Adrian Pearsall Grand Boomerang

Choose from an assortment of styles, material and more with respect to the adrian pearsall grand boomerang you’re looking for at 1stDibs. Frequently made of fabric, walnut and wood, every adrian pearsall grand boomerang was constructed with great care. You’ve searched high and low for the perfect adrian pearsall grand boomerang — we have versions that date back to the 20th Century alongside those produced as recently as the 20th Century are available. Each adrian pearsall grand boomerang bearing Mid-Century Modern hallmarks is very popular.

The average selling price for a adrian pearsall grand boomerang at 1stDibs is $26,700, while they’re typically $11,900 on the low end and $29,400 for the highest priced.

Adrian Pearsall designed some of the most exuberant and expressive American chairs, sofas and other furniture of the 1950s and ’60s. For verve and vivacity of form, he surpasses even Vladimir Kagan — whose work is the emblem of swinging, sexy mid-20th century modernism. Pearsall gave his imagination free rein, and his flamboyant, eye-catching styles are icons of what has become known as “Atomic Age” design.

Pearsall studied architectural engineering at the University of Illinois before opening his Pennsylvania furniture company, Craft Associates, in 1952, and that training shows in many designs. 

A Pearsall trademark, for example, is a lounge chair with an exceptionally tall, trapezoidal back, which give the pieces a skyscraper-like silhouette. Pearsall also had a talent for so-called Gondola sofas — long, low-slung pieces with upswept ends. Many of Pearsall’s sofas and chairs are supported not by legs, but on gently arced walnut skids.

Pearsall had a gift for tables, too, in particular glass-topped side tables and coffee tables with frames that have the look of an Alexander Calder stabile. As you will see from the offerings on 1stDibs, Pearsall had flair, and his work adds an attention-getting, sculptural exclamation point to any décor.

Find vintage Adrian Pearsall sofas, armchairs, coffee tables and other furniture for sale on 1stDibs.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Vintage couches and antique sofas have anchored living rooms for generations. The pieces most sought after today carry the deep-buttoned tufting of a Chesterfield or the low, sculptural ease of mid-century modern and Hollywood Regency design.

Styles to Know

Rolled arms and tufted backs point to Mid-Century Modern or Hollywood Regency pieces, while tight backs and turned legs skew more traditional. Velvet is enjoying a renewed moment across most of these silhouettes; see our velvet chesterfield sofa trend report for examples. A mid-century modern coffee table within reach and a vintage mirror nearby round out the seating area.

How to Choose the Right Vintage Sofa

A sofa's frame and upholstery history can be difficult to judge from photographs alone. Ask a seller for more information when a listing doesn't show the fabric or joinery clearly, and confirm whether the upholstery is original or has been redone. Each piece comes from a vetted 1stDibs seller, with era, designer and condition detailed, and the 1stDibs Promise stands behind every purchase.