David Bowie

Additional sizes available: 30 x 40 in. Limited edition. 40 x 60 in. Limited edition. Michael was born and raised in New York City where his photography talents originally began. Re...

Additional sizes available: 30 x 40 in. Limited edition. 40 x 60 in. Limited edition. Michael was born and raised in New York City where his photography talents originally began. Re...

Additional sizes available: 40 x 30 in. Limited edition. 60 x 40 in. Limited edition. Michael was born and raised in New York City where his photography talents originally began. Re...

Additional sizes available: 30 x 40 in. Limited edition. 40 x 60 in. Limited edition. Michael was born and raised in New York City where his photography talents originally began. Re...

Additional sizes available: 40 x 30 in. Limited edition. 60 x 40 in. Limited edition. Michael was born and raised in New York City where his photography talents originally began. Re...

Mid Century Impressionistic French Etching - "Degel en Haute Loire" ("Thaw in High Loire) by Andre Jacquemin Wonderful French Impressionist winter landscape of Loire hills by Andre Jacquemin (French, 1904-1992), 1950. The bare trees and undulating landscape and hills draws the viewer in and evokes a peaceful and serene feeling. Signed and dated: Within etching and below image Series Number: 161/200 Condition: Good Image size: 8.25"H x 15"W Paper size: 15"H x 22"W Mat size: 20"H x 24"W André Jacquemin was born in Epinal, France in 1904. While attending art school in Paris he studied under Charles Walter, where he learnt the techniques of etching and practiced by copying the most famous artists and visited all the museums to learn more about the masterpieces of past and present. In 1925, he underwent military service at Fort de Domont outside Paris together with Louis-Joseph Soulas and Edouard Mac-Avoy. Four years later, with a few other up-and-coming artists including Yves Alix, Amédée de la Patellière and Jacques Villon, André Jacquemin founded "la jeune Gravure Contemporaine", a society of Printmakers. In 1930, he simultaneously received the Foundation Florence Blumenthal prize and an allowance to go on a study trip from Spain to Morocco for 14 months. Back from Morocco, his career developed very rapidly. At the beginning of 1932, he exhibited his work at the Simonson gallery. It was a success: he sold everything he had done in Morocco and Spain. The same year, he was elected as a fellow of the French Society of Painter-Etchers/Engravers (Peintres Graveurs Français). In 1936, he was awarded the national arts prize, given for the first time to an etcher. The following year he along with Jacques Villon, Marcel Gromaire 1937 Venice Biennale to represent French gravure...

"Femme Assise Devant sa Fenetre" - Lithograph on Arches Paper “Femme Assise Devant sa Fenetre” by Pablo Picasso depicts a multicolored cubist portrait of a woman sitting in a rockin...

Artist: Slonem, Hunt Title: White Bunnies V Series: Bunnies Date: 2017 Medium: Lithograph on Paper Unframed Dimensions: 16" x 24" Framed Dimensions: 22" x 29" Signature: Sign...

Artist: Slonem, Hunt Title: White Bunnies I Series: Bunnies Date: 2017 Medium: Lithograph on Paper Unframed Dimensions: 24" x 16" Framed Dimensions: 29" x 22" Signature: Sign...

Artist: Slonem, Hunt Title: White Bunnies III Series: Bunnies Date: 2017 Medium: Lithograph on Paper Unframed Dimensions: 16" x 24" Framed Dimensions: 22" x 29" Signature: Si...

Bridgehampton Arne Besser, American (1935–2012) Portfolio: Cityscapes Date: 1981 Screenprint, Signed and numbered in pencil Edition of 250, 30 AP Size: 30 in. x 22 in. (76.2 cm x 55....

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Petite Fille a la Robe Verte (Paloma Picasso)". The original painting was completed in 1956. ...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Tete". The original painting was completed in 1954. In the 1970's after Picasso's death, Mari...

Original Vintage Henri Matisse Exhibition Poster, The Tate Gallery, 1953 "The Sculpture of Matisse and Three Paintings with Studies, 9 Janua...

Artist: Kiki Kogelnik, Austrian (1935 - 1997) Title: Look Again Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 35 Image: 23.5 x 32 inches Size: 26 x 3...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 16 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 70 Image Size: 31 x 36 inches Size: 32 x 37.5 ...

