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Ifpda International Fine Print Dealers Association Abstract Prints

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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Orbelus
By Rodney Carswell
Located in Lyons, CO
Color lithograph with pochoir, Ed. 25 The artist describes his work: My work has often been described as belonging to a category of ‘reductive, geometric abstraction’. In the l...
Category

2010s Contemporary Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

Frog Cog
By Carol Wax
Located in New Orleans, LA
Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the frog. T...
Category

Late 20th Century American Modern Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Mezzotint

Libertinia, from Imaginary Places
By Frank Stella
Located in London, GB
Relief, screenprint, etching, aquatint, lithograph and engraving in colours, 1995, on TGL handmade paper, signed, dated and numbered form the edition of 50 in pencil (there were als...
Category

Late 20th Century Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Engraving, Etching, Aquatint, Lithograph, Screen

Assembly (Dogpile for Duccio)
By Matt Kleberg
Located in Houston, TX
Matt Kleberg Assembly (Dogpile for Duccio), 2024 Carborundum relief print on joined sheets 36 1/2 x 50 in (92.7 x 127 cm) Edition of 8 Co-published by Farrington Press and Josh Paz...
Category

21st Century and Contemporary Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Color

Sail I
By Sam Francis
Located in London, GB
101.6 x 71.1 cms (40 x 28 ins) Edition of 40 Signed lower left; numbered lower centre, printer's chop lower right. Publisher: Hollander's Workshop, New ...
Category

1960s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Color, Lithograph

'Da - Da I' — German Expressionism, Rare
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Da-Da I' also titled by the artist 'Der Abgott' (The Idol), woodcut, 1918, a proof impression. Prasse W91. Signed in pencil and annotated '1876', the artist’s inv...
Category

1920s Bauhaus Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Woodcut

'Masken (Masks)' — German Expressionism, Bauhaus
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Masken (Masks)' also 'Carnival Masks', woodcut, 1920, proofs only. Prasse W193. Signed and titled in pencil. Annotated '1973', the artist’s inventory number. A fin...
Category

1920s Bauhaus Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Woodcut

Poet II - Lithograph, Abstract Print, 20th Century by Robert Motherwell
By Robert Motherwell
Located in London, GB
Edition of 35 75.6 x 53.7 cms (29.76 x 21.14 ins)
Category

1960s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

Split Ring Image C
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category

21st Century and Contemporary Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Woodcut

Three of a Kind C
By Richard Smith
Located in London, GB
Edition of 60 71 x 79 cms (28 x 31 ins)
Category

1970s Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

Untitled
By Robert Motherwell
Located in London, GB
Brushed aquatint, lift-ground etching and aquatint on German Etching paper 71.8 x 56.5 cms (28 1/4 x 22 1/4 ins) Edition of 32
Category

1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching, Aquatint

#3 — Modernist Abstraction — African American Artist
Located in Myrtle Beach, SC
Hilliard Reynolds Dean, '#3', color lithograph, 1970, edition not stated but small. Signed and titled in pencil. A fine impression, with fresh colors, on Arches, heavy, cream wove pa...
Category

1970s American Modern Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

Interior (Night)
By Howard Hodgkin
Located in London, GB
Aquatint from three copper plates printed in black, red, and orange. On cream Velin Arches mould-made paper Signed, numbered, and dated 74 in pencil, lower right Published by Petersb...
Category

Late 20th Century Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Aquatint

Variation 4, Vol. I
By Katherine Sophie Dreier
Located in Myrtle Beach, SC
Katherine S. Dreier, 'Variation 4, Vol. I' from '1 to 40 Variations', lithograph with pochoir and hand-coloring, 1934, edition 65. Stenciled signature and date, lower right. Annotate...
Category

Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Watercolor, Lithograph, Stencil

Ramblas
By Helen Frankenthaler
Located in London, GB
Lithograph, drypoint, etching in colours, 1987/88, on handmade wove paper, signed in pencil, numbered from the edition of 75, printed and published by Polígrafa Obra Gráfica, Barcelo...
Category

1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Drypoint, Etching, Lithograph

