International Fine Print Dealers Association Art
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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The Bluestocking’s Husband
By Honoré Daumier
Located in New York, NY
Honore Daumier (1808-79), The Bluestocking’s Husband, plate 46 from the series Moeurs Conjugales, published in 1842 in Le Charivari, and in the Album Moeurs Conjugales in 1843; an im...
Category
1840s Realist International Fine Print Dealers Association Art
Materials
Lithograph
PICNIC
By Peggy Bacon
Located in Portland, ME
Bacon, Peggy. PICNIC.
Drypoint, 1926.
Titled and signed in pencil.
5 7/8 x 8 3/8 inches.
Printed on laid paper with deckle on four sides. Very faint matstain, else in excellent c...
Category
1920s International Fine Print Dealers Association Art
Materials
Drypoint
$2,250
Aylesbury Estate
By Keith Coventry
Located in London, GB
Screenprint in colours, 2014, signed, edition of 50, 54 x 42 cm. (21¼ x 16½ in.)
Keith Coventry was born in Burnley in 1958 and lives and works in London. He attended Brighton Polytechnic 1978– 81 and Chelsea School of Art London 1981– 82. He was featured in the seminal exhibition Sensation at the Royal Academy of Arts, London, in 1997 and in 2006, he received a mid-career retrospective at Glasgow's Tramway (Art Centre). He was also a co-founder and curator of City Racing, an influential not-for-profit gallery in Kennington, South London from 1988-98.
His work has been exhibited widely in the UK and Europe and is included in collections worldwide, including the British Council; Tate Modern; Arts Council of England; Walker Art Center, Minneapolis;, and The Museum of Modern Art, New York. In 2010 Coventry was awarded the John Moores Painting...
Category
21st Century and Contemporary Abstract Geometric International Fine Print Dealers Association Art
Materials
Screen
Original Chow Chow Illustration
By Libuse Knotek
Located in New York, NY
Original watercolor and colored pencil illustration of a Chow Chow dog by Libuse Knotek. Likely an illustration for the "Atlas Illustrado de Animales..."...
Category
1990s International Fine Print Dealers Association Art
Materials
Color Pencil, Paper, Watercolor
$420 Sale Price
20% Off
Monsieur - Here's Your Handkerchief
By Honoré Daumier
Located in New York, NY
Honore Daumier (1808-1879), Monsieur – Here’s Your Handkerchief, lithograph, 1842. Daumier Register 670, third state (of 3), sur blanc, plate 47 from the series Moeurs Conjugales, pu...
Category
1840s Realist International Fine Print Dealers Association Art
Materials
Lithograph
Listening
By Art Werger
Located in New Orleans, LA
Listening is a 2000 mezzotint that is signed by the artist.
Art Werger’s lyrical suburban scenes are evocative of boyhood summer evenings while his city images are fraught with tens...
Category
21st Century and Contemporary American Modern International Fine Print Dealers Association Art
Materials
Mezzotint
$100 Sale Price
60% Off
Intérieur, la lecture
By Henri Matisse
Located in London, GB
Lithograph on Chine paper, Edition of 50
Paper size: 39 x 31 cms (15.4 x 12.2 ins)
Image size: 27.2 x 19 cms (11 5/8 x 7 1/2 ins)
Category
1920s Impressionist International Fine Print Dealers Association Art
Materials
Lithograph
Ninth Inning
Located in Myrtle Beach, SC
Sylvia Mayzer Rantz, 'Ninth Inning', lithograph, 1949, edition 24. Signed, dated, titled, and numbered '9/24' in pencil. A fine, richly-inked impression, on cream wove paper. The ful...
Category
1940s American Realist International Fine Print Dealers Association Art
Materials
Lithograph
La Fortune Fait Oblier Les Amis
By Honoré Daumier
Located in New York, NY
Honore Daumier (1808-1879), La Fortune Fait Oblier Les Amis, lithograph, from the series Caricaturana, plate 31, 1838. Daumier Register 385, third state (of...
