Adaa Art Dealers Association Of America
Art Dealers Association of America (ADAA)
Founded in 1962, the Art Dealers Association of America is a vetted community of more than 180 top-tier galleries across the United States. Working with these member galleries, ADAA appraisers offer assessment services for artworks spanning from the Renaissance to the present day. The ADAA also arranges public forums on important art-related topics and hosts The Art Show, presented each year at New York’s Park Avenue Armory, which stands out among art fairs for its acclaimed selection of curated booths — many of which are one-artist exhibitions.to
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Bottle Corner, Demopolis, AL
By Andrew Moore
Located in New York, NY
The result of twelve trips over three years, Moore’s work in the American South uses historic homes, both grand and modest, the preserved backroom of a Jewish social club,
the curta...
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
Modern Riff: Purple Rush
By Jim Richard
Located in Houston, TX
Jim Richard
Modern Riff: Purple Rush, 2016
flashe on Yupo paper
26 x 20 in (66 x 50.8 cm) paper size, 22 x 17 image size
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America
Materials
Gouache, Synthetic Paper
Elderly Elm, Patio
By Beth Secor
Located in Houston, TX
Beth Secor, Elderly Elm, Patio, 2014-2015
Ink, gouache and pencil on paper
overall diptych 20 x 28 inches 20 x 14 inches each
Beth Secor understands trees as both a comforting p...
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America
Materials
Archival Paper, Gouache, Ink
Evaders
By Ori Gersht
Located in New York, NY
From the series Evaders
Category
Early 2000s Adaa Art Dealers Association Of America
Materials
Archival Pigment
$3,000
Iris Atropurpea 02W P
By Ori Gersht
Located in New York, NY
From the series Fragile Land
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
More Love Three
Located in Houston, TX
Shaun O’Dell
More Love Three, 2017
gouache and ink on paper
30 x 22 in (76.2 x 55.9 cm)
At once investigations of surface and depth, representation and reality, Shaun O'Dell's newe...
Category
21st Century and Contemporary Abstract Adaa Art Dealers Association Of America
Materials
Ink, Gouache, Archival Paper
Desk Lamp
By Francesca Fuchs
Located in Houston, TX
Francesca Fuchs
Desklamp, 2017
acrylic on canvas over board
16 x 22 1/4 in (40.6 x 56.5 cm)
This work is from a series called How to Tell the Truth and Painting. In How to Tell the...
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America
Materials
Canvas, Acrylic, Board
Love Me, Love Me Not, Untitled 01
By Ori Gersht
Located in New York, NY
From the series Love Me, Love Me Not
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
Lilium Candidum P01
By Ori Gersht
Located in New York, NY
From the series Fragile Land
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
Dark Days
By Ori Gersht
Located in New York, NY
From the series Dark Days and Transparent Things
Category
Early 2000s Adaa Art Dealers Association Of America
Materials
Archival Pigment
$18,000
Cell 03
By Ori Gersht
Located in New York, NY
From the series Cells
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
$27,000
Bloom Orange
By Ori Gersht
Located in New York, NY
From the series Dark Days and Transparent Things
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
$18,000
Cyclamen P04
By Ori Gersht
Located in New York, NY
From the series Fragile Land
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
Cyclamen D03
By Ori Gersht
Located in New York, NY
From the series Fragile Land
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
$18,000
Hanging Garden
By Ori Gersht
Located in New York, NY
From the series Floating World
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
Against The Tide, 1000 Years
By Ori Gersht
Located in New York, NY
From the series Chasing Good Fortune.
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
Untitled
By Gilad Efrat
Located in Houston, TX
Gilad Efrat
Untitled, 2013
oil pastel on paper, 22 1/2 x 28 1/2 in (57.2 x 72.4 cm)
Category
21st Century and Contemporary Abstract Adaa Art Dealers Association Of America
Materials
Paper, Oil Pastel
More Love Four
Located in Houston, TX
Shaun O’Dell
More Love Four, 2017
gouache and ink on paper
30 x 22 in (76.2 x 55.9 cm)
At once investigations of surface and depth, representation and reality, Shaun O'Dell's newes...
