Ifpda International Fine Print Dealers Association Paintings
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Untitled 12
By John Hoyland
Located in London, GB
John Hoyland
Untitled 12
1981
Acrylic on paper
75 x 106.7 cms (29 1/2 x 42 ins)
JH5623
Category
1980s Abstract Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic
$22,069 Sale Price
20% Off
Untitled
By Dennis Ashbaugh
Located in Fairlawn, OH
Untitled
Mixed media on paper, 1981
Signed and dated 1981 lower left (see photo)
Provenance:
Knoedler Gallery, New York (label)
Charles Cowles Gallery, New York
The Collection of Jan...
Category
1980s Abstract Ifpda International Fine Print Dealers Association Paintings
Materials
Mixed Media, Gouache
725 CLE Series: Edge.
By Thomas R. Roese
Located in New York, NY
Inspired by the geometric landscape of his hometown Thomas Roese has created a photorealist series using acrylic, graphite and colored pencil.
Since graduating from the Cleveland ...
Category
21st Century and Contemporary Photorealist Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic, Color Pencil, Graphite
Kandahar
By Virginia Dehn
Located in Fairlawn, OH
Kandahar
Acrylic and mixed media on fabric, c. 1970
Signed by the artist lower right (see photo)
Kandahar is one of the thirty-four provinces of Afghanistan, located in the southern part of the country next to Pakistan. Inspired by the Dehns visit to Afghanistan in the 1960's.
Provenance: Estate of the Artist
Dehn Heirs
Condition: Excellent
Canvas size: 18 x 20 inches
Virginia Dehn
From Wikipedia, the free encyclopedia
Virginia Dehn
Virginia Dehn in her studio in Santa Fe
Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections.
Life
Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered.
Early career
Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut.
Virginia and Adolf Dehn
The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work.
The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India.
Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies.
Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...
Category
1970s Abstract Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic
Still Life with Fruit and a Pitcher
By Beni E. Kosh
Located in Fairlawn, OH
Estate stamp verso: Beni E Kosh Collection #436
Frame: 22-1/4 x 16-1/2 x 1-5/8"
Category
Mid-20th Century Contemporary Ifpda International Fine Print Dealers Association Paintings
Materials
Oil
untitled (Peonies)
By Frederick Carl Gottwald
Located in Fairlawn, OH
Untitled (Peonies)
Oil on artist's board, c. 1910-1920's
Signed by the artist in ink lower center (see photo)
Provenance:
Joseph Erdelac, Private Collector, Cleveland, acquired from ...
Category
Early 20th Century American Impressionist Ifpda International Fine Print Dealers Association Paintings
Materials
Oil
THE FERRY
By John R. Grabach
Located in Portland, ME
Grabach, John R. (American 1886-1981) THE FERRY. Oil on panel, not dated. Signed within the image, lower right, and also on the back of the panel. 5 1/2 x 8 3/4 inches, 140 x 122 mm....
Category
Early 20th Century American Realist Ifpda International Fine Print Dealers Association Paintings
Materials
Oil
$2,500
Arctic Light - Orange Sun
By Karl Zerbe
Located in Fairlawn, OH
Arctic Light-Orange Sun
Unsigned
Gouache on Japanese fibrous paper
Series: Tundra Paintings
Exhibited: Karl Zerbe, Gouaches of the Artic
Nordness Gallery, (Madison Avenue, NY) Feb 3 through Feb 23, 1958
Cat. No. 12 (label with work, see photo...
Category
1950s American Modern Ifpda International Fine Print Dealers Association Paintings
Materials
Gouache
Chaco
By Virginia Dehn
Located in Fairlawn, OH
Chaco
Canvas, fabric, pigment and collage elements, 1985-1995
Signed lower left corner in red paint
Title and signed in pencil on the verso on the top of the stretcher
Condition: Excellent
Canvas size: 18 x 18 inches
Provenance: Estate of the Artist
By descent
Chaco is a Native American culture of Ancestral Puebloan peoples, thriving in New Mexico between 850 CE and 1250 CE. Some of the motifs in this work was inspired by Chaco Canyon wall art.
This mixed media work was created after the artist moved from New York to Santa Fe in 1985. It combines many Southwestern and Native American motifs.
This is one of a small group of similar works combing collage and mixed media. (See photo of native pictographs) that inspired this work.
