Ifpda International Fine Print Dealers Association Abstract Prints
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Those...Plants
By Howard Hodgkin
Located in London, GB
Soft-ground etching from three copper plates printed in sepia, with hand colouring in watercolour (a yellow wash background) and green gouache. On Stoneridge mould-made etching paper
Signed with initials and dated 1980 in black wax crayon, lower centre. Numbered in black wax crayon, lower left
Published by Petersburg Press
Exhibition History: 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022
Literature: 'The Tate Gallery: Illustrated Catalogue of Acquisitions 1980-82', London, 1984, p. 261 (ill.); Elizabeth Knowles...
Category
Late 20th Century Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Etching
Horse Blinders (south) and Horse Blinders (east)
By James Rosenquist
Located in New York, NY
Lithograph and screenprint with collage (silver foil)
Prints are different sizes: 36 1/2 x 68 inches (92.7 x 172.7 cm) and 36 5/8 x 64 inches (93 x 162.6 cm)
Published by Multiples...
Category
1970s Pop Art Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Silver
Pieces of Eight (ochre square)
By Richard Smith
Located in London, GB
Edition of 35
48 x 100 cms (19 x 39.5 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
'Untitled Fantasy' — 1980s Surrealist Abstraction
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Untitled Fantasy', color serigraph, 1983, edition 30, Ryan 214. Signed, titled, and annotated 'Edition 30' in pencil. A fine impression, with fresh colors, on off-whi...
Category
Mid-20th Century Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Screen
The Fan and its Surroundings, from the Global Editions Series
By Ed Ruscha
Located in London, GB
Lithograph on Rives BFK paper, torn and deckle edges
Category
Late 20th Century Pop Art Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Metal Shoes 4
By Richard Tuttle
Located in Houston, TX
Richard Tuttle
Metal Shoes 4, 2010
Aquatint, hand stencling, copper plate embossment
11 3/4 x 12
ed. 30
Framed
Category
21st Century and Contemporary Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Aquatint, Stencil
Green Column/Figure
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category
21st Century and Contemporary Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching, Woodcut
Stars - 8 Pointed
By Sol LeWitt
Located in New York, NY
LeWitt has been the subject of hundreds of solo exhibitions in museums and galleries worldwide since 1965. A leading figure of the Conceptual and Minimalist movements, his prolific ...
Category
1990s Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Handmade Paper, Monoprint
Water Margin
By Matt Magee
Located in Houston, TX
Matt Magee
Water Margin, 2023
Lithograph
24 1/4 x 18 3/4 in (61.6 x 47.6 cm)
Edition of 20
Category
21st Century and Contemporary Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
MALLORCA
By Dorr Bothwell
Located in Santa Monica, CA
DORR BOTHWELL ( 1902 - 2000)
MALLORCA
Serigraph, Signed, titled and numbered 8/25 in pencil. Signed and dated in the print. Image. 13 1/8 x 9 inches, sheet 19 7/8 x 12 3/4 inches. ...
Category
1950s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Screen
Frame with Separation
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category
21st Century and Contemporary Minimalist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Woodcut
'Equus Uirumpu' — Mid-century American Modernism
By James Houston McConnell
Located in Myrtle Beach, SC
James Houston McConnell, 'Equus Uirumpu' (The Man's Horse), color serigraph, c. 1945, edition not stated but small. Signed and titled in pencil. Initialed in the image, lower right. ...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Screen
'Child and Seeing Hands' — after the artist's 1948 Surrealist masterwork
By Hans Bellmer
Located in Myrtle Beach, SC
Hans Bellmer, 'Child and Seeing Hands', photogravure and engraving, edition 9, 1970. Flahutez 4-9. Signed by the artist and numbered '41/90' in pencil. A superb, richly-inked impress...
Category
1670s Surrealist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Engraving, Photogravure
'Bullfight'— Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Bullfight', wood engraving, 1945, edition 15. Signed, dated, titled, and numbered '105' (the artist's inventory number) and '13/15' in pencil. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/16 to 2 3/8 inches), in excellent condition. Scarce. Matted to museum standards, unframed.