Category
1830s Realist International Fine Print Dealers Association Art
Materials
Color, Lithograph
Untitled 5 (Woman Resting Against a Chair)
By George Segal
Located in Fairlawn, OH
Untitled 5 (Woman Resting Against a Chair)
Signed and dated in the lower right corner (see photo)
Edition: 100 (43/100 in the lower left corner)
Published by Poligrafa, Spain
Proven...
Category
1970s Abstract International Fine Print Dealers Association Art
Materials
Lithograph
RENDEZVOUS (SMALL)
By John French Sloan
Located in Portland, ME
Sloan, John. RENDEZVOUS (Small). Morse 227. Etching, 1926.
Second State, with the pupil added to the left eye, The published
state, titled "Miss Angna Enters...
Category
1920s International Fine Print Dealers Association Art
Materials
Etching
Drawn from Dust
Located in Lyons, CO
Terry Maker makes three-dimensional works that get to the “guts” of the materials used, such as discarded shoes, vinyl records, candy dust and shredded doc...
Category
2010s Abstract International Fine Print Dealers Association Art
Materials
Lithograph
Etching 1916 Number II
By Wassily Kandinsky
Located in New York, NY
Wassily Kandinsky (1866-1944), Etching 1916 Number II, drypoint, signed in pencil lower right, titled, numbered (No. 9) and dated lower left [also with initials and date in the plate lower right]. Reference: Roethel 154, only state, edition of 10. In excellent condition (the barest handling fold at sheet edge), printed on a heavy ivory wove paper, the full sheet with full margins, 4 7/8 x 3 1/4, the sheet 17 1/2 x 13 inches, archival mount with window mat.
A fine fresh impression of this great rarity, printed in a dark brown ink.
Kandinsky created this drypoint (erroneously named Etching 1916) in early 1916 while staying with Gabriel Munter in Stockholm during the winter of 1915-16. This is from the second series of drypoints he made; the first was in the year 1913-14.
Provenance: Kornfeld Auction, Bern, June 2007.
The tiny size of this edition (10) makes this print a great rarity within the Kandinsky’s printed...
Category
1910s Abstract International Fine Print Dealers Association Art
Materials
Drypoint
Identical/Variation (red, yellow, blue)
By Amy Ellingson
Located in Lyons, CO
Color lithograph, Edition 30.
The artist describes this project:
“In early September, I made my second trip to Shark's Ink in Lyons, CO. It was wonderful to be invited back to crea...
Category
2010s Abstract International Fine Print Dealers Association Art
Materials
Lithograph
Octavio Paz Suite: Nocturne VIII
By Robert Motherwell
Located in London, GB
Lithograph and chine appliqué
64.5 x 54 cms (25 3/8 x 21 1/4 ins)
Edition of 50
Paper: Arches paper; Japanese Gampi handmade paper
Other Collaborators: Image transferred from Mylar...
Category
1980s Abstract Expressionist International Fine Print Dealers Association Art
Materials
Handmade Paper, Color, Lithograph
'St. Marks on the Bowery' - Famed New York City Landmark
By Leon Dolice
Located in Myrtle Beach, SC
'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed.
Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm).
Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums.
ABOUT THE ARTIST
Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world.
In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history.
During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead.
Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections.
ABOUT ST. MARKS CHURCH
St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan.
In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel.
Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter.
While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project.
St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...
Category
1930s American Modern International Fine Print Dealers Association Art
Materials
Etching, Aquatint
Benchmark
By William Wegman
Located in New York, NY
Edition of 7
"Benchwork" is part of Wegman's artistic exploration of photography and staged scenes. The artwork is representative of Wegman's distinctive approach to photography, wh...
Category
2010s International Fine Print Dealers Association Art
Materials
Pigment
Reclining Female Nude
By Emil Ganso
Located in Fairlawn, OH
Reclining Female Nude
Charcoal on paper, c. 1933
Signed lower right (see photo)
Provenance:
Weyhe Gallery, New York (Ganso's dealer 1925-1941)
Joseph Mark Erdelac, Cleveland, noted c...
Category
1930s American Modern International Fine Print Dealers Association Art
Materials
Graphite
Jerusalem
By Percy John Delf Smith, R.D.I.