Artist: Jack Sonenberg, American/Canadian (1925 - ) Title: Dimensions 2 Year: 1970 Medium: Etching with Aquatint with String Collage, signed and numbered in pencil Edition: 50 Image ...

Wearing a hat, the woman is represented with a series of black and white shapes that surve alongside one another. Accented by a mustard yellow, the portrait features different perspe...

Artist: James Norman, American (1927 - 2011) Title: Oscillation I Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 35/95 Image Size: 10 x 33 inches Size: 25 x 3...

Artist: James Norman, American (1927 - 2011) Title: Oscillation II Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 38/95 Image Size: 10 x 32 inches Size: 25 x ...

Artist: James Norman, American (1927 - 2011) Title: Winter Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 40/50 Image Size: 22 x 32 inches Size: 25 x 38 in. (...

Mixed media on Japanese paper 1/10 19 x 18.25 framed Artist Biography: Angela A’Court was born in London, UK and lives and works in New York and London. She studied at the University for the Creative Arts UK (UCA),UK, Parsons School of Art and Design, New York, Goldsmiths College, London and in 2022 received a Masters from City and Guilds Art School London in Art...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series - KvF III Year: 1990 Medium: Serigraph on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 ...

"Eternal Problem" - 1924 Etching on Paper Etching on paper titled "Eternal Problem" by Elias M. Grossman (American, 1898-1947). A bearded rabbi is portrayed thinking with his hand p...

Christo and Jeanne-Claude, Bulgarian (1935 - 2020) - Surrounded Islands, Year: 1983, Medium: Poster, signed in marker, Size: 25 x 33 in. (63.5 x 83.82 cm), Description: Image by Wol...

Anatole Krasnyansky, Ukrainian/American (1930 - ) - Venice Yellow Sunset, Year: 2003, Medium: Seriolithograph, signed in plate, Image Size: 27.5 x 25 inches, Size: 30 x 27 in. (76....

Anatole Krasnyansky, Ukrainian/American (1930 - ) - Art Expo NY, Year: 1982, Medium: Lithograph Poster, Size: 36 x 24 in. (91.44 x 60.96 cm)

Christo and Jeanne-Claude, Bulgarian (1935 - 2020) - The Umbrellas, Year: 1991, Medium: Poster, signed in marker, Size: 25 x 37.5 in. (63.5 x 95.25 cm), Description: Image by Wolfga...

Christo and Jeanne-Claude, Bulgarian (1935 - 2020) - Wrapped Paris Review, Year: 1982, Medium: Offset Lithograph, signed and numbered in pencil, Edition: 126/250, Size: 36 x 24 in. ...

Christo and Jeanne-Claude, Bulgarian (1935 - 2020) - Running Fence, Year: 1976, Medium: Poster, signed upper left, Size: 25 x 39 in. (63.5 x 99.06 cm), Description: Image by Wolfgan...

Frank Lloyd Wright's Ennis House, Los Angeles - Lithograph on Paper Clean, modern lithograph of the Ennis House in Los Angeles by Frances Myers (American, 1936-2014). The Ennis House sits at the top of a small hill, cutting a strong line against a soft peach-colored sky. Wright's strong sense of balance is highlighted in this composition, with patterns and lines guiding the viewers eye in various directions around the piece. Numbered, titled, signed and dated along the bottom edge: 7/50 Ennis House - Los Angeles Frances Myers 1980 Paper size: 29.5"H x 38"W Print size: 24"H x 32"W Shipped rolled in a tube. Myers was born on April 16, 1936, in Racine, Wisconsin. She began her studies at the San Francisco Art Institute, but soon transferred to the University of Wisconsin–Madison where she earned a BS in 1962, and an MFA in 1965. Myers employed a variety of printmaking techniques in her career including "relief, photo-etching, and mixed media processes." Myers is best known for her prints depicting various buildings. She once said, “I don’t want to invent a building, I want to bring new life to a building.” Growing up in Racine, Myers was exposed to many of Frank Lloyd Wright's architectural works, and she paid tribute to this in her 1980 work The Frank Lloyd Wright Print...

Deutzia Flowers: The Wife of Kasamori - Original Woodblock Print Deutzia Flowers: The Wife of Kasamori, from the Series "Beauties of the Floating World Associated with Flowers" by S...

Rare Contemporary Architectural Urban Landscape "Under the Overpass" Etching on Paper A compelling urban design of a highway underpass detail and one of his "El Paso" series of imag...

