Wood Art

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives and works in Beijing. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Paintin...

For those of us who live in the West, mountains are more than just landmarks; they dene a sense of home. We have memories associated with our mountains; those we grew up surrounded by; remembering the rst time we saw one, and the people we visited them with. This gave us all a larger sense of where we locate home. During our recent pandemic, home shrunk to the walls that surrounded us. Real experiences became mediated through computers and the Internet – but something felt lost: a living connection with things bigger than ourselves. But we kept our memories – waiting to be triggered by a photograph or reminder of the mountains that could bring back that sense of the sublime. Mountains and nature have long been places of peace and refuge. There are few emotions about places for which adequate single words exist. At the beginning of the eighteenth century, the word sublime arose to describe the feelings that the natural world can evoke in us. At home, on my kitchen table, I have been trying to capture something of that sublime in bits of plastic. Using geographical data from the Internet, I used my 3D printer to make the memories of those mountains tangible. With a small fog machine, I create atmospheres and clouds. Sunlight through a window illuminates some, while others were lit with a variety of sources including ber optic lights used for microscopy. For me, these images evoke the place I call home; and remind me that it is our memories that make a place special. At Home in the West was created as a companion to Yosemite: Seeking Sublime, which premiered at photo-eye Gallery in November 2020. In December of that year, work from that series was invited to the Art of Staying at Home; Artists in the Time of Corona exhibition at the Bibliotheca Alexandrina in Egypt, where I was the only U.S. artist from eight countries included. Additional works from that series will soon be exhibited at the Krakow Triennial in Poland and at the Earth Photo...

Fairytale in Black and White, 2017, Edition 1/7 plus 2 Artist Proof. Digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL...

I find comfort in forests, especially the few remaining old-growth stands of the Pacific Northwest. Life is churning in such places. Death and rebirth create a rich musk of decay, that is accompanied by the acidic aroma of conifers. Occasionally, a sweet waft will come to you from some unknown source, and the peat-softened ground muffles a sound, leaving one with a sense of quiet and calm. The green pallet soothes the eyes. You touch a tree that has fallen decades ago, perhaps a giant Sitka four feet in diameter, and it stains your hand. Soot, lichens, fungus, and a variety of microscopic detritivores have left their mark. You catch a glimpse of a rodent that is living in the hulk. A small snake...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

Coming into Focus 2019, Edition 1/10 plus 2 Artist Proof, 20x25cm, Digital Print based on an original Polaroid on Hahnemühle photo rag paper. Signature label and certificate. Not mo...

Market Delivery from the Paris In Colour Series 1956-61 By Peter Cornelius Large Oversize 40 x 30 inches / 101 x 76 cm paper size Printed 2022 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography...

Harvey Edwards Leg Warmers Oversized dye bleach print (Cibachrome print) 1978, printed in 1981 Hand signed in ink by the artist Numbered 103/299 from the edition of 299 Sheet: 39.5 x...

Primo Tempo 6 is a 30cm x 30cm digital print on 50cm x 50cm cotton paper in a limited edition of 9 + 2 Artist Proofs. In this print by Rosa Basurto, an ancient tree takes center st...

Black and white fine art landscape photography. Old angled trees in foggy morning light on the beautiful island of Madeira, Portugal. Archival pigment ink print as part of a limited ...

Daggi Wallace's "Silence Of The Lambs IX" is an original, handmade mixed media painting that depicts a female's model face in a monochromatic palette. Born and raised in Berlin, Ge...

This artwork "Winter Landscape" c.1960 is a watercolor on paper by artist John E. Detore, 1902-1975. It is signed at the lower right corner by the artist. The image size is 13.5 x 19.5 inches, the framed size is 22.75 x 28.75 inches. Custom framed in original oak white wash frame, with off white matting. It is in excellent condition. About the artist: A native of Syracuse, John E. De Tore was born in 1902. DeTore enjoyed painting continuously since the age of 8. Although he became an engineer with the Niagara Mohawk Power corporation he carried on elective training in the required branches of art. He took seriously to the watercolor medium from 1940 and by 1955 he was well known for his decisively composed watercolor landscapes and their rich, deep chromatics - earning him acknowledgment in the American Artist Magazine November 1961 issue. Besides teaching art at Syracuse Museum John DeTore...

Using landscape photography to reflect on broader notions of culture, the passage of time, and the construction of perception, photographers Mark Klett and Byron Wolfe spent five years exploring the Grand Canyon for their most recent project, Reconstructing the View. The team's landscape photographs are based on the practice of rephotography, in which they identify sites of historic photographs and make new photographs of those precise locations. Klett and Wolfe referenced a wealth of images of the canyon, ranging from historical photographs and drawings by William Bell and William Henry Holmes...

