Sterle Bracelet

The loss of his father in World War I led to Pierre Sterlé’s mentorship under his uncle, who supported his ascension into the jewelry design world. At the height of his success, Sterlé designed for jewelry titans Boucheron, Chaumet and Ostertag. He won the De Beers Diamond Award three years in a row and operated out of an exclusive boutique in Paris that served the elite and royal families by appointment only.

His uncle was a Parisian jeweler on the rue de Castiglione. Sterlé started his own workshop at the age of 29 and spent five years designing for eminent Parisian jewelry houses on rue Sainte-Anne. By the mid-1940s, Sterlé had moved his atelier closer to the Place Vendôme to better serve his wealthy patrons, who included French author Colette, King Farouk of Egypt, the Maharani of Baroda and the Begum Aga Khan.

Sterlé had a remarkable ability to “knit gold” into woven masterpieces. His technical prowess was unmatched by anyone in Paris, and arguably the world. His “angel wire” technique, considered his signature style, incorporated gold into fine ropes that became link bracelets, cocktail rings and accents on decorative pins and brooches. The effect gave a sense of movement and life to the pieces, something Sterlé strived for in his attempts to make metal and precious gemstones less rigid and cold. 

Two misfortunes derailed his business. The first was a failed venture into perfume, which resulted in having to sell many of his designs to Chaumet and New York jeweler Montreaux. Sterlé rebounded with a successful display at the 1966 Biennale in Paris, where he was the first modern jeweler ever invited. His second misstep was more damaging. He opened an exclusive shop on the rue Saint-Honoré in 1969. It was unsuccessful, and he was forced to declare bankruptcy, selling most of his stock to Chaumet in 1976.

Sterlé stayed on with the company as a consultant until his death two years later in 1978. 

On 1stDibs, find a collection of vintage Pierre Sterlé rings, earrings, bracelets and more.

Today, antique and vintage bracelets are versatile and universally loved accessories that can add polish and pizzazz to any ensemble.

Bracelets were among the jewels discovered to have been buried with Pharaoh Tutankhamun when his tomb was unearthed in 1922, and wrist and arm bracelets were allegedly worn by Queen Puabi in Sumer, southern Mesopotamia. But preceding the adornments of Ancient Egypt and elsewhere, the people of prehistoric times likely wore the decorative accessory, fashioning it from shells and fish bones. When the Bronze Age allowed for more durable materials and semiprecious stones to be incorporated into jewelry, bracelets became a treasured symbol of wealth.

In the thousands of years following the debut of the world’s first bracelets, the artistry behind this common accessory has only broadened, with designers at popular jewelry houses growing more venturesome over time. David Webb looked to nature for his Animal Kingdom bracelets, and for her best-selling bracelets and more at Tiffany & Co., Elsa Peretti would frequently do the same. From bangles to tennis bracelets, the modern age offers plenty of options.

Internationally acclaimed bracelet designs have on occasion become powerful symbols of status, style and, in the case of Cartier's iconic design, love. The Cartier Love bracelet can be found on the wish list of most jewelry lovers and on the wrist of some of the world’s biggest stars. Its arrangement of mock screwheads and distinctive functionality — it was initially locked and unlocked with an accompanying vermeil screwdriver — is an enduring expression of loyalty, unity and romance. (Do you know how to spot a fake Cartier Love bracelet?)

While the Love bracelet has played a role in the skyrocketing popularity of cuff-style bracelets, they are far from the only glamorous option for collectors. Make a statement with an Art Deco design, a style that sees all kinds of iterations fitted with studded cuffs, one-of-a-kind shapes and dazzling insets. A chunky vintage gold bracelet in the Retro style will prove eye-catching and elevate any outfit.

One of the best things about bracelets, however, is that you never have to choose just one. Style icon Jacqueline Kennedy stacked her Croisillon bracelets — designed by Jean Schlumberger for Tiffany & Co. — with such frequency that the ornate bangles were eventually dubbed “Jackie bracelets” by reporters. Contemporary silver pieces can easily complement each other, rendering a layering of luxury almost a necessity.

Find a diverse collection of bracelets that you can sort by style, stone cut and more on 1stDibs.