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Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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Bull engaging the muleta (Bull Fight)
By Robert Hallowell
Located in Fairlawn, OH
Bull engaging the muleta (Bull Fight) Signed with the Estate stamp lower left (See photo) Provenance: Estate of the Artist Marbella Gallery Inc., NYC Refer...
Category

Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Watercolor

Flowers 2 — Hopei Folk Art, Mid-Century Chinese Cut Paper and Watercolor
Located in Myrtle Beach, SC
'Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards...
Category

Mid-20th Century Folk Art Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Watercolor

Farm Horse Drinking
By Edmund Blampied
Located in Fairlawn, OH
Farm Horse Drunking Charcoal and pastel on artist's board, c. 1920 Signed lower right in pencil (see photo) Titled in ink lower center, as are all the illustration for At the Farm (s...
Category

1920s English School Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Chalk

Minou-Study of Head
By Will Barnet
Located in Fairlawn, OH
Minou-Study of Head Charcoal and pencil on vellum, 1984 Signed and dated in pencil by the artist Minou was Barnet's feline companion throughout many of his most prolific years. It has been said that if you entered Barnet's studio and Minou did not like you Barnet lost interest and dismissed you almost immediately. Provenance: Susan Teller Gallery, prior to 2005 (one of Barnet's friends and dealers) Babcock Galleries, 2005-2008 This drawing is related to a similar composition reproduced in the Richard Boyle catalog for Babcock Galleries. References: Boyle, Will Barnet Drawings, related to works reproduced on pp. 21, 41 (see photo of page 41) Minou is the cat on the back right. Condition: Excellent Stray ink and paint consistent with a working studio drawing Archival framing with DEN Glass (see photo) Image size: 9 x 11 7/8 inches Frame size: 17 x 19 inches Will Barnet Born May 25, 1911, Beverly, Massachusetts, US Died November 13, 2012 (aged 101), New York City, US Will Barnet (May 25, 1911 – November 13, 2012) was an American artist known for his paintings, watercolors, drawings, and prints depicting the human figure and animals, both in casual scenes of daily life and in transcendent dreamlike worlds. Biography Born in 1911 in Beverly, Massachusetts, Barnet knew by the age of ten that he wanted to be an artist. As a student, he studied with Philip Leslie Hale at the School of the Museum of Fine Arts, Boston and viewed first-hand John Singer Sargent at work on the murals of the Boston Public Library. In 1930, Barnet studied at the Art Students League of New York, with Stuart Davis and Charles Locke, beginning his long association with the school. Here he concentrated on painting as well as printmaking, and, in 1936, he became the official printer for the Art Students League. There, he later instructed students in the graphic arts at the school and taught alongside the likes of Yasuo Kuniyoshi, Robert Beverly Hale and Richard Pousette-Dart. Barnet influenced a generation of artists, including James Rosenquist, Knox Martin, Emil Milan, Paul Jenkins, Ethel Fisher and Cy Twombly. Barnet continued his love of teaching with positions at the Cooper Union, at Yale University, and at the Pennsylvania Academy of Fine Arts. He was represented by the Bertha Schaefer Gallery in New York City. Barnet had three sons, Peter, Richard, and Todd Barnet, by his first wife Mary Sinclair. Barnet later married Elena Barnet, with whom he had a daughter, Ona Barnet. Death A longtime resident of the National Arts Club, Barnet died in New York City on November 13, 2012, at the age of 101. Works Barnett's works span the various "movements" of their era, from his early social realist work to his final signature style of clean lines and carefully placed volumes of solid color in a kind of minimalist representational approach. His work is concerned with humanity, yet at his core he always remained a formalist, cerebral in his approach to the elements that make up a good picture. In his interviews he articulated his well thought out principles regarding color use, composition and subject matter, in a professorial manner reflecting the theoretical acumen he brought to his teaching. Like many American painters of his generation he was digesting the evolving trends in Europe and integrating the new visual vocabulary into his American style while remaining universal, referencing his own personal history with images of his wife, his daughter, and their family pets. As James Thomas Flexner wrote, Barnet's work "makes us experience the interplay between the personal and the universal." While remaining representational, the simple elegance of the figures and their flat surfaces reflect his exploration with abstraction. Will's artistic output spans eighty years. Few artists, other than Picasso or Monet, can claim such a long continuous period of inspired art making, nor the logical progression of moving through artistic phases: in the 1930s he was a social realist, in the 1940s a Modernist, in the 1950s an Abstract Expressionist and in the 1960s and onward he settled on a representational minimalism honed from the refinement of his earlier explorations. His early work is decidedly social realist, with sullen portraits done in dark tonalities that suggest both the struggle of the depression era and the hope in the simple love of family life. He moves out of this phase with the improving economy and in the 1940s adds vibrant color and more abstract figures, suggesting a lifting of the depression era malaise. He was a key figure in the 1940s New York movement called Indian Space Painting, artists who based their abstract and semi-abstract work on Native American art; a striking movement which had a handful of practitioners (notably Steve Wheeler...
Category

