Toddler Knoll

Sculptor, furniture and jewelry designer, graphic artist and metalsmith, Harry Bertoia was one of the great cross-disciplinarians of 20th-century art and design and a central figure in American mid-century modernism. Among furniture aficionados, Bertoia is known for his chairs such as the wire-lattice Diamond chair (and its variants such as the tall-backed Bird chair) designed for Knoll Inc. and first released in 1952.

As an artist, he is revered for a style that was his alone. Bertoia’s metal sculptures are by turns expressive and austere, powerful and subtle, intimate in scale and monumental. All embody a tension between the intricacy and precision of Bertoia’s forms and the raw strength of his materials: steel, brass, bronze and copper.

Fortune seemed to guide Bertoia’s artistic development. Born in northeastern Italy, Bertoia immigrated to the United States at age 15, joining an older brother in Detroit. He studied drawing and metalworking in the gifted student program at Cass Technical High School. Recognition led to awards that culminated, in 1937, in a teaching scholarship to attend the Cranbrook Academy of Art in suburban Bloomfield Hills, one of the great crucibles of modernism in America. 

At Cranbrook, Bertoia made friendships — with architect Eero Saarinen, designers Charles and Ray Eames and Florence Schust Knoll and others — that shaped the course of his life. He taught metalworking at the school, and when materials rationing during World War II limited the availability of metals, Bertoia focused on jewelry design. He also experimented with monotype printmaking, and 19 of his earliest efforts were bought by the Guggenheim Museum.

In 1943, he left Cranbrook to work in California with the Eameses, helping them develop their now-famed plywood furniture. (Bertoia received scant credit.) Late in that decade, Florence and Hans Knoll persuaded him to move east and join Knoll Inc. His chairs became and remain perennial bestsellers. Royalties allowed Bertoia to devote himself full-time to metal sculpture, a medium he began to explore in earnest in 1947.

By the early 1950s Bertoia was receiving commissions for large-scale works from architects — the first came via Saarinen — as he refined his aesthetic vocabulary into two distinct skeins. One comprises his “sounding sculptures” — gongs and “Sonambient” groupings of rods that strike together and chime when touched by hand or by the wind. The other genre encompasses Bertoia’s naturalistic works: abstract sculptures that suggest bushes, flower petals, leaves, dandelions or sprays of grass. 

As you will see on these pages, Harry Bertoia was truly unique; his art and designs manifest a wholly singular combination of delicacy and strength.

Find vintage Harry Bertoia sculptures, armchairs, benches and other furniture and art on 1stDibs.

When you’re shopping for antique, new and vintage children’s furniture, you’ll want your choices to fit nicely within the decor scheme of the rest of your home. But you’ll also want to create an alluring and inspirational space for your children to feel relaxed and encouraged creatively. Indeed, a child’s room can be simultaneously stylish and playful — the ideal environment for children.

Understandably, beds were the first piece of furniture designed for young children. In Ancient Egypt, children’s beds were scaled-down versions of adult beds. They were intended to be a logical size for a child and low enough to the ground so that they could climb in by themselves.

Historians discovered early high chairs in Ancient Greece. In the 6th century B.C., a child’s training potty might have also been used as a high chair, while archaeologists on a dig discovered a terracotta high chair in a marketplace in Athens. By the Renaissance period, children’s bookshelves were popular with upper-class families who had disposable income and the desire to beautify all areas of the home. The original purpose was to organize school books, but shelves eventually became integral to children’s rooms of the era.

In the early 20th century, Italian physician Maria Montessori changed the way designers thought about children’s furniture. She wrote that it was important for children to have a safe environment of their own that they could easily navigate. Montessori believed that children’s furniture should be sized for them but that it should also be made of light, durable materials so that it’s easy for them to carry if needed.

Today’s widely known mid-century modern furniture designers took interest in the idea that young children should have well-crafted furniture of their own. You can find vintage mid-century modern children’s furniture created by the likes of Harry Bertoia, Charles and Ray Eames and Alvar Aalto. Contemporary industrial designer and architect Philippe Starck is also known for having introduced versions of his furniture that were geared toward children, especially his seating and storage solutions.

It’s never too early for good design. Decorating a child’s room offers the opportunity to combine elevated furnishings and a youthful spirit and can result in spaces that are at once elegant and whimsical. On 1stDibs, find design ideas for children’s rooms as well as a variety of new, antique and vintage children’s furniture today.