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Ifpda International Fine Print Dealers Association

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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Nude Seated in Chair
By William H. Bailey
Located in Fairlawn, OH
Nude Seated in Chair Graphite on paper, 1976 Signed and dated lower right (see photo) Exhibited: Dart Gallery, Chicago, 1976 (see photo of label) Condition: Excellent Sheet size: 14 ...
Category

1970s American Realist Ifpda International Fine Print Dealers Association

Materials

Graphite

Eurybia and Eros
By George Braque
Located in Fairlawn, OH
Eurybia and Eros Etching, 1932 Printed on BFK Rives paper Unsigned (as issued by Vollard) Published by Ambrose Vollard, Paris From the suite of 16 illustrations for Hesiod's Theogony...
Category

1930s French School Ifpda International Fine Print Dealers Association

Materials

Etching

[Advertisement for tobacco.] (woman holding a Pekinese Dog)
By Jin Meishing
Located in New York, NY
Meishing, Jin ca. 1935 Color lithograph. [Advertisement for tobacco.] (woman holding a pekinese Dog) Most of the posters were printed in Shanghai during the first three decades ...
Category

1930s Art Deco Ifpda International Fine Print Dealers Association

Materials

Lithograph

HOPE, 2021 (The promise of the new year appears to be floating
By Matt Magee
Located in New Orleans, LA
Hope is an archival color print with sculptured and hot gloss stamp printed in an edition of 50. This is impression #25 of 50. ARTIST STATEMENT: Language is liquid and as HOPE was ...
Category

2010s Pop Art Ifpda International Fine Print Dealers Association

Materials

Archival Ink, Color, Archival Pigment

untitled (Pueblo)
By Virginia Dehn
Located in Fairlawn, OH
Untitled (Taos Pueblo) Ink on paper, 1985-1990 Signed by the artist in ink lower right (see photo) An early New Mexico period work, created shortly after the artist moved from New York. Provenance: estate of the artist Dehn Heirs Condition: Excellent Image/sheet size: 13 1/8 x 18 1/2 inches Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...
Category

Early 20th Century American Modern Ifpda International Fine Print Dealers Association

Materials

Ink

La Grande Cascade de Saint Cloud
By Alfredo Müller
Located in Fairlawn, OH
La Grande Cascade de Saint Cloud Color aquatint on watermarked Arches J Perrigot paper, 1905 Signed by the artist in pencil lower right. (see photo) Edition: 100. Numbered "39" in ...
Category

Early 1900s French School Ifpda International Fine Print Dealers Association

Materials

Aquatint

Lotus
By Maki Hino
Located in New Orleans, LA
Hino creates a still life of a lotus from an edition of 65. A prominent figure in Buddhist and Egyptian culture, and native flower for both India and Vietnam, the lotus holds enormous symbolic weight. It spans various thousand-year-old Eastern cultures and yet, is still considered one of the most sacred flowers today. So what is it about this mysterious blossom that people find so enrapturing? Its colorful bloom is an obvious suspect, but the lotus also has a life cycle unlike any other. With its roots based in mud, it submerges every night into murky river water, and—undeterred by its dirty environment—it miraculously re-blooms the next morning without residue on its petals. Although cultures have their own interpretations of this daily process, there is a general consensus among ancient texts...
Category

1990s American Modern Ifpda International Fine Print Dealers Association

Materials

Mezzotint

Lotus
Lotus
$85 Sale Price
22% Off
Running the Rapids
By Frank Benson
Located in New York, NY
The etching "Running the Rapids" was created by Frank Benson in 1927. Printed in an edition of 150, this impression is signed in pencil, lower left. The image size is 5 13/16 x 7 7/8" (14.8 x 20 cm) and sheet size 8 1/16 x 10 5/16" (20.3 x 26.2 cm). Frank Weston Benson (1862-1951), well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category

1920s American Impressionist Ifpda International Fine Print Dealers Association

Materials

Etching

Deerflake (The artist's first work celebrating the Solstice / deer as snowflake)
By Carol Wax
Located in New Orleans, LA
Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the deer. T...
Category