1980s American Modern Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Charcoal

BIRDS
Located in Portland, ME
Anonymous. BIRDS. Ink and watercolor on tissue thin Japanese laid paper. Not dated, unsigned. A lovely drawing showing 9 birds and heads of two others. 10 5/8 x 14 1/2 inches (sheet)...
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19th Century Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Watercolor

TWO BIRDS
By Morris Graves
Located in Portland, ME
Graves, Morris (American 1910-2001). TWO BIRDS. Brown Ink on tan paper, not dated. Although signed in pencil, lower right, the signature proved fugitive dur...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Pencil

Page de Croquis: Tetes de Antilops
By Joseph Hecht
Located in Fairlawn, OH
Signed in pencil lower right recto Provenance: Elizabeth Carroll Shearer (1924-2014), Chesterland, Ohio, former President and Trustee of the Print Club of Cleveland which is an affiliate of the Cleveland Museum of Art. Her collectors mark of initials and a Sealyham Terrier...
Category

Early 20th Century Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Graphite

Flowers 3 — Hopei Folk Art, Mid-Century Chinese Cut Paper and Watercolor
Located in Myrtle Beach, SC
'Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards...
Category

Mid-20th Century Folk Art Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Watercolor

Butterfly & Flowers 2 — Hopei Folk Art, Mid-Century Chinese Cut Paper Watercolor
Located in Myrtle Beach, SC
'Butterfly & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards, unframed. Image size 5 1/8 x 3 1/8 inches; sheet size 8 7/8 x 6 1/4 inches; mat size 14 x 11 inches. ABOUT THIS WORK Hopei or Hebei is a province of North East China, on the Gulf of Chihli near Beijing that is home to Chengde Mountain Resort, the imperial summer residence of the Qing-dynasty emperors. Chengde contains 18th-century palaces, gardens, and pagodas ringed...
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Mid-20th Century Folk Art Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Watercolor

untitled (polo player on horseback)
By Henry George Keller
Located in Fairlawn, OH
untitled (polo player on horseback) Chalk on tan paper, c. 1920 Unsigned Provenance: Gift of the artist William McGill (Keller's student) Image size: 4 3/8 x 5 ...
Category

1920s American Impressionist Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Chalk

Horses in Stable
By Georges Lemmen
Located in Fairlawn, OH
Horses in a Stable Black chalk on tan wove paper, 1896 Signed with the estate stamp lower right corner (see photo) Note: The image has been sqaured off in red chalk grid lines for use in a large painting Dated in charcoal lower right: "23 Nov '96" Condition: Tack holes in the corners small tears and creases along margins Sheet size: 14 11/16 x 16 13/16 inches Provenance: Dr. Ernst Hauswedell Brenner Fine Arts, Inc., New York Alan Stone Gallery, New York "Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique. In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced – recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group’s rebirth as the Libre Esthétique, Lemmen’s work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen’s travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new ‘free’ aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions. Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l’Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen’s reputation. Museum and Gallery Holdings Bremen (Kunsthalle): Standing Nude Combing her Hair Brussels (Mus. royaux des Beaux-Arts de Belgique): Children’s Room (watercolour); Reading; Couture; Young Girl by the Sea...
Category