Located in Storrs, CT
1931. Pencil, ink and watercolor. 9 1/4 x 15 (framed 18 1/2 x 24 1/2). Signed and dated in pencil. Housed in a silk mat and an elegant carved gold leaf frame.
Twelve of the artist'...
Category
1930s Modern International Fine Print Dealers Association Art
Materials
Ink, India Ink, Watercolor, Pencil
$1,350 Sale Price
32% Off
Barcarolle.
By James McBey
Located in Storrs, CT
Barcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...
Category
1920s Impressionist International Fine Print Dealers Association Art
Materials
Drypoint, Etching
$9,000 Sale Price
33% Off
'Counterpoint' — Mid-Century Modernist Abstraction
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Counterpoint', color serigraph, 1942, edition 25, Ryan 45. Signed, titled, and annotated 'Edition 25' in pencil. A fine impression, with fresh colors, on cream, wove paper; the full sheet with margins (7/8 to 2 1/2 inches). A 1 1/2 inch crease across the top left sheet corner, well away from the image, otherwise in excellent condition. Scarce.
Image size 13 9/16 x 14 5/16 inches (344 x 364 mm); sheet size 14 15/16 x 17 inches (379 x 432 mm). Matted to museum standards, unframed.
Literature:
'A Spectrum of Innovation: Color in American Printmaking', David Acton, New York, London, 1990.
'American Screenprints', Reba and Dave Williams, New York, 1987.
'The American Scene: Prints from Hopper to Pollock', Stephen Coppel, The British Museum, 2008.
Impressions of this work are held in the following museum collections: Albright-Knox Art Gallery, National Gallery of Art, Smithsonian American Art Museum.
ABOUT THE ARTIST
Born in Hartford, Connecticut, Edward Landon dropped out of high school to study art at the Hartford Art School. In 1930 and 1931 he was a student of Jean Charlot at the Art Students League in New York, after which he traveled to Mexico to study privately for a year with Carlos Merida. In 1933 he settled near Springfield, Massachusetts, painted murals in the local trade school, and exhibited with the Springfield Art League. His painting 'Memorial Day' won first prize at the fifteenth annual exhibition of the League at the Springfield Museum of Fine Arts. Landon became an active member of the Artists Union of Western Massachusetts, serving as president from 1934-1938.
Landon acquired Anthony Velonis’s instructional pamphlet on the technique of serigraphy in the late 1930s. With colleagues Phillip Hicken, Donald Reichert, and Pauline Stiriss, he began experimenting with screen printing techniques. The artists' groundbreaking work in screen printing as a fine art medium was the subject of the group’s landmark exhibition at the Springfield Museum of Fine Arts in 1940.
Landon became one of the founding members of the National Serigraph Society and served as editor of its publication, 'Serigraph Quarterly,' in the late 1940s and as its president in 1952 and 1953. The Norlyst Gallery in Manhattan held a one-person show of his prints in 1945. Awarded a Fulbright Fellowship in 1950, Landon traveled to Norway, where he researched the history of local artistic traditions and produced the book 'Scandinavian Design: Picture and Rune Stones...
Category
Mid-20th Century American Modern International Fine Print Dealers Association Art
Materials
Screen
Blom & van der AA.
By Louis Raemaekers
Located in New York, NY
Raemakers, Louis. Blom & van der AA. Ca 1920s.
Color lithograph
Louis Raemaekers, was a Dutch cartoonist who gained international fame with his anti-German cartoons during World W...
Category
1920s Art Deco International Fine Print Dealers Association Art
Materials
Lithograph
Bryce - In Celebration of Pride Month
By Sebastian Perinotti
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
THIS VINTAGE SILVER GELATIN PRINT IS FROM AN EDITION OF 3, Bryce was taken in Osaka, Japan at Abeno Harukas, Japan’s tallest building. The photograph was shot on 35mm film on a Contax T3
Sebastian...
Category
2010s Photorealist International Fine Print Dealers Association Art
Materials
Silver Gelatin
$650 Sale Price
50% Off
Truck Traffic (Colorful Gridlock in Manhattan)
By David Kapp
Located in New Orleans, LA
A six block woodcut published in an edition of only 23. It is signed and archivaliity
David Kapp is best known for his paintings of the contemporary urban landscape. His paintings ...
