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Raymor Vice

Vintage Raymor Vice Jars Set: Pop Art Canisters
By Bitossi, Raymor
Located in Chicago, IL
Raymor Vice Jars in bright green and blue, high glaze ceramic. Each jar is sold individually, with
Category

Vintage 1950s Italian Mid-Century Modern Jars

Materials

Ceramic, Pottery

Four Pottery Vice Jars / Drug Canisters Imported by Raymor, Italy, 1950s, Rare
By Raymor
Located in Kansas City, MO
Rare set of four "Vice Jars" all signed, Raymor. Opium, Morphine, Cocaine and Marijuana. Rarely
Category

Vintage 1950s Mid-Century Modern Jars

Materials

Pottery

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Vice Box
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Mario Bellini Camaleonda Modular Sofa for B&B Italia
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Mario Bellini Brown Alpaca Velvet Camaleonda Sofa for B&B Italia, 1972, Set of 5
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Located in Vicenza, IT
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Recent Sales

Set of Three Raymor "Vice" Jars
By Raymor
Located in Nashville, TN
Set of three Raymor "Vice" Jars from the 1960's. These vices are Morphine, Opium, and Heroine
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Vintage 1960s Italian Mid-Century Modern Ceramics

Materials

Ceramic

Rare Mid-Century Tobacco Cigarette Vice Stash Jar by Raymor
By Bitossi, Guido Gambone, Raymor, Aldo Londi
Located in Framingham, MA
Rare cigarette stash jar by Raymor. Holds a pack or so. Smoke em' if you got em'. ;) Great
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Vintage 1960s Italian Mid-Century Modern Tobacco Accessories

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Ceramic, Pottery

Rare Mid-Century Tobacco Cigarette Vice Stash Jar by Raymor
Rare Mid-Century Tobacco Cigarette Vice Stash Jar by Raymor
Free Shipping
H 7.5 in W 2.75 in D 2.75 in
Mid Century Modern Ceramic Opium Vice Jar by Alvino Bagni for Raymor
By Alvino Bagni, Bitossi, Raymor
Located in Framingham, MA
1950s-1960s and retailed by Raymor. This jar is in excellent condition - signed - with no issues
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Set of Four "Vice Jar" Canisters by Raymor, Italy, 1950s
By Raymor
Located in Kansas City, MO
Rare, great set of Raymor Vice Jars. Heroin, marijuana, nicotine and opium. Shouldn't these be on
Category

Vintage 1950s American Mid-Century Modern Jars

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Ceramic

Raymor Ceramic Vice Jars/Kitchen Canisters. Set of Four Drug Names
By Raymor
Located in Kansas City, MO
Nicotine, Marijuana, Opium, and Heroin "vice jars" (play on Spice Jars) imported by Raymor, Italy
Category

Vintage 1950s Italian Mid-Century Modern Ceramics

Materials

Ceramic

Four Original Raymor Vice Jars / Canisters with Lids
By Raymor
Located in Kansas City, MO
Set of four original, whimsical "vice jars" imported by Raymor, Italy, 1950s. Hand painted
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Vintage 1950s Italian Mid-Century Modern Jars

Materials

Ceramic

Set of Four "Vice Jar" Canisters by Raymor, Italy, 1950s
By Raymor
Located in Kansas City, MO
Rare, great set of Raymor "Vice Jars". Heroin, marijuana, nicotine and opium. Shouldn't these be on
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Vintage 1950s Italian Mid-Century Modern Jars

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Ceramic

Opium Dope/ Vice Jar by Alvino Bagni for Raymor
By Alvino Bagni, Raymor
Located in St.Petersburg, FL
Ceramic lidded jar by Alvino Bagni for Raymor. Beautiful orange color. Two small imperfections to
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Vintage 1960s Italian Mid-Century Modern Jars

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Ceramic

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Raymor for sale on 1stDibs

Few had their finger on the pulse of American furniture like importer and distributor Raymor. Founder Irving Richards first had his eyes opened to the world of furniture while attending the 1928 Salon d’Automne art and design fair in Paris. He joined Lightolier two years later and developed its business relationships, including with designer Russel Wright.

Wright and Richards met in 1935 and Russel Wright, Inc. was formed in 1936. Its American Modern ceramic tableware, produced under the name Wright Accessories in 1938, was a notably lucrative collaboration. Following the early success of American Modern, Richards obtained the majority share of Wright Accessories and changed its name to Raymor Mfg Division Inc. in 1941.

By 1952, the exclusivity over American Modern had ended (the line was initially produced by Wright Associates and later manufactured by Steubenville for two decades). To keep up with American markets, Raymor worked with prominent designers such as George Nelson, Ray and Charles Eames, and Hans J. Wegner.

The company’s imports expanded to Denmark, which contributed to the rise of Scandinavian modern designs in the American market. Throughout the 1950s, Richards established relationships with factories in Scandinavia, Italy and Germany, as well as with the influential tastemaker and importer Charles Stendig.

The furniture company Simmons bought Raymor in 1963 and changed its name to Raymor Richards, Morgenthau Inc. in 1969. During that time, Raymor’s Omnibus range of Scandinavian-style wall units became widely popular, along with Italian glass and pottery like Bitossi ceramics designed by Aldo Londi and Bagni ceramics by Alvino Bagni

Shifting styles coupled with rising competition, and the departure of Richards from the company, ended Raymor. By the late 1970s, Raymor faced a wave of international factories able to produce similar products of lesser quality for a lower cost. Buyers were eager to frequently change their interior styles, limiting the need for high-end, durable furniture, which Raymor had been importing. 

On 1stDibs, find a collection of vintage Raymor ceramics, lamps, decorative objects and more.

A Close Look at Mid-Century Modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right vases-vessels for You

For thousands of years, vases and vessels have had meaningful functional value in civilizations all over the world. In Ancient Greece, ceramic vessels were used for transporting water and dry goods, holding bouquets of flowers, for storage and more. Outside of utilitarian use, in cities such as Athens, vases were a medium for artistic expressionpottery was a canvas for artists to illustrate their cultures’ unique people, beliefs and more. And pottery skills were handed down from fathers to sons.

Every antique and vintage vase and vessel, from decorative Italian urns to French 19th-century Louis XVI–style lidded vases, carries with it a rich, layered story. 

On 1stDibs, there is a vast array of vases and vessels in a variety of colors, sizes and shapes. Our collection features vessels made from delicate materials such as ceramic and glass as well as durable materials like rustproof metals and stone.

A contemporary vase can help introduce an air of elegance to your minimalist space while an antique Chinese jar would make a luxurious addition to an Asian-inspired interior. Alternatively, if you’re looking for a statement piece, consider an Art Deco vase crafted by Italian architect and furniture designer Gio Ponti.

Vases and vessels — be they handmade pots, handblown glass wine bottles or otherwise — are versatile, practical decorative objects, and no matter your particular design preferences, furniture style or color scheme, they can add beauty and warmth to any home. Find yours on 1stDibs today.