Image size 5 1/16 x 4 1/16 inches (129 x 103 mm); sheet size 8 9/16 x 6 5/16 inches (217 x 160 mm).
An impression of this work is included in the museum collection of the National Gallery of Art.
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan.
Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine Felsenthal...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Woodcut
$360 Sale Price
20% Off
Bertoia — Mid-Century Visionary Abstraction, Unique
By Harry Bertoia
Located in Myrtle Beach, SC
Harry Bertoia, Untitled (Abstraction), monotype, c. 1960, a unique impression. Signed 'HB' in pencil, lower right sheet corner, verso. Inscribed '1852' (the artist’s inventory number) in pencil, lower right sheet corner, recto. A superb, painterly impression, on cream wove Japan paper, the full sheet, in excellent condition. Unmatted, unframed.
Sheet size 12 x 39 inches (30 x 99 cm).
Provenance: Val Bertoia; Private Collection; Rago Auctions, Lambertville, NJ.
Literature: 'Harry Bertoia: Monoprints,' Nancy N. Schiffer, Schiffer Publishing LTD, 2011; pg. 253.
This work is included in the Harry Bertoia Foundation digital resource, Harry Bertoia Catalogue Raisonné, number TD.MO.1584.
ABOUT THE ARTIST
Harry Bertoia (1915-1978) was a visionary Italian-American artist, sculptor, and designer. Born in San Lorenzo, Italy, Bertoia immigrated to the United States with his family at age fifteen, settling in Detroit, Michigan.
From an early age, Bertoia demonstrated a keen interest in art and design, studying painting and drawing at the Cass Technical High School in Detroit. Later, he attended the Cranbrook Academy of Art in Bloomfield Hills, Michigan, where he studied under renowned designers Eliel Saarinen and Charles Eames. At Cranbrook, Bertoia first began to explore the possibilities of working with metal, a medium that would come to define his artistic career.
In the 1940s, Bertoia moved to California to work for Charles and Ray Eames, contributing to the development of innovative molded plywood furniture. However, his experimentation with metal wire sculpture would ultimately catapult him to international acclaim. Bertoia's iconic "Sonambient" sculptures, consisting of delicate metal rods arranged in various configurations, created ethereal sounds when touched or moved, transforming the act of sculpture into a multisensory experience.
Bertoia's talent and innovation caught the attention of Florence Knoll, the founder of Knoll Associates, a leading furniture design company. In 1950, Bertoia began collaborating with Knoll, producing a series of iconic wire chairs that became emblematic of mid-century modern design. His "Diamond Chair," with its geometric form and airy construction, remains a classic of modern furniture design.
Bertoia continued to explore sculpture as a means of artistic expression, experimenting with new forms and materials. His work was characterized by organicism and fluidity, with forms that evoked natural phenomena such as waves, leaves, and clouds.
A decade before Harry Bertoia began creating three-dimensional sculpture, he dedicated his creative efforts to producing experimental prints at the Cranbrook Academy in Bloomfield Hills, Michigan, pursuing a passion that would continue for the rest of his life. With these spontaneous works, he worked intuitively, testing different tools and techniques to achieve his desired effects. Rather than using a traditional mechanical pressing process, he would apply ink to a glass or smooth Masonite plate with a sheet of paper laid directly on top. Then, tools such as brayers, dog hair brushes, styluses, and different parts of his hands were employed to draw or “press” the images on the back of the sheet. Rice paper was typically used due to its semi-translucent nature, offering Bertoia limited visibility of the effects of his experimentation, but ultimately, the unpredictable nature of the process was an integral aspect of the results, which never ceased to delight him. Each work was a singular composition with abstract imagery ranging from linear, structural compositions to fantastic surrealistic forms to poetic tonal landscapes. He received little input from other artists, developing his unique vision with rare purity and a deep personal resonance.
