Ifpda International Fine Print Dealers Association Abstract Prints
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Proscenium II (loose lines around square centre)
By Richard Smith
Located in London, GB
Edition of 40
77.5 x 58.5 cms (30.5 x 23 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
Paperclip Suite IIc (yellow/blue)
By Richard Smith
Located in London, GB
Etching, Edition of 25
45 x 45 cms (17.5 x 17.5 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
Untitled
By Sam Francis
Located in London, GB
Plate size: 36.8 x 27. 3 cms (14 1/2 x 10 3/4 ins)
Image size: 15.2 x 9.5 cms (6 x 3 3/4 ins)
Edition of 20
Category
1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Aquatint
Untitled
By Bruce McLean
Located in London, GB
Ink, card and painted collage on paper
Edition of 10
101.6 x 80 cms (40 x 31 1/2 ins)
Category
2010s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Paint, Paper, Ink
Grey Folded Clouds - II Blue and white
By Joe Goode
Located in London, GB
Joe Goode
Grey Folded Clouds - II Blue and white (blue paper sky)
1971
Lithograph, Edition of 50
41 x 61 cms (16 x 24 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Untitled
By Thomas Nozkowski
Located in New York, NY
Solidly grounded in Abstract Expressionist tradition, process-oriented painter Thomas Nozkowski’s method is predicated on relinquishing the idea of an end result. To highlight this, ...
Category
Late 20th Century Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Woodcut
Generations 10
By Robyn Denny
Located in London, GB
Etching with aquatint on watercolour wash on paper
53 x 71 cms (21 x 28 ins)
Edition of 35, Set of 24
Signed, dated, and numbered 3/35
Published by Bernard Jacobson Ltd., London
Prin...
Category
1970s Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Etching, Aquatint
Russian II (red)
By Richard Smith
Located in London, GB
Edition of 50
51 x 51 cms (20 x 20 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
Generations 19
By Robyn Denny
Located in London, GB
Etching with aquatint on watercolour wash on paper
53 x 71 cms (21 x 28 ins)
Edition of 35, Set of 24
Signed, dated, and numbered 3/35
Published by Bernard Jacobson Ltd., London
Prin...
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Etching, Aquatint
Generations 2
By Robyn Denny
Located in London, GB
Etching with aquatint on watercolour wash on paper
53 x 71 cms (21 x 28 ins)
Edition of 35, Set of 24
Signed, dated, and numbered 3/35
Published by Bernard Jacobson Ltd., London
Prin...
Category
1970s Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Aquatint, Color, Etching
Mourning
By Howard Hodgkin
Located in London, GB
111.8 x 140.3 cms (44 x 55.25 ins)
Edition of 50
Impressed with Solo Press stamp and the printer’s stamp. Lithograph (from three plates) with hand colouring in gouache (two greys...
Category
1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Lithograph
Birthday Party
By Howard Hodgkin
Located in London, GB
Lithograph from a stone printed in sepia and green, with hand colouring in two shades of blue gouache. On Velin Arches mould-made paper (300 gsm)
Signed and dated 77 in pencil, lower...
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph, Color
Two of a Kind IIIa (bright red x on green)
By Richard Smith
Located in London, GB
100.7 x 46.3 cms (40 x 18 1/4 ins)
Edition of 90
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Lithograph
Parterre
By Richard Smith
Located in London, GB
52 x 52 cms (20 1/2 x 20 1/2 ins)
Edition of 75
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Screen
Drawing Boards I (grey / purple)
By Richard Smith
Located in London, GB
Edition of 60, Set of 5
74.9 x 56.5 cms (29.5 x 22.25 ins)
Category
1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
Drawing Boards II (No.3)
By Richard Smith
Located in London, GB
Edition of 30, Set of 5
74.9 x 59.1 cms (29 1/2 x 23 1/4 ins)
Category
1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
The Circular House - The Rotaflex Lamp
By William Tillyer
Located in London, GB
William Tillyer
The Circular House
"D'Aigurande proceeded to buy rounded pieces of furniture" - The Rotaflex Lamp
1974/2018
Deep etching and intaglio printing on Arches paper, Editi...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
Tropic Fruit
By Howard Hodgkin
Located in London, GB
80 x 94 cms (31.5 x 37 ins)
Edition of 100
Category
1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Screen
Balsam of Mecca
By William Tillyer
Located in London, GB
William Tillyer
Balsam of Mecca
1974/2018
Soft ground etching with aquatint on zinc plate and collage on Arches paper, Edition of 25
Paper size: 66 x 50.7 cms (26 x 20 ins)
Plate siz...