1890s Impressionist Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Chalk

Flowers 1 — Hopei Folk Art, Mid-Century Chinese Cut Paper and Watercolor
Located in Myrtle Beach, SC
'Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards...
Category

Mid-20th Century Folk Art Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Watercolor

Bird & Flowers 1 — Hopei Folk Art, Mid-Century Chinese Cut Paper and Watercolor
Located in Myrtle Beach, SC
'Bird & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards, unframed. Image size 5 1/4 x 3 1/4 inches; sheet size 8 7/8 x 6 1/4 inches; mat size 14 x 11 inches. ABOUT THIS WORK Hopei or Hebei is a province of North East China, on the Gulf of Chihli near Beijing that is home to Chengde Mountain Resort, the imperial summer residence of the Qing-dynasty emperors. Chengde contains 18th-century palaces, gardens, and pagodas ringed...
Category

Mid-20th Century Folk Art Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Watercolor

Butterfly & Flowers 1 — Hopei Folk Art, Mid-Century Chinese Cut Paper Watercolor
Located in Myrtle Beach, SC
'Butterfly & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards, unframed. Image size 4 5/8 x 3 1/8 inches; sheet size 8 7/8 x 6 1/4 inches; mat size 14 x 11 inches. ABOUT THIS WORK Hopei or Hebei is a province of North East China, on the Gulf of Chihli near Beijing that is home to Chengde Mountain Resort, the imperial summer residence of the Qing-dynasty emperors. Chengde contains 18th-century palaces, gardens, and pagodas ringed...
Category

Mid-20th Century Folk Art Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Watercolor

Homewards, Evening.
By Edmund Blampied
Located in Storrs, CT
Pencil drawing. Study for the drypoint of the same title, Appleby 20. 7 1/2 x 5 3/ (available on 1st dibs). Signed Blampied lower left. Housed in a 20 x 16-inch archival mat, suitable for framing. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court School of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Carbon Pencil

Quicksand (Small) #18
By Mary Spain
Located in Fairlawn, OH
Quicksand (Small) #18 Colored pencil on raw sienna laid rag paper, 1980 Signed and dated by the artist on the image upper right (see photo) Titled and described by the artist verso C...
Category

1980s American Modern Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Color Pencil

Jerusalem
By Percy John Delf Smith, R.D.I.
Located in Storrs, CT
1931. Pencil, ink and watercolor. 9 1/4 x 15 (framed 18 1/2 x 24 1/2). Signed and dated in pencil. Housed in a silk mat and an elegant carved gold leaf frame. Twelve of the artist'...
Category

1930s Modern Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Ink, India Ink, Watercolor, Pencil

Original Japanese Watercolor and Woodblock Print of Orchid and Swallows
Located in Burbank, CA
Orchid and small swallows (Hokuri, kotsubame). Original preparatory watercolor next to the finished original Japanese woodblock print. This is a highly finished preparatory watercolo...
Category

1890s Art Deco Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Watercolor, Woodcut

Animal Icon
Located in Fairlawn, OH
Animal Icon Pigment on cloth, c. 1940 Diameter 10" Condition: Cracking to pigment in upper left (see photos) Provenance: Cleveland Museum of Art (57.517) De-Accessed 2013 Made i...
Category

1940s Rajput Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Pigment

Chilly Chicken
By Emma Lane Payne
Located in Fairlawn, OH
Unsigned Provenance: Estate of the Artist Exhibited: I Don't Have Time to be Lonesome When I'm Painting: Emma Lane Payne 1857–1943 ... Cleveland Artists Foundation, June 22, 200...
Category

Early 19th Century Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Watercolor

