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Sottsass Sinus

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Sinus Lamp Designed in 1972 by Ettore Sottsass for Stilnovo, Made in Italy
By Ettore Sottsass, Stilnovo
Located in Jersey City, NJ
original by using an outlet converter. Designed by Ettore Sottsass for Stilnovo.
Category

Vintage 1970s Italian Mid-Century Modern Table Lamps

Materials

Plastic

Sinus Table Lamp by Ettore Sottsass for Stilnovo, Italy 1970s
By Ettore Sottsass, Stilnovo
Located in Jersey City, NJ
Table lamp model "Sinus" designed by Ettore Sottsass for Stilnovo in 1971 in molded plastic with
Category

Vintage 1970s Italian Mid-Century Modern Table Lamps

Materials

Plastic

Ettore Sottsass 'Sinus' Table Lamp for Stilnovo, 1972
By Ettore Sottsass, Stilnovo
Located in Parma, IT
'Sinus' table lamp design Ettore Sottsass for Stilnovo, 1972. In bicolor Abs, with original
Category

Vintage 1970s Italian Mid-Century Modern Table Lamps

Materials

ABS

Sinus Lamp by Ettore Sottsass
By Ettore Sottsass
Located in West Palm Beach, FL
Sinus table lamp by Ettore Sottsass, 1972.
Category

Vintage 1970s Italian Modern Table Lamps

Materials

Plastic

Sinus Lamp by Ettore Sottsass
Sinus Lamp by Ettore Sottsass
H 13 in W 3.4 in D 3 in
Tablelamp "SINUS" by Ettore Sottsass
By Ettore Sottsass, Stilnovo
Located in Vienna, AT
"SINUS" ETTORE SOTTSASS, 1972 for STILNOVO, Italy The lamp can be used in vertical or horizontal
Category

Vintage 1970s Italian Table Lamps

Materials

Plastic

Tablelamp "SINUS" by Ettore Sottsass
Tablelamp "SINUS" by Ettore Sottsass
H 12.8 in W 3.15 in D 2.96 in
SINUS LAMP BY ETTORE SOTTSASS
Located in West Palm Beach, FL
TABLE LAMP (SINUS) HAND SIGNED(YES! SOTTSASS)
Category

Vintage 1960s Italian Table Lamps

Materials

Plastic

Stilnovo "Sinus" Lamp by Ettore Sottsass
By Ettore Sottsass, Stilnovo
Located in Los Angeles, CA
A famous early 1970s design by the great Italian iconoclast Ettore Sottsass for Stilnovo. This
Category

Vintage 1970s Italian Modern Table Lamps

Materials

Plastic

Stilnovo "Sinus" Lamp by Ettore Sottsass
Stilnovo "Sinus" Lamp by Ettore Sottsass
H 12.75 in W 3 in D 4.25 in
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Ettore Sottsass for sale on 1stDibs

An architect, industrial designer, philosopher and provocateur, Ettore Sottsass led a revolution in the aesthetics and technology of modern design in the late 20th century.

Sottsass was the oldest member of the Memphis Group — a design collective, formed in Milan in 1980, whose irreverent, spirited members included Alessandro Mendini, Michele de Lucchi, Michael Graves and Shiro Kuramata. All had grown disillusioned by the staid, black-and-brown “corporatized” modernism that had become endemic in the 1970s. Memphis (the name stemmed from the title of a Bob Dylan song) countered with bold, brash, colorful, yet quirkily minimal designs for furniture, glassware, ceramics and metalwork. They mocked high-status by building furniture with inexpensive materials such as plastic laminates, decorated to resemble exotic finishes such as animal skins. Their work was both functional and — as intended — shocking. Even as it preceded the Memphis Group's formal launch, Sottsass's iconic Ultrafragola mirror — in its conspicuously curved plastic shell and radical pops of pink neon — embodies many of the collective's postmodern ideals.

Sottsass's most-recognized designs appeared in the first Memphis collection, issued in 1981 — notably the multihued, angular Carlton room divider and Casablanca bookcase. As pieces on 1stDibs demonstrate, however, Sottsass is at his most imaginative and expressive in smaller, secondary furnishings such as lamps and chandeliers, and in table pieces and glassware that have playful and sculptural qualities.