Virginia Dehn
From Wikipedia, the free encyclopedia
Virginia Dehn
Virginia Dehn in her studio in Santa Fe
Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections.
Life
Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered.
Early career
Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut.
Virginia and Adolf Dehn
The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work.
The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India.
Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies.
Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...
Category
1980s Abstract Ifpda International Fine Print Dealers Association Paintings
Materials
Oil
$3,000
Three Head Portraits of a Young Girl
Located in Fairlawn, OH
Hippolyte Roques (active 1838-1864)
Three Head Portraits of a Young Girl
Oil on grey wove paper, c. 1850
Unsigned
Provenance: Estate of the artist
Shepherd Galle...
Category
1850s Romantic Ifpda International Fine Print Dealers Association Paintings
Materials
Oil
Tapestry
By Freeman Baldridge
Located in Storrs, CT
Freeman Baldridge's depiction of "Tapestry," mixed media comprised of paint with fabric. Sight size measures 11 1/2 x 8 1/2; board measures 17 1/8 x...
Category
20th Century Modern Ifpda International Fine Print Dealers Association Paintings
Materials
Mixed Media
Untitled (Nude in front of light house, Lake Erie)
By Charles Harris ( Beni Kosh )
Located in Fairlawn, OH
Untitled (Nude in front of light house, Lake Erie)
Oil on board, 1970
Signed and dated lower right (see photo)
Estate Stamp verso, No. 359 (see photo)
Condition: Original untouched "...
Category
1970s American Modern Ifpda International Fine Print Dealers Association Paintings
Materials
Oil
BUILDING BLOCKS
Located in Portland, ME
Shoshannah (Susanna) Siporin Hoffman (American, 1921-1989). BUILDING BLOCKS. Oil on canvas. Signed, "Shoshana," lower right, and further identified on a label of the Sullivan Goss Gallery, Santa Barbara, CA, verso. 26 1/4 x 21 inches (panel), 27 1/2 x 22 1/2 inches (frame). In very good condittion.
Siporin was born in Detroit, MI in 1921. Her brother was the painter Mitchell Siporin...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association Paintings
Materials
Oil
Portrait of Gretchen Grauer
By Natalie Eynon Grauer
Located in Fairlawn, OH
Signed by the artist's daughter
The painting hung in the home of the artist and her husband William Grauer over their fireplace.
This has never previously been offered for sale...
Category
Early 20th Century Ifpda International Fine Print Dealers Association Paintings
Materials
Oil
Untitled
By Irene Rice Pereira
Located in New York, NY
Chalk on black paper 1963. (Inscribed 1963) Signed and Dated.
I.Rice Pereira was an American abstract artist, poet, and philosopher who playe...
Category
1960s American Modern Ifpda International Fine Print Dealers Association Paintings
Materials
Chalk
Woman with Arms Crossed
By Byron Browne
Located in Fairlawn, OH
Woman with Arms Crossed
Mixed media collage-painting on stone chip surface, mounted on fabric, mounted on wood support by the artist, 1955
Signed and dated lower center
Image size: 1...
Category
1950s American Modern Ifpda International Fine Print Dealers Association Paintings
Materials
Other Medium
Russian Orthodox Church, Middle 19th Century
Located in Fairlawn, OH
Unknown Russian Artist
Russian Orthodox Church, Middle 19th century
Unsigned
Illuminated in red, yellow blue and green pigments and gold leaf on paper
...
Category
Mid-19th Century Old Masters Ifpda International Fine Print Dealers Association Paintings
Materials
Pigment
Soft Blue Discs
Located in Fairlawn, OH
Soft Blue Discs
Acrylic/polymer on masonite, 1976
Signed by the artist in pencil lower right: LD Cantine (see photo)
Signed, titled, dated verso (see photo)
Canadian painter Cantine has spent his career exploring the role of color in painterly image construction
Condition: Excellent
Painting size: 12 x 15 inches
Provenance: Kraushaar Galleries (lebl, see photo)
"David Cantine (born 1939) is a Canadian painter, best known for consistently painting pictures using the same composition for the last forty years of his career. Cantine was born in Jackson, Michigan, and went to school at the University of Iowa, earning a Bachelor of Arts degree in 1962, and a Master of Arts degree in 1964. In 1965 he began teaching drawing and painting at the University of Alberta, until retiring from his position in 1996.
