Wagon Art

James C. Litz is a self-taught artist who has a "primitive-naive" style of oil and acrylic paintings that features colorful and humorous characters and scenes. His paintings have a very child-like quality to them and you can see the artist's active imagination at work transforming everyday life into art. In 1994, the fine arts magazine Sunstorm, described him as having a "natural wit and style". Permanent displays: The National and International Vietnam Veterans War Art Museum, Chicago, IL; the American Folk Art Museum, NYC; the President Bush Library, Houston, TX; Museé D'Art Naïf de l'lle De France; the International Folk Art Museum, La Jolla, CA; and the James Fennimore Coopers Museum, Cooperstown, NY. Private Collections: Jackie Gleason (deceased); Roy Rogers (deceased); the Flamenco guitarist Carlos Montoya (deceased); opera singer Patrice Munsel, cellist Lynn Harrell, and Bill Cosby.

Traveling the Tide (Cuxhaven)- 2015 20x25cm, Edition of 10, plus 2 Artist Proofs. Archival C- Print, based on the Polaroid. Certificate and signature label. Artist inventory numb...

Slim Aarons - Bermudan Hostess - Estate Stamped Polly Trott Hornburg in front of her father’s typical Bermudian house. She is wearing her own design of Thaibok slacks and shirt for...

Vincent HADDELSEY (1934-2010) Horse : The Jockey, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Vincent HADDELSEY (1934-2010) Horse : Woman In Yellow Hat, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Colin Allbrook Winter Dusk, Brugge Original Contemporary Oil Painting Oil Paint on Board Board Size: 31 cm x 41 cm x 0.5 cm Sold framed Winter Dusk, Brugge is an original painting b...

We Know Our Place 1958 by Slim Aarons Slim Aarons Limited Estate Edition A Dalmatian dog lies at the feet of Mr and Mrs John M Seabrook as they pose with a pony and trap in the ga...

Carriage Awaits 1977 by Slim Aarons Slim Aarons Limited Estate Edition Mrs Kenneth Appleton Ives with a horse and carriage outside her house in Bermuda, 1977. unframed c type pri...

New England Skiing Starters 1955 by Slim Aarons Slim Aarons Limited Estate Edition A young skier prefers to carry his skis down the slope in New Hampshire, 1955 unframed Silver g...

Sloan, John. SEEING NEW YORK. M.188. Etching, 1917. Signed, titled, and inscribed "100 Prrofs," all in pencil. Edition of 100, of which only 85 were printed. The image is of live ch...