Category
1990s Abstract Expressionist International Fine Print Dealers Association Art
Materials
Woodcut
Kino Plasticon
By Faragó Géza
Located in New York, NY
Kino Plasticon. Ca 1920s. Budapest. Color lithograph
The Hungarian artist and illustrator Geza Farago worked in Budapest as a cartoonist, theatrical costume designer and poster ar...
Category
1910s Art Deco International Fine Print Dealers Association Art
Materials
Lithograph
Polka Dot Skirt
By Betty Woodman
Located in Lyons, CO
Color woodcut/lithograph with chine collé and collage, Edition 30
Woodman's work in prints is an extension of her great interest in materials, processes and mark making. She combines various printmaking techniques and uses collage, pochoir, metal leaf and chine collé. Woodman's prints have echoed, informed and stimulated her work in clay. In her prints Woodman typically poses images of her ceramic pieces in distinctive spaces.
In her new print Polka Dot Skirt...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Woodcut
Jungfubahn
By Emile Cardinaux
Located in New York, NY
Cardinaux, Emil. Jungfubahn 1928. Color lithograph. 50 1/4 x 35 1/2" [large format].
Cardinaux’s posters were very influential on the way Switzerland saw and represented itself in...
Category
1920s Art Deco International Fine Print Dealers Association Art
Materials
Lithograph
Untitled (Seated Young Woman)
Located in Fairlawn, OH
Untitled (Seated Young Woman)
Graphite on Veritable Papier d'Arches wove paper, 1970
Signed and dated lower right (see photo)
Condition: Excellent
Image/sheet size: 15 x 11 1/4 inch...
Category
1970s American Realist International Fine Print Dealers Association Art
Materials
Graphite
Color Aquatint
By Victor Mignot
Located in New York, NY
Ca. 1900. Original color aquatint. Very fine impression on cream laid Arches paper, signed in pencil lower right and numbered. No. 16 of 30 impressions. Full Margins. 17 1/2 x 12" Im...
Category
Early 1900s Art Nouveau International Fine Print Dealers Association Art
Materials
Aquatint
'The Garden' — Celebrated Contemporary African American Artist
By Margo Humphrey
Located in Myrtle Beach, SC
Margo Humphrey, 'The Garden (Adam and Eve)', reductive color woodcut, 1989. Signed, dated, and annotated 'A/P' in pencil. Signed and dated in the image, lower right. A fine, richly-inked, artist's proof impression, with fresh, vivid colors, on BFK Rives, heavy, off-white wove paper; the full sheet with margins (1 to 1 3/8 inches), in excellent condition. Archivally sleeved, unmatted. Scarce.
Image size 27 1/4 x 39 1/8 inches (692 x 994 mm); sheet size 29 1/2 x 42 inches (749 x 1,067 mm).
ABOUT THIS WORK
"Humphrey continued to reinterpret stories from the Bible with African American figures. In 1989 she published the woodcut print 'The Garden' at Magnolia Editions in Oakland, CA. For this rare foray into relief printmaking, she employed the reductive method, which uses only one block that is successively carved for each color segment, reducing the block with each cutting. Technically challenging, this lush and elaborate print is a testament to Humphrey’s skills as a printmaker. A youthful Adam and Eve are depicted in a luxuriant tropical landscape. Here, Humphrey chooses not to include the traditional symbols of humanity’s downfall but instead portrays them as being protected by angels in an atmosphere of idyllic bounty. ...Although Humphrey challenges traditional representation of Christian themes, her images are not iconoclastic but present a broader, more inclusive engagement with religious spirituality."
— Adrienne L. Childs, 'Margo Humphrey, The David C. Driskell Series of African American Art: Volume VII,' Pomegranate Communications, Inc., 2009, page 71.
ABOUT THE ARTIST
American printmaker, illustrator, and art teacher Margo Humphrey was born in Oakland, California, in 1942. She earned a BFA in Painting and Printmaking from the California College of Arts and Crafts and a Master of Fine Arts degree in Printmaking from Stanford University.