Cantine's work in the beginning of his career was figurative art, but he began to experiment with abstraction in the 1970s, and in 1975 became inspired by a photograph of a pair of apples casting round shadows. This compositional structure became the basis for the minimalist, post-painterly abstraction David Cantine is best known for. David Cantine's paintings are in a number of collections, including the Art Gallery of Alberta, the University of Alberta, the Christopher Cutts Gallery, the Francis Winspear Centre for Music, the Alberta Foundation for the Arts, and the Masur Museum of Art."
Courtesy Wikipedia
"David Cantine’s highly recognizable compositions of coloured circles below Plexiglas have been the painter’s primary pursuit for 45 years of his impressive painting career spanning almost six decades. What originally began as a still-life of apples and their shadows evolved into the present abstract imagery of four circles and seven colours. Motivated by the use of “structural colour instead of descriptive colour,” David Cantine continues to explore variations on this minimalist theme. Since the early 2000s, he has also explored a more painterly form of colourful abstracted still-life, with echoes of inspiration from Giorgio Morandi.
Born in Jackson, Michigan, Cantine received his Master of Arts degree from the University of Iowa before permanently relocating to Edmonton, Alberta, Canada. He taught Drawing at the University of Alberta for over thirty years and has been featured multiple times at the Art Gallery of Alberta, in the Alberta Biennial of Contemporary Art, and most recently in Soak, Stripe, Splatter.
His work has been exhibited in 24 solo exhibitions and 37 group shows and can also be found in the following collections: Masur Museum, Louisiana; Museum of Contemporary Canadian Art, Ontario; Art Gallery of Alberta; University of Alberta FAB Gallery; Simons; Alberta Art Foundation; Hewlett-Packard; The Sims...
Category
1970s Abstract Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic Polymer
(Untitled) Fabric Design
By Marguerite Gross
Located in Fairlawn, OH
Untitled (Fabric Design)
Annotated on the verso with the studio address of the artist
Signed in ink lower right corner: “Marguerite Gross”
Gouache on heavy paper, 1930-1939
In 1930 ...
Category
1930s Abstract Ifpda International Fine Print Dealers Association Paintings
Materials
Gouache
Untitled
By Louisa Chase
Located in New York, NY
Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Yal...
Category
20th Century Contemporary Ifpda International Fine Print Dealers Association Paintings
Materials
Wax Crayon, Paper
$20,000 Sale Price
42% Off
LEBRON JAMES
By Bob Pollack
Located in Portland, ME
Pollack, Bob (American, born 1936). LEBRON JAMES. Original painting in acrylics on paper, 2022. Signed and dated within the image. 11 X 14 inches. In exce...
Category
Late 20th Century Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic
UNTITLED
By George Hoehn
Located in Portland, ME
Hoehn, George (American, 1935 - ?) UNTITLED ABSTRACTION. Gouache on heavy wove paper, 1969. Signed and dated, lower right. Tondo, 3 1/4 inches diameter, (image), 15 x 11 inches (shee...
Category
1960s Ifpda International Fine Print Dealers Association Paintings
Materials
Gouache
ARNOLD PALMER
By Bob Pollack
Located in Portland, ME
Pollack, Bob (American, born 1936). ARNOLD PALMER. Original painting in acrylics on paper, 2003. Signed and dated within the image. 16 X 12 inches. In ex...
Category
Late 20th Century Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic
$400 Sale Price
20% Off
Cle Series: Lift w/Ladders.
By Thomas R. Roese
Located in New York, NY
Inspired by the geometric landscape of his hometown Thomas Roese has created a photorealist series using acrylic, graphite, and colored pencil.
Since graduating from the Cleveland...
Category
21st Century and Contemporary Photorealist Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic, Color Pencil, Graphite
COREA SPRING
By George Kunkel
Located in Portland, ME
Kunkel, George (American 1922-1984). COREA SPRING. Acrylic on torn and collaged papers. Signed. 15 9/16 x 23 1/2 inches, framed to 16 1/4 x 24 1/4 inches inches. With Kunkel's label ...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic
Stolen Moments #3
By Darius Steward
Located in Fairlawn, OH
Signed with the artist's initials lower right
From the Series: Stolen Moments
Signed with the artist's "Yummy" blindstamp lower right
Note:
Darius Steward is establishing himself...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Paintings
Materials
Watercolor
Handel Organ Concerto Opus No. 4 B Flat Major - III Allegro
By Hildegarde Haas
Located in Fairlawn, OH
Handel Organ Concerto Opus 4 No.6 B Flat Major - III Allegro
Watercolor and mixed pigments on paper, c. 1960's
Signed and titled recto (see photos)
Condition: Excellent
Image: 19 3/4...