Category
21st Century and Contemporary Abstract Adaa Art Dealers Association Of America
Materials
Ink, Gouache, Archival Paper
Kuroiso City, Tochigi Prefecture (#0177)
By Toshio Shibata
Located in New York, NY
8 x 10 inch (image size) gelatin silver contact print, on 11 x 14 inch sheet
Edition 10. Signed and stamped on verso.
Toshio Shibata is one of Japan's leading landscape photogr...
Category
1980s Contemporary Adaa Art Dealers Association Of America
Materials
Silver Gelatin
Untitled
By Charles Houghton Howard
Located in New York, NY
Charles Houghton Howard was born in Montclair, New Jersey, the third of five children in a cultured and educated family with roots going back to the Massachusetts Bay colony. His father, John Galen Howard, was an architect who had trained at M.I.T. and the École des Beaux-Arts in Paris and apprenticed in Boston with Henry Hobson Richardson. In New York, the elder Howard worked for McKim, Mead and White before establishing a successful private practice. Mary Robertson Bradbury Howard, Charles’s mother, had studied art before her marriage. John Galen Howard moved his household to California in 1902 to assume the position of supervising architect of the new University of California campus at Berkeley and to serve as Professor of Architecture and the first Dean of the School of Architecture (established in 1903). The four Howard boys grew up to be artists and all married artists, leaving a combined family legacy of art making in the San Francisco Bay area that endures to this day, most notably in design, murals, and reliefs at the Coit Tower and in buildings on the Berkeley campus.
Charles Howard graduated from the University of California at Berkeley in 1921 as a journalism major and pursued graduate studies in English at Harvard and Columbia Universities before embarking on a two-year trip to Europe. Howard went to Europe as a would-be writer. But a near-religious experience, seeing a picture by Giorgione in a remote town outside of Venice, proved a life-altering epiphany. In his own words, “I cut the tour at once and hurried immediately back to Paris, to begin painting. I have been painting whenever I could ever since” (Charles Howard, “What Concerns Me,” Magazine of Art 39 [February 1946], p. 63). Giorgione’s achievement, in utilizing a structured and rational visual language of art to convey high emotion on canvas, instantly convinced Howard that painting, and not literature, offered the best vehicle to express what he wanted to say. Howard returned to the United States in 1925, confirmed in his intent to become an artist.
Howard settled in New York and supported himself as a painter in the decorating workshop of Louis Bouché and Rudolph Guertler, where he specialized in mural painting. Devoting spare time to his own work, he lived in Greenwich Village and immersed himself in the downtown avant-garde cultural milieu. The late 1920s and early 1930s were the years of Howard’s art apprenticeship. He never pursued formal art instruction, but his keen eye, depth of feeling, and intense commitment to the process of art making, allowed him to assimilate elements of painting intuitively from the wide variety of art that interested him. He found inspiration in the modernist movements of the day, both for their adherence to abstract formal qualities and for the cosmopolitan, international nature of the movements themselves. Influenced deeply by Surrealism, Howard was part of a group of American and European Surrealists clustered around Julien Levy. Levy opened his eponymously-named gallery in 1931, and rose to fame in January 1932, when he organized and hosted Surrealisme, the first ever exhibition of Surrealism in America, which included one work by Howard. Levy remained the preeminent force in advocating for Surrealism in America until he closed his gallery in 1949. Howard’s association with Levy in the early 1930s confirms the artist’s place among the avant-garde community in New York at that time.
In 1933, Howard left New York for London. It is likely that among the factors that led to the move were Howard’s desire to be a part of an international art community, as well as his marriage to English artist, Madge Knight...
Category
20th Century American Modern Adaa Art Dealers Association Of America
Materials
Paper, Watercolor, Gouache, Graphite
More Love Five
Located in Houston, TX
Shaun O’Dell
More Love Five, 2017
gouache and ink on paper
30 x 22 in (76.2 x 55.9 cm)
33 3/8 x 25 1/8 x 1 1/2 in (84.8 x 63.8 x 3.8 cm) framed
$5,500
At once investigations of su...