Late 20th Century American Modern Ifpda International Fine Print Dealers Association

Materials

Mezzotint

Street in Szentendre
By Béla Czóbel
Located in Chicago, IL
Signed lower right
Category

Late 20th Century Expressionist Ifpda International Fine Print Dealers Association

Materials

Canvas, Oil

Made in China (A lantern with Chinese characters etched on the base)
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint, "Made in China", explores the irony that glass, a transparent material alters perceptions of reality. This is the first instance in which Wax explores that iro...
Category

1980s Contemporary Ifpda International Fine Print Dealers Association

Materials

Mezzotint

untitled
By Virginia Dehn
Located in Fairlawn, OH
Untitled Acrylic on paper, c. 1975 Signed by the artist in ink lower right (see photo) An early Modernist Abstraction, created shortly after the death of her husband, Adolf Dehn in 1968. Condition: Excellent Archival framing Image size: 18 x 24 Provenance: Estate of the artist Dehn Heirs Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...
Category

20th Century Abstract Ifpda International Fine Print Dealers Association

Materials

Acrylic

Frog Cog
By Carol Wax
Located in New Orleans, LA
Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the frog. T...
Category

Late 20th Century American Modern Ifpda International Fine Print Dealers Association

Materials

Mezzotint

Jacqueline Kennedy Onassis. Dec. 1965 Perennial Woman Calendar
By Betty Brader
Located in New York, NY
Original, unused 1965 calendar by Determined Productions Inc. in San Francisco. Determined Productions was founded in 1961 by Connie Boucher and was created to make licensed products...
Category

1960s Ifpda International Fine Print Dealers Association

Materials

Paper

Let It Be Orange
By Julian Stanczak
Located in Fairlawn, OH
Signed in pencil lower right Published by Eugene Schuster, London Art Printer: Vistec, Rochester, New York Regular edition unrealized per Stanczak web site This annotated "H.C." ...
Category

1880s Op Art Ifpda International Fine Print Dealers Association

Materials

Screen

872 BRU Series: Steep/Stepped Parade. [Bruges, Belgium].
By Thomas R. Roese
Located in New York, NY
872 BRU Series: Steep/Stepped Parade. [Bruges, Belgium]. Contemporary artist Thomas Roese, inspired by the industrial landscape of steel mills, rail yards, architectural details, a...
Category

21st Century and Contemporary Photorealist Ifpda International Fine Print Dealers Association

Materials

Acrylic, Color Pencil, Graphite

Bois Dormant
By Christine Ravaux
Located in New Orleans, LA
Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted with grasses and ferns that lie beneath. Christine Ravaux is a Belgian artist who uses nature in m...
Category

Late 20th Century Modern Ifpda International Fine Print Dealers Association

Materials

Mezzotint

Un rêve vert
By Guillaume Cornelis van Beverloo (Corneille)
Located in Fairlawn, OH
Un rêve vert Color lithograph on Arches without watermark, 1975 Signed lower left in red area (see photo) Numbered lower left in red area Dated in same red area Edition: 100 (67/100)...
Category

1970s Contemporary Ifpda International Fine Print Dealers Association

Materials

Lithograph

Lhasa Apso Painting
Located in New York, NY
Original Lhasa Apso gouache, probably Belgian, done as a design for a series of matchboxes.
Category

Mid-20th Century Ifpda International Fine Print Dealers Association

Materials

Gouache, Board

Brigahoe Towing Into Scarborough Harbor
By Nelson Dawson
Located in New Orleans, LA
This impression is signed and annotated as etched and printed by the artist. It is numbered No. 11 Nelson Ethelred Dawson (1859–1941) was an English artist and member of the Arts a...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association

Materials

Etching

Untitled
By Peter Marks
Located in Fairlawn, OH
Untitled Collage of small oil on canvas fragments, c. 2006 Unsigned Provenance: Estate of the artist Image size: 15 x 9 7/16 inches Sheet size:: 17 x 14 inches Peter Marks (1935 -2...
Category