Rare Contemporary Architectural Urban Landscape "The Overpass" Etching on Paper A compelling urban design of a highway underpass and one of his "El Paso" series of images, by Califo...

Kabuki Actor with Pine-Patterned Robe - Japanese Woodblock Print Finely detailed woodblock by Utagawa Toyokuni (Japanese, 1769-1825). A kabuki actor is standing on a wooden deck, wearing a robe with a pine-needle pattern. He is holding a sword and a staff. In the background, tree branches hang down from out of frame. Presented in a gold colored frame with a silk mat. Frame size: 20"H x 14.25"W Image size: 14"H x 8.5"W Utagawa Toyokuni (Japanese, 1769-1825) was born in Edo, the son of Kurahashi Gorobei, a carver of dolls and puppets...

"A Song for a Nesei Fisherman" Poster, Limited Edition Screenprint #14 of 100 Show poster designed by Chester Yoshida (American, b. 1922). The play "A Song for a Nisei Fisherman" wa...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Anna Julia Cooper, monoprint with Chine collé, 27 x 19 3/4 inches, 2020 1858-1964 An educator, administrator, and social reformer, Anna J. Haywood Cooper was born a slave in Raleigh, North Carolina, and spent fourteen years fighting to gain access to Latin and Greek classes reserved for men at St. Augustine's Normal School and Collegiate Institute, from which she graduated in 1877. She married the Reverend A. C. Cooper at St. Augustine's, where each taught, but after his death in 1881, she began the second phase of her education at Oberlin. That year she joined Mary Eliza Church (Terrell) and Ida A. Gibbs Hunt in the "gentleman's" collegiate course and graduated in 1884. One of the pioneer African-American women who earned a B.A., she returned to Oberlin for an M.A. in Mathematics, which she received in 1887. Continuing her trailblazing for race and gender issues, Cooper wrote the feminist manifesto, A Voice from the South, spoke at feminist and educational conferences, and achieved many honors such as membership in the American Negro Academy. She was a leader in the National Association of Colored Women. Aligned with DuBois's philosophy, she spoke at the 1900 Pan African Conference in London, arguing for self-determination for African-Americans and an end to colonialism in Africa and apartheid in South Africa. Anna Cooper received a Ph.D. at the Sorbonne in 1925 after a decade of study while she also maintained a full-time teaching load. Her thesis was on French policies during slavery. She had been shaping Frelinghuysen University in Washington, D.C., an interdenominational Bible college, and became its president in 1930, at the age of 72. She died in 1964 at the age of 105. In preparation for this ongoing series the artist received images from Legacy Magazine’s photo archive of 19th Century women writers, understanding that she’d obtain permission from each source to use the photos in her artworks. Permissions were received and she began the series in 1992. The Harvard/Radcliffe Schlesinger library then offered Suzanne access to relevant microfiche images that were employed in subsequent works. In addition, the library exhibited the in 1992. The collector Vivien Leone purchased and donated one to the library, and the library subsequently purchased two more. The Women’s Rights Historical Park in Seneca Falls, NY, exhibited the growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

Esther Podemski is an artist working across disciplines. While in post-production on one of her recent films, she discovered that the color correction software program she used could be translated into paintings and works on paper. The new shapes originated as screen grabs from color corrections of individual frames in the post-production computer software. The source for these images comes from film footage frames of a priest on a Florence street...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

José Soto creates works of art that explore the physical experience of looking through photography and invite the viewer to reexamine his/her own perception of form, light, and spac...

Clay-throwing, globe-trotting, boundary-stretching photographer Jeff Becker creates bold, colorful, dynamic work that enlivens spaces. Time is fundamental to his process, as engineer...

Levan Mindiashvili is a Georgian born visual artist currently living and working in Brooklyn, NY. After graduating from Tbilisi State Academy of Arts and numerous exhibitions in Europe and in his native Georgia, Levan continued postgraduate studies at The National University of Art of Buenos Aires (Argentina). While in Buenos Aires, he had curated several shows at The Laguanacazul Art Gallery and was a performer of the experimental theater company Ensamble Caustico. Among his awards are “Emerging Artist of 2011, Movistar Arte Joven” (Buenos Aires, Argentina) and FABLES Commission Grant for Public Art Projects (Fourth Arts Block, New York, 2014). Recent solo exhibitions include “Studies For Unintended Archeology”, The Vazquez Building, (Brooklyn, 2015), “Borderlines” The Lodge Gallery (New York, 2014), “Urban Identities” Kunstraub99 (Cologne, 2013). Current curatorial project include “Heritage” at The Georgian National Museum (Tbilisi, 2013) and at The RichMix Arts Center (London, 2015). Upcoming shows include “Kiosk”, ODETTA gallery...