Humphrey began teaching in 1973 at the University of California Santa Cruz and has since taught at the University of Texas at San Antonio, the San Francisco Art Institute, and the School of the Art Institute of Chicago. She has also taught at the University of the South Pacific in Suva, Fiji; Yaba Technological Institute of Fine Art, Ekoi Island, Nigeria; the University of Benin in Benin City, Nigeria; the Margaret Trowell School of Fine Art in Kampala, Uganda, and the Fine Art School of the National Gallery of Art, Harare, Zimbabwe. In 1989, she was appointed Department Head of Printmaking at the University of Maryland in College Park.
Humphrey has worked in lithography, monoprint, and woodcut with significant printmaking ateliers, including the Rutgers Center for Innovative Print and Paper, the Bob Blackburn Printmaking Workshop, and the Tamarind Institute in New Mexico. She was one of the earliest African-American woman artists to distinguish herself as a lithographer in a highly technical, male-dominated profession and was the first to have her prints published by Tamarind in 1974.
Humphrey’s imagery combines historical perspective, autobiography, and fantasy to illuminate her experience as an African American woman. Bold, saturated color, animated figures, and syncopated rhythmic arrangements are hallmarks of Humphrey's oeuvre. Though Humphrey labels her distinctive style "sophisticated naive," the narrative complexity and technical skill of her works attest to her artistic virtuosity. Joyful, expressive, and at times humorous, her works offer engaging commentary on the presumptions of American culture and myth while embracing her personal vision of authenticity and spirituality.
She developed her 1987 work The Last Bar-B-Que, a vividly colored transformation of the Last Supper, following a three-year period during which she examined portrayals of the iconic subject by artists from Pietro Lorenzetti to Emil Nolde. Her narrative work The Garden, a monumentally scaled reductive woodcut, is a further example of an archetypal subject—Adam and Eve in the Garden of Eden—debunked and rendered with fresh, life-affirming vibrancy.
Since her first solo exhibition in 1965, Humphrey’s works have been exhibited internationally. They are held in major institutions, including the Museum of Modern Art, The Smithsonian American Art Museum, the Philadelphia Museum of Art, the Hampton University Museum, the Victoria and Albert Museum (London), the Museum of Modern Art, Rio de Janeiro, and the National Gallery of Modern Art, Lagos. In 1996, she was invited to be part of the World Printmaking Survey at the Museum of Modern Art, New York.
In 2011, Hampton University Museum mounted a 45-year retrospective of Humphrey’s work Her Story: Margo Humphrey Lithographs and Works on Paper, jointly curated by Robert E. Steele, executive director of the David Driskell...
Category
1980s Expressionist International Fine Print Dealers Association Art
Materials
Woodcut
Volg, Traubensaft Zuverlässigkeit
By Josef Müller-Brockmann
Located in New York, NY
Josef Muller-Brockmann,
Volg, Traubensaft Naturrein, Zuverlässigkeit. 1957 Offset. Rare.
Josef Müller-Brockmann was one of the leading pioneers of the ...
Category
1950s Modern International Fine Print Dealers Association Art
Materials
Offset
Coisa Linda.
By Beatriz Milhazes
Located in New York, NY
MILHAZES, Beatriz. Coisa Linda. Unpaginated. Illustrated with 34 hand-printed screen prints and a unique collage. 4to., bound in original decorated blue and gold cloth, yellow paper spine in a yellow cloth slipcase. New York: Library Council of The Museum of Modern Art, 2002.
The first book published in "Contemporary Editions" by the Library Council of the Museum of Modern Art. This exquisite book was created by contemporary Brazilian artist Beatriz Milhazes. Each copy contains thirty-four hand-printed screenprints by Milhazes, and a unique collage. The screenprints are printed in forty colors and are bound in a hand-printed cover, all created by Milhazes in collaboration with the printmaker Jean-Paul Russell...
Category
Early 2000s Modern International Fine Print Dealers Association Art
Materials
Paper
Double Trouble or Anthropology of the Clone
By Enrique Chagoya
Located in Lyons, CO
Color lithograph with collage, Edition 30
Enrique Chagoya makes paintings and prints about the changing nature of culture. “My artwork is a conceptual fusion of opposite cultural re...