Category
2010s Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
Damp
By Sam Francis
Located in London, GB
66 x 94 cms (26 x 37 ins)
Edition of 20
Rives BFK paper
Proofs: I BAT, 4 AP, 7 CTP, 9 XP
Signed lower left; numbered lower left; publisher's chop lower left.
Published by Tama...
Category
1960s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Lithograph
Bedroom
By Howard Hodgkin
Located in London, GB
Lithograph from five zinc plates, using tusche and crayon with splatter, printed in red, orange, green, black, and pink. On J Green paper (250 gsm)
Signed, numbered and dated '68 in ...
Category
Mid-20th Century Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Lithograph
Split Ring Image C
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category
21st Century and Contemporary Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Woodcut
Ancient Landscape II (Ancient City)
By Louise Nevelson
Located in Fairlawn, OH
Signed and titled in pencil by the artist;
Annotated: "E130 A/1" in pencil lower right
Estate stamp verso
Edition: 20
Provenance:
Estate of the Artist (Foundation sta...
Category
1950s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Untitled (Diptych)
By Fred Sandback
Located in New York, NY
Fred Sandback was a minimalist conceptual-based sculptor known for his yarn sculptures, drawings, and prints. He majored in philosophy at Yale Universit...
Category
1990s Minimalist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
March Law
By Roberto Juarez
Located in New York, NY
Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that see...
Category
1990s Assemblage Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
Untitled Double Page Illustration for DLM
By Alexander Calder
Located in Fairlawn, OH
Untitled Double Page Illustration for DLM
Color lithograph, 1968
Unsigned as issued in DLM
Published in Derriere le Miroir (Behind the Mirror), calle...
Category
1960s American Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Root
By Rodney Carswell
Located in Lyons, CO
Color lithograph, Ed. 25
The artist describes his work:
My work has often been described as belonging to a category of ‘reductive, geometric abstraction’. In the last decade ho...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Lotus
By Hiroki Morinoue
Located in Lyons, CO
Color woodcut, Edition 30.
Lotus is a twenty-six color woodcut from seven woodblocks printed in an edition of 30, plus proofs, on white Thai Mulberry paper. In this print, a compe...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Woodcut
York Factory II
By Frank Stella
Located in London, GB
Screenprint, 1974, on Arches Cover Black paper, signed, dated and numbered an AP aside from the edition of 100, published by Gemini G.E.L., Los Angeles., sheet: 46.9 x 112.8cm (18½ x...
Category
1970s Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Screen
Olivetti
By Giovanni Pintori
Located in New York, NY
Pintori, Giovanni. Olivetti. 1967. 2nd printing. 1st Printing 1946.
Offset Lithograph. Rare
Giovanni Pintori (1912 – 1999) was an Italian graphic designer and painter. His most famous works are the advertisement posters for Olivetti typewriters...
Category
1960s American Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Offset
Entanglement
By Clark Richert
Located in Lyons, CO
Color lithograph, Edition 30
Richert, who was intuitively observing shadows cast by three-dimensional forms, found that one such structure – the rhombic tricontahedron – placed un...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
'Descente de Croix' (Descent from the Cross) — 1920s French Cubism
By Albert Gleizes
Located in Myrtle Beach, SC
Albert Gleizes, 'Descente de Croix', color pochoir, 1928, edition c. 50. Signed and dated in pencil. A fine, painterly impression, with fresh colors, on heavy, cream wove paper; the full sheet with margins (3 to 4 inches), in very good condition. The publisher's ink stamp 'EDITIONS MOLY-SABATA' beneath the image, lower left. Matted to museum standards, unframed.