Category
1960s Abstract Ifpda International Fine Print Dealers Association Paintings
Materials
Watercolor
Asian Massif - 1
By Jules Olitski
Located in London, GB
Jules Olitski
Asian Massif - 1
1975
Water base acrylic on canvas
213.4 x 88.9 cms (84 x 35 ins)
JO001
Category
1970s Abstract Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic
Untitled (Provincetown)
By Remo Michael Farruggio
Located in Fairlawn, OH
Untitled (Provincetown)
Pastel on paper, c. 1970
Signed lower right
Condition: Excellent
Archival framing with conservation glass
Italian born artist Remo Farruggio...
Category
1970s Abstract Ifpda International Fine Print Dealers Association Paintings
Materials
Oil Pastel
Untitled
By Peter Marks
Located in Fairlawn, OH
Untitled
Acrylic with gold leaf on canvas, metallic foil and glitter paper collage mounted on paper, c. 2003-2004
Unsigned
Provenance: Estate of...
Category
Early 2000s Abstract Ifpda International Fine Print Dealers Association Paintings
Materials
Mixed Media
$600 Sale Price
50% Off
In Search of New Beginnings (The Paintings 1)
By Darius Steward
Located in Fairlawn, OH
In Search of New Beginnings (The Paintings 1)
Watercolor on Arches heavyweight paper, 2021
Signed with the artist's initials in the shadows of the books (see photo)
Signed, titled an...
Category
2010s Realist Ifpda International Fine Print Dealers Association Paintings
Materials
Watercolor
Natural
By Darius Steward
Located in Fairlawn, OH
Natural
Watercolor and pigments on Arches paper, 2021
Signed with the artist's initials lower right
Signed with the artist's embossed "Yummy" blindstamp lower right
An image of the a...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Paintings
Materials
Watercolor
Before the Cock Crow Twice, Thou Shalt Deny Me Thrice
By William C. Grauer
Located in Fairlawn, OH
Signed lower right William C. Grauer
Exhibited at the Cleveland Museum of Art "37th May Show," 1955.
Category
1950s Ifpda International Fine Print Dealers Association Paintings
Materials
Oil, Board
Untitled
By Peter Marks
Located in Fairlawn, OH
Acrylic on canvas embedded with glitter and gold leaf
Unsigned, as per usual
Provenance:
Estate of the artist
Sheet: 14 x 17"
Peter Marks (1935 -2010...
Category
Early 2000s Abstract Expressionist Ifpda International Fine Print Dealers Association Paintings
Materials
Gold Leaf
Dream
By Joseph Havel
Located in Houston, TX
Joseph Havel
Dream, 2004
Double woven silk taffeta labels in an acrylic construction
13 1/2 x 12 1/2 x 1 3/4 inches
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Paintings
Materials
Fabric
$7,500
IT ALWAYS TURNS OUT FOR THE BEST.
By Johnnie Winona Ross
Located in Portland, ME
Ross, Johnnie Winona (American 1949 - ). IT ALWAYS TURNS OUT FOR THE BEST. Acrylics on paper, 1981. 29 3/4" x 29 3/8 inches, framed to 31 9/ 16" x 31 9/16 inches. Signed and titled. Provenance: Private collection, Sherborne, MA.
In excellent condition: the browned edges and the foxing mark are qualities of the old papers...
Category
1980s Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic
KEN GRIFFEY JR
By Bob Pollack
Located in Portland, ME
Pollack, Bob (American, born 1936). KEN GRIFFEY JR. Original painting in acrylics on paper, not dated. Signed within the image. 11 x 14 inches. In excellent condition. Framed to 16 x...
Category
Late 20th Century Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic
CHESS IN THE PARK
By Marion Halo Dwyer
Located in Portland, ME
Dwyer, Marion Halo. CHESS IN THE PARK. Acrylics on paper, not dated, but circa 1984. Signed, lower right. 24 x 36 inches, framed to 30 x 40 inches. In excellent condition. Marion Halo Dwyer, American, 1929-1994, was born in New Jersey, lived in New York City and in Yonkers, NY before moving to Bristol...