Ahab, from The Waves Series
By Frank Stella
Located in London, GB
Screenprint, lithograph and linocut in colours with collage, marbling and hand-colouring, 1989, on T. H. Saunders and Somerset papers, signed and dated ‘88’ in pencil, numbered 'AP I...
Category

1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph, Screen

Untitled I
By Thomas Nozkowski
Located in New York, NY
For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject matter in favor of seemingly limitless variations in ...
Category

2010s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Color, Linocut, Woodcut

Une Fois Rien (Once Again / No Action)
By Christine Ravaux
Located in New Orleans, LA
Christine Ravaux created Une Fois Rien which is signed by pencil. This impression is #12 of 30 Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted wi...
Category

Early 2000s Modern Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Mezzotint

Birthday Party
By Howard Hodgkin
Located in London, GB
Lithograph from a stone printed in sepia and green, with hand colouring in two shades of blue gouache. On Velin Arches mould-made paper (300 gsm) Signed and dated 77 in pencil, lower...
Category

1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph, Color

Garden City (green tied square)
By Richard Smith
Located in London, GB
Edition of 50 76 x 76 cms (30 x 30 ins)
Category

1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching

Summer Sign
By Robert Motherwell
Located in London, GB
Carborundum on Whatman paper Edition of 38 84.1 x 78.7 cms (33 1/8 x 31 ins)
Category

1990s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Color

Aiolio, from Imaginary Places III
By Frank Stella
Located in London, GB
Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 51 (there were also twelve artist's proofs)...
Category

1990s American Modern Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching, Aquatint, Lithograph, Screen

Untitled
By Sam Francis
Located in London, GB
Sam Francis Untitled 1968 Lithograph, Edition of 3, experimental proof 66 x 47 cms (26 x 18 1/2 ins) SF15155
Category

1960s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

Red Sea III
By Robert Motherwell
Located in London, GB
Aquatint and lift-ground etching on Georges Duchêne Hawthorne of Larroque handmade paper, Edition of 70 1983 90.2 x 46.4 cms (35 1/2 x 18 1/4 ins)
Category

1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching, Aquatint

Icelandic Landscape (The sun creates dramatic cloud pattern over a glacial lake)
By Udo Claassen
Located in New Orleans, LA
German artist Udo Claassen created a dramatic landscape of this Icelandic scene in 1985 in an edition of 40. The New Orleans Museum of Art has an impression of this image in its per...
Category

Late 20th Century Contemporary Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Mezzotint

'Equus Uirumpu' — Mid-century American Modernism
By James Houston McConnell
Located in Myrtle Beach, SC
James Houston McConnell, 'Equus Uirumpu' (The Man's Horse), color serigraph, c. 1945, edition not stated but small. Signed and titled in pencil. Initialed in the image, lower right. ...
Category

1940s American Modern Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Screen

Grey
By Richard Smith
Located in London, GB
Edition of 50 60.3 x 61 cms (23 3/4 x 24 ins)
Category

1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching

The Fan and its Surroundings, from the Global Editions Series
By Ed Ruscha
Located in London, GB
Lithograph on Rives BFK paper, torn and deckle edges
Category