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America
Materials
Ink, Gouache, Archival Paper
DISCERE (To Learn)
By David Ligare
Located in New York, NY
Signed (at lower right): L; (on verso): D. Ligare / 2024
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Canvas, Oil
Brace's Emerald (Model)
By Elizabeth Turk
Located in New York, NY
Wood (Cherry, with silver leaf finish), 34 x 7 in.
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Wood
Pantomime
By Emily Joyce
Located in Houston, TX
Emily Joyce
Pantomime, 2015
acrylic and mirror on canvas
59 1/2 x 47 inches
Pantomime is part of a new body of work called "The Masks". Joyce is an artist who explores the space between vernacular visual idioms and geometric abstraction through various combinations of mediums and formats. In The Masks, a theatrical mix of painting and sculpture populate the exhibition, with works that mine twentieth century art history, universal symbols, and the 16th century Italian theater...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Canvas, Mirror, Acrylic
$10,000
Switch-It #9
By Robert Ruello
Located in Houston, TX
Robert Ruello
Switch-It #9, 2016
graphite, watercolor, and colored pencil on paper
20 x 15 inches
Energetic and charged with visual power, the Switch-It series is movement and transition visualized. Ruello’s formal investigation of how we move through and disrupt various environments (digital, analog, and in-between) is rendered through these graphic elements. As he notes, “As a result of this disruption, the array is no longer stable or predictable — visual illusions and shifting figure/ground relationships begin to emerge.” Ruello’s work stems from an enjoyment in the tension between the stable and the unpredictable. Though not figural, his work presents elements that are recognizable from our visual vernacular. Digital screens, popular science...
Category
2010s Abstract Adaa Art Dealers Association Of America
Materials
Watercolor, Archival Paper, Color Pencil, Graphite
Art Forms in Mechanism XXl
By Linarejos Moreno
Located in Houston, TX
Linarejos Moreno
Art Forms in Mechanism XXl, 2016
natural pigments print on gessoed burlap
124 x 59 inches
“Art Forms in Mechanism” began when artist Linarejos Moreno discovered a collection of 19th century botanical models while researching at the Cabinet of Scientific Curiosities, a Spanish historical archive. Manufactured by a European company that specialized in scientific equipment, the models are made of papier-mâché, gears, clips, hooks, and printed numbers and labels, and they were designed for hands on, practical use. Moreno was initially attracted to the models because, as she notes, “they contained the tension between the industrial and the humanity/fragility that I often research in my work. On the one hand, they were machines, with all their gears, on the other hand, even if they were supposed to be neutral scientific objects...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Burlap, Archival Pigment
Human and Animal Locomotion. Plate 44.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion. Plate 44.
Man taking off hat.
14 x 20 inch original vintage collotype print from 1887 (image size 10.5 x 9.75 inches)
Category
1880s Adaa Art Dealers Association Of America
Materials
Photographic Paper
Tamarisk Negev
By Gilad Efrat
Located in Houston, TX
Gilad Efrat
Tamarisk Negev, 2014
oil on canvas
73 x 63 inches, 185 x 160 cm
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America
Materials
Oil
Iceland (55530)
By Luca Campigotto
Located in New York, NY
Edition of 15 (includes all sizes).
Signed, titled, dated and editioned on frame label provided.
Final shipping costs will depend on the size of the print ordered, and whether it is purchase framed or unframed.
Luca Campigotto's photographic expeditions have taken him to disparate and exotic locations around the world – Japan, India, Thailand, Chiba, Cambodia in the Far East; many European and North American cities; as well as Cairo, Lapland, Argentina, Iceland, and Easter Island.
Campigotto’s works are held in private and public collections worldwide, including Maison Européenne de la Photographie (Paris), Museo Nazionale delle Arti del XXI Secolo (Rome), Museo Fortuny...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Archival Pigment
Iceland (54378)
By Luca Campigotto
Located in New York, NY
Edition of 15 (includes all sizes).
Signed, titled, dated and editioned on frame label provided.
Final shipping costs will depend on the size of the print ordered, and whether it is purchase framed or unframed.
Luca Campigotto's photographic expeditions have taken him to disparate and exotic locations around the world – Japan, India, Thailand, Chiba, Cambodia in the Far East; many European and North American cities; as well as Cairo, Lapland, Argentina, Iceland, and Easter Island.