Toeing the line between the real and the unreal, David Trautrimas' photographic renderings of interior spaces push us to consider the ways that we live today. Conceptually, this ser...

“Guilt of Innocence” (Postage Due Mr. Lee) Most of us don’t realize the true cost of the lifestyle we enjoy. There is a price paid by humanity that lives in our shadow. Unfair trade practices have stripped multitudes from their means of subsistence, thus forcing them to bow down to the system that has taken from them a meaningful life. The sculpture “Guilt of Innocence” depicts the American consumer’s role in this tragedy. Who is Mr. Lee? Lee Kyung was a South Korean farmer whose family farm is now a parking lot due to the WTO and unfair trade practices. Farmers in South Korea, who once made a good middle class living on their land, are now impoverished by the dumping...

Nick Vedros Cat in Lamp Shop Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 11x8in Edition: 15 Signed, dated and numbered by hand on label Stamped COA pro...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Greg Mac Gregor's artwork incorporates official, declassified photographs from the Los Alamos National Laboratory Photographic Archives produced in the early 1950s at the Nevada Test...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. A signed Certificate of Authority will be included with all photographs. A nude m...

This work is part of our exhibition - America Coast to Coast: Artists of the 1940s Army Poker, c. 1943, probably tempera on board, signed upper right, 16 x 20 inches, inscribed verso a) “Army Poker / Mervin Honig / 421 W 42 St. N.Y.C.,” b) “Mervin Honig / US Army Air Force – Seymour Johnson Field – Goldsboro, NC / Circa 1943,” and c) “(This painting was done before men was (sic) shipped off to the Mariana Islands (Saipan) The Second World War.” Note: four pencil sketches for this work included Mervin Honig was a New York-based painter and illustrator who is best known for his realistic depictions of everyday life and sports themes. Honig was raised in Brooklyn and recalled almost never being without a paintbox in hand from the time he started elementary school. Honig had a deep reverence for the Old Master painters, Vermeer and Bellini, as well as the Americans Winslow Homer and Thomas Eakins. He initially studied art from 1939 through 1941 with Francis Criss. At the outbreak of World War II, Honig worked as a mechanic for Republic Aviation, but in August 1942, he enlisted in the US Army Air Corps and was stationed at Seymour Johnson Field in Goldsboro, North Carolina. During the war, Honig began to exhibit nationally, including as part of the Portrait of America exhibitions which originated at the Metropolitan Museum of Art and traveled around the country, as well as at the Carnegie Institute in Pittsburgh. He painted Army Poker in 1943 while stationed at Johnson Field. In this work, Honig draws inspiration from Paul Cezanne's The Card Players (Metropolitan Museum of Art), with a similar placement of the four figures, but Cezanne's table is replaced with an Army cot, the pipe rack with a soldier's mess kit and the drapery in the right background with a heap of discarded uniforms. Unlike the vibrancy of Cezanne's composition, the limited palette of Honig's work suggests the drabness and monotony of stateside Army life. After being discharged from military service, Honig furthered his studies with Amadee Ozenfant in 1946 and Hans Hoffman from 1947 through 1950. Additional exhibitions included the Whitney Museum of American Art, the Brooklyn Museum, the Los Angeles County Museum of Art, the National Academy of Design, the Wadsworth Atheneum, the Provincetown Art Association, and the National Academies Galleries of the Allied Artists Association. He was represented by the venerable Frank Rehn...

This artwork depicts a view of a the entrance of an underground parking. Philippe Saucourt is a promising French artist whose figurative artworks (he also makes abstract paintings) ...

Where Art Thou Bernard Cohn Dot Painting 2 By Arthur Steel Paper size: 24 x 19" / 61x48 cm Silver Gelatin Print 1970 (printed later) unframed hand signed limited edition of 50 n...