Late 20th Century Pop Art Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

'Descente de Croix' (Descent from the Cross) — 1920s French Cubism
By Albert Gleizes
Located in Myrtle Beach, SC
Albert Gleizes, 'Descente de Croix', color pochoir, 1928, edition c. 50. Signed and dated in pencil. A fine, painterly impression, with fresh colors, on heavy, cream wove paper; the full sheet with margins (3 to 4 inches), in very good condition. The publisher's ink stamp 'EDITIONS MOLY-SABATA' beneath the image, lower left. Matted to museum standards, unframed. Image size 12 x 14 inches (305 x 356 mm); sheet size 18 x 22 inches (457 x 559 mm). ABOUT THE IMAGE After the 1927 painting 'Descente de Croix', one of three religious-themed works that Gleizes developed as preliminaries for murals at the church at Serrières, France, the project was terminated at its final phase, and Gleizes commissioned master printer Robert Pouyaud to create prints of the paintings, closely overseeing the production. ABOUT THE MEDIUM Pochoir is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Albert Gleizes (1881-1953), born in Paris, France, was a pioneering figure in the development of abstract art and one of the leading proponents of Cubism. His contributions to the art world extended beyond his paintings; he was also a prolific writer and theoretician, advocating for a new approach to art that emphasized the geometric abstraction of form and a departure from representational traditions. Gleizes initially studied painting at the Académie Julian and the École des Beaux-Arts in Paris, where he was exposed to the academic conventions of the time. However, his artistic vision was profoundly influenced by encounters with avant-garde movements, including Fauvism and the work of Paul Cézanne. These influences led Gleizes to experiment with form and color, gradually moving away from traditional representation toward a more abstract and geometric style. After completing his secondary schooling, Gleizes spent four years in the French army and then began pursuing a career as a painter, primarily doing landscapes. Initially influenced by the Impressionists, he was only twenty-one years of age when his work titled ‘La Seine à Asnières’ was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year, he was part of the first Salon d'Automne and soon came under the influence of Fernand Léger, Robert Delaunay, Jean Metzinger, and Henri Le Fauconnier. In 1907, Gleizes and some of his friends pursued the idea of creating a self-supporting community of artists that would allow them to develop their art free of any commercial concerns. For nearly a year, Gleizes  , with other painters, poets, musicians, and writers, lived at a large house in Créteil, but a lack of funds forced them to give up their facility in early 1908, and Gleizes moved temporarily into La Ruche, the artist commune in the Montparnasse Quarter of Paris. In the early 1910s, Gleizes became associated with the Cubist movement, which was spearheaded by artists such as Pablo Picasso and Georges Braque...
Category

1920s Cubist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Stencil

'Child and Seeing Hands' — after the artist's 1948 Surrealist masterwork
By Hans Bellmer
Located in Myrtle Beach, SC
Hans Bellmer, 'Child and Seeing Hands', photogravure and engraving, edition 9, 1970. Flahutez 4-9. Signed by the artist and numbered '41/90' in pencil. A superb, richly-inked impress...
Category

1670s Surrealist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Engraving, Photogravure

Tropic Fruit
By Howard Hodgkin
Located in London, GB
80 x 94 cms (31.5 x 37 ins) Edition of 100
Category

1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Color, Screen

Tropic Fruit
$3,000 Sale Price
25% Off
Black Cathedral
By Robert Motherwell
Located in London, GB
Robert Motherwell Black Cathedral 1991 Lithograph on white Tyler Graphics Ltd. (TGL) handmade paper, Edition of 40 170.2 x 119.4 cms (67 x 64 ins) RM17876 Siri Engberg and Joan Bana...
Category

1990s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

Lotus
By Howard Hodgkin
Located in London, GB
Screenprint from 20 screens with embossing. On Velin Arches mould-made paper Based on 'Lotus', textile dyes on hand-made Indian paper, 1978 Signed and dated in pencil, lower centre. ...
Category

1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Color, Screen

Les Marionettes II — Erotic Surrealism
By Hans Bellmer
Located in Myrtle Beach, SC
Hans Bellmer, Les Marionettes II, etching with hand coloring, 1969, edition 150, Flahutez 58-8. Signed and annotated 'HC' in pencil. A fine impression on brown Fabriano hand-made laid paper; the full sheet with margins (3/4 to 3 1/4 inches), in excellent condition. Archivally sleeved, unmatted. Image size 13 7/16 x 11 7/8 inches; sheet size 19 1/8 x 13 1/4 inches. A 'Hors Commerce' impression. From a suite of 11 etchings created by Bellmer to illustrate 'On the Marionette Theatre...
Category

1960s Surrealist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching

On the Wing
By Robert Motherwell
Located in London, GB
46.75 x 30.5 ins (118.7 x 77.5 cms) Edition of 70 Signed in pencil lower right. Numbered in pencil lower right; workshop chop mark lower right; workshop number "RM83-718" in pe...
Category

1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Mixed Media, Color, Lithograph

Two of a Kind IIIa (bright red x on green)
By Richard Smith
Located in London, GB
100.7 x 46.3 cms (40 x 18 1/4 ins) Edition of 90
Category

1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Color, Lithograph

Untitled, 1941
By Myron Kozman
Located in Fairlawn, OH
untitled Color serigraph, 1941 Signed and dated lower right (see photo) Very small edition (less than 10) (Looks like a red brick building with white windows, probably in Chicago whe...
Category