From his first year of printmaking in 1940, Bertoia quickly amassed an extensive collection of unique works. The compositions were strongly tied to the non-objective movement, which, while popular in Europe, was still in its nascent stages in the US. There were few proponents of this new art form to be found in the 1940s, and it was Hilla Rebay, then Director of the Guggenheim Museum of Non-Objective Art, who gave Bertoia the encouragement and promotion he needed. In 1943, Bertoia sent approximately 100 monotypes to Rebay for review. After receiving the prints, she responded with a surprising offer to buy them all. Rebay then began including them in the museum’s exhibitions.
The Guggenheim shows succeeded in putting Bertoia’s name out into the world. He began exhibiting his works regularly at the Neierndorf Gallery in New York and was provided a stipend to ensure a steady supply of prints until Karl Neierndorf died in 1947. By the 1950s...
Category
1960s American Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Monotype
Plate X, from Album 19
By Joan Miró
Located in London, GB
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in black ink, numbered from the edition of 75 (the total edition included 15 impressions numbe...
Category
1960s Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
#3 — Modernist Abstraction — African American Artist
Located in Myrtle Beach, SC
Hilliard Reynolds Dean, '#3', color lithograph, 1970, edition not stated but small. Signed and titled in pencil. A fine impression, with fresh colors, on Arches, heavy, cream wove pa...
Category
1970s American Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
'Torero' — rare, early modernist engraving – Atelier 17
By Stanley William Hayter
Located in Myrtle Beach, SC
Stanley William Hayter, 'Torero', engraving, 1932, edition 30, only 16 known impressions, trial proof, Black & Moorhead 71. Signed, titled, dated, and inscribed 'Essai' (test) in pencil. A superb impression with rich burr, on heavy BFK Rives cream, wove paper; full margins (2 1/4 to 6 1/4 inches). A short repaired tear (3/8 inch) in the left-center sheet edge, well away from the image; otherwise, in excellent condition. Scarce.
Image size 10 9/16 x 7 5/8 inches; sheet size 15 1/2 x 11 1/2 inches. Matted to museum standards, unframed.
ABOUT THE ARTIST
Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17...
Category
1930s Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Engraving
Two of a Kind Va (broken blue line on purple)
By Richard Smith
Located in London, GB
71 x 71 cms (28 x 28 ins)
Edition of 50
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Lithograph
'Composition # 4' — Mid-Century Modernism
By Thomas A. Robertson
Located in Myrtle Beach, SC
Thomas Robertson, 'Composition #4,' color serigraph, edition 47, c. 1940. Signed, titled, and annotated 'Ed/47' in pencil. A superb, painterly impression, with fresh colors, on buff wove paper, the full sheet with margins (1 to 2 inches), in excellent condition. Matted to museum standards, unframed.
Image size: 10 9/16 x 8 1/2 inches (268 x 216 mm); sheet size 13 x 12 1/2 inches (330 x 318 mm).
An impression of this work is represented in the collection of the National Gallery of Art.
ABOUT THE ARTIST
Born in Little Rock, Arkansas, Thomas Arthur Robertson (1911-1976) was the son of an attorney. Although his father, a co-owner of the Arkansas Law School, insisted that his son study there, after graduating, Robertson enrolled at the Adrian Brewer...
Category
1940s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Screen
SARGASSO SEA
By Stanley William Hayter
Located in Portland, ME
Hayter, Stanley William. SARGASSO SEA. B&M 264. Etching, Scraper, Scorper and Roulette, in color, 1961-62. Edition of 50 (there were also 5 artist's proofs, and several trial proofs ...
Category
1960s Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
'Dialogue Erudite' — Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Dialogue Erudite', color lithograph, 1945, edition 16. Signed, dated, titled, and numbered '98' and '4/16' in pen. A fine, richly-inked impression with fresh colors, on heavy, off-white wove paper; full margins (1/2 to 1 1/4 inch), in excellent condition. Image size 20 1/2 x 14 3/8 inches; sheet size 22 1/2 x 17 inches. Scarce. Matted to museum standards, unframed.
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan.
Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Untitled
By Sam Francis
Located in London, GB
Sam Francis
Untitled
1991
Etching in colours, Edition of 27
61.6 x 44.5 cms (24.3 x 17.5 ins)
SF17884
Category
1990s Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
The World and Its Surroundings, from the Global Editions Series
By Ed Ruscha
Located in London, GB
Lithograph on Rives BFK paper, torn and deckle edges
Category
Late 20th Century Pop Art Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Sail I
By Sam Francis
Located in London, GB
101.6 x 71.1 cms (40 x 28 ins)
Edition of 40
Signed lower left; numbered lower centre, printer's chop lower right.
Publisher: Hollander's Workshop, New ...
Category
1960s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Lithograph
$2,500
A Sunset in Ireland.
By Seymour Haden
Located in Storrs, CT
A Sunset in Ireland. 1863. Etching and drypoint. Schneiderman catalog number 47 state vii/xiv. 5 1/2 x 8 1/2 (sheet 6 7/8 x 9 1/2). An extremely rich impression with drypoint burr, p...
Category
19th Century Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Drypoint, Etching
$1,600 Sale Price
20% Off
Window, from 'More Indian Views'
By Howard Hodgkin
Located in London, GB
Lithograph from six zinc plates printed in beige, brown, and four shades of green. On TH Saunders paper (250 gsm)
Signed and dated 76 in pencil, lower right, verso. Numbered in penci...
Category
Late 20th Century Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Lithograph
DECORATION - Rare - 1 of only 4 signed Impressions
By Paul Landacre
Located in Santa Monica, CA
PAUL LANDACRE (1893 – 1963)
DECORATION (Design for Green Mansions) 1932-3 (Wien 125), Wood engraving.
RARE. Only four titled and signed impressions, ...
Category
1930s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Woodcut
Untitled
By Sam Francis
Located in London, GB
64.8 x 46.3 cms (25 1/2 x 19 ins)
Edition of 3
Paper: Rives BFK
Proofs: 1 UP (Hand colored)
Signed lower left, numbered lower left.
Publisher: Joseph Press...
Category
1960s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Lithograph
$11,000
Love Apple (Brown background).
By Jane Martin VonBosse
Located in Storrs, CT
Love Apple (Brown background). 1967. Linoleum cut printed in black, red, orange, brown and tan. 16 1/2 x 12 1/2 (sheet 21 3/4 x 15). Edition 18. A vivid impression printed on wove pa...
Category
1960s American Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Linocut
Untitled (Two Nudes) — Erotic Surrealism
By Hans Bellmer
Located in Myrtle Beach, SC
Hans Bellmer, Untitled (Two Nudes), engraving and drypoint, 1971, edition 99. Signed and numbered '94/99' in pencil. A fine impression, on Arches cream wove paper; the full sheet wit...
Category
1960s Surrealist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Engraving, Drypoint
February -- Orchid. (Nigatsu - Ranjo no saku).
By Shiko Munakata
Located in Storrs, CT
February -- Orchid. (Nigatsu - Ranjo no saku). 1956. Woodcut with hand-applied color from the verso. Kodansha vol.9 No. 125. 17 x 13 (sheet 18 1/4 x 21 1/2). Series: Calender in the ...
Category
Mid-20th Century Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Watercolor, Woodcut
$6,500 Sale Price
35% Off
Untitled
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category
1990s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Woodcut
A Sandstorm on the Little Colorado River, Arizona
By George Elbert Burr
Located in Storrs, CT
A Sandstorm on the Little Colorado River, Arizona. 1920. Soft-ground etching. Seeber 189. 6 7/8 x 9 3/4 (sheet 9 5/8 x 13). Edition 40, #6. Series: Desert Set. Illustrated: American ...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Watercolor
$750 Sale Price
25% Off
Peau d' Ame ( Body and Soul) - In Celebration of Pride Month
By Christine Ravaux
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
Christine Ravaux created Peau d' Are which is signed by pencil. This impression is ...