Early 2000s Abstract Ifpda International Fine Print Dealers Association

Materials

Mixed Media

Carpe Diem I
By Mikio Watanabe
Located in New Orleans, LA
this impression is #46 from edition of 50 Mezzotint artist Mikio Watanabe was born in 1954 in Japan and currently lives in France. He is most known for his elegant, evocative black ...
Category

Early 2000s American Modern Ifpda International Fine Print Dealers Association

Materials

Mezzotint

Carpe Diem I
Carpe Diem I
$127 Sale Price
49% Off
Original Japanese Watercolor and Woodblock Print of a Lark, Barley and Beans
Located in Burbank, CA
Barley, broad beans and a lark (Omugi, soramame, hibari). Original preparatory watercolor next to the finished original Japanese woodblock print. This is a highly finished preparator...
Category

1890s Art Deco Ifpda International Fine Print Dealers Association

Materials

Watercolor, Woodcut

North End ( Reference to Chicago's gay sports bar in Boystown near Wrigley)
By Nicholas Krushenick
Located in New Orleans, LA
Nicholas Krushenick 's "North End" is a color silkscreen pencil signed, dated, and editioned; proof from the published edition of 200, . Nicholas Krushenick (American, 1929 – 1999) ...
Category

1970s Pop Art Ifpda International Fine Print Dealers Association

Materials

Silk, Screen

My Great Mum (the artist's mother, a quintessential Italian matriarch)
By Paolo Ciampini
Located in New Orleans, LA
"My Great Mum" is a loving portrait of the artist's Italian mother. Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (...
Category

1990s Ifpda International Fine Print Dealers Association

Materials

Etching

Pair of Benito Fashion Prints with Gold Details
By Edouard Garcia Benito
Located in New York, NY
"Boabdil" and "Princesse Loitaine" from "La Derniere Lettre Persane." Paris, Librairie Centrale des Beaux-Arts, 1920. Original pochoir prints with gold paint.
Category

1920s Ifpda International Fine Print Dealers Association

Materials

Paper

Church
Located in New Orleans, LA
An original print of a church signed in pencil by artist Mr. H. Dewitt Welsh, Artist of Philadelphia, acting secretary of the Division of Pictorial Publicity Committee on Public Inf...
Category

Early 20th Century Ifpda International Fine Print Dealers Association

Materials

Etching, Aquatint

Church
Church
$98 Sale Price
34% Off
SUBWAY SHIFT - THE SECOND FRONT
By Benton Murdoch Spruance
Located in Portland, ME
Spruance, Benton (American 1904-1967). SUBWAY SHIFT - THE SECOND FRONT. Fine and Looney 223. Lithograph, 1943. Fine and Looney cite two editions, one of 35 and one of 30, this being ...
Category

1940s Ifpda International Fine Print Dealers Association

Materials

Lithograph

South Spring Wind - Voice of Persephone
By Arthur Bowen Davies
Located in Fairlawn, OH
South Spring Wind - Voice of Persephone Sanguine on paper heightened with white gouache over the entire sheet Signed lower left An important work on paper by the artist with extensiv...
Category

1920s Ashcan School Ifpda International Fine Print Dealers Association

Materials

Gouache

Figures in a Landscape
By Gabriel Perelle
Located in Chicago, IL
A very fine impression
Category

17th Century Ifpda International Fine Print Dealers Association

Materials

Etching

Contre Sens (against the Grain)
By Christine Ravaux
Located in New Orleans, LA
Christine Ravaux created this mezzotint which translates to the phase "against sense". This impression is #7 of 20 Shades of blacks and grays on a fallen branch create a pleasing p...
Category

Late 20th Century Modern Ifpda International Fine Print Dealers Association

Materials

Mezzotint

Le Talon Aigville - In Celebration of Pride Month
By Laurent Schkolnyk
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. This mezzotint was created by Laurent Sckolnyk and was meant as an homage to the mo...
Category

Late 20th Century Contemporary Ifpda International Fine Print Dealers Association

Materials

Mezzotint

Hedickhuyfen
Located in Chicago, IL
from the series of eight views of Provincial Holland and Ultrecht
Category