Category
1980s Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic
UNTITLED
By George Hoehn
Located in Portland, ME
Hoehn, George (American, 1935 - ?) UNTITLED ABSTRACTION. Gouache on heavy wove paper, 1969. Signed and dated, lower right. Tondo, 3 1/4 inches diameter, (image), 15 x 11 inches (shee...
Category
1960s Ifpda International Fine Print Dealers Association Paintings
Materials
Gouache
SISTERS AT THE WINDOW
By John Sloan
Located in Portland, ME
Sloan, John. SISTERS AT THE WINDOW. Etching, 1923 (M. 208). 5" x 4", signed and titled in pencil and inscribed "100 Proofs," of which only 76 were printed this being one of 25 early ...
Category
1920s Ashcan School Ifpda International Fine Print Dealers Association Paintings
Materials
Etching
STEVE YOUNG IN ACTION (San Francisco 49ers, 1996)
By Bob Pollack
Located in Portland, ME
Pollack, Bob (American, born 1936. STEVE YOUNG IN ACTION (San Francisco 49ers, 1996). Original painting in acrylics on paper, 1996. Signed and dat...
Category
Late 20th Century Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic
Twig Arrangement in front of Garden Arrangement - Yellow, beige wall
By Bruce McLean
Located in London, GB
Bruce McLean
Twig Arrangement in front of Garden Arrangement - Yellow, beige wall
2021
Oil, acrylic, charcoal and aluminium collage on canvas
120 x 100 cms (47 1/4 x 39 3/8 ins)
BM17727
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Paintings
Materials
Charcoal, Acrylic
Lantern & Cardinal in Snow Holiday Watercolor
Located in New York, NY
Gouache painted on cardstock, intended for a greeting card design, painted circa 1970. Unsigned. Displayed in a red archival mat. Cellophane tape on board.
Category
1970s Ifpda International Fine Print Dealers Association Paintings
Materials
Gouache, Cardboard
Duck Decoy, Lantern & Binoculars Gouache
Located in New York, NY
Gouache painted on cardstock, intended for a greeting card design, painted circa 1980. Unsigned. Displayed in a slate archival mat. Cellophane tape on board.
Category
1980s Ifpda International Fine Print Dealers Association Paintings
Materials
Gouache, Cardboard
La Toilette No. 60.
By Rudolf Bauer
Located in New York, NY
Lithograph printed on tan wove newsprint-type paper. Signed in pencil and in the stone. 15 3/4 x 12 3/4".
Sheet Size: Image Size 8 1/4 x 6 3/4".
Rudolf Bauer (1889-1953) executed hi...
Category
1920s Brücke Ifpda International Fine Print Dealers Association Paintings
Materials
Lithograph
A river in autumn.
Located in New York, NY
Ozawa, J.
A river in autumn.
Japan, circa 1920-30s.
Watercolor.
Category
Early 20th Century Ifpda International Fine Print Dealers Association Paintings
Materials
Paper, Watercolor
Open Study (White Line on Beige No. 2)
By Robert Motherwell
Located in London, GB
Acrylic and graphite on paper
77.5 x 55.9 cms (30 1/2 x 22 ins)
Category
1960s Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic
Persephone
By Virginia Dehn
Located in Fairlawn, OH
Persephone
Oil on canvas, 1952
Signed lower left (see photo)
Titled reverse "Persephone" Signed "V. 52"
Exhibited: Columbus Gallery of the Arts label "71/30 Bt. 2", see label
Condition: two very small flakes of missing paint
Canvas size: 20 1/8 x 16"
Frame size: 20 7/8 x 16 3/4"
Provenance: Estate of the artist
Dehn Heirs
An important painting by the artist.
Virginia Dehn
From Wikipedia, the free encyclopedia
Virginia Dehn (1922-2005)
Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections.
Life
Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered.
Early career
Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut.
Virginia and Adolf Dehn
The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work.
The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India.
Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies.
Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...