1940s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Screen

Senza Titolo II (Untitled II)
By Sam Francis
Located in London, GB
86 x 107 cms (33 7/8 x 42 1/8 ins) Edition of 66
Category

1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Color, Etching

BLACK FACE
By Karel Appel
Located in Santa Monica, CA
KAREL APPEL (1921 - 2006) BLACK FACE, 1969 Lithograph in colors signed in pencil. Edition 26/75, Image: 19 3/4 x 25 1/4, sheet: 22 x 30 inches. Just hint of a mat line Appel was a member of the Cobra art movement
Category

1960s Expressionist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

'Flyable Objects Identified' — Mid-Century Modernism
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Flyable Objects Identified', color serigraph, 1969, edition 30, Ryan 83. Signed, titled, and annotated 'Edition 30' in pencil. A fine impression, with fresh colors, o...
Category

Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Screen

Put out all Flags
By Robert Motherwell
Located in London, GB
Aquatint, lift-ground etching and aquatint on German Etching paper 53.3 x 73.7 cms (21 x 29 ins) Edition of 50
Category

1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching, Aquatint

Untitled #050105 (Pink)
By Harold Cohen
Located in London, GB
Harold Cohen Untitled # 050105 (Pink) 2005 Digital print on paper, Edition 30 147.5 x 119.5 cms (58 1/8 x 47 ins) HC11003
Category

Early 2000s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Digital

York Factory II
By Frank Stella
Located in London, GB
Screenprint, 1974, on Arches Cover Black paper, signed, dated and numbered an AP aside from the edition of 100, published by Gemini G.E.L., Los Angeles., sheet: 46.9 x 112.8cm (18½ x...
Category

1970s Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Screen

Bertoia — Mid-Century Visionary Abstraction, Unique
By Harry Bertoia
Located in Myrtle Beach, SC
Harry Bertoia, Untitled (Abstraction), monotype, c. 1960, a unique impression. Signed 'HB' in pencil, lower right sheet corner, verso. Inscribed '1852' (the artist’s inventory number) in pencil, lower right sheet corner, recto. A superb, painterly impression, on cream wove Japan paper, the full sheet, in excellent condition. Unmatted, unframed. Sheet size 12 x 39 inches (30 x 99 cm). Provenance: Val Bertoia; Private Collection; Rago Auctions, Lambertville, NJ. Literature: 'Harry Bertoia: Monoprints,' Nancy N. Schiffer, Schiffer Publishing LTD, 2011; pg. 253. This work is included in the Harry Bertoia Foundation digital resource, Harry Bertoia Catalogue Raisonné, number TD.MO.1584. ABOUT THE ARTIST Harry Bertoia (1915-1978) was a visionary Italian-American artist, sculptor, and designer. Born in San Lorenzo, Italy, Bertoia immigrated to the United States with his family at age fifteen, settling in Detroit, Michigan. From an early age, Bertoia demonstrated a keen interest in art and design, studying painting and drawing at the Cass Technical High School in Detroit. Later, he attended the Cranbrook Academy of Art in Bloomfield Hills, Michigan, where he studied under renowned designers Eliel Saarinen and Charles Eames. At Cranbrook, Bertoia first began to explore the possibilities of working with metal, a medium that would come to define his artistic career. In the 1940s, Bertoia moved to California to work for Charles and Ray Eames, contributing to the development of innovative molded plywood furniture. However, his experimentation with metal wire sculpture would ultimately catapult him to international acclaim. Bertoia's iconic "Sonambient" sculptures, consisting of delicate metal rods arranged in various configurations, created ethereal sounds when touched or moved, transforming the act of sculpture into a multisensory experience. Bertoia's talent and innovation caught the attention of Florence Knoll, the founder of Knoll Associates, a leading furniture design company. In 1950, Bertoia began collaborating with Knoll, producing a series of iconic wire chairs that became emblematic of mid-century modern design. His "Diamond Chair," with its geometric form and airy construction, remains a classic of modern furniture design. Bertoia continued to explore sculpture as a means of artistic expression, experimenting with new forms and materials. His work was characterized by organicism and fluidity, with forms that evoked natural phenomena such as waves, leaves, and clouds. A decade before Harry Bertoia began creating three-dimensional sculpture, he dedicated his creative efforts to producing experimental prints at the Cranbrook Academy in Bloomfield Hills, Michigan, pursuing a passion that would continue for the rest of his life. With these spontaneous works, he worked intuitively, testing different tools and techniques to achieve his desired effects. Rather than using a traditional mechanical pressing process, he would apply ink to a glass or smooth Masonite plate with a sheet of paper laid directly on top. Then, tools such as brayers, dog hair brushes, styluses, and different parts of his hands were employed to draw or “press” the images on the back of the sheet. Rice paper was typically used due to its semi-translucent nature, offering Bertoia limited visibility of the effects of his experimentation, but ultimately, the unpredictable nature of the process was an integral aspect of the results, which never ceased to delight him. Each work was a singular composition with abstract imagery ranging from linear, structural compositions to fantastic surrealistic forms to poetic tonal landscapes. He received little input from other artists, developing his unique vision with rare purity and a deep personal resonance. From his first year of printmaking in 1940, Bertoia quickly amassed an extensive collection of unique works. The compositions were strongly tied to the non-objective movement, which, while popular in Europe, was still in its nascent stages in the US. There were few proponents of this new art form to be found in the 1940s, and it was Hilla Rebay, then Director of the Guggenheim Museum of Non-Objective Art, who gave Bertoia the encouragement and promotion he needed. In 1943, Bertoia sent approximately 100 monotypes to Rebay for review. After receiving the prints, she responded with a surprising offer to buy them all. Rebay then began including them in the museum’s exhibitions. The Guggenheim shows succeeded in putting Bertoia’s name out into the world. He began exhibiting his works regularly at the Neierndorf Gallery in New York and was provided a stipend to ensure a steady supply of prints until Karl Neierndorf died in 1947. By the 1950s...
Category

