Vehicle Art

"911 Targa", photography by Nick Veasey. Born in 1962, Nick Veasey is a British photographer who lives and works in London. Mainly known for his use of X-rays, his photographs have ...

Walter Farndon June Day at the Sound Signed lower right Oil on canvas 20 x 24 inches Living and working in an era of passionate and often controversial changes in the art world, Wal...

In the small and cozy village of Bali on the island of Crete, in the summer of 2017, we spent a whole month. This motif I painted in a different state of nature, and never once did i...

Ships in port. Oil on cardboard, 56,5x64,5 cm He learned at State Technique of Riga, architecture department. 1937 –Latvian academy of Art, landscape Studio of V. Purvitis, with dip...

Artist: Lebadang, Vietnamese (1922 - 2015) Title: Red Boats on Orange Year: circa 1970 Medium: Lithograph on Japon Paper with Remarque Drawing, signed in pencil Edition: EA Size: 29 ...

Freighter traffic on the Great Lakes is abundant and exciting to ride along side of! This photograph is of the Great Republic. It may also be ordered as a 5 x...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Black and white fine art long landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions ...

'Sailing to the Seas' by Spanish artist Bernard. Contemporary colourful blue, red painting of sail boats on the sea. The perfect addition to any home where colour is needed. the incr...

Balthasar BURKHARD (1944–2010, Switzerland) Backseat, 1977 Silver gelatin print on Baryta paper, artist's wooden frame Sheet 108 x 132 cm (42 1/2 x 52 in.) From an edition of 5 A Gal...

Yachts. 2020. Oil on canvas, 50x40 cm Valery Bayda (1958) Valery Bayda was born in 1958 in Russia. From 1983 to 1989 he studied at the All-Union State Institute of Cinematography a...

"Chevrolet Corvette" by Bob D'Olivo UNITED STATES - MAY 01: 1957 Ford Thunderbird - Chevrolet Corvette. These two V8 powered cars represent Detroit's...

Slim Aarons Estate Print - Jamaica Sea Sailing - Oversize Two men sailing their yacht ‘Eel II’ in Jamaica. (Photo by Slim Aarons) silver gelatin print paper size 40 x 40" inches / 101 x 101 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. b/w black and white beach...

An accomplished oil painting by the artist Ruth Williams, depicting a mountainous view with figures and small boats. Signed to the lower right-hand corner. There is an artist's label...

Duncan McFarlane. This excellent ship portraitist began his life's work in Liverpool. It is believed that he later sailed to America and was employe...

Gelatin silver print Signed and numbered, verso 32 x 40 inches (Edition of 3) 20 x 24 inches (Edition of 15) 11 x 14 inches (Edition of 5) This photograph is offered by ClampArt,...

To see our other original vintage warbird aeroplane posters, photographs and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller". 1943 Army Macchi "MC-202" - World War II Italian fighter aeroplane Original aeroplane recognition poster (1943) 63x47cm A particularly unusual style of aeroplane identification poster, owing to the very arty images. Most such posters rely on very plain silhouettes; this series - and we have many in this series - takes a much more arty approach to the task with shading and an interesting angle view. The Macchi C-202, also known as the Folgore, or "thunderbolt", was an Italian fighter aircraft developed and manufactured by Macchi Aeronautica. It was operated mainly by the Regia Aeronautica...

5193 American Modernist Sailboat at Full Mast Inscribed on back Proud Little Coaster John Chancelor" Gilt frame Image size 16.5x23" Signed Ranrd 1996

Gerald Berghammer - Limited edition of 9 Archival fine art pigment print. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed with 4cm white b...

This is my collection of Japanese model railroad trains that I painted from the internet. :: Painting :: Fine Art :: This piece comes with an official c...

A fine watercolour painting depicting sailing boats moored in a British harbour at low tide. Well-presented in a large gilt-effect frame with double card mount. Unsigned. On watercol...

Black and white silver gelatin photograph by Houston, TX artist Jim Reitz. The work features a man pushing a bike in a parking lot with the Houston city skyl...

"I remember the moment that the idea for Bodyscapes® came to me. I was thinking that the shape and structure of the universe repeated itself at every level and suddenly I had the ima...

Artist: Peter Doig Title: House of Music (Soca Boat) Year: 2023 Medium: Giclée Print on Cotton Smooth Rag, Oak frame with Optium Tru Vue Acrylic Glass Edition: 250; signed and number...

Anthony Thieme Dismantled Boat Signed lower right Oil on canvas 30 x 25 inches Anthony Thieme was born in the Dutch port city of Rotterdam in 1888. He studied at the Academy of Fine...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Bernardo Hay (Florence 1864 - Capri 1931), Venice (1882) Oil painting on canvas 43 x 74 cm signed and dated 1882 lower right.

An original contemporary oil by Helen Cutler. Presented in a wide matt black frame under glazing. Signed. On canvas stretcher over board.