K.S. Radhakrishnan - Krishna - H : 12.5 x W : 22x D : 9 inches Bronze Sculpture. K.S. Radhakrishnan working with Musui & Maiya, Musui potraits has a hand Rickshaw puller as is still prevalent in few parts of Bengal. The bronze figures are elfin, mischievous, airy, acrobatic, and archaic, delicately balancing on one hand or leg. He renders a sensuous quality to his works by deploying extraordinary body movements of his figures. Radhakrishnan is a distinctive and appealing presence on the modern Indian sculpture scene. He says: “For me bronze works best because it is strong, and brings out the character of my sculptures. Although it takes time, the process also becomes a part of my art form.” Style : K.S Radhakrishnan is one of the most notable among the new generation of sculptors. Like many of his contempories he is a figurative sculptor, but his preference for modelling and bronze casting sets him apart from the rest of them. Recharging age old sculptural processes with a new sensibility, thus is the singular challenge he brings to modern Indian sculpture. And this makes him a modernist - who approaches his work with discernible ambition and considerable aplomb while steering clear of brinkmanship. Radhakrishnan's works often drawn from the emotions and myths of the Hindu gods, such as Shiva, Kali and Radha. His sculptures are often larger than life-sized; placed in the outdoors, they evoke a superhuman atmosphere. Over the years, Radhakrishnan has experienced with alternate sculpting mediums, working in molten bronze, beeswax and Plaster of Paris.The physical process of working with the materials becomes a performance in itself. The sculpture is the product of a tactile engagement with his medium. With celebration of sensuality as one of its running themes, his works is at once both intimate and universal in its appeal. A personal commemorative sculpture, with a scale and presence that holds well in natural settings, his work has found permanent home in a number of public collections all over the world. About the Artist and his work : Born : Born 1956, Kerala. Education : 1979 : B.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal 1981 : M.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal. Solo exhibitions : 2006 : ’Freehold’ at Museum Gallery, Mumbai ‘Freehold’ at Artalive Gallery, New Delhi 2005 : ’The Ramp’ at Tao Art Gallery, Mumbai ‘Unbearable Lightness of being’ at India International Centre, New Delhi 2004 : ’The Ramp’ at Sridharani Art Gallery, New Delhi ‘The Ramp’ at Bayer ABS Limited Gallery, Vadodara 2000 : ’Musui Maiya’ sponsored by Vadehra Art Gallery, New Delhi 1998 : ’Song of the Road’ – sponsored by International Travel House, ITC, New Delhi ‘Portal’ – Apeejay Lawns, Calcutta, sponsored by Apeejay Surendra, Group, Calcutta 1993 : Centre des Bonds de Marne, LePerreux-Bry sur-Marne, Paris, France. 1987 : Jehangir Art Gallery, Mumbai. Participated Exhibitions : 2007 : ’Darpan’ an exhibition sponsored by Nvya Gallery, New Delhi Travel to Moscow and St. Petersburg, Russia – sponsored by Nvya Gallery. 2006 : Travel to U.S.A, sponsored by Arts India, New York Travel to Russia, sponsored by Art Resource Trust, Mumbai Travel to Morocco, sponsored by Popular Prakashan, Mumbai. 2005 : Travel to Istanbul, Turkey to attend artists workshop Travel to China (Silk Route) sponsored by Uttarayan, Baroda Travel to South Africa organised by Gallery Navya, New Delhi. 2003 : Travel to Cairo and other cities in Egypt to attend an artists workshop Travel to France and Italy sponsored by TMI Foundation France Exhibition titled ‘Can’ curated by Johny M.L Exhibition ‘Only connect’ at India Habitat Centre, New Delhi Exhibition ‘Nayika’ by Ganesha Art...

An impressionistic pointillist landscape depicting a large riverside home with private boat house, surrounded by beautiful woodlands. The artist's choice of painting technique create...

Antique American modernist cityscape painting titled "The Junk Collector" by Clarence E. Van Duzer (1920 - 2009). Oil on board, circa 193...

A view of spectators on the pitch at a cricket match between the public schools of Eton and Harrow at Lord's Cricket Ground, London, 1955. Slim Aarons Eton Vs Harrow Black and Whit...

Mid-century pen and ink drawing of horses and hay wagon by artist Irmgarg von Reppert, circa 1960. Signed lower right. Original artwork on paper displayed o...

A Dalmatian dog lies at the feet of Mr and Mrs John M Seabrook as they pose with a pony and trap in the garden of their home, the Seabrook estate, New Jersey. 40 x 40 inches $3950 ...

SHMUEL GOLDSTEIN Pinsk, Poland, b. 1921, d. 2006 Born in 1921 in Pinsk, Poland, Shmuel Goldstein immigrated to Israel in 1935. Although painting from early childhood, only at the age of forty did Goldstein formally begin to paint as a trained artist, first studying in the studio of Zvi Shor...

Reportage from Albania - Tirana - Photograph is a color photograph realized in the Late 1970s. Good conditions. the landscape of Albania through the art of photography is captured ...

RAFAEL ATENCIA (Córdoba, España, 1954). Romería del Rocío. Óleo sobre cobre. Firmado en el ángulo inferior derecho. Medidas: 22 x 41.5 cm.; 51 x 71 cm. (marco). Precioso óleo sobre ...

Vintage Photo. The Italian Actor Marcello Mastroianni.

This vintage original modernist watercolor painting by Alfred Wands (1904-1998) depicts a captivating scene of horses attached to a carriage with buildings in the background. The com...

Slim Aarons Fanjul family outing 1990 (printed later) C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Members of the Fan...

Gianni Morandi - Vintage Photo is a vintage black and white photograph realized in the 1970s. Good conditions.