1960s American Modern Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Monotype

'Petrouchka's Predicament' — Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Petrouchka's Predicament', color lithograph, 1946, edition 20. Signed, dated, titled, and numbered '115' and '14/20' in pen. A fine, richly-inked impression, with fresh colors, on heavy, off-white wove paper; full margins (1 1/4 to 2 1/2 inches), in excellent condition. Image size 21 3/4 x 13 3/4 inches; sheet size 24 3/4 x 16 1/4 inches. Scarce. Matted to museum standards, unframed. 'Petrouchka', a ballet with music by the Russian composer Igor Stravinsky and choreography by Michel Fokine, is based on the legend of Russian folklore. 'Petrouchka', a puppet made of straw with a bag of sawdust as his body, comes to life and has the capacity to love, a story conceptually resembling that of Pinocchio. ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller...
Category

1940s American Modern Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

Snow-Plough (Chasse-neige) 1963 Lithograph in colors Plate 7, from DLM
By Alexander Calder
Located in Fairlawn, OH
Alexander Calder Snow-Plough (Chasse-neige) 1963 Lithograph in colors Plate 7, from Derriere le Miroir #141 Unsigned With the central fold, as issued Edition of unknown Sheet...
Category

1960s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

The Basque Suite: Untitled
By Robert Motherwell
Located in London, GB
Colour screenprint on J.B. Green paper 104.1 x 71.7 cms (41 x 28 1/4 ins) Edition of 150
Category

1970s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Color, Screen

Red Sea I
By Robert Motherwell
Located in London, GB
105.4 x 74 cms (41 1/2 x 29 1/8 ins) Edition of 100 Paper: Arches Cover Signature: Signed "Motherwell" in pencil lower right Inscriptions: Numbered in pencil lower right; artist's c...
Category

1970s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Color, Etching, Aquatint

Two of a Kind Va (broken blue line on purple)
By Richard Smith
Located in London, GB
71 x 71 cms (28 x 28 ins) Edition of 50
Category

1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Color, Lithograph

One Plate, from We are the Jocular Clan
By Takashi Murakami
Located in London, GB
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.6 x 47.6 cm. (18 3/4 x 18 3/4 in....
Category