Category
Early 2000s Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
La Chauve Souris /Theatre Pigalle
By Paul Colin
Located in New York, NY
Colin, Paul. Theatre Pigalle/La Chauve Souris. 1934. Color lithograph.
On Linen.
Paul Colin worked for Josephine Baker. Made famous in 1925 by his poster for the Revue Negre.The ...
Category
1920s Art Deco International Fine Print Dealers Association Art
Materials
Lithograph
SUBWAY SHIFT - THE SECOND FRONT
By Benton Murdoch Spruance
Located in Portland, ME
Spruance, Benton (American 1904-1967). SUBWAY SHIFT - THE SECOND FRONT. Fine and Looney 223. Lithograph, 1943. Fine and Looney cite two editions, one of 35 and one of 30, this being ...
Category
1940s International Fine Print Dealers Association Art
Materials
Lithograph
Chen Quian. Advertisement for B.S Insurance Co
Located in New York, NY
Artist: Chen Quian.
[Advertisement for B.S Insurance Co.] 1912
Color lithograph, Rare. Very early Chinese advertising poster at the end of the
Qu...
Category
1910s Qing International Fine Print Dealers Association Art
Materials
Lithograph
New York (from Ports of America)
By Louis Orr
Located in Myrtle Beach, SC
Louis Orr, 'New York' (from the portfolio 'Ports of America', published by Yale University Press, 1928), etching, 1925, edition not stated. Signed and titled in pencil. Signed in the...
Category
1920s Realist International Fine Print Dealers Association Art
Materials
Etching
Prehistoric Sighting Pacific Ocean (Goblin Sharks?)
Located in New Orleans, LA
This is a single color lithograph created by Matthew Roath as part of Tamarind Institute PTP. The Collaborating printer isAndreea Cristina Mateescu....
Category
21st Century and Contemporary American Modern International Fine Print Dealers Association Art
Materials
Lithograph
$83 Sale Price
58% Off
"Crossing the River: Chasing"
Located in Lyons, CO
Color lithograph, Edition 30.
Known for paintings based on historical Chinese photographs, Hung Liu's subjects over the years have been prostitutes, refugees, street performers, s...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
Untitled (Crucifixion) — 1920s modernism
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, 'Untitled (Nude Crucified)', lithograph, edition 250, 1929. Signed and numbered 19 in pencil. Number 19 of Volume 2, a series of 10 lithographs published by the a...
Category
1920s Art Deco International Fine Print Dealers Association Art
Materials
Lithograph
River Reflections
By Arthur Wesley Dow
Located in Fairlawn, OH
River Reflections
Color woodcut, c. 1910
Unsigned
Provenance: Dow Family Album, Cincinnati
Condition: Excellent
Image size: 2 1/2 x 4 inches
Sheet size: 3 1/8 x 4 7/8”
A color varian...
Category
1910s American Modern International Fine Print Dealers Association Art
Materials
Woodcut
UNE JETEE EN ANGLETERRE
By Félix Hilaire Buhot
Located in Portland, ME
Buhot, Felix (French, 1847-1898). UNE JETEE EN ANGLETERRE. B & G 132, State two of eight. Etching with drypoint, aquatint and roulette, 1879. Signed in pencil, and with the red owl...
Category
1870s International Fine Print Dealers Association Art
Materials
Drypoint, Etching, Aquatint
The Compensatory Motif in the Libidinal Economy of a Painter's Bad Inconscience
By Manuel Ocampo
Located in Lyons, CO
Color lithograph with chine collé, Edition 30.
In his paintings, drawings and prints, Manuel Ocampo uses inconsistency, contradiction and reversals to explore a colonial heritage...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
Wilhelm/Mozer/Munchen-Nord/Adalbertstr. 31A/Telefon 1939 /Delikatessen.
By Ludwig Hohlwein
Located in New York, NY
Vintage Poster for the Wilhelm/Mozer Delikatessen.
