Neoclassical Tole Giltwood Mirror

Neoclassical design emerged in Europe in the 1750s, as the Age of Enlightenment reached full flower. Neoclassical furniture took its cues from the styles of ancient Rome and Athens: symmetrical, ordered, dignified forms with such details as tapered and fluted chair and table legs, backrest finials and scrolled arms.

Over a period of some 20 years, first in France and later in Britain, neoclassical design — also known as Louis XVI, or Louis Seize — would supersede the lithe and curvaceous Rococo or Louis XV style.

The first half of the 18th century had seen a rebirth of interest in classical antiquity. The "Grand Tour" of Europe, codified as a part of the proper education of a patrician gentleman, included an extended visit to Rome. Some ventured further, to sketch the ruins of ancient Greece. These drawings and others — particularly those derived from the surprising and rich archaeological discoveries in the 1730s and ’40s at the sites of the Roman cities of Pompeii and Herculaneum — caused great excitement among intellectuals and aesthetes alike.

Neoclassical furniture is meant to reflect both grace and power. The overall appearance of neoclassical chairs, tables and cabinetry is strong and rectilinear. These pieces are, in effect, classical architecture in miniature: chair and table legs are shaped like columns; cabinets are constructed with elements that mirror friezes and pediments.

Yet neoclassicism is enlivened by gilt and silver leaf, marquetry, and carved and applied ornamental motifs based on Greek and Roman sculpture: acanthus leaves, garlands, laurel wreaths, sheaves of arrow, medallions and chair splats are carved in the shapes of lyres and urns. Ormolu — or elaborate bronze gilding — was essential to French design in the 18th and 19th centuries as a cornerstone of the neoclassical and Empire styles.

As you can see from the furniture on these pages, there is a bit of whimsy in such stately pieces — a touch of lightness that will always keep neoclassicism fresh.

Find antique neoclassical furniture today on 1stDibs.

Antique and vintage fireplace mirrors and mantel mirrors are sophisticated, classic pieces of decor, with the large size of fireplace mirrors making them centerpiece objects. They add character to any room and also create the appearance of space. Fireplace mirrors and mantel mirrors, like any well-placed antique or vintage mirror, can act as a source of light and make a room seem bigger than it is.

Fireplace mirrors were once a status symbol, as only the wealthiest could afford these big, beautiful pieces for their homes. In the 1500s and 1600s, the Venetian glass industry produced mirrors that were luxury items. Their painstaking creation was the result of a secretive process using melted tin, limiting their size and availability.

In the late 17th century, French glassmaker Bernard Perrot radically transformed mirrors. By casting glass into large, flat slabs, his work grew into an international market for mantel mirrors. These mirrors were often set in decorated frames.

French homes transitioned to lower fireplaces and mantels so tall mantel mirrors could fit above them. The design of fireplace mirrors reflected architectural trends. Some in the mid-18th century featured paintings, while others had delicate carvings.

By the 1800s, mantel mirrors had become more widely available. This reflected a dramatic change in glass mass-production technology, which made oversize mirrors more accessible, leading to their proliferation across the globe.

Today, mantel mirrors are still highly regarded statement pieces with an enduring reputation for elegance. Their versatility has allowed them to branch out beyond the fireplace. Their reflectiveness allows them to amplify a sumptuous painting in a bedroom or capture the tiling of a bathroom.

From mid-century modern designs to pieces created in Louis XVI style, there is a mirror for every room and every occasion on 1stDibs.