2010s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

'Interim' from the series 'Graphic Tectonics' —Mid-Century Geometric Abstraction
By Josef Albers
Located in Myrtle Beach, SC
Josef Albers, 'Interim' from the series 'Graphic Tectonics', zinc plate lithograph, 1942, edition 30, Danilowitz 101. Signed, titled, dated, and numbered '3/30' in pencil. A fine imp...
Category

1940s Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

Ocean Terminal I
By Craig McPherson
Located in New Orleans, LA
Craig McPherson captures a night view of the neon lights from commercial signs reflected in the water at Ocean Terminal in Kowloon, as seen from the terminal of the Star Ferry to cen...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Mezzotint

Untitled
By Dan Christensen
Located in Fairlawn, OH
Untitled Monotype printed in colors, c. 1980 Signed in pencil lower right (see photo) Condition: Excellent Sheet size: 42 x 30 inches Provenance: Distinguished Midwest Private Collection SELECTED MUSEUM COLLECTIONS Addison Gallery of American Art, Andover, Massachusetts Albrecht-Kemper Museum of Art, St. Joseph, Missouri Albright-Knox Art Gallery, Buffalo, New York Allen Memorial Art Museum, Oberlin, Ohio Art...
Category

1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Monotype

Open Action.
By Kerr Eby
Located in Storrs, CT
Published edition, not trial proof Open Action. 1926/1928. Etching. Giardina 124. 7 x 15 1/8 (sheet 12 3/4 x 15 1/4). Trial proof, prior to the edition of 90. A rich, tonal impressi...
Category

1920s American Modern Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching

Open Action.
Open Action.
$1,200 Sale Price
31% Off
Untitled (Two Nudes) — Erotic Surrealism
By Hans Bellmer
Located in Myrtle Beach, SC
Hans Bellmer, Untitled (Two Nudes), engraving and drypoint, 1971, edition 99. Signed and numbered '94/99' in pencil. A fine impression, on Arches cream wove paper; the full sheet wit...
Category

1960s Surrealist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Engraving, Drypoint

Untitled
By Robert Motherwell
Located in London, GB
29.88 x 22.36 ins (75.9 x 56.8 cms) Edition of 96 Signature:Signed "R. Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right ...
Category

1970s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Color, Etching, Aquatint

ORBITS - Large Hoeckner lithograph
By Carl Hoeckner
Located in Santa Monica, CA
CARL HOECKNER (1883 – 1972) ORBITS, c. 1935 Lithograph, edition unknown but small. Image 11 3/3 \4 x 18 3/8 inches, sheet 12 3/8 x 19. In good condition aside from small margins an...
Category

1930s Surrealist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

'Flight to Tomorrow' — Mid-Century American Modernism — Atelier 17
By Minna Citron
Located in Myrtle Beach, SC
Minna Citron, 'Flight to Tomorrow', aquatint and engraving, edition unknown but small, 1948. Signed, titled, dated, and annotated 'engr & aqua' in pencil. A superb, richly-inked impression with selectively wiped plate tone, on heavy cream wove paper, the full sheet with margins (1 3/4 to 3 1/2 inches), in excellent condition. Image size 6 7/8 x 8 7/16 inches (175 x 214 mm); sheet size 11 1/8 x 14 7/8 inches (283 x 378 mm). Matted to museum standards, unframed. Literature: The Women of Atelier 17, Modernist Printmaking in MidCentury New York, Christina Weyl, Yale University Press, 2019, p. 186. Collections: Davis Museum (Wellesley), Five Colleges and Historic Deerfield Museum Consortium, Harvard Art Museums, Museum of Fine Arts, Boston, Palmer Museum of Art (Penn State...
Category

1940s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Engraving, Aquatint

The Heavenly Suite (pink)
By Robyn Denny
Located in London, GB
Screenprint
Category

1970s Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Screen

Cosca II “VP 100”
By Victor Vasarely
Located in Fairlawn, OH
Cosca II “VP 100” Screen print, 1982 Signed and numbered by the artist (see photo of signature) Edition: 325 plus 65 Vasarely Foundation (127/325) Editor: no editor/publisher is prov...
Category

1980s Op Art Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Screen

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