Plastic Living Room Sets

Large living room set by Kenzo Takada for Roche Bobois, called the "Mah Jong" sectional sofa. Included in this set are 10 pieces in total which include 6 square seat cushions (which ...

A timeless design classic. Designed in 1973 by Michel Ducaroy for Ligne Roset, the Togo sofa is a true design classic. Its bold shape, soft pleats, and low, relaxed form make it inst...

The Sesann lounge chair was designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. This lounge chair features a chocolate brown alpaca velvet upho...

Tito Agnoli attributed modular sectional soft leather sofa by Arflex, Italy 1970 The sofa consists of 7 modules (3 corner modules and 4 basic modules) and a footstool It can be...

Afra & Tobia Scarpa “Soriana” easy lounge chair for Cassina, Black Leather, Italy, 1969. Although technically designed in the 1960s, the "Soriana" model by the Italian duo Tobia an...

Superb and exclusive pair of two seat Mohair Velvet 'CALIFORNIA' sofas freshly reupholstered with Italian luxury Mohair Velvet fabric from Dedar Milano with inset stainless steel bases by Parisian high society designer Jacques Charpentier. This plush mohair pile...

Pop Art multicolored vintage three ( 3 ) dining chairs with one ( 1 ) table model Dark Horse designed by Rud Thygesen & Johnny Sorensen for Botium, Denmark, circa 1989. A stunning set with multicolored chairs...

The iconic Togo sofa, originally designed by Michel Ducaroy for Ligne Roset in 1973 has become a design Classic.
This five-piece modular set is incredibly versatile and can be config...

Yeti sofa by Pepe Albargues Design by Vladimir Naumov Dimensions: Width 202 - depth 110 - height 82 - seat 44 cm. Materials: Pine wood structure, plywood...

In his designs, Percival Lafer sought ergonomy and comfort. The MP-61 sofa and armchair, from 1973, was the first two pieces designed by Percival Lafer that used a visible fiberglass...

The Sesann lounge chair was designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. This lounge chair features a chocolate brown alpaca velvet upho...

This seating group from George Nelson’s "Modular Seating" series for Herman Miller combines timeless design with exceptional functionality. The flexible arrangement of elements allow...

This 4 stunning Modular sectional leather chairs/ sofa was manufactured by Germany by Rolf Benz . It is a pure 70ties design with timeless modern shape. The leather is a nubuk anil...

The Sesann lounge chair was designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. This set is composed of two lounge chairs upholstered in tobacco and chocolate brown alpaca velvet. Sesann is characterized by an organic and informal shape and is defined by the tubular metal detail that wraps around the soft, upholstered seat. In the 1970s, the Cassina catalogue...

Afra & Tobia Scarpa “Soriana” sofa for Cassina, black leather, Italy, 1969. Although technically designed in the 1960s, the "So...

Original condition.

Peter Ghyczy's exceptional 2-seater sofa from the 1970s is an incredibly rare and truly unique piece. It is also referred to as the "Fehlbaum sofa." Finding this particular sofa is...

Afra & Tobia Scarpa "Soriana" Lounge Chairs for Cassina, Ivory Bouclé and Steel, Italy, 1969, Set of one. Although technically designed in the 1960s, the "Soriana" model by the Ital...

Mario Bellini “Le Bambole” sofa for B&B Italia, Mongolian faux-fur, Italy, 1971, set of two. This is a timeless Postmodern design icon. The starting point was a shopping bag contain...

Rare large sofa three seater in stainless steel frame designed by Hans Eichenberger for Girsberger in Switzerland, 1966 with original ...

An iconic 1970s design, the Sandra sofa collection was designed by Annie Hiéronimus for Cinna after she joined the Roset Bureau d'Etudes in 1976. Constructed from foam, this armchair...

Mario Bellini “Le Bambole” sofa for B&B Italia, brown Nabuk, Italy, 1971. This is a timeless Postmodern design icon. The starting point was a shopping bag containing formless materi...

Studio sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Setup 6 (4 x curve ): Measures: W. 250 cm / D. 250 cm / H. 70 cm / SH. 47 cm Modular sofa: assemble different modules...

Original condition.

Soriana two-seater sofa, designed by Afra and Tobia Scarpa, and produced by the Italian manufacturer Cassina in 1969. It features its original brown leather upholstery. Winner of t...

Sesann armchair, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features khaki brown velvet upholstery and a chrome tubular cage as stru...

'Aqueduct' Sofa by Poiat Setup 3 Dimensions : H. 77 cm x W. 347 cm x D. 162 cm (SH 40 cm) Aqueduct collection 2022 by Timo Mikkonen & Antti Rouhunkoski Upholstery: Larsen - Fox 02...

B.Tri like be three (literally "being three") is Bruno Rainaldi's destructed armchair conceived to be ready to accommodate a single person but also to be as an unconventional talking...

Sesann two-seater sofa, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features black leather upholstery and a chrome tubular cage as s...

Splendid "sofo" living room, original Poltronova production from the 1960s, designed by the Superstudio team, adolfo natalini, cristiano toraldo from france, roberto magris, alessand...

Set of Ottoman and Armchair Domna by Faina Design: Victoriya Yakusha Materials: Textile, foam rubber, sintepon, wood Dimensions: Ottoman: D 78 x H...