Category
Early 2000s Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Mezzotint
$156 Sale Price
43% Off
Drawing Boards I (grey / purple)
By Richard Smith
Located in London, GB
Edition of 60, Set of 5
74.9 x 56.5 cms (29.5 x 22.25 ins)
Category
1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
Assembly (Dogpile for Duccio)
By Matt Kleberg
Located in Houston, TX
Matt Kleberg
Assembly (Dogpile for Duccio), 2024
Carborundum relief print on joined sheets
36 1/2 x 50 in (92.7 x 127 cm)
Edition of 8
Co-published by Farrington Press and Josh Paz...
Category
21st Century and Contemporary Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color
Lament for Lorca
By Robert Motherwell
Located in London, GB
Lithograph on white Tyler Graphics Ltd. (TGL) handmade paper
44x61 in (111.8x154.9cm)
Edition of 52
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Lithograph
Untitled Abstraction (Figures in Red)
By Albert Urban
Located in Myrtle Beach, SC
Albert Urban, Untitled Abstraction (Figures in Red), color serigraph, 1944. Signed and dated in blue ink. A fine, painterly impression, with fresh, rich colors, on cream wove paper;...
Category
1940s Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Screen
BLACK FACE
By Karel Appel
Located in Santa Monica, CA
KAREL APPEL (1921 - 2006)
BLACK FACE, 1969
Lithograph in colors signed in pencil. Edition 26/75, Image: 19 3/4 x 25 1/4, sheet: 22 x 30 inches. Just hint of a mat line
Appel was a member of the Cobra art movement
Category
1960s Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Generations 9
By Robyn Denny
Located in London, GB
Etching with aquatint on watercolour wash on paper
53 x 71 cms (21 x 28 ins)
Edition of 35, Set of 24
Signed, dated, and numbered 3/35
Published by Bernard Jacobson Ltd., London
Prin...
Category
1970s Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Etching, Aquatint
Olkia-1
By Victor Vasarely
Located in Fairlawn, OH
Olkia-1
Color lithograph, 1962
Signed dated and numbered in lower margin
Edition: 80 (32/80)
Condition: Very good. White pigment appears to have been added along the border of the ov...
Category
1960s Op Art Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Untitled, 1941
By Myron Kozman
Located in Fairlawn, OH
untitled
Color serigraph, 1941
Signed and dated lower right (see photo)
Very small edition (less than 10)
(Looks like a red brick building with white windows, probably in Chicago whe...
Category
1940s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Screen
Red Sea III
By Robert Motherwell
Located in London, GB
Aquatint and lift-ground etching on Georges Duchêne Hawthorne of Larroque handmade paper, Edition of 70
1983
90.2 x 46.4 cms (35 1/2 x 18 1/4 ins)
Category
1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching, Aquatint
Arkoi
By Matt Magee
Located in Houston, TX
Matt Magee
Arkoi, 2022
Monotype on BFK Rives
26 1/4 x 19 3/4 in (66.7 x 50.2 cm)
JPHB 5644
Category
21st Century and Contemporary Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Monotype
$1,400
COMPOSITION - Lovely design portraying a future Abstract Expressionist.
Located in Santa Monica, CA
JAMES CHAPIN (1887 – 1975)
COMPOSITION c. 1940
Lithograph signed in pencil, Image 11 7/8 x 7 ¾ inches, sheet 13 5/8 x 10 5/8 inches. Just a hint of mat line in the margins and on the verso. Some remnants of old tape prImarily at the left & right sheet edges. Rather scarce print but possibly published by Associated American Artists.
WONDERFUL PORTRAYAL OF AN UP AND COMING ARTIST...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Untitled I, II, III
By Robert Mangold
Located in New York, NY
numbered and signed lower margin
S&S Cat. no. 2007.01
edition 6/30
Published by Simmelink/Sukimoto Editions, Kingston, New York
Associated with the Minimalist art movement of the 1...
Category
Early 2000s Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching, Aquatint
Les Marionettes I — Erotic Surrealism
By Hans Bellmer
Located in Myrtle Beach, SC
Hans Bellmer, Les Marionettes I, etching with hand coloring, 1969, edition 150. Signed and annotated 'HC' in pencil. A fine impression on brown Roma hand-made laid paper; the full sheet with margins (1 to 2 5/8 inches), in excellent condition. Archivally sleeved, unmatted.