This is an extraordinary collection of Linoleum Cuts by master printmaker Tom Huck. The Suite of 13 linocuts is encased in a homemade glory hole cover and also include a protective centerfold cover. This artwork could be framed to hang in a grouping. Contact gallery for details. Tom Huck, also spelled Hück, (born 1971), is an American printmaker best known for his large-scale satirical woodcuts. He lives and works in St. Louis, Missouri, where he runs his own press, Evil Prints. He is a regular contributor to BLAB! of Fantagraphics Books. His work is influenced by Albrecht Dürer, José Guadalupe Posada, R. Crumb, and Honoré Daumier. Huck’s illustrations have appeared in publications such as The Village Voice, The Riverfront Times, and the Minneapolis City Pages. Huck's woodcut prints are included in numerous public and private collections, including the Whitney Museum of American Art, Library of Congress, Spencer Museum of Art, Nelson Atkins Museum of Art, Saint Louis Art Museum, Milwaukee Art Museum, Minneapolis Institute of Art, Art Institute of Chicago, Fogg Art Museum, Michael C. Carlos Museum, and New York Public Library. Huck has been represented by David Krut Art Projects in New York, Sherry Leedy Contemporary Art in Kansas City, Missouri, Duane Reed Gallery in St. Louis, Missouri, Gallery Victor Armendariz, Chicago and Eli Ridgway Gallery in San Francisco. Beginning in October 2017 Huck’s gallery representation is C. G. Boerner in New York. In September 2011 Huck was awarded a Pollock-Krasner Foundation grant. Huck is best known for creating large-scale woodcuts acting as both satirical narratives and social criticism.[1] He says in his artist statement: "My work deals with personal observations about the experiences of living in a small town in southeast Missouri. The often Strange and Humorous occurrences, places, and people in these towns offer a never-ending source of inspiration for my prints. I call this work 'rural satire'".[2] From 1995 to 2005, Huck created two woodcut folios: 2 Weeks in August: 14 Rural Absurdities and The Bloody Bucket. 2 Weeks in August: 14 Rural Absurdities, a thematically unified suite of 14 large woodcut prints, depicted 14 bizarre folk tales that allegedly occurred in Huck's hometown of Potosi, Missouri. The suite was produced in three years from 1995 to 1998. His second body of work, The Bloody Bucket, was based on violent legends surrounding a bar of that name in or around his hometown of Potosi. It comprises 10 large-scale woodcuts, executed between 1999 and 2005. In December 1999, Huck's work represented the United States in an exhibition entitled From Kandinsky To Corneille: Linoleum in the Art of the 20th Century held at the Cobra Museum in Amstelveen, Holland. Featured in the exhibition was a large scale linoleum cut by Huck entitled "Attack of the 50ft. Yard Ornament". The piece was commissioned specifically for the exhibition by the linoleum company Forbo-Krommenie in Amsterdam. The Whitney Museum of American Art in September 2003 featured two works by Huck in an exhibition entitled To Be Human. Both the works featured were woodcuts from the series 2 Weeks in August. Huck is currently working on a 14-triptych cycle of woodcut prints entitled Booger Stew. The first installment of the series, a triptych entitled "The Transformation of Brandy Baghead Pts. 1, 2, & 3", was completed in March 2009. An exhibition entitled Tom Huck and the Rebellious Tradition of Printmaking opened on August 28, 2009 at the Saint Louis Art Museum. Prints by Albrecht Dürer, William Hogarth, Jose Guadalupe Posada, and Max Beckmann were featured alongside Huck's "The Transformation of Brandy Baghead Pts. 1, 2, & 3". Electric Baloneyland On December 19, 2011, Huck announced the April 1, 2012, release of The Hillbilly Kama Sutra. This new suite of 15 linoleum cut prints is Huck's first portfolio of prints since 1998's 2 Weeks in August: 14 Rural Absurdities. On April 12, 2012, a selection of prints from the new series were released in the St. Louis weekly publication The Riverfront Times. On May 4, 2012, Sherry Leedy Contemporary Art in Kansas City, Missouri, hosted the debut exhibition of The Hillbilly Kama Sutra. In February 2013, Huck illustrated a cover story entitled "The 10 Weirdest Members of Congress" written by Caleb Hannan. The feature article appeared in The Riverfront Times and four other Voice Media Group publications: the Houston Press, Dallas Observer, Broward-Palm Beach New Times, and Minneapolis City Pages. All five had a cover caricature of Michele Bachmann's head on a snake, referencing the "Don't Tread On Me" motif. The story featured 9 politicians in caricature. In early spring of 2014 Huck completed work on his second major woodcut triptych from "Booger Stew" entitled "The Tommy Peeperz". "The Tommy Peeperz" debuted in a show of The Outlaw Printmakers entitled "The Dirty Dozen...

Andrés Barajas (Spain, 1941) 'Untitled from Portfolio "Los Deseos"', ca.1990-1999 mixed media on paper 20.9 x 15 in. (53 x 38 cm.) Edition of 200 ID: B...

THE MAIN ATTRACTION is an original hand drawn limited edition lithograph by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid fr...

"Cast in Sand" In this iconic image, a lone surfboard sits on the velvety-smooth sand on Oahu, while the water's imprint helps to create this minimal composition. The print serie...

This charming photograph of the artist’s foyer feels both familiar and intimate. That is artist Shani Mootoo’s signature style. Her engaging and enigmatic work allows the viewer to i...