For sale is a seating group consisting of a three-seater sofa, a lounge chair, and a rare stool, designed by Dieter Rams in 1962 and produced by Vitsœ. Part of the modular 620 seat...

Afra & Tobia Scarpa “Soriana” Living Room Set for Cassina, Sofa and Two lounge chairs, Ivory Bouclé Wool and Chromed Steel, Italy, 1969, Set of three. Although technically designed...

Created by Michel Ducaroy in 1973 for Ligne Roset, the Togo is one of the most versatile icons of Mid-Century Modern and Organic Modern design. Extremely lightweight, it is designed ...

Burke Maurice design years '60 for Arkana British prod. set of four chairs tulip good vintage condition for the entire set and no every cushions for all material is metal, acryl...

Beautiful and rare pair of lounge chairs edited by Grosfillex Designer Albert Jacob: Lounge chair (Seat height 38 cm) in ABS with cushions in brown woven ...

Extrem Chairs by Terje Ekstrom upholstered in a burgundy wool by Loro Piana. Both sculptural and comfortable these Norwegian chairs are designed with ergonomics to provide back suppo...

Set of four original 60's chairs, production and design by umberto mascagni solid wood structure with sand-colored eco-leather upholstery, aluminum finishes, black rubber feet ...

Studio sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Setup 6 (4 x curve ): Measures: W. 250 cm / D. 250 cm / H. 70 cm / SH. 47 cm 2 x curve barnum bouclé 24 2 x curve leather green Modular sofa...

Modular two-seater sofa, "Baia system" model, designed by Antonio Citterio and Paolo Nava for B&B Italia, 1970s Structure in polyurethane and upholstery in padded and completely r...

Mid-century Italian red and blue metal and plastic sofa and armchairs 1950

Chair Gropius CS2 Designer: Kateryna Sokolova Model in the main picture wool, Woolland-64. Dimensions: Height: 74 cm / 29,13 in Width: 57 cm / 22,...

Vintage Modular Sofa consisting of 6 pieces. Manufactured by Dreipunkt International in the 1970s. Beautiful red-brown velour cord fabric. Can...

Counter Chair Gropius CS2 Designer: Kateryna Sokolova Model in the main picture wool, Woolland-64. Dimensions: Height: 88 cm / 29,13 in Width: 57 ...

Studio sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Setup 6 (4 x curve ): Measures: W. 250 cm / D. 250 cm / H. 70 cm / SH. 47 cm Modular sofa: assemble different modules to create your composition Wide range of fabrics and colors CAT 1: Fame CAT 2: Barnum, Breeze Fusion, Savoy CAT 3: Fiord, Hallingdal, Savanna, Zero*, Steelcut Trio, Moss, Safire CAT 4: Baru CAT 5: Dunes, Spectrum/Noir Introducing Studio, the newest sofa landscape in the NORR11 collection - a tribute to a timeless era of the 70s and its expressive aesthetics. Featuring a versatile but simple system of modules, appearing in limitless options to form numerous settings, shapes and styles to adhere to all types of environments. Whether for a small living setting or spacious public site. Studio is defined by its bold fluted upholstery characteristics inspired by late 1970s sofa styles...

'Aqueduct' Sofa by Poiat Setup 4 Dimensions : H. 77 cm x W. 370 cm x D. 230.5 cm (SH 40 cm) Aqueduct collection 2022 by Timo Mikkonen & Antti Rouhunkoski Upholstery: Larsen - Fox...

Vintage Midcentury Modern French Design "ORCHID" Modular Sofa & Armchair set by Michel Cadestin for Airborne. Made in France, 1970's period. Sectional sofa with 3 seperate seats that...

Sesann dining room set, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It is composed of a three-seater sofa and an armchair. It features o...

Dainty Pouf pearl grey olive by Warm Nordic Dimensions: D 55 x H 39 cm Material: Textile upholstery, Wooden frame, foam. Weight: 9.5 kg Also available in different colours and fi...

Matta was born in Santiago, Chile, on November 11, 1911, to a family of Spanish, Basque and French ancestry. After studying architecture, he moved to Paris in 1934, where he worked w...

Studio sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Setup 6 (4 x curve ): Measures: D. 220 cm / H. 70 cm / SH. 47 cm Modular sofa: assemble different modules to cre...

Chair Gropius CS1 Designer: Kateryna Sokolova Model in the main picture Calico-29 Dimensions: Height: 74 cm / 29,13 in Width: 57 cm / 22,44 in De...

Set of modular armchairs and poufs in brown corduroy, mod. Camaleonda designed by Mario Bellini for C&B Italia in 1970. The set consists of 8 elements: - 5 armchairs (cm 71H x 65...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

French modular sofa from the 70s, set of 9 seats, Entirely reupholsteured in a caramel velvet jab Many shapes are possible You can set it up in ...

Mario Bellini "Le Bambole" living room set for B&B Italia, sofa and two armchairs, faux-fur, foam and metal, Italy, 1971, set of three. The search for a new shape for upholstered fu...

Cassina presented the Sesann system by Gianfranco Frattini in 1970. The project included an armchair, a two-seater, a three-seater sofa, and a coffee table. Its standout feature is a...

ara angular armchair model "baia", design Antonio Citterio and Paolo Nava for b & b Italia, 1970s polyurethane structure with padded fabric cover a...