Frankenthaler Woodcut
1980s Color-Field Abstract Prints
Offset, Lithograph
1960s Abstract Expressionist Abstract Prints
Screen
1970s Abstract Expressionist Abstract Prints
Lithograph
1980s Abstract Expressionist Abstract Prints
Lithograph, Offset, Ink
1990s Abstract Expressionist Abstract Prints
Offset, Permanent Marker, Lithograph
1980s Abstract Expressionist Abstract Prints
Offset, Ink, Lithograph
1970s Abstract Expressionist Abstract Prints
Woodcut
Early 2000s Abstract Expressionist Abstract Prints
Paper, Woodcut
Early 2000s Abstract Expressionist Abstract Prints
Handmade Paper, Woodcut
1990s Color-Field More Art
Ceramic
Early 2000s Abstract Expressionist Abstract Prints
Screen
2010s Abstract Expressionist More Art
Porcelain, Screen, Cardboard, Mixed Media
1980s Abstract Expressionist Abstract Paintings
Acrylic, Archival Paper
1970s Abstract Expressionist Abstract Paintings
Mixed Media, Fabric, Oil
1980s Abstract Expressionist Abstract Paintings
Acrylic, Archival Paper
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Frankenthaler Woodcut For Sale on 1stDibs
How Much is a Frankenthaler Woodcut?
Helen Frankenthaler for sale on 1stDibs
Prolific and pioneering painter Helen Frankenthaler said it was “a combination of impatience, laziness and innovation” that drove her to thin her paints with turpentine so that they would seep into the fabric of an unprimed canvas. Her breakthrough in the early 1950s led the way for a spellbinding new style of painting that would come to be known as Color Field.
Although Color Field is often considered a strain of Abstract Expressionism, Frankenthaler’s work differed from the gestural “Action Painting” that typified the paintings of artists like Willem de Kooning and Lee Krasner. Her vast and immersive expanses of color created at a fearless scale captivated art critics and greatly influenced her peers including Morris Louis and Kenneth Noland.
Frankenthaler knew from an early age that she wanted to be a painter. The youngest daughter of a New York State Supreme Court justice, she grew up on Manhattan’s Park Avenue and as a child delighted in the little ways color and form revealed themselves, whether dribbling red nail polish in a sink full of water or drawing her steps from the Metropolitan Museum of Art to her family’s apartment. As a student at Bennington College, her rare vision was enriched by the mentorship of painter Paul Feeley, who gave her lessons in Cubism. After dabbling in art history at Columbia University, she rented a studio downtown and befriended rising New York art stars like Jackson Pollock and Robert Motherwell, whom she later married.
Characterized by “direct, exuberant gestures,” the Abstract Expressionist technique was all about gusto, and Frankenthaler had it in spades. One of the few women of this era to garner widespread critical acclaim, Frankenthaler had a significant impact on the mid-20th-century art world. She exhibited in the high-profile 1951 Ninth Street Show and, in 1957, she appeared in a Life magazine spread on women artists photographed by Gordon Parks. In 1960, the Jewish Museum held her first major museum show, a retrospective of her 1950s work. A 1969 solo exhibition at the Whitney Museum of American Art further introduced Frankenthaler to the broader art world.
While Frankenthaler remains best known for bold, expressive “soak-stain” paintings such as Mountains and Sea (1952), she worked across diverse media for decades, with forays into woodcutting, drawing and printmaking that also pushed boundaries. She also taught at Harvard, Yale and Princeton, fostering generations of artists. She died in 2011.
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