Image size 12 x 14 inches (305 x 356 mm); sheet size 18 x 22 inches (457 x 559 mm).
ABOUT THE IMAGE
After the 1927 painting 'Descente de Croix', one of three religious-themed works that Gleizes developed as preliminaries for murals at the church at Serrières, France, the project was terminated at its final phase, and Gleizes commissioned master printer Robert Pouyaud to create prints of the paintings, closely overseeing the production.
ABOUT THE MEDIUM
Pochoir is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique.
ABOUT THE ARTIST
Albert Gleizes (1881-1953), born in Paris, France, was a pioneering figure in the development of abstract art and one of the leading proponents of Cubism. His contributions to the art world extended beyond his paintings; he was also a prolific writer and theoretician, advocating for a new approach to art that emphasized the geometric abstraction of form and a departure from representational traditions.
Gleizes initially studied painting at the Académie Julian and the École des Beaux-Arts in Paris, where he was exposed to the academic conventions of the time. However, his artistic vision was profoundly influenced by encounters with avant-garde movements, including Fauvism and the work of Paul Cézanne. These influences led Gleizes to experiment with form and color, gradually moving away from traditional representation toward a more abstract and geometric style.
After completing his secondary schooling, Gleizes spent four years in the French army and then began pursuing a career as a painter, primarily doing landscapes. Initially influenced by the Impressionists, he was only twenty-one years of age when his work titled ‘La Seine à Asnières’ was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year, he was part of the first Salon d'Automne and soon came under the influence of Fernand Léger, Robert Delaunay, Jean Metzinger, and Henri Le Fauconnier. In 1907, Gleizes and some of his friends pursued the idea of creating a self-supporting community of artists that would allow them to develop their art free of any commercial concerns. For nearly a year, Gleizes , with other painters, poets, musicians, and writers, lived at a large house in Créteil, but a lack of funds forced them to give up their facility in early 1908, and Gleizes moved temporarily into La Ruche, the artist commune in the Montparnasse Quarter of Paris.
In the early 1910s, Gleizes became associated with the Cubist movement, which was spearheaded by artists such as Pablo Picasso and Georges Braque...
Category
1920s Cubist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Stencil
Lotus
By Howard Hodgkin
Located in London, GB
Screenprint from 20 screens with embossing. On Velin Arches mould-made paper
Based on 'Lotus', textile dyes on hand-made Indian paper, 1978
Signed and dated in pencil, lower centre. ...
Category
1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Screen
Octavio Paz Suite: Nocturne VI
By Robert Motherwell
Located in London, GB
Lithograph and chine appliqué
64.5 x 54 cms (25 3/8 x 21 1/4 ins)
Edition 50
Paper: Arches paper; Japanese Gampi handmade paper
Other Collaborators: Image transferred from Mylar to...
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Handmade Paper, Color, Lithograph
Untitled
By Sam Francis
Located in London, GB
Sam Francis
Untitled
1989
Aquatint, Edition of 20
44.5 x 32.4 cms (17 1/2 x 12 3/4 ins)
22.9 x 15.2 cms (9 x 6 ins)
SF15235
Category
1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Aquatint
Africa Suite: Africa 9
By Robert Motherwell
Located in London, GB
The original studies from the 'Africa Suite' were a group of ten works selected from a series of ink-on-paper drawings from the same year. The large autom...
