Staffordshire Pottery Stephenson Rocket

Thanks to its reserves of clay, lead, salt and coal, Staffordshire, England, has been a center for ceramics since the early 17th century. The county was home at one time to hundreds of pottery workshops and as many as 4,000 bottle-shaped kilns that operated year-round. The term “Staffordshire Potteries” refers to the industrial area of Stoke-on-Trent — comprising the towns Burslem, Fenton, Hanley, Longton, Stoke and Tunstall — where most of the production was concentrated.

In 1720, potter John Astbury discovered that he could make what would later be called creamware by adding ground flint powder to the local red clay. Because resources were so plentiful in Staffordshire, local potters could afford to experiment, working to refine their techniques and designs. One such innovator was Thomas Whieldon, an important 18th-century potter known today for his tortoiseshell ware, whose brilliant glazed surface of caramel, yellow and green hues was made with copper and manganese compounds.

Whieldon operated the Fenton Low workshop, making coffee- and teapots, dinner services and even ornamental knife hafts. He was an influential figure: Josiah Spode apprenticed at the workshop prior to opening his company in 1770, and Josiah Wedgwood partnered with Whieldon for five years before establishing his eponymous firm in 1759.

Wedgwood is perhaps the best known of the Staffordshire potters. The firm produced a line of light-colored earthenware for Queen Charlotte, who liked it so much that she granted permission to market it under the moniker Queen’s Ware, which despite the name, was designed for everyday use.

In the same regal vein, in 1773, Wedgwood created the 954-piece Frog service for Catherine the Great, of Russia. The company is also known for its black stoneware, Black Basalt, which imitates the color and shapes of Etruscan vases; Jasperware, with its classical reliefs applied on the unglazed body; and pearlware.

By the end of the 18th century, Staffordshire was the primary producer of ceramics for the American colonies, even creating patriotic wares celebrating independence for this market. The imagery on Staffordshire ceramics became more standardized during the mid-18th century with the advent of transferware, in which a design etched on a copper plate is printed on tissue paper, which is then used to transfer the wet ink onto the ceramic surface. This technique enabled artisans to decorate their wares with complex scenes that wrapped around an object’s surface and make several copies of popular patterns.

The Staffordshire potters also produced decorative figurines, such as this charming pair of cows dating from the 19th century. Particularly popular in Great Britain were pieces with hunting imagery, such as this George IV porcelain stirrup cup in the shape of a fox head wearing a gilt collar inscribed with the word “Tallyho.” Among the many whimsical vessels produced is this mid-19th-century frog mug. The exterior is painted with a charming scene of people picking fruit on one side and ladies on a garden swing on the other side, while inside a molded frog’s head at the bottom of the mug makes a gurgling sound when the beverage has been almost completely consumed.

On 1stDibs, find a range of antique ceramics from the Staffordshire Potteries including decorative objects, tea sets, dinner plates and other items.

Whether it’s a Chinese Han dynasty glazed ceramic wine vessel, a work of Murano glass or a hand-painted Scandinavian modern stoneware piece, a fine vase brings a piece of history into your space as much as it adds a sophisticated dynamic. 

Like sculptures or paintings, antique and vintage vases are considered works of fine art. Once offered as tributes to ancient rulers, vases continue to be gifted to heads of state today. Over time, decorative porcelain vases have become family heirlooms to be displayed prominently in our homes — loved pieces treasured from generation to generation.

The functional value of vases is well known. They were traditionally utilized as vessels for carrying dry goods or liquids, so some have handles and feature an opening at the top (where they flare back out). While artists have explored wildly sculptural alternatives over time, the most conventional vase shape is characterized by a bulbous base and a body with shoulders where the form curves inward.

Owing to their intrinsic functionality, vases are quite possibly versatile in ways few other art forms can match. They’re typically taller than they are wide. Some have a neck that offers height and is ideal for the stems of cut flowers. To pair with your mid-century modern decor, the right vase will be an elegant receptacle for leafy snake plants on your teak dining table, or, in the case of welcoming guests on your doorstep, a large ceramic floor vase for long tree branches or sticks — perhaps one crafted in the Art Nouveau style — works wonders.

Interior designers include vases of every type, size and style in their projects — be the canvas indoors or outdoors — often introducing a splash of color and a range of textures to an entryway or merely calling attention to nature’s asymmetries by bringing more organically shaped decorative objects into a home.

On 1stDibs, you can browse our collection of vases by material, including ceramic, glass, porcelain and more. Sizes range from tiny bud vases to massive statement pieces and every size in between.