Original Japanese Watercolor and Woodblock Print of a Lark, Barley and Beans
Located in Burbank, CA
Barley, broad beans and a lark (Omugi, soramame, hibari). Original preparatory watercolor next to the finished original Japanese woodblock print. This is a highly finished preparator...
Category

1890s Art Deco Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Watercolor, Woodcut

Untitled
By Peter Marks
Located in Fairlawn, OH
Untitled Abstraction Unsigned Mixed media, c. 2003-2004 Provenance: Estate of the artist Peter Marks (1935 -2010) Peter Marks was born in New York City on January 18, 1935. A life...
Category

Early 2000s Contemporary Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Mixed Media

untitled (Exotic Bird in Fantastic Landscape)
By August F. Biehle
Located in Fairlawn, OH
untitled (Painting of Exotic Birds in Fantastic Landscape leaning against a wall)) Graphite on paper Signed by the artist in pencil lower right Pr...
Category

1960s American Modern Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Graphite

VI Rose Nose Cat
By Mary Spain
Located in Fairlawn, OH
VI Rose Nose Cat Colored chalks on black paper, 1977 Signed and dated lower right (see photo) Titled lower left (see photo) Part of a series entit...
Category

1970s American Modern Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Chalk

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Large Ink Drawing Abstract Expressionist Rooster Woman Artist
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Judith Brown (December 17, 1931 – May 11, 1992) was a dancer and a sculptor who was drawn to images of the body in motion and its effect on the cloth surrounding it. She welded crushed automobile scrap metal into energetic moving torsos, horses, and flying draperies. Brown attended Sarah Lawrence College in Yonkers, New York (B.A., 1954), where she learned to weld from her teacher, Theodore Roszak, a pioneering abstract expressionist sculptor. This is done in a style similar to Leonard Baskin. Select Commissions Mural Sculpture, Lobby, Louisville Radio Station WAVE Fountain, commissioned by Architectural Interiors, New York City Model, designed and executed for Festival of Two Worlds, Spoleto, Italy Sculpture, designed for Electra Film Productions, NYC Noah's Ark, exhibited at Bronx Zoo, New York City, at Rochester Museum and Science Center, Rochester, New York, and at Hopkins Center, Hanover, New Hampshire Store Windows, executed Tiffany & Company Windows, New York City, Christmas 1957, 1959, 1962, October 1969, Spring 1979, and October 1980 Wall Sculptures: for Youngstown Research Center (1963-4), commissioned by Youngstown Steel Company, Youngstown, Ohio; for Hecht and Company, Landmark Shopping Center, Alexandria, Virginia, Daniel Schwartzman, Architect; for Lobby, 570 Seventh Avenue, New York City, Giorgio Cavaglieri, Architect; for Lobby, Cities Service Company's New Research Center, Cranbury, New Jersey; for Ottauquechee Health Center, Woodstock, Vermont Eternal Lights: for Congregation Beth-El, South Orange, New Jersey; for Congregation Sharey Tefilo, East Orange, New Jersey Menorahs: commissioned by Architect Fritz Nathan for the Permanent Collection of the Jewish Museum, New York City; commissioned by Smith College for the Helen Hill Chapel, Northampton, Massachusetts; commissioned by Jules Scherman, of Wisteria Press, Inc., New York City Altar Cross, commissioned by Smith College for the Helen Hill Chapel, Northampton, Massachusetts Landscape, Memorial Piece for Gustave Heller, YM-YWCA, Essex County, New Jersey Memorial Plaque for Robert A. Ferguson, Westchester County Airport, Purchase, New York Sculpture for Vice President's office, Atlantic Richfield Company, New York City Bronze Relief Sculpture for Gymnasium Lobby, South Richmond High School, Staten Island, New York, Daniel Schwartzman, Architect Poster, Stratton Arts Festival, Stratton, Vermont Medallion, commissioned by Brandeis University National Women's Committee, New York City Model for Fountain for the Plaza at Windsor, Vermont Bronze Sculpture, commissioned by Intramural, Inc. for Building Lobby, N/E Cor. 79th Street and Second Avenue, New York City Presentation Piece, commissioned by Graphic Arts Associates of Delaware Valley, Philadelphia, Pennsylvania Wall Mural, Noah's Ark, Roosevelt Hospital, New York City 1977: Designed and executed Hanes Hosiery "Million Dollar Award"; Designed and executed "Old Spice" Smart Ship Award 1978: Commissioned to design and execute the "Walter White Award" for the NAACP for presentation to Hubert Humphrey; Commissioned to design and execute the Award for the Honorees of the National Board YWCA's First Tribute to Women in International Industry 1979: Designed and executed Jewelry for the Museum of Modern Art, New York City; Designed and executed limited edition of Mazuzas for Brandeis University-National Women's Committee, New York City 1980: Bronze Cross commissioned for St. James Episcopal Church, Woodstock, Vermont 1982: Eubie Award, New York Chapter of the National Academy of Recording Arts and Sciences 1985: Two Sculptures, Marriott Hotel, Orlando, Florida 1986: Two large Sculptures for indoor reflecting pools, Palm Desert Hotel, Palm Springs, California; John Portman, Eight Sculptures for Peachtree Plaza Hotel, Atlanta, Georgia; John Portman, Beach House, Sea Island, Georgia 1987: Loan Installation, DeCordova Museum, Lincoln, Massachusetts 1988: Eleven foot outdoor Sculpture for Front Plaza, River Court, Charles River, East Cambridge, Massachusetts, H. J. Davis Development Corp.; Tomie dePaola...
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Suren is an impressionist painter eloquently capturing nature, landscapes, and cityscapes in paint. His body of work reflects several different stylistic approaches. Suren’s scenes in oil are inspired by Impressionist masters Monet and Van Gogh, while his watercolor series of flowers and birds are influenced by Eastern styles of painting and the colors of the Middle Eastern environment. Suren believes his role as an artist is to remind viewers that we all are part of the same natural universe.