Category
1970s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Screen
London Series II: Untitled (Blue/Pale Blue)
By Robert Motherwell
Located in New York, NY
Edition of 150
Category
1970s Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Screen
DYNASTIC SCENE
By Ynez Johnston
Located in Portland, ME
Johnston, Ynez (American, 1920-2019). DYNASTIC SCENE. Colored etching, not dated. Edition of 50, numbered, titled, and signed in pencil. 11 3/4 x 8 5/8 inches (Plate), 16 1/2 x 12 3/...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
Earth Cycle
By Hiroki Morinoue
Located in Lyons, CO
Color woodcut, Edition 30.
In all of Morinoue's work there is a compelling sense of place--the ocean shoreline, lava flows and Japanese gardens. He is a patient observer of nature...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Woodcut
Pyzinerol
By Rex Ray
Located in Lyons, CO
Color lithograph, Edition 30
In 2010, Ray made his first lithographs at Shark’s Ink., Pyzinerol and Pyzinerol II. Ambitious prints with 18 colors from 15...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Untitled
By Joanne Greenbaum
Located in New York, NY
Joanne Greenbaum’s prints are an energetic profusion of overlapping techniques and colors, featuring clusters of architectural forms, irregular shapes, and doodle-like lines. Greenba...
Category
20th Century Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
The Basque Suite: Untitled
By Robert Motherwell
Located in London, GB
Colour screenprint on J.B. Green paper
104.1 x 71.7 cms (41 x 28 1/4 ins)
Edition of 150
Category
1970s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Screen
Bleeding
By Howard Hodgkin
Located in London, GB
Lithograph from three aluminium plates using tusche washes, printed in transparent dark green, light green, and fire red, with hand colouring in gouache (an orange to red blend, pink, green, and deep red). On buff Velin Arches mould-made paper (300 gsm)
Signed with initials, numbered and dated 82 in pencil, lower centre
Published by Bernard Jacobson Ltd.
Exhibition History: 'Howard Hodgkin: Views. An Exhibition of Early Prints', Bernard Jacobson Gallery, London, 02 March - 02 April 2013 'London, Henri Matisse: The Goldfish Bowls and Other Prints (LOPF)', Bernard Jacobson Gallery, London, 1 - 28 May 2021 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022
Literature: Frances Spalding, 'Howard Hodgkin: Tate Gallery and Bernard Jacobson', Arts Review, vol. 34, no. 20, 24 September 1982, p. 484; Elizabeth...
Category
1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Gouache, Lithograph
Untitled
By Robert Motherwell
Located in London, GB
Brushed aquatint, lift-ground etching and aquatint on German Etching paper
71.8 x 56.5 cms (28 1/4 x 22 1/4 ins)
Edition of 32
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching, Aquatint
Paris Suite 1 (Spring)
By Robert Motherwell
Located in London, GB
Robert Motherwell
Paris Suite I (Spring)
1980
Lithograph on J.B. Green handmade paper, Edition of 60
48.9 x 48.9 cms (19 1/4 x 19 1/4 ins)
RM17031
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
The Basque Suite: Untitled
By Robert Motherwell
Located in London, GB
Edition of 150
104.1 x 71.7 cms (41 x 28 1/4 ins)
Category
1970s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Screen
THE NEW YORK SCHOOL: THE POEMS - SALUTE - ODES - PERMANENTLY
By Joan Mitchell
Located in Portland, ME
Tiber Press. THE NEW YORK SCHOOL. New York, 1960. Editions of 200. Four volumes, folios (17 1/2 x 14 inches), housed in a green linen slipcase, com...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Screen
Green Column/Figure
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category
21st Century and Contemporary Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching, Woodcut
'Sculpturegraph' — Modernist Abstraction, Contemporary African American Artist
Located in Myrtle Beach, SC
George Rogers, 'Sculpturegraph' (Black, Gray, and Silver), color sculpturegraph, edition 40, 1984. Signed, dated, titled, and numbered '25/40' in pencil. A superb, richly-inked, pain...