Ref:Das fruhe Plakat 1357 Ludwig Holhwein.Plakate der Jahne 1906-40 Tavel VI Kat Nr. 23.
Hohlwein began his career as graphic d...
Category
Early 1900s Jugendstil International Fine Print Dealers Association Art
Materials
Lithograph
Fatherwell
By Roberto Juarez
Located in Lyons, CO
Color lithograph, Edition 30.
In the studies for this print, Juarez combined casual, small sketches made daily, found botanical prints and magazine illus...
Category
2010s Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
The Bridge
By Bror Julius Olsson Nordfeldt
Located in Santa Monica, CA
B. J. O. NORDFELDT (Bror Julius Olsson) 1878-1955)
THE BRIDGE, 1906
Color woodcut signed, dated 1906 and numbered 150 in pencil. Image 8 x 10 - small margins as issued. 4 corners tipped to acid free support board. Nordfelt is one of the most important early twentieth century American Masters of the Color woodcut. This 1906 work predates many of the other woodcut masters. Nordfeldt had a peculiar numbering system. The number is not necessarily the edition number.
Frances H. Gearhart, Blanche Lazzell, William S. Rice, Gustave Baumann, Margaret Patterson, Norma Basset Hall. Waldo Chase.
Category
Early 1900s American Modern International Fine Print Dealers Association Art
Materials
Woodcut
Nets – Mid-Century Modernism, Atelier 17
By Sigismond Kolos-Vari
Located in Myrtle Beach, SC
Sigismond Kolos-Vari, 'Nets', color etching with soft-ground and aquatint, edition 200 (1 of 60 artist's proofs), 1952. Signed and dated in pencil. Numbered L/LX in pencil. A superb, richly-inked impression, on heavy, off-white, Arches wove paper; the full sheet with margins (1 3/8 to 3 1/2 inches), in excellent condition. Published by the Guide de la Gravure, Switzerland, with their blindstamp in the bottom left sheet corner. Matted to museum standards, unframed.
Image size 11 3/4 x 15 5/8 inches (298 x 397 mm); sheet size 15 x 22 1/4 inches (381 x 565 mm).
ABOUT THE ARTIST
Sigismund Kolos-Vari was born in Hungary and attended the School of Applied Arts in Budapest from 1915 to 1918 and then the School of Decorative Arts until 1925. The artist settled in Paris, and his first one-person show in 1928 at Galerie Miromesnil, which was highly successful, led to numerous subsequent exhibitions, including with the prestigious Galerie Bonaparte in 1929 and Galerie Povolosky in 1930.
Kolos-Vari’s early success was abruptly interrupted by the outbreak of WWII when he was arrested by the Gestapo and imprisoned in the Gurs internment camp. During this period, he created a sketchbook for a little girl, which is now preserved at the Centre de Documentation Juive Contemporaine at the Mémorial de la Shoah in Paris. He managed to escape after two years, crossing the border into Switzerland. After the war, he returned to Paris with a renewed dedication to his painting, producing increasingly powerful compositions. His work was highly acclaimed when shown at an important 1946 exhibition at the Musée National d’Art Moderne de Paris, organized by Jean Cassou. The artist was then approached by the eminent art dealer Jean Bucher, who gave Kolos-Vary a major one-person show at his gallery in 1948. During this post-war period, Kolos-Vary participated in the radical Salon de Mai, 1949-1958, the Salon des Réalités Nouvelles, 1956-1961, and the Salon des Comparaisons, 1960-1962.
Supported by his association with Stanley William Hayter and the landmark printmaking workshop Atelier 17...
Category
Mid-20th Century Abstract Expressionist International Fine Print Dealers Association Art
Materials
Etching, Aquatint
Untitled
By Robert Motherwell
Located in London, GB
Lithograph and chine colle
73.9 x 56.9 cms (29.1 x 22.4 ins)
Edition of 19
Category
1970s Abstract Expressionist International Fine Print Dealers Association Art
Materials
Lithograph
Ôkubo Hikozaemon Protects the Hidden Shogun Triptych
By Taiso Yoshitoshi
Located in Burbank, CA
“War Chronicles of Osaka” (Osaka gunki no uchi). Okubo Hikozaemon, raising his sword, protects the hidden Tokugawa shogun from the spear of Gorô Matabei Mototsugu in a moonlit fores...