17th Century Ifpda International Fine Print Dealers Association

Materials

Etching

EVENING FLIGHT
By Roland Clark
Located in Portland, ME
Clark, Roland. EVENING FLIGHT. Derrydale 11. Etching and drypoint, 1929. Edition of 75. Signed in pencil. 12 x 15 inches. In excellent condition.
Category

1920s Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching

Seven
By Robert Indiana
Located in Fairlawn, OH
Seven Screen print, 1968 Unsigned (as issued) Edition: 2500 From: Number (10 plates), with poems by Robert Creeley Printer: Domberger KG, Stuttgart Publisher: Edition Domberger Stutt...
Category

1960s Pop Art Ifpda International Fine Print Dealers Association

Materials

Screen

Times Square I (the neon signs in Manhattan's Times Square)
By Art Werger
Located in New Orleans, LA
Times Square I is a montage of large neon signs that dominate Manhattan's Times Square. This impression is pencil signed, titled and dated and is #40 ...
Category

Early 2000s American Modern Ifpda International Fine Print Dealers Association

Materials

Mezzotint

Apple Peeler II (a kitchen tool interpreted by paintings of Yves Tanguy)
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint, "Apple Peeler II", shows the simple tool influenced in part by Yves Tanguy. It was created in 1992 an edition of 50. This image is...
Category

1980s Contemporary Ifpda International Fine Print Dealers Association

Materials

Mezzotint

Mont et Mervale (Mountains and Wonder)
By Christine Ravaux
Located in New Orleans, LA
Born in Charleroi, Belgium, Christine Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed the black hills that dot the landscape of the ...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association

Materials

Mezzotint, Aquatint

Plate X, Le Cocu Magnifique
By Pablo Picasso
Located in Fairlawn, OH
Plate X, Le Cocu Magnifique Etching & aquatint, 1968 Unsigned Edition: From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 im...
Category

1960s French School Ifpda International Fine Print Dealers Association

Materials

Etching, Aquatint

Trivium MMV
By Francisco Souto
Located in New Orleans, LA
In medieval universities, the trivium comprised the three subjects that were taught first: grammar, logic, and rhetoric. The word is a Latin term meaning "the three ways" or "the thr...
Category

Early 2000s American Modern Ifpda International Fine Print Dealers Association

Materials

Mezzotint, Lithograph, Screen

Trivium MMV
Trivium MMV
$575 Sale Price
23% Off
Les Fruits 2
By Charles Harris ( Beni Kosh )
Located in Fairlawn, OH
Les Fruits 2 Oil on masonite, 1967 Signed and titled lower right (see photos) Signed with the estate stamp verso: Beni Kosh Collection #254 (see photo) Condition: Good Board size: 7 ...
Category

1960s Contemporary Ifpda International Fine Print Dealers Association

Materials

Oil

Missing Link
By Carol Wax
Located in New Orleans, LA
This image is #12 from an edition of only 75, Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after...
Category

2010s American Modern Ifpda International Fine Print Dealers Association

Materials

Mezzotint

Untitled (Moulin Rouge and other Paris landmarks)
By Robert Delaunay
Located in Fairlawn, OH
Untitled (Moulin Rouge and other Paris landmarks) Lithograph, 1926 Rare signed in pencil proof on chine paper (see photo) Lithograph from Joseph Delteil's "Allo, Paris," published by...
Category

