Austro-Hungarian Empire. Despite his affairs and the growing importance of his role within the Empire, he took a year off his duties to travel the world, from North Africa to India, East Asia, Australia, and America, where he attended the 1893 Chicago World’s Fair...

The beauty of the Golden City, where nature and civilization co-exist in ease, is something to be witnessed. Cradled by the prolific San Francisco Bay, with the Pacific Ocean but a s...

In her new exhibition Churilla draws from her years spent as a swimmer, lifeguard, and athlete to capture the forgotten freedom and exuberance of days of youth spent on the water. V...

This artwork titled "The Wharf" c.1980 is an original color serigraph by American artist Filastro (Fil) Mottola, 1915-2008. It is hand signed, titled and numbered 19/450 in pencil by...

'Speedboat Landing' 1973 by Slim Aarons A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Italy, August 1973. A modern classic 'Sim Aarons' photograph of glamorous Count Theodoli's stylish Magnum motorboat coming in to dock at the jetty at the Il Pellicano Hotel in Italy. In his words, he photographed 'beautiful people in beautiful places, doing beautiful things'. An exquisite LIMITED EDITION ESTATE Slim Aarons C-type print. Gorgeous print measuring a Huge 60 x 40 inches / ca 152 x 101 cm's. (paper size) Produced utilising the original transparency held at archive source. Slim Aarons Archive certified and Edge Prints...

Artworks sold in perfect condition : Set # 1 composed of 5 Gallery Print 30x40 cm This is an exceptional offer that we are presenting today. For almost four years, here on 1stdibs, a...

Black and white fine art long exposure waterscape - cityscape photography. Archival pigment ink print as part of a limited edition of 15. All Gerald Berghammer prints are made to ord...

large format photograph of iconic Icelandic hot springs by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Myvatn Nature Baths (2016) 61.25” x 81” / 156 cm x 206 cm signed, titled and dated verso edition of 6 + 2AP original archival photography print with diasec (acrylic glass) face mount in contemporary white gallery frame Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief, that photography had an absolute capacity to reproduce the subtleties of reality, led to a change in his career path. He worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, Vitali’s large scale works would become recognizable for his highly detailed sociopolitical observations of the natural habitat of humankind at leisure. His iconic series of beach panoramas, captured from a distance with an elevated large format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of humanity’s coastal habitats in the bright light of summer. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and the just published Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2021 'PienoVuoto' Forte di Belvedere, Florence 2021 'No Country For Old Men...

'Barton Broad', a photograph by Richard Heeps, taken in one of his favourite areas of Britain, on the east coast in Norfolk. This peaceful almost monochrome landscape/waterscape crea...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

A moment in time In 2021, a gallery from Brussels contacted us. There, a photographic collection had been kept in tin boxes for decades, consisting of 6x6 glass slides in color. Th...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirties, Karl Heinrich Lämmel produced several photographic reports of cities, including Munich and Cologne. Photographs that have yet to be seen and appreciated. Lämmel's pictures show a different view of Germany. His documentation is an unparalleled and intriguing insight into the working and everyday life of the time. Impressive images of cities and their architecture before the destruction of WWII . The print is new, a Premium-FineArt-Print (Hahnemühle 308g), it comes in a secure role without passpartout and frame to reduce shipping cost. This sizes are limited to 25 copies per size. Description: An der alten Universität von Königsberg, im Hintergrund die Schloßkirche, Ostpreußen, 1930er Jahre. At the old university of Koenigsberg, the Schlosskirche in the background, East Prussia...

Black and white fine art long exposure waterscape - panorama landscape photography. Canal Grande with gondola at night, Rialto viewpoint, Venice, Italy. Archival pigment ink print, e...

Color fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limit...

"The Venice of the East" is a b/w photographic print on polished paper in 1938,  by Press Photo, Berlin. The photo depicts  a port in Singapore rich of vessels. Stereotype in Germa...

Color fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limit...