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Thomas Sidney Cooper RA, Cow & Sheep In A Landscape
By Thomas Sidney Cooper
Located in Cheltenham, GB
This charming mid-19th-century watercolour by British artist Thomas Sidney Cooper RA (1803-1902) depicts two sheep and a cow in a landscape. Cooper was a distinguished British painte...
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"Lascaux" Mid-20th Century American Abstract 1960s Color Field Modernist
Located in New York, NY
"Abstraction" Mid-20th Century American Abstract 1960s Color Field Modernist James Daugherty (1887-1974) "Lascaux" 5 ¼ x 8 ¼ inches Pastel on paper Initialed lower left, titled lo...
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Previously Available Items
Standing Horse
By Robert Hallowell
Located in Fairlawn, OH
Standing Horse Watercolor on paper, c. 1929 Signed with the Estate stamp lower left. (see photo) Provenance: Estate of the Artist Marbella Gallery INC. (Stock Number RWWC237) Condit...
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1920s American Impressionist Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

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Peter Rabbit happened to be looking out of the dear Old Briar-patch as the young
Located in Fairlawn, OH
Peter Rabbit happened to be looking out of the dear Old Briar-patch as the young Fox ran past. Ink on paper, 1955 Signed "H. Cady," and dated 11-15 lower left (see photo) Annotated w...
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1950s American Realist Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