Category
1980s American Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Monoprint
Galerie Maeght Murales et Peintures
By Joan Miró
Located in Fairlawn, OH
Galerie Maeght Murales et Peintures
Color lithograph poster, 1961
Unsigned as issued
Large edition
Published by Maeght Editeur Imprimeur
Reference #13 from J. Corredor-Matheos, "Miro's Posters', 1980
Condition: Framed
Colors fresh
Image/sheet size: 25 x 19 inches
Frame size: 34 x 27...
Category
1960s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Metal Shoes 4
By Richard Tuttle
Located in Houston, TX
Richard Tuttle
Metal Shoes 4, 2010
Aquatint, hand stencling, copper plate embossment
11 3/4 x 12
ed. 30
Framed
Category
21st Century and Contemporary Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Aquatint, Stencil
Edge of the Woods.
By William Harry Warren Bicknell
Located in Storrs, CT
Edge of the Woods. 1916. Drypoint. 7 7/8 x 9 3/4 (sheet 10 7/16 x 13 1/8). A rich impression in printed on Japanese paper with an oak leaf watermark. Signed and annotated '3rd state'...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Drypoint, Etching
PERSONNAGE VIRTUEL
By Stanley William Hayter
Located in Portland, ME
Hayter, Stanley William. PERSONNAGE VIRTUEL. BM182. Engraving,
soft-ground etching and scorper, 1947. Edition of 70, signed, dated,
and numbered 42/70, all in pencil. 11 3/4 x 8 7/8...
Category
1940s Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Engraving, Etching
'European Landscape' —Mid-century American Surrealism
By Lawrence Kupferman
Located in Myrtle Beach, SC
Lawrence Kupferman, 'European Landscape', drypoint, edition 50, 1942. Signed, dated, titled, and numbered '7/50' in pencil. A superb, finely nuanced impression, on cream wove paper; the full sheet with margins (1 to 1 3/4 inches); in excellent condition.
Image size 10 7/8 x 13 3/8 inches; sheet size 13 1/8 x 16 1/2 inches. Archivally matted to museum standards, unframed.
An impression of this work is included in the permanent collection of the Syracuse University Art Museum.
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Drypoint
Circus Wagon
By Louise Nevelson
Located in New York, NY
Louise Nevelson created the etching and aquatint entitled “CIRCUS WAGON” in 1953. This scarce EARLY impression was printed in an edition of 20. The imag...
Category
1950s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching, Aquatint
Untitled V (from set of 8)
By Pia Fries
Located in London, GB
Silkscreen.
Exhibition History: Bernard Jacobson Gallery, London, 'Pia Fries: Schwarzwild', 2 June - 2 July 2006.
Category
1990s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Screen
Expressionist Abstraction — Hawaiian Artist
By Tetsuo Ochikubo
Located in Myrtle Beach, SC
Tetsuo "Bob" Ochikubo, 'Untitled (Abstract Expressionist Composition)', color lithograph, 1963, edition 3. Signed, dated, and numbered '3-3' in pencil. A fine, richly-inked impression, with fresh colors, on cream wove paper; the full sheet with margins (5/8 to 2 inches), in excellent condition. Very scarce. Image size 17 1/2 x 12 1/4 inches; sheet size 19 7/8 x 14 7/8 inches. Matted to museum standards, unframed.
ABOUT THE ARTIST
Tetsuo Ochikubo (1923–1975), also known as Bob Ochikubo, was a Japanese-American painter and printmaker who was born in Waipahu, Hawaii. After service in the US Army as an infantryman in Europe during World War II, Ochikubo studied painting and design at the School of the Art Institute of Chicago and the Art Students League in New York. He worked at the renowned lithography workshop Tamarind Institute in the 1960s and is best known for his non-objective paintings and lithographs.
Ochikubo was a member of the Metcalf Chateau, a group of seven Asian-American artists with ties to Honolulu which included Satoru Abe...
Category
1960s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Untitled IV (from set of 8)
By Pia Fries
Located in London, GB
Silkscreen.
Exhibition History: Bernard Jacobson Gallery, London, 'Pia Fries: Schwarzwild', 2 June - 2 July 2006.
Category
1990s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Screen