1920s Modern Ifpda International Fine Print Dealers Association

Materials

Lithograph

Unknown title (castle with wall, stream and footbridge)
By David Cox
Located in Fairlawn, OH
Unknown title (castle with wall, stream and footbridge) Watercolor on laid paper, mounted to support of old Albumin photograph mount Signed and dated lower left (see photo) The watercolor is mounted on support that is the backing for a vintage albumin photograph of Moulin Huet, Guernsey, Channel Islands, c. 1850's Condition: Mounted to verso of albumin photograph mount (see photo) Glue residue outside of image/sheet on recto Colors fresh No other issues to note David Cox (29 April 1783 – 7 June 1859) was an English landscape painter, one of the most important members of the Birmingham School of landscape artists and an early precursor of Impressionism. He is considered one of the greatest English landscape painters, and a major figure of the Golden age of English watercolour. Although most popularly known for his works in watercolour, he also painted over 300 works in oil towards the end of his career, now considered "one of the greatest, but least recognised, achievements of any British painter. His son, known as David Cox the Younger (1809-1885), was also a successful artist. Early life in Birmingham, 1783–1804 Cox's birthplace in Deritend, Birmingham, illustrated by Samuel Lines Cox was born on 29 April 1783 on Heath Mill Lane in Deritend, then an industrial suburb of Birmingham. His father was a blacksmith and whitesmith about whom little is known, except that he supplied components such as bayonets and barrels to the Birmingham gun trade. Cox's mother was the daughter of a farmer and miller from Small Heath to the east of Birmingham. Early biographers record that "she had had a better education than his father, and was a woman of superior intelligence and force of character." Cox was initially expected to follow his father into the metal trade and take over his forge, but his lack of physical strength led his family to seek opportunities for him to develop his interest in art, which is said to have first become apparent when the young Cox started painting paper kites...
Category

1840s Romantic Ifpda International Fine Print Dealers Association

Materials

Watercolor

Early Morning (an atmospheric sense of a lone figure in Hoi An, Vietnam)
By Benno Thoma
Located in New Orleans, LA
This colorful image is of a lone woman trying to navigate the street of an old Vietnamese town. Hội An is a city on Vietnam’s central coast known for its well-p...
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association

Materials

Photographic Paper, Archival Pigment

Tatoo-Shave-Haircut
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1934), Tattoo-Shave-Haircut, etching, 1932. Signed, titled (“Tattoo-Haircut-Shave”), dedicated (“for Arnold Newman”), and annotated (“Fourth State. First of Two Prints”). Reference: Sasowsky 140. On cream wove paper. In very good condition, with small margins (as trimmed, slightly irregularly, by the artist) (slight foxing in margins), remains of prior hinging verso; 9 7/8 x 9 3/4, the sheet 10 15/16 x 10 5/8 inches; archival matting. A very fine rich black impression; we have not seen impressions of comparable quality on the market. Provenance: Estate of Arnold Newman. Arnold Newman (1918-2006) was one of the great 20th Century masters of photography, and a friend of many leading artists; it is appears that Marsh took special care in printing this impression for Newman. Sasowsky calls for 10 states of Tattoo-Shave, based largely on Marsh’s notes. But the states are not clearly delineated (e.g., his States 3 and 4, one proof each, are characterized by Marsh as “Engraving added”; no information is given for State 5). The design for the print was complete in the first state, and subsequent state changes were not, apparently, major. This impression does not appear to differ in etching lines from the final state impression shown in Sasowsky. Its inscription (as a Fourth State, by Marsh), as well as its rich inking and quality, attest to its being a proof before the edition (of about 34 impressions), but the state of this print (and, presumably of many of the other several proof impressions) cannot at this time be stated with confidence. Marsh printed this impression personally (we recall his famous answer to a question about the size of his editions: “Since I do practically all my own printing, I do not limit the edition. The buyer limits the edition – he rarely buys, I rarely print”). Tattoo-Shave-Haircut depicts a scene in the Bowery, a section of New York’s Lower East Side, during the Great Depression. The building and train structures in the top half of the print recall Piranesi’s Carceri...
Category

1930s American Realist Ifpda International Fine Print Dealers Association

Materials

Etching

Lady with a Bike (atmospheric photograph of Vietnamese woman on her bike)
By Benno Thoma
Located in New Orleans, LA
Benno Thoma's color image of a Vietnamese woman on her bike was taken in Hanoi. It is a painterly image created through photographic technique. This impression is #1 of an edition of...
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association

Materials

Photographic Paper, Archival Pigment

Landscape with Cattle
By Hendrick V. Tavernier
Located in Chicago, IL
verso: signed and dated "H. Tavernier, 1779"
Category

18th Century Ifpda International Fine Print Dealers Association

Materials

Watercolor

The Hermitage
By Anthonie Waterloo
Located in Chicago, IL
2nd State of three States
Category

