Aubock Humidor

In Vienna’s Neubau district, a beautiful Biedermeier townhouse has been home to the Werkstätte Carl Auböck for more than 100 years. Inside the workshop, where production continues to this day, countless objects line the shelves, walls, tabletops and desktops.

The Viennese artist and designer Carl Auböck II was one of the quirkiest and most delightful and collectible of modern designers. A rather odd duck in the world of decorative arts, he was a peculiar talent whose specialties included smaller desk accessories and tabletop pieces such as corkscrews, paperweights, letter openers, bookends and bottle stoppers. He rendered these pieces in a combination of metal — most often brass — and such elemental materials as leather, knobby wood and animal horn, creating forms that could be almost Surrealist, from hands and feet to keys, birds and amoebae.

As a boy, Auböck was precocious and artistic. He studied drawing and at the same time trained in the workshop of his father, Karl Heinrich Auböck, a popular maker of traditional bronze figurines and collectibles. In 1919, Carl II went to Germany to study at the Bauhaus, where he was a pupil of the progressive artist and theorist Johannes Itten. While the Bauhaus is most associated with the rigidly ordered, functionalist architecture of its directors Walter Gropius and Ludwig Mies van der Rohe, the school was in reality a liberal, spirited place — a crucible for imaginative, playful and avant-garde art and design. It was this spirit that imbued Carl II’s work from the time he left in 1921.

In 1922 or ’23, Carl Auböck II returned to Vienna to help care for his ailing father, and he took over the business. He created the Werkstätte Carl Auböck and a legacy that earned his objects cult status among collectors. The business was passed on to his descendants, who run the atelier that is still in operation today. Today, objects designed by Carl II make up 90 percent of Werkstätte Carl Auböck’s production, joined by the creations of architect and designer Carl IV, his grandson.

Vintage Auböck designs have a special character, a patina that only emphasizes how much the pieces have been loved and used. Carl Aubock II’s small furniture items — leather- or caned-sling magazine racks; free-edge wooden side tables with tubular bronze legs; wicker serving trolleys with turned beechwood wheels — are elegant and purposeful. His bijoux desktop objects, library tools, ashtrays and barware pieces evince a kind of mirthful practicality. They seem to ask: “If you need a corkscrew, or a paperweight, or a candlestick, why not make it fun as well as functional?” And indeed, why not?

Find a collection of vintage Werkstätte Carl Auböck mirrors, seating, tables, decorative objects and other furniture on 1stDibs.

Cigars were not always packaged in what we now know as the antique cigar boxes and humidors that have over time become eye-catching decorative objects as well as collector’s items.

Outside the United States, cigar boxes are said to have originated in the 1840s when a German businessman, Hermann Dietrich Upmann of H. Upmann Cigars, bought a cigar factory and opened a bank in Havana, Cuba. Upmann reportedly handed out cedar cigar boxes branded with advertising for the bank as gifts to his banking clients. In the early 1860s, after years of cigars being shipped in big crates or barrels, cigar boxes became a requirement when the United States passed a law that mandated the use of boxes for tobacco producers, which was part of a broader effort to regulate the tobacco industry and generate revenue for the war effort. Humidors, which are moisture-controlled storage boxes that allow a cigar enthusiast to store, organize and preserve a larger collection of cigars, were very popular accessories during the early 1900s onward.

As the use of cigar boxes and humidors became widespread, all kinds of options materialized over the years, with particularly vibrant editions of these decorative objects emerging during the Art Nouveau, mid-century modern and other eras. Visionary designers like Isamu Noguchi popularized the idea of tobacco accessories as art with projects such as his decorative ashtrays.

Today, not unlike antique and vintage ashtrays, cigar boxes are more than practical objects. In fact, there are many uses for an old cigar box even after the cigars are gone. They can be used as planters, tissue boxes or can support your long-delayed effort to organize your sewing and craft supplies. During the Great Depression, an emptied cigar box — perhaps a walnut Art Deco-style cigar box with inlays in bronze and hand-carved decorative geometric patterns adorning its exterior — was occasionally repurposed as a jewelry box.

Antique and vintage cigar boxes — made of wood, metal or other materials — are valuable treasures in some corners of the collecting world, and in your home, they’re exquisite desk ornaments and colorful flourishes to add to your bookcase or mantel. On 1stDibs, find a variety of antique and vintage cigar boxes and other decorative boxes today.