Image size 11 13/16 x 11 1/8 inches; sheet size 15 5/8 x 13 1/4 inches.
A 'Hors Commerce' impression. From a suite of 11 etchings created by Bellmer to illustrate 'On the Marionette Theatre...
Category
1960s Surrealist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
Proscenium II (loose lines around square centre)
By Richard Smith
Located in London, GB
Edition of 40
77.5 x 58.5 cms (30.5 x 23 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
Grey
By Richard Smith
Located in London, GB
Edition of 50
60.3 x 61 cms (23 3/4 x 24 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
'Interlinear K50' — Mid-Century Geometric Abstraction
By Josef Albers
Located in Myrtle Beach, SC
Josef Albers, 'Interlinear K50', zinc plate lithograph offset to stone printing, 1962, edition 20, Danilowitz 151. Signed, titled, dated, and numbered '14/20' in pencil. A superb, ri...
Category
1960s Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
$9,000 Sale Price
25% Off
Octavio Paz Suite: Nocturne VIII
By Robert Motherwell
Located in London, GB
Lithograph and chine appliqué
64.5 x 54 cms (25 3/8 x 21 1/4 ins)
Edition of 50
Paper: Arches paper; Japanese Gampi handmade paper
Other Collaborators: Image transferred from Mylar...
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Handmade Paper, Color, Lithograph
One Plate, from We Are The Square Jocular Clan
By Takashi Murakami
Located in London, GB
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.5 x 47.5 cm. (18 3/4 x 18 3/4 in.)
© Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved.
Murakami bridges the gap between Fine Art and Pop Art by uniting elements of Japanese anime...
Category
21st Century and Contemporary Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
For John Constable
By Richard Smith
Located in London, GB
Edition of 100
46.4 x 67.3 cms (18 1/4 x 26 1/2 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
HIEROGLYPHIC
By John Stockton De Martelly
Located in Santa Monica, CA
JOHN S. de MARTELLY (1903 - 1979)
HIEROGLYPHIC, 1954
Lithograph, signed, no. 20 and dated '54 in pencil by the artist. 12 x 16
inches, large sheet 17...
Category
1950s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
$680 Sale Price
20% Off
Elegy for a Forgotten Day
By Marc Balakjian
Located in New Orleans, LA
This image is an artist proof and is annotated VIII / VIII The artist's subject matter was enigmatic: a recurring theme was that of anonymous packages tied with knots of rope; sometimes there are prison bars...
Category
Late 20th Century Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Mezzotint
$360 Sale Price
20% Off
Garden City (green tied square)
By Richard Smith
Located in London, GB
Edition of 50
76 x 76 cms (30 x 30 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
One Plate, from We are the Jocular Clan
By Takashi Murakami
Located in London, GB
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.6 x 47.6 cm. (18 3/4 x 18 3/4 in....
Category
2010s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Proscenium IV (grid with lines and white patches)
By Richard Smith
Located in London, GB
Edition of 40
77.5 x 58.5 cms (30.5 x 23 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
Etching 1916 Number II
By Wassily Kandinsky
Located in New York, NY
Wassily Kandinsky (1866-1944), Etching 1916 Number II, drypoint, signed in pencil lower right, titled, numbered (No. 9) and dated lower left [also with initials and date in the plate lower right]. Reference: Roethel 154, only state, edition of 10. In excellent condition (the barest handling fold at sheet edge), printed on a heavy ivory wove paper, the full sheet with full margins, 4 7/8 x 3 1/4, the sheet 17 1/2 x 13 inches, archival mount with window mat.
A fine fresh impression of this great rarity, printed in a dark brown ink.
Kandinsky created this drypoint (erroneously named Etching 1916) in early 1916 while staying with Gabriel Munter in Stockholm during the winter of 1915-16. This is from the second series of drypoints he made; the first was in the year 1913-14.
Provenance: Kornfeld Auction, Bern, June 2007.
The tiny size of this edition (10) makes this print a great rarity within the Kandinsky’s printed...
Category
1910s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Drypoint
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