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ROUGHY’S CHRISTMAS - Original Illustration 19 1/4" x 14 1/2"
By Diana Thorne
Located in Santa Monica, CA
DIANA THORNE (1895-1963) ROUGHY’S CHRISTMAS c. 1936 Original pen & ink illustration on board. Signed in ink lower right. Image 19 1/4 x 14 ½”. Diana Thorne is well known for her depiction and illustrations of dogs. Her dog etchings are highly collectable. Please see the Diana Thorne etching listing below also on 1stdibs sold by this dealer LU411310493262 "At Your Service" The following biography is by Frank J. Leskovitz ©1995-2022 Diana Thorne was born Ann Woursell on October 7, 1895 in Odessa, Russia. (Some evidence indicates that she may have actually been born in 1894.) In her youth, Thorne spent time in Winnipeg, Canada and later on a farm in Calgary, Canada. She was to eventually become one of America's most recognized canine artists. Thorne began drawing all her favorite four-legged creatures as a young child. She was the oldest child in a Jewish family of four girls and two boys. Her siblings were Abraham, Paula, Judith, Samuel, and Katherine. Thorne's parents were Chaim and Rose Woursell. During this period, Jews in Russia were experiencing severe oppression and physical attacks. The situation seemed hopeless. Canada opened its doors to immigrants fleeing Russia, offering free homestead land in the West. The family left Canada for Germany around 1912 where Thorne took her first formal art studies at the Imperial Academy in Munich and Charlottenburg Technical College in Berlin. The First World War began two years later and Thorne and her family were subsequently detained by the German government. They managed to escape to England, where Thorne was said to have supported herself as a reporter, librarian, writer, bicycle shop owner, and typewriter repair person. At this time she began her first experiments in both illustration and etching and was said to have studied with artist William Strang. On September 27, 1920, Thorne and several of her family members arrived in the United States. Her first published etching, titled "Rollin' Home", was well received in 1926. From this point on, she became an established artist. Thorne began commercial artwork in New York City in 1929. In her private life, she was known as Mrs. Arthur North, claiming to reside at times in Boston, Massachusetts, Philadelphia, Pennsylvania or Connecticut. (The pseudonym Thorne originated from an anagram of the name North.) There is evidence that Arthur North was actually an alias of artist Carton Moore-Park (1877-1956). This ruse allowed Thorne and Moore-Park to present themselves as a married couple, even though Moore-Park was already married. Frequently, biographies of the artist are filled with inaccuracies supplied by Thorne herself, such as referring to her father as a Scotsman or claiming to be Canadian born, which served to conceal the true details of her past. The author-illustrator of more than forty books and illustrator of more than fifty, Thorne's main reason for success was a total dedication to her drawing and a deep love for her subject matter. A sportswoman and owner of dogs herself, Thorne illustrated (and often authored) children's books dealing with dogs and animal life. Thorne's longtime publisher was the Saalfield Publishing Company of Akron, Ohio, once a leading publisher of children's literature and paper novelties. In her etchings of dogs, Thorne had the ability to show motion and action. A combination of whirling lines with solid lines and light and dark tones brings to the viewer's eyes the dog in motion. Thorne’s dog etchings are admired because they capture the humor and energy transpired by man and dog. In addition to dog etchings, she is also known for a series of socially sensitive etchings published in a 1928 portfolio, "The Human Comedy". Thorne also executed a series of popular sports etchings featuring topics such as skiing and boxing which were characterized by multiple images engraved on the same plate. Very much in demand as an animal portrait painter, Thorne illustrated some of the most famous dogs in America, including Franklin D. Roosevelt's Scottie "Fala" and Admiral Richard E. Byrd's "Igloo", the terrier who accompanied him on his famous Antarctic Expedition. Diana Thorne was most active between the 1920s and 1940s. Sadly, she was diagnosed as mentally ill and committed to New York City's Belleville Hospital in September 1962. Thorne died in July 196 Diana Thorne's work appeared in numerous magazines and newspapers including The American Magazine, The Literary Digest, Liberty, The Woman's Home Companion, The Household Magazine, Maclean's, Home Arts, Nature Magazine, National Home Monthly, This Week Magazine, The American Kennel Gazette, The New York Times, The Boston Post, and The New York Herald Tribune. Throughout the 1940s she was a regular contributer of artwork and written articles to the Christian Science Monitor. Thorne was widely known in New York and London for her artwork. Noted galleries such as Kennedy & Company and the Schwartz Galleries of New York City, the Gage Gallery of Cleveland, and the Hudson Galleries of Detroit carried many of her etchings, which were produced in editions ranging from fifty to one hundred signed impressions. Her print, "Pan of Puck Hill", was featured in England's Fine Prints of the Year and was also selected as one of the Graphic Arts Society's Fifty Best Prints of the Year by the Chicago Society of Etchers. Thorne received widespread acclaim for her unique etchings, sketches, watercolors, sculpture, lithography, and paintings, which were exhibited in the principal cities of the United States and England. She had her first New York City showing in April 1929 at the Schwartz Galleries in an exhibition titled, "Drypoints and Drawings by Diana Thorne". In 1930, her work was presented at three solo exhibitions. The first took place at the Vose Galleries of Boston. This was followed by additional exhibitions in New York City at Milch Galleries and the Fifty-Sixth Street...
Category