Campigotto’s works are held in private and public collections worldwide, including Maison Européenne de la Photographie (Paris), Museo Nazionale delle Arti del XXI Secolo (Rome), Museo Fortuny...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Archival Pigment
Human and Animal Locomotion. Plate 319.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion.
Plate 319. Heaving 75-lb. rock.
14 x 20 inch original vintage collotype print from 1887 (image size 5.25 x 15.125 inches)
Category
1880s Adaa Art Dealers Association Of America
Materials
Photographic Paper
Lookout
By Randall Exon
Located in New York, NY
Signed and dated (at lower left): Randall Exon 07
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America
Materials
Canvas, Oil
$18,000
Okayama City, Okayama Prefecture (C-2717)
By Toshio Shibata
Located in New York, NY
20 x 24 inch type-c print, edition 25
Toshio Shibata is one of Japan's leading landscape photographers. But he has chosen a most unconventional subject for his landscape photography...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
C Print
Takahagi City, Ibaraki Prefecture (C-1008)
By Toshio Shibata
Located in New York, NY
5 x 4 inch contact print (image size), on 8 x 10 inch sheet, edition 10, signed on verso
Larger sizes available - please inquire.
Toshio Shibata is one of Japan's leading landscape ...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
C Print
Staff of Statue of Liberty, Liberty Island, NY
By Neal Slavin
Located in New York, NY
24 x 24 inch digital chromogenic print
Edition 15 +3 AP
Signed, titled, dated and editioned on frame label provided
Neal Slavin, a native New Yorker, began photographing groups ...
Category
1970s Contemporary Adaa Art Dealers Association Of America
Materials
Digital
Walnut Queen Anne Corner Chair
Located in West Chester, PA
Walnut Queen Anne corner chair with a wonderful old patina, pierced splats with hearts, deep scalloped skirts with turned arm supports and three turned legs with one front cabriole l...
Category
18th Century American Queen Anne Antique Adaa Art Dealers Association Of America
Like Ice in the Sunshine II (L.A.) No. 23
By Simone Rosenbauer
Located in New York, NY
15 x 15 archival pigment print (image size 14 x 14 inches), edition 8.
Signed, titled, dated and editioned on frame label provided.
Framing also available at an additional cost.
In ...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Archival Pigment
Human and Animal Locomotion. Plate 60.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion. Plate 60.
Running at a half-mile gait (shoes).
14 x 20 inch original vintage collotype print from 1887 (image size 9.375 x 12.625 inches)
Category
1880s Adaa Art Dealers Association Of America
Materials
Photographic Paper
Ladakh, India
By Luca Campigotto
Located in New York, NY
15.5 x 23 inch (framed) pigment print
Edition 15. Signed, titled, dated and editioned on label verso.
Luca Campigotto uses big equipment to capture big subjects, from the absolu...
Category
1990s Contemporary Adaa Art Dealers Association Of America
Materials
Archival Pigment
Human and Animal Locomotion. Plate 56.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion.
Plate 56. Walking, turning and stooping to lift train.
14 x 20 inch original vintage collotype print from 1887 (image size 6.875 x 17 inches)
Category
1880s Adaa Art Dealers Association Of America
Materials
Photographic Paper
Human and Animal Locomotion. Plate 140.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion. Plate 140.
Descending stairs, looking around and waving fan.
14 x 20 inch original vintage collotype print from 1887 (image size 11.75 x 9.75 inches)
Category
1880s Adaa Art Dealers Association Of America
Materials
Photographic Paper
New York City (striped socks)
By Helen Levitt
Located in New York, NY
12 x 8 inch type-c print, signed on verso.
Helen Levitt was a true master of the street, one whose poetic vision, humor, and inventiveness transformed the gritty world of New York C...
Category
1990s Modern Adaa Art Dealers Association Of America
Materials
C Print
Human and Animal Locomotion. Plate 211.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion. Plate 211.
Stooping and lifting handkerchief; parasol in left hand.
14 x 20 inch original vintage collotype print from 1887 (image size 7.75 x 13.75 inch...