17th Century Ifpda International Fine Print Dealers Association

Materials

Etching

Restaurant in Mott Street
By Charles Frederick William Mielatz
Located in New Orleans, LA
The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.” CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art C.F.W. Mielatz American, 1860-1919 Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...
Category

Early 20th Century American Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching

Franky and Johnny in Paris
By Adolf Dehn
Located in Fairlawn, OH
Signed, dated, and editioned in pencil by the artist Edition:30, plus trial proofs; this print numbered 23/30 Printed by Edmond Desjobert, Paris Provenance: Estate of the artist The image is loosely based on the tragic love story of Frankie and Johnny, memorialized in Jazz, Blue, Country, Rock a Billy and Motown. At least 256 recordings of "Frankie and Johnny" have been made since the early 20th century. Inspired by a traditional song first recorded by The Leighton Brothers in 1912. Among the artist who have recorded the varying versions of the song are Gene Autrey (1929), Jimmie Rodgers (1929), Lead Belly (1939), Lena Horne (1946), Les Paul and Mary Ford (1952), Sammy Davis Jr. (1956), Pete Seeger...
Category

1920s Art Deco Ifpda International Fine Print Dealers Association

Materials

Lithograph

Landscape with an Oaktree alongside a River, a Shepard Playing a Flute
By Carl Wilhelm Kolbe the Elder
Located in Chicago, IL
a very fine impression
Category

19th Century Ifpda International Fine Print Dealers Association

Materials

Etching

Slug Fish
By Tony Fitzpatrick
Located in New York, NY
Tony Fitzpatrick is an American artist born in 1958 and based in Chicago. He graduated from Montini Catholic High School in Lombard, Illinois in 1977. In the early 1980s, Fitzpatr...
Category

Late 20th Century Contemporary Ifpda International Fine Print Dealers Association

Materials

Etching

Eight Variations for Galerie Heiner Friedrich
By Fred Sandback
Located in New York, NY
Fred Sandback was a minimalist conceptual-based sculptor known for his yarn sculptures, drawings, and prints. He majored in philosophy at Yale Universit...
Category

1970s Minimalist Ifpda International Fine Print Dealers Association

Materials

Screen

Untitled (Plate 3)
By Terry Haass
Located in Fairlawn, OH
From: Happy Pentagone (6 plates) Signed and numbered in pencil Edition: 100 (37/100) Printer: Lacouriere et Frelaut Imprimeur, Paris Paper: BFK RIVES watermark on some sheets from th...
Category

1970s Abstract Ifpda International Fine Print Dealers Association

Materials

Etching

Madame Carmencita, Plate 9
By Georges Rouault
Located in Fairlawn, OH
Madame Carmencita, Plate 9 From: Cirque de l'etoile filante (Circus of the Shooting Star), 1934-1936 (published 1938) Signed with the artist's initials and dated, lower right of plat...
Category

1930s French School Ifpda International Fine Print Dealers Association

Materials

Aquatint

Chilly Chicken
By Emma Lane Payne
Located in Fairlawn, OH
Unsigned Provenance: Estate of the Artist Exhibited: I Don't Have Time to be Lonesome When I'm Painting: Emma Lane Payne 1857–1943 ... Cleveland Artists Foundation, June 22, 200...
Category

Early 19th Century Ifpda International Fine Print Dealers Association

Materials

Watercolor

Portfolio of Six Untitled Etchings
By Louisa Chase
Located in New York, NY
Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Ya...
Category

1980s Contemporary Ifpda International Fine Print Dealers Association

Materials

Etching

Dog and Partridge No. 1
By Brad Davis
Located in New York, NY
Brad Davis has exhibited at The Museum of Modern Art in New York, the New Museum of Contemporary Art in new York, the Hudson River Museum, the Univ...
Category

Late 20th Century Ifpda International Fine Print Dealers Association

Materials

Etching

Four Locations
By Ross Bleckner
Located in Berkeley, CA
Color spitbite aquatint with chine colle. Edition of 50
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association

Materials

Etching

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