This vibrant oil depicts a Venetian backwater with tourists exploring the historic city by gondola. Signed with monogram to the lower right. On board.

keywords; brown, earth tones, surrealism, car portrait, car accident, oil painting, representation painting, strangeness, contemporary surrealistic, unsettling, contemporary realist painting, dreams, symbolic composition, tonalist, grey, monochrome, nostalgic, vintage, early century, illustration, car, automobile, old car wreck...

Daud Akhriev's (EUR and US based) "Reds of Venice" is an original, handmade oil painting that depicts a boat floating on a channel within the brick lined walls of Venice, Italy. Ar...

This is a unique work. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation number also written on verso Work comes with ...

Sunset harbor seascape oil painting with cityscape in background.

This striking cubist style painting depicts a bustling harbour scene with fishing boats rendered in bold, geometric shapes of teal, blue, and white. The composition is dynamic, with ...

Michael Stephanon (b. 1937) A well executed oil on canvas painting of a clipper at full sail by the Scandinavian artist Michael Stephanon. Although there are very few recorded det...

This dynamic painting captures the energy and movement of a colorful harbor scene in South Korea. and is an excellent example of Pil Ho Lee's modern appro...

A serene moonlit dockland with figures gathered at the lower right. A fire flickers on the shore adding as flash of colour to the overall blue composition. The painting is unsigned a...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Peri Taylor Racing Yawls, Salcombe Watercolour and Ink on Paper Size: H 39cm x W 49cm Sold Unframed (Please note that in situ images are purely an indication of how a piece may look)...

Artist: Charles Levier, French (1920 - 2003) Title: Le Bord de la Mer Year: circa 1970 Medium: Oil on Canvas, signed l.r. Size: 30 in. x 40 in. (76.2 cm x 101.6 cm) Frame: 36 x ...

A delightful Mid 20th Century piece depicting a beached fishing boat in a small bay. Across the water the artist shows a mountainous landscape in simple forms. The foreground is capt...

Lemon, Frank. Flights: Unforgettable Exploits of the Air. This plate: With one beat of his wing, Charles Lindbergh goes to Paris! 1927. Wright Aeron...

Duncan Gleason lived in New York and other places for work or studies but it was really Southern California where he felt most at home, and looking at his body of work, that love of ...

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a youn...

An elephant named Mae West accepts an apple from a passing tram driver while taking her morning exercise along Gray's Inn Road, London, 16th December 1936. Mae is helping to publicis...

Emile Gruppé beautifully captures a busy Gloucester harbor scene with fishermen tending to their boats—a signature subject for the artist. This example is pre-1945. Gruppé was renown...

A vibrant oil painting by the artist Gordon Lillford, depicting a boat on land. Signed to the lower left-hand corner. On canvas.

Let's gain a higher perspective!

A charming study of colourful fishing boats beached on a pebbled shore. Painted using a subtle impasto technique, the artist contrasts the highly textured beach with the smooth, clea...

An elephant named Mae West accepts an apple from a passing tram driver while taking her morning exercise along Gray's Inn Road, London, 16th December 1936. Mae is helping to publicis...

Boats. 1958. Cardboard, oil, 53.5x70 cm

Oil on canvas Teppei Ikehila is a Japanese artist born in 1978 who lives & works in Tokyo, Japan. He is graduated from Shimane University in 2001. Since 2000, he has held many priva...

Gordon Hunt Across the Estuary Original Seascape Painting Oil Paint on Canvas Canvas Size: H 50cm x W 50cm x D 4cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look. A Gordon Hunt original...

A masterful oil painting depicting a view of a Venice Canal signed by Morgan lower right. This detailed work depicting scenes from daily life and of the gondolas of Venice is truly b...

Summit Cable Car (Blue), photograph from Richard Heeps' On-Sea series. This artwork is a limited edition of 25, gloss photographic print, dry-mounted to aluminium, it is presented i...

1967—Slim Aarons captures film producer Kevin McClory taking his wife Bobo Sigrist and their family for a drive in an Amphicar across the harbour at Nassau. Numbered and stamped by the Slim Aarons Estate. Certificate of Authenticity included. Slim Aarons Sea Drive Chromogenic Lambda print Slim Aarons Estate Edition Three sizes available. Framing options available, complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Kevin O'Donovan McClory (8 June 1924[1] – 20 November 2006) was an Irish screenwriter, film producer, and film director. McClory was best known for producing the James Bond film Thunderball. Internal: Vintage Nassau, Vintage Yachting, Vintage Boating, Vintage Slim Aarons, Vintage Sport Photography, Coastal, Vintage Sixties, 1960s, 60s photography...

Ernest Fiene (1894 - 1965) Low Tide at Noon, Wellfleet, Massachusetts Oil on canvas 26 x 36 inches Signed lower right Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in Paris from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. He was the subject of the first monograph for the Younger Artists Series in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene's paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene's paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene's paintings. Also in 1928 Fiene became affiliated with Edith Halpert's Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled "Changing Old New York," in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene's oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art's exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene's Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art's exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene's landscape paintings attracted numerous commissions as part of the American Scene movement. From 1935-36 Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Balloon I Digital C-Print / Archival Pigment Print Available sizes: 40 x 60 in - Edition of 10 60 x 90 in - Edition of 5 Locations from around the world.