Rainbow Light can manifest anywhere and anytime, representing ominscience and it can dissolve instantly, representing impermanence. It is without shadow and represents awareness with...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Susan B. Anthony the Elder, monoprint with Chine collé, 18 ½ x 13 ¼ inches, 2020 From Wikipedia Susan B. Anthony (born Susan Anthony; February 15, 1820 – March 13, 1906) was an American social reformer and women's rights activist who played a pivotal role in the women's suffrage movement. Born into a Quaker family committed to social equality, she collected anti-slavery petitions at the age of 17. In 1856, she became the New York state agent for the American Anti-Slavery Society. In 1851, she met Elizabeth Cady Stanton, who became her lifelong friend and co-worker in social reform activities, primarily in the field of women's rights. In 1852, they founded the New York Women's State Temperance Society after Anthony was prevented from speaking at a temperance conference because she was female. In 1863, they founded the Women's Loyal National League, which conducted the largest petition drive in United States history...

Cynthia MacCollum is a painter, printmaker, and photographer who lives and works in New Canaan, CT. Her work has been shown online at ODETTA, NYC, and in person at the Center for Contemporary Printmaking...

The beauty of repeated geometric form is a motif that has played a central role in Havens’ work. Dynamic and colorful compositions play with line and shape to suggest larger spaces,...

Russinof uses large brushes to create highly energized gestures that intimate various patterns and forms in architecture such as frames, cornices and baroque ceiling vaults. Thes...

“I still look at and learn from the art of the past, and enjoy making interpretations of works which I admire.” Henry Moore Infanta, Floating Balance, Point in Time, and Visionary are monoprints with Chine collé from Suzanne Benton's Paintings in Proust series. This grouping also includes the dry-point etching with Chine collé. Infanta (edition of 10). The monoprints (unique prints) employ the collage technique, chine collé (glued paper). Collé papers are pre-inked and hand-painted. Dimensional printing plates emboss texture onto the prints. The plates are inked individually for each solo print. The images and collé papers are then laid onto the plate and adhere to the printmaking paper as the plate and paper run through the etching press. Other monoprint series have been devoted to Indian and Turkish miniature painting...

Margaret Roleke has created the sculpture “Pop,pop” specifically for the Las Gravitas exhibition at ODETTA. The title refers both to the fun and colorful hues of the piece that pop ...

Rainbow Light can manifest anywhere and anytime, representing ominscience and it can dissolve instantly, representing impermanence. It is without shadow and...

Brigitte Parusel's works are underlined by an emphasis on experimentation and her interest in working within the limitations of a system. Her drawings are part of an ongoing exploration of a geometric pattern of interconnected circles. The pattern is the basis for her large-scale installations, spatial sculptures and folded works. The drawings explore the geometric relationship of the patterns components and its potential as a blueprint for constructing form, shape and structure. Brigitte Parusel's animation 'After Albers...

Rainbow Light can manifest anywhere and anytime, representing ominscience and it can dissolve instantly, representing impermanence. It is without shadow and represents awareness with...

Desert at Sunset Joseph Grippi, American (1924–2001) Date: circa 1975 Screenprint Monoprint, signed in pencil lower right Size: 30 x 38 in. (76.2 x 96.52 cm)

Landscape in Purple, Green, Blue and Red Joseph Grippi, American (1924–2001) Date: circa 1975 Screenprint, signed and numbered in pencil Edition of AP Image Size: 20.5 x 30 inches Si...

Hasidic Neighborhood David Azuz, Israeli/French (1942–2014) Date: circa 1980 Lithograph, numbered in pencil Edition of 217/300 Image Size: 19.5 x 25.5 inches Size: 26 x 32.5 in. (66....

Golden Hour Joseph Grippi, American (1924–2001) Screenprint Monoprint, signed in pencil lower right Size: 30 x 30 in. (76.2 x 76.2 cm)