Category
1880s Other Art Style International Fine Print Dealers Association Art
Materials
Mulberry Paper, Woodcut
SWING BOATS
By Claude Flight
Located in Santa Monica, CA
CLAUDE FLIGHT (1881 -1955)
SWING BOATS 1921 (Coppel CF5)
Color linocut, signed & no. 23/50, 8 5/8 x 11”. Sheet 10 x 13” on thin paper tipped to black-b...
Category
1920s Futurist International Fine Print Dealers Association Art
Materials
Linocut
Untitled (Abstraction)
By Charles Harris ( Beni Kosh )
Located in Fairlawn, OH
aka Beni Kosh
Untitled (Abstraction)
Watercolor on paper, 1970's
Unsigned
Ben Kosh Estate Stamp verso, No. 754
Condition: Very good
Sheet size: 10 5/8 x 14 9/16 inches
Provenance: Estate the Artist
Bingham & Vance, Shaker Heights...
Category
1970s Abstract International Fine Print Dealers Association Art
Materials
Watercolor
Sea Dragon
By Don Ed Hardy
Located in Lyons, CO
Color lithograph with metallic powder, Edition 20.
Don Ed Hardy’s lithographs “Storm Dragon” and “Sea Dragon” continue his lifelong exploration of dragon m...
Category
Early 2000s Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
Everyone is an Alienígeno
By Enrique Chagoya
Located in Lyons, CO
Color lithograph with plastic eyes, Edition 30.
Enrique Chagoya makes paintings and prints about the changing nature of culture. “My artwork is a conceptual fusion of opposite cultu...
Category
2010s Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
'Da - Da I' — German Expressionism, Rare
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Da-Da I' also titled by the artist 'Der Abgott' (The Idol), woodcut, 1918, a proof impression. Prasse W91. Signed in pencil and annotated '1876', the artist’s inv...
Category
1920s Bauhaus International Fine Print Dealers Association Art
Materials
Woodcut
UNTITLED SKETCHBOOK DRAWING #1
By William Thon
Located in Portland, ME
Thon, William (American, 1906-2000) UNTITLED SKETCHBOOK DRAWING #1. Ink on paper, not dated, but circa 1960s. Unsigned.The sketchbook identified by an Estate label on its cover. 5 x ...
Category
Mid-20th Century International Fine Print Dealers Association Art
Materials
Ink
Night Visitor
By Barbara Takenaga
Located in Lyons, CO
Color lithograph, Edition 25
Barbara Takenaga is a painter who made her first lithograph at Shark's in the summer of 2002. Her abstract works are full of repeated, obsessive mark ...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
The Basque Suite: Untitled
By Robert Motherwell
Located in London, GB
104.1 x 71.8 cms (41 x 28.25 ins)
Edition of 150
Paper: J.B. Green Paper
Signed "RM" in pencil lower right; signed "Motherwell" in screen lower right
Inscriptions: Numbered in ...
Category
1970s Abstract Expressionist International Fine Print Dealers Association Art
Materials
Color, Screen
Lambs Ears III
By Robert Kushner
Located in Lyons, CO
Color monotype with collage.
Category
2010s Contemporary International Fine Print Dealers Association Art
Materials
Monotype
LOVERS (LIEBESPAAR
Located in Santa Monica, CA
ROBERT PHILIPPI (Austrian 1877-1959)
LIEBESPAAR (LOVERS) ca.1923 (in Rifkind Collection, LACMA: From a portfolio of 10 prints. Rifkind indicates the e...
Category
1920s Expressionist International Fine Print Dealers Association Art
Materials
Woodcut
Brittany Landscape with Figure
By Louis Oscar Griffith
Located in Fairlawn, OH
Brittany Landscape with Figure
Etching & color aquatint, c. 1920
Signed lower right (see photo)
Numbered lower left: "No. 21" (see photo)
An early color etching by the artist, based ...
Category
1920s American Impressionist International Fine Print Dealers Association Art
Materials
Aquatint