It was as an artist that Ettore Sottsass was celebrated in his life, in exhibitions at the Los Angeles County Museum of Art, in 2006, and the Philadelphia Museum of Art a year later. Even then Sottsass’s work prompted critical debate. And for a man whose greatest pleasure was in astonishing, delighting and ruffling feathers, perhaps there was no greater accolade. That the work remains so revolutionary and bold — that it breaks with convention so sharply it will never be considered mainstream — is a testament to his genius.

Materials: plastic Furniture

Arguably the world’s most ubiquitous man-made material, plastic has impacted nearly every industry. In contemporary spaces, new and vintage plastic furniture is quite popular and its use pairs well with a range of design styles.

From the Italian lighting artisans at Fontana Arte to venturesome Scandinavian modernists such as Verner Panton, who created groundbreaking interiors as much as he did seating — see his revolutionary Panton chair — to contemporary multidisciplinary artists like Faye Toogood, furniture designers have been pushing the boundaries of plastic forever.

When The Graduate's Mr. McGuire proclaimed, “There’s a great future in plastics,” it was more than a laugh line. The iconic quote is an allusion both to society’s reliance on and its love affair with plastic. Before the material became an integral part of our lives — used in everything from clothing to storage to beauty and beyond — people relied on earthly elements for manufacturing, a process as time-consuming as it was costly.

Soon after American inventor John Wesley Hyatt created celluloid, which could mimic luxury products like tortoiseshell and ivory, production hit fever pitch, and the floodgates opened for others to explore plastic’s full potential. The material altered the history of design — mid-century modern legends Charles and Ray Eames, Joe Colombo and Eero Saarinen regularly experimented with plastics in the development of tables and chairs, and today plastic furnishings and decorative objects are seen as often indoors as they are outside.

Find vintage plastic lounge chairs, outdoor furniture, lighting and more on 1stDibs.

Finding the Right table-lamps for You

Well-crafted antique and vintage table lamps do more than provide light; the right fixture-and-table combination can add a focal point or creative element to any interior.

Proper table lamps have long been used for lighting our most intimate spaces. Perfect for lighting your nightstand or reading nook, table lamps play an integral role in styling an inviting room. In the years before electricity, lamps used oil. Today, a rewired 19th-century vintage lamp can still provide a touch of elegance for a study.

After industrial milestones such as mass production took hold in the Victorian era, various design movements sought to bring craftsmanship and innovation back to this indispensable household item. Lighting designers affiliated with Art Deco, which originated in the glamorous roaring ’20s, sought to celebrate modern life by fusing modern metals with dark woods and dazzling colors in the fixtures of the era. The geometric shapes and gilded details of vintage Art Deco table lamps provide an air of luxury and sophistication that never goes out of style.

After launching in 1934, Anglepoise lamps soon became a favorite among modernist architects and designers, who interpreted the fixture as “a machine for lighting,” just as Le Corbusier had reimagined the house as “a machine for living in.” The popular task light owed to a collaboration between a vehicle-suspension engineer by the name of George Carwardine and a West Midlands springs manufacturer, Herbert Terry & Sons

Some mid-century modern table lamps, particularly those created by the likes of Joe Colombo and the legendary lighting artisans at Fontana Arte, bear all the provocative hallmarks associated with Space Age design. Sculptural and versatile, the Louis Poulsen table lamps of that period were revolutionary for their time and still seem innovative today

If you are looking for something more contemporary, industrial table lamps are demonstrative of a newly chic style that isn’t afraid to pay homage to the past. They look particularly at home in any rustic loft space amid exposed brick and steel beams.

Before you buy a desk lamp or table lamp for your living room, consider your lighting needs. The Snoopy lamp, designed in 1967, or any other “banker’s lamp” (shorthand for the Emeralite desk lamps patented by H.G. McFaddin and Company), provides light at a downward angle that is perfect for writing, while the Fontana table lamp and the beloved Grasshopper lamp by Greta Magnusson-Grossman each yield a soft and even glow. Some table lamps require lampshades to be bought separately.

Whether it’s a classic antique Tiffany table lamp, a Murano glass table lamp or even a bold avant-garde fixture custom-made by a contemporary design firm, the right table lamp can completely transform a room. Find the right one for you on 1stDibs.