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Scuola Fiorentina Santa Maria d'Antiochia olio su tela Secolo XVIII cm 85,5X63,3; con cornice cm 105X64X7.

Pittore Toscano da Rutilio Manetti Mosè e Aronne Inizio Sec. XIX Olio su tela, cm 77x56; con cornice cm 99x77 Il dipinto raffigura Mosè e Aronne che studiano le sacre Scritture. Come...

Anonimo Pittore da Giuseppe Cesari detto il Cavalier D’Arpino L’estasi di San Francesco Olio su tavola, Sec. XVII, cm 56,5x41,4; con cornice 78x64 Il d...

Juris Dimiters is among the most intellectual and witty artists of his generation. The characters of his works – paintings and posters – mostly are anthropomorphized fruits and objec...

Juris Dimiters is among the most intellectual and witty artists of his generation. The characters of his works – paintings and posters – mostly are anthropomorphized fruits and objec...

Mid 20th Century still life oil on canvas by noted French artist Jean Arène. Signed bottom middle, presented in fine wood frame with gilt filet. A very cha...

Flower composition. Canvas, oil, 40x30 cm impasto painting in earth color gamma

Serguace di Salvator Rosa Paesaggio con personaggi Olio su tela, Sec. XVII, cm 52x93,5; con cornice cm 64x146x6

Santi di Tito Ritratto di Nobildonna Olio su tavola, Sec. XVI, cm 74x61; con cornice 116x100x9 Con procedere degli studi su Santi di Tito, del quale è stata recentemente precisata la nascita fiorentina , si viene sempre più definendo come non solo una delle personalità più interessanti della scena artistica fiorentina, ma anche come il più interessante ritrattista cittadino della seconda metà del Cinquecento. L'attribuzione di questo ritratto al pittore, che nell'impresa dello Studiolo di Francesco I fu uno dei maggiori innovatori fra i giovani riuniti da Vasari e Borghini, appare subito evidente per l’inconfondibile disegno ovale e fermo del volto, reso con un incarnato compatto dai toni rosati che si accende di naturalistiche notazioni epidermiche ma anche