1930s Modern Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Pen

Akita Puppy with Bamboo.
Located in Storrs, CT
Maruyama School. Akita puppy with bamboo. c. 1900. Ink, watercolor, and gold on silk mounted on mulberry paper. The two panels form a table screen. Each panel 22 3/4 x 13 3/4 inches. Signed and sealed, lower right. Extensive scattered foxing, commensurate with age. Akita. Ink, watercolor and gold on silk mounted on mulberry paper. Two panels forming a table screen. Each panel 22 3/4 x 13 3/4 inches. Signed and sealed, lower right. The 2 sections of the table screen will be sent in a 24 x 20-inch folder, ready to be framed. Maruyama-Shijo school, which developed in Kyoto in the late eighteenth and early nineteenth centuries, owes its name to the school’s founders: Maruyama Okyo...
Category

Late 19th Century Edo Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Gold

Akita Puppy with Bamboo.
Akita Puppy with Bamboo.
H 22.75 in W 27.5 in D 0.5 in
Dinosaur Gouache, 1913
By Maurice Esnault
Located in New York, NY
Original gouache on paper. Dated and signed by the artist in ink.
Category

1910s Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Gouache

Sketch of Kittens, 1919
By Joseph Hémard
Located in New York, NY
Original graphite illustrations with watercolor on paper. France, 1919. Signed and dated by the artist in pencil. Joseph Hémard, 1880-1961, was a popular French illustrator known f...
Category

1910s Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Watercolor, Pencil

"Katzie" Cat Pastel, ca. 1940
By Gladys Emerson Cook
Located in New York, NY
Original pastel on velour paper. Signed by artist. American, circa 1940.
Category

1940s Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Pastel

After Durer
Located in London, GB
Ink on paper.
Category

2010s Contemporary Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Ink

After Durer
H 41.74 in W 58.47 in
Albertus Seba, Snakes,
By Albertus Seba
Located in London, GB
TAB XCVII [from Tomus II, Locupletissimi Rerum Natualium Thesauri Accurata Descriptio, et iconibus artificiosissimis expressio, per universam physices historiam]. Copper plate engrav...
Category

Early 18th Century Naturalistic Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Watercolor, Engraving

Albertus Seba, Snakes,
Albertus Seba, Snakes,
H 16.93 in W 22.05 in D 0.04 in
China Export Watercolours on Pith Paper, a Set of Twelve Insects.
Located in London, GB
Pith came into use for painting to satisfy the increasing demand for small, inexpensive and easily transported souvenirs, following the massive growth in the China Trade in the first...
Category

Mid-19th Century Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Watercolor

Kako Morita: Japanese Fighting Rooster
Located in Storrs, CT
Kako Morita: Japanese Fighting Rooster. c. 1889. Sumi ink and watercolor on mulberry paper. Rooster image: 8 7/8 x 7 1/2. Full sheet size: 9 3/4 x ...
Category

Late 19th Century Edo Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Sumi Ink, Watercolor

BLACK-BACKED GULLS
By James Fitzgerald
Located in Portland, ME
Fitzgerald, James Edward (American, 1899-1971). BLACK-BACKED GULLS. Watercolor and ink on paper, 1950s. Unsigned. 22 x 30 1/2 inches. Provenance: estate of the artist to Gleason Fine Art...
Category

Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Animal Drawings and Watercolors

Materials

Watercolor

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