Waste Paper Baskets Karl Springer

The Berlin-born, New York–based designer Karl Springer brought a chic, high-fashion sensibility to his coffee tables, mirrors, Lucite lamps and other furnishings. During his heyday in the 1970s, Springer’s work was a favorite of the glamour set, who enjoyed the novelty of pieces finished in rich and striking materials that ranged from exotic hides and skins to lacquer and chromed metal.

In a sense, Springer was a pre-postmodernist. Much as the dull, safe, corporate sameness of late 20th-century modernism prompted Ettore Sottsass, Michael Graves and others to explore new and provocative structures and materials in design and architecture, so, too, was Springer driven to enliven his creations with fresh and alluring energy and sleekness.

Springer came to New York in the late 1950s and found work arranging window displays at the department store Lord & Taylor. He had studied bookbinding in Germany, and, using his meticulous skills, he began crafting desk accessories wrapped in leather as a sideline. These pieces were sold in luxury stores like Bergdorf Goodman and drew a sophisticated clientele that included the Duchess of Windsor.

By 1965, Springer had established his own Manhattan atelier. It was Pierre Scapula, decorator to Jackie and Aristotle Onassis, who spotted Springer's disco-era Onassis chairs — which didn't yet have a name — first commissioned for a private residence in Acapulco, on the floor of the designer’s East 61st Street showroom. Jackie ordered barstools for the couple’s yacht, the Christina O, and dining chairs for their house on the Greek mainland.

At the time of his death, Springer had showrooms as far afield as Los Angeles, Tokyo and Munich.

The chairs, tables, credenzas and other furniture forms Springer created are generally simple, but substantial, and often have robust, rounded lines. The appeal of his work lies in Springer's insistence on exacting construction and, above all, his eye for unusual materials and finishes.

Springer employed Lucite, brass, and gunmetal along with chromed and polished steel, and revived exquisite finishes rarely seen since the days of Art Deco masters such as Émile-Jacques Ruhlmann and Jean-Michel Frank: shagreen (a type of sharkskin), python, goatskin, bone, horn, and lacquered parchment, as well as fabrics that include batik prints. Made of such materials, Springer’s work is by its very nature flamboyant and eye-catching: a suite of pieces will astonish, and an artfully placed side table in exotic hide will add a surprising spark.

Find a collection of vintage Karl Springer furniture today on 1stDibs.

Antique and vintage decorative baskets can lend unique charm to any room. And basketmaking is hardly a lost art.

Evidence of basket weaving dates back tens of thousands of years, with one of the most intact examples found in the Judean Desert from the Neolithic period. Historically, baskets have mainly served utilitarian needs — to carry food, store materials and even hold water — but they could also be ornamental objects or have ceremonial or religious purposes.

Native American baskets come from a tradition steeped in generations of skill. There are new and made-to-order baskets from artisans who put their own spin on the ancient art as well as 21st-century pre-owned decorative baskets to complement any furniture style or design preference.

A metal basket or brass basket can match a modern or industrial-style home and add some contrasting rusticity. Wooden baskets, wicker baskets and natural-fiber baskets can easily harmonize with boho chic and cottagecore interiors.

Ceramic baskets are part of the pottery tradition, a craft with a deep heritage in human history. Ceramics are popular in decor again, and the personalization of handmade craftsmanship has served as a sort of anti-Internet to screen-weary decorators. Depending on a ceramic basket’s style, it can fit in with a more formal, cottage, Asian or Southwestern interior theme.

Browse 1stDibs for a wide selection of decorative baskets to fit any design need.