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70s Beach Print

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Vintage 70s Milo Baughman for Thayer Coggin Printed Sectional Sofa
Vintage 70s Milo Baughman for Thayer Coggin Printed Sectional Sofa

Vintage 70s Milo Baughman for Thayer Coggin Printed Sectional Sofa

By Milo Baughman, Thayer Coggin

Located in West Palm Beach, FL

Incredible vintage 70s printed sectional sofa. Designed by the iconic Milo Baughman for the equally iconic Maker Thayer Coggin.

Category

Vintage 1970s North American Mid-Century Modern Sofas

Materials

Fabric, Wood

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70s Beach Print For Sale on 1stDibs

Find the exact 70s beach print you’re shopping for in the variety available on 1stDibs. In our selection of items, you can find contemporary examples as well as a modern version. Making the right choice when shopping for a 70s beach print may mean carefully reviewing examples of this item dating from different eras — you can find an early iteration of this piece from the 19th Century and a newer version made as recently as the 21st Century. Adding a 70s beach print to a room that is mostly decorated in warm neutral tones can yield a welcome change — find a piece on 1stDibs that incorporates elements of gray, brown, black, blue and more. A 70s beach print from Slim Aarons, Tao Ruspoli, Kind of Cyan, Stefanie Schneider and Massimo Vitali — each of whom created distinctive versions of this kind of work — is worth considering. Artworks like these of any era or style can make for thoughtful decor in any space, but a selection from our variety of those made in paper, archival paper and photographic paper can add an especially memorable touch.

How Much is a 70s Beach Print?

The price for an artwork of this kind can differ depending upon size, time period and other attributes — a 70s beach print in our inventory may begin at $205 and can go as high as $90,000, while the average can fetch as much as $975.

Milo Baughman for sale on 1stDibs

Milo Baughman was one of the most agile and adept modern American furniture designers of the late 20th century. A prolific lecturer and writer on the benefits of good design — he taught for years at Brigham Young University — Baughman (whose often-scrambled surname is pronounced BAWF-man) focused almost exclusively on residential furnishings, such as chairs, sofas and benches. He had a particular talent for lounge chairs, perhaps the most sociable piece of furniture.

Like his fellow adoptive Californians Charles and Ray Eames, Baughman’s furniture has a relaxed and breezy air. He was famously opposed to ostentatious and idiosyncratic designs that were made to excite attention. While many of his chair designs are enlivened by such effects as tufted upholstery, Baughman tended to let his materials carry the aesthetic weight, most often relying on seating and table frames made of sturdy and sleek flat-bar chromed metal, and chairs, tables and cabinets finished with highly-figured wood veneers.

Like his colleagues Karl Springer and the multifarious Pierre Cardin, Baughman’s designs are emblematic of the 1970s: sleek, sure and scintillating.

As you will see from the furniture presented on 1stDibs, Milo Baughman’s designs for the likes of Drexel Furniture, Glenn of California and — for five decades — Thayer Coggin are ably employed as either the heart of a décor or its focal point.

A Close Look at Mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right Sofas for You

Vintage couches and antique sofas have anchored living rooms for generations. The pieces most sought after today carry the deep-buttoned tufting of a Chesterfield or the low, sculptural ease of mid-century modern and Hollywood Regency design.

Styles to Know

Rolled arms and tufted backs point to Mid-Century Modern or Hollywood Regency pieces, while tight backs and turned legs skew more traditional. Velvet is enjoying a renewed moment across most of these silhouettes; see our velvet chesterfield sofa trend report for examples. A mid-century modern coffee table within reach and a vintage mirror nearby round out the seating area.

How to Choose the Right Vintage Sofa

A sofa's frame and upholstery history can be difficult to judge from photographs alone. Ask a seller for more information when a listing doesn't show the fabric or joinery clearly, and confirm whether the upholstery is original or has been redone. Each piece comes from a vetted 1stDibs seller, with era, designer and condition detailed, and the 1stDibs Promise stands behind every purchase.