When we think of a tree we usually envision an image of a perfectly pruned tree, balanced and symmetrical. In nature those rarely exist. Trees are individuals. Trees grow to survive,...

Shani Mootoo’s nostalgic images of her childhood home in Trinidad reveal an intimate and compelling story. Her ‘History Revisited’ series—photographs of interior rooms, furniture and...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...

Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...

Photograph on analog and photographic paper, signed and dated on back 1992. It depicts an antique stove, and the photo has been antiqued with a beautiful sepia effect,

Landscape is a beautiful drawing in pencil on ivory-colored paper realized by Jan Peter Verdussen. The artwork has some folds and foxings. The artwork represents a landscape. Inclu...

Contemporary figurative oil on plywood board painting by Polish artist Agnieszka Staak-Janczarska. Artwork depicts a still life composition consisting of skull on a chair, scuplture ...

This gouache painting by Ulf Linde, a multifaceted Swedish figure, presents a unique portrayal of a woman seen from behind, set against a blue and white...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Santa Fe based photographer James W. Pitts' primary focus for over 20 years has been on hand coating platinum prints from large format negatives. He explores the still life genera ...

A charming Autumnal scene showing a ploughed field with a haystack in late afternoon sunlight. The artist has a style similar to the print maker Eric Ravilious. The artist has signed...

This is a unique bronze container. The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from li...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

Dame Elisabeth Frink. English ( b.1930 - d.1993 ). Maquette For Man And Eagle. Bronze With Gold Brown Patina. Signed And Numbered 1/7 Lower Left. Size 8.7 inches x 10.2 inches ( 22cm x 26cm ). Depth 2.8 inches ( 7cm ). Weight 7.1lb ( 3.24KG). Available for sale; this original bronze plaque with raised relief is by Dame Elisabeth Frink and was conceived and cast in 1967. The maquette is presented and supplied unmounted. There is the option to hang the plaque from 2 rings applied to the rear when in previous ownership. This vintage bronze plaque...

Marein Konijn won the "Prix de Norvège" together with Esther Schlebos in 2019 when she graduated. Her landscapes show a silence and tonal calm. Thanks to this prize she recently mad...

Fallen Tree by Monica Denevan Photography, Silver Gelatin Print, 2006 Monica Denevan studied photography at San Francisco State University. She has travelled extensively in Burm...

This is a one of a kind surrealist acrylic painting in a found frame by San Diego artist, Christopher Polentz. Its dimensions are 15.5x12x3. A sign...

Sepia Toned Landscape of Net in Water and Reflection from Tonga 17 x 17, edition 5 of 25 Silver Gelatin Print, unframed David Halliday's series consists of sepia-toned still lives ...

Frederic Milton Grant (1886 - 1959) Low Tide, 1916 Oil on canvas 16 1/4 x 18 1/8 inches Signed and dated lower right Housed in a Stanford White Newcomb-Macklin frame. Exhibitied: Ar...

Black and white fine art landscape photography. Curved tree in fairy forest in mystical fog, Fanal, Portugal. Archival pigment ink print, edition of 8. Signed, titled, dated and numb...

A painting of nature. Painting with spring landscape. A painting for the living room, dining room, study, painted in watercolor based on memories of a walk along the Tarusa River. Th...

Ann Rothman Seal (Circus, Whimsical, Viola Frey, Delicate, Playful, Fun, Cirque du Soleil, The Ringling Bros., Barnum & Bailey) 2021 Porcelain, Low Fire Glazes, Crayons, Watercolors ...

About the Artist: For as long as I can remember, I have been on a quest to convincingly represent on canvas what I see in the physical world, what I see in my mind and what I feel. M...

Kate Breakey is internationally known for her large-scale, richly hand-colored photographs including her acclaimed series of luminous portraits of birds, flowers and animals in a ser...

Edition: 25 Signed, dated and numbered in ink on label affixed verso Other sizes available upon request COA provided In Sherman's photographs she is experimenting with groupings of ...

French water painter Work on paper Gilded wooden frame 42,5 x 34 x 1,5 cm

Femme sur le Dos - Lassitude is a color lithograph realized by Henri de Toulouse Lautrec in 1896.  cm. 58 x 45, matted.  Monogrammed on plate. Good conditions. This specimen belo...

"On the Road to 'Nattyville' 3" by Lisa Lebofsky (United States) is a handmade landscape, pencil and oil, painting that is framed and ready hang.

The bright colours of a cafe in a poor district of Salvador in Brazil. – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, two cities whose ...

Hand built dining room chair subframe, 1500 wine corks, glue, nails