Ancient Views of Kobe is an original vintage albumen print on single cardboard: 26 x 34 cm. They were realized in the 1890s. Good conditions e...

I Moccoletti is a pleasant etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The artwork is unsigned, but it is part of the 20 plates engraved in...

L'attelage is a beautiful original wood print realized by Paul Ledoux (1884 -1960) as the monogram on plate shows on the lower-right corner. This is an original print signed and num...

"The Orange Cart, Mazatlan, Mexico" is an original watercolor painting signed and dated in the lower right by artist F. Douglas Greenbowe. It depicts a ...

WANG ZHI WU 王志武 1984 China Wang Zhi Wu is well-known by personifying animals in his paintings. Animals in Wang’s paintings have cartoon-liked shapes. Their images mix with differe...

Slim Aarons Estate Print - Eton Vs Harrow A view of spectators on the pitch at a cricket match between the public schools of Eton and Harrow at Lord’s ...

"Ladrillo" (FRAMED) Painting 20.5" x 21" inch by Antonio Pelayo Medium: Pencil on Paper. Acrylic Ink & Paint on Animation Acetate Image size: 15" x 1...

Grand Army Plaza in Central Park, NYC

Oil painting on canvas. Child's toy block car. A glimpse into a child's world, one we all have experienced. Tone is engaging, fun with universal appeal. About the artist: Mo...

Medium: Watercolor on Paper Signature: Signed Lower Left Dimensions: 12.13" x 23.50"

Medium: Oil and Pencil on Canvas Date: 1975 Signature: Signed Lower Right Dimensions: 18.00" x 26.00"

Date: 1923 Medium: Oil on Panel Dimensions: 24.00" x 36.00"

From series “Place and Time”: July Offensive on the North Platte, Casper, Wyoming, 2015 23'x29" edition of 10 available unframed Originally from northern California, Edie Winog...

Searching for Clams with the Horse Cart By. Gerhard Munthe (German, 1875-1927) Signed Lower Left Unframed: 11" x 14" Framed: 19" x 23" Born in Dusseldo...

Wagon Wheel Monument Valley, Utah, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on th...

1880 Monument Valley, Utah, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 39 x 78 inches 53 x 111 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "I have had the idea of this image in my mind for a couple of years. Looking through stills of John Ford’s iconic film, Stagecoach, there was one image from the filming in 1939 that popped up on my screen time and time again - the stagecoach moving right to left with the unmistakable monoliths of Monument Valley in the background. There is no indication as to whether John Wayne was inside the stagecoach, but that mattered little, this was the perfect visual in what many have described as the perfect western. The location of the old still from Stagecoach is on private land right on the Arizona/Utah border not far from the Monument Valley visitor centre and my production team secured permission to film there. It struck me, given the direction of travel was westerly, if we used a wagon as opposed to a stagecoach, we could use the first rays of light to dramatic effect as they diffract through the foreground content. The trick would then be to find a dip in the terrain which would allow for the monolith to pop out above the wagon and horses...

Between a Rock and a Hard Place Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes...

Texas, USA 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 80 inches 67 x 114 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Wagons evoke childhood memories of watching John Wayne Westerns on the BBC on cold winter evenings. No mode of transport is more emblematic of the great push West and the attendant dangers. For a storyteller of life on the final frontier, props don’t get any better, but finding an authentic one and taking it to the pre-researched location in the wilderness of West Texas is a challenge and an expense. Anyhow, those issues overcome, the biggest problem with photographing a wagon on the move is that it does not suit my style of photography which would tend to be to shoot towards the oncoming wagon. This is simply because the horses’ heads will be at least 10 feet in front of the people driving the wagon. One or other would be in focus, but never both. To have the foreground subject out of focus is a tension point in any photograph and to have the human characters out of focus would seem fairly suboptimal. I wrestled with this the night before the shot and finally it dawned on me what to do. I think it works and I have always wanted to have a picture with this title. I am sure they made it to Amarillo by morning. The whole image smells of old Texas...

Archival Pigment Print 10 x 10 inches, edition of 5 32 x 32 inches, edition of 5