Category
1880s Adaa Art Dealers Association Of America
Materials
Photographic Paper
Human and Animal Locomotion. Plate 465.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion. Plate 465.
Two models, child 70 N, bringing bouquet to 12.
14 x 20 inch original vintage collotype print from 1887 (image size 7.63 x 14.88 inches)
Category
1880s Adaa Art Dealers Association Of America
Materials
Photographic Paper
Vestibule
By Randall Exon
Located in New York, NY
Signed and dated (at lower right): Randall Exon 2016
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Oil
$12,000
Los Angeles, CA (silver Porsche 914)
By David Graham
Located in New York, NY
14 x 11 inch type-c print. Edition 25.
Signed, titled and dated on verso.
Larger sizes available - please inquire.
For more than thirty years, David Graham, has produced photographi...
Category
Early 2000s Contemporary Adaa Art Dealers Association Of America
Materials
C Print
Human and Animal Locomotion. Plate 481.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion. Plate 461.
"Child, lifting a doll, turning, and walking off."
14 x 20 inch original collotype print from 1887 (image siz...
Category
1880s Adaa Art Dealers Association Of America
Materials
Photographic Paper
Still Life with Apple on Cloth
By David Ligare
Located in New York, NY
Signed and dated (at lower right): L; (on verso): D. Ligare / 2014
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Canvas, Oil
Double Dusk
By John Moore
Located in New York, NY
Signed and dated (at lower right): MOORE '18
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Canvas, Oil
$40,000
Post Bulletins (football team) Practicing at Graham Park, Rochester, NY
By David Graham
Located in New York, NY
20 x 24 inch type-c print. Edition 25.
Signed, titled and dated on verso.
Other sizes available - please inquire.
For more than thirty years, David Graham, has produced photographic images infused with both compassion and humor, as he has documented the homes we have built, our lives both public and private, and a purely American expression of “freedom.”
Graham was born in Abington, Pennsylvania, in 1952. He received a BA from The University of the Arts, and his MFA from the Tyler School of Art, both in Philadelphia. He studied under Ray K. Metzker and Will Larson, and was mentored by Emmet Gowin...
Category
1980s Contemporary Adaa Art Dealers Association Of America
Materials
C Print
Very Rare Maple Bannister Back Armchair
Located in West Chester, PA
William and Mary bannister back armchair. Arched crest, wonderful turnings, molded splat nd rush seat. Turned legs terminating in ball feet. Pennsylvania, circa 1730.
Category
18th Century American William and Mary Antique Adaa Art Dealers Association Of America
Materials
Maple
Untitled [Abstraction]
By George L.K. Morris
Located in New York, NY
Gouache on paper, 18 7/8 x 14 3/4 in.
Signed (at lower right): Morris; (with monogram, on the back): GLKM [monogram] / 1932 [sic]
Executed circa late 1940s
A passionate advocate of abstract art during the 1930s and 1940s, George L. K. Morris was active as a painter, sculptor, editor, and critic. An erudite man with an internationalist point of view, Morris
eschewed the social, political, and figural concerns that preoccupied so many artists of Depression-era America, believing that painters should focus their attention on the beauty, refinement, and simplicity of pure form instead. His goal, he said, was “to wedge the expression further and further into the confines of the canvas until every shape takes on a spatial meaning” (as quoted in Ward Jackson, “George L. K. Morris: Forty Years of Abstract Art,” Art Journal 32 [Winter 1972–73], p. 150).
Born into an affluent family in New York City, Morris was a descendent of General Lewis Morris, a
signer of the Declaration of Independence. From 1918 until 1924, he attended the Groton School in
Connecticut, studying classics and art. He continued to focus on literature and art while attending
Yale University (1924–28), an experience that prepared him well for his future activity as an artist-critic. After graduating in 1928, Morris studied at the Art Students League of New York, working
under the realist painters John Sloan and Kenneth Hayes Miller, as well as Jan Matulka, the only
modernist on the faculty. In the spring of 1929, Morris traveled to Paris with Albert E. Gallatin, a
family friend and fellow painter who introduced him to leading members of the Parisian avant-garde, including Jean Arp, Pablo Picasso, Georges Braque, Jean Hélion, and Piet Mondrian. Morris also took classes at the Académie Moderne, studying under Fernand Léger and Amédée Ozenfant, important exponents of Synthetic Cubism who influenced his aesthetic development. Indeed, after experimenting with the simplified forms of Modernism for a few years, Morris moved on to abstraction by 1934, adopting a hard-edged, geometric approach inspired by Leger’s cubist style and the biomorphic shapes of Arp and Joan Miró.