Category
1950s American Modern Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic
Untitled (BY)
By Marc Vaux
Located in London, GB
Marc Vaux
Untitled (BY)
1965
Acrylic on cotton duck
77 x 77.5 cms (30.3 x 30.5 ins)
MV20871
Category
1960s Abstract Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic
$30,345
Untitled
By John Hoyland
Located in London, GB
John Hoyland
Untitled
1981
Acrylic on paper
76 x 55.5 cms (29 7/8 x 21 7/8 ins)
JH5624
Category
1980s Abstract Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic
$22,069
Eyes Wide
By Darius Steward
Located in Fairlawn, OH
Signed with the artist's initials lower right
Darius Steward is establishing himself as a master of the medium of watercolor and large public murals. In 2018, Steward created two l...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Paintings
Materials
Watercolor
JERRY RICE
By Bob Pollack
Located in Portland, ME
Pollack, Bob (American, born 1936). JERRY RICE (San Francisco 49ers, 1997). Original painting in acrylics on paper, 1996. Signed and dated within the image....
Category
Late 20th Century Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic
Twig Arrangement in front of Garden Arrangement - Grey blue
By Bruce McLean
Located in London, GB
A painting by contemporary Scottish sculptor, painter and performance artist Bruce McLean.
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Paintings
Materials
Charcoal, Acrylic
Still Life with Four Roses and Pear (Blue Pillow) (With Black)
By Tom Wesselmann
Located in London, GB
Tom Wesselmann
Still Life with Four Roses and Pear (Blue Pillow) (With Black) 1968
1993
Alkyd on laser cut steel, filled in
55.9 x 59.7 cms (22 x 23 1/2 ins...
Category
1990s Pop Art Ifpda International Fine Print Dealers Association Paintings
Materials
Steel
Open Study (White Line on Beige No. 1)
By Robert Motherwell
Located in London, GB
Acrylic on paper
77.5 x 55.9 cms (30 1/2 x 22 ins)
Category
20th Century Abstract Expressionist Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic
Grax
By Pia Fries
Located in London, GB
Pia Fries
Grax
2006
Oil and silkscreen on wood
100 x 70 cms (39 3/8 x 27 9/16 ins)
PF9396
Category
Early 2000s Abstract Ifpda International Fine Print Dealers Association Paintings
Materials
Oil
$23,912
Volatile Serenity
Located in London, GB
Shirley Kaneda
Volatile Serenity
2005
Oil on canvas
127 x 101.6 cms (50 x 40 ins)
SK9315
Category
Early 2000s Abstract Ifpda International Fine Print Dealers Association Paintings
Materials
Oil
Orient Express #6
By Helen Frankenthaler
Located in London, GB
A unique work, 1977, acrylic on paper, signed and dated 'Frankenthaler '77' in pencil, 61 x 99 cm. (24 x 39 in.)
Helen Frankenthaler came of age in the midst of the avant-garde art s...
Category
1970s Abstract Expressionist Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic
Price Upon Request
Atvatabar I
By Frank Stella
Located in London, GB
Provenance:
Galerie Jamileh Weber, Zurich;
Swiss property.
Exhibition:
Valencia, IVAM Institut Valencià d'Art Modern. 'Frank Stella, From Strictness to Baroque', 12th July - 14th October 2012.
Literature:
Exhibition catalogue: 'Frank Stella, From Strictness to Baroque', Valencia, IVAM Institut Valencià d'Art Modern, 2012, pages 62-63, full page color illustration;
Süddeutsche Zeitung, Magazin. No. 6, 9.2.1996. Vorsicht, frisch gestrichen, Ein Besuch im Atelier Frank Stella, page 31...
Category
Late 20th Century Abstract Ifpda International Fine Print Dealers Association Paintings
Materials
Resin, Fiberglass, Acrylic
Price Upon Request
Elegy Sketch
By Robert Motherwell
Located in London, GB
Robert Motherwell
Elegy Sketch
1980-ca. 1984
Acrylic on canvas board
15 x 29.5 cms (5 7/8 x 11 5/8 ins)
RM-P80-2500
P1008
An early version of this work was photographed in 1980 (Sloman photo no. 1217). Studio photographs show that Motherwell modified the black forms and added the white lines sometime around 1984, without changing the overall composition.
Exhibited:
Solomon R. Guggenheim Museum, New York, Robert Motherwell, 1984, no. 106.
Manny Silverman Gallery...
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Paintings
Materials
Acrylic
Price Upon Request
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