Following his return to New York in 1930, Morris built a white-walled, open-spaced studio (inspired
by that of Ozenfant, which had been designed by Le Corbusier) on the grounds of Brockhurst, his
parents’ 46-acre estate in Lenox, Massachusetts. In 1935, he married the painter and collagist Estelle “Suzy...
Category
1940s American Modern Adaa Art Dealers Association Of America
Materials
Paper, Gouache
![Untitled [Abstraction]](https://a.1stdibscdn.com/george-lk-morris-1905-1975-american-paintings-untitled-abstraction-for-sale/a_23/1652214284908/APG_8941_unfr_master.jpg?width=240 "george l k morris")
Route 40, Arizona
By David Graham
Located in New York, NY
30 x 40 inch digital c-print.
Signed, titled, dated and editioned on frame label.
Smaller sizes available - please inquire.
Throughout his career, David Graham, has produced photographic images infused with both compassion and humor, as he has documented the homes we have built, our lives both public and private, and a purely American expression of “freedom.”
Graham was born in Abington, Pennsylvania, in 1952. He received a BA from The University of the Arts, and his MFA from the Tyler School of Art, both in Philadelphia. He studied under Ray K. Metzker and Will Larson, and was mentored by Emmet Gowin...
Category
1980s Contemporary Adaa Art Dealers Association Of America
Materials
C Print
American Landscape: Houses, Gardens and Trees
By Ralph Rosenborg
Located in New York, NY
Signed (at lower right): Ralph M. Rosenborg 1939; ll: 3/15 Woodcut
Category
Mid-20th Century American Modern Adaa Art Dealers Association Of America
Materials
Woodcut
Early Walnut Pewter Cupboard
Located in West Chester, PA
Straight sides with lollypop top, four shelves and panelled doors below with nice base molding and a wonderful patina overall.
Category
18th Century American Queen Anne Antique Adaa Art Dealers Association Of America
Materials
Wood
$15,500
Human and Animal Locomotion. Plate 35.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion.
Plate 35. Walking, carrying child on right arm.
14 x 20 inch original vintage collotype print from 1887
Image size 8.25 x 13.5 inches.
Muybridge copyrig...
Category
1880s Adaa Art Dealers Association Of America
Materials
Photographic Paper
Cliffs Near Early's Farm
By Randall Exon
Located in New York, NY
Randall Exon (b. 1956) was born in Vermillion, South Dakota. Exon earned his B.F.A. in painting from Washburn University in Topeka, Kansas, and an M.F.A. at the University of Iowa. I...
Category
Early 2000s Contemporary Adaa Art Dealers Association Of America
Materials
Linen, Oil
Miyoshi City, Tokushima Prefecture (C-1117)
By Toshio Shibata
Located in New York, NY
20 x 24 inch type-c print, edition 25
Toshio Shibata is one of Japan's leading landscape photographers. But he has chosen a most unconventional subject for his landscape photography...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
C Print
Why Do I Love You? Louis Armstrong at 14, 000 feet over Africa, May 1956
By Larry Burrows
Located in New York, NY
A 16 x 20 inch gelatin silver print, with image size of 12 x 17.75 inches. Printed in 2004. "Larry Burrows Collection" and copyright stamps on verso.
Larry Burrows career as a LIFE ...
Category
1950s Adaa Art Dealers Association Of America
Materials
Silver Gelatin
Lake Grey, Towers of Paine, Chile
By Luca Campigotto
Located in New York, NY
6.5 x 8 inch achival pigment print. Edition 15.
Signed, titled, dated and editioned on frame label provided.
Luca Campigotto uses big equipment to capture big subjects, from the ...
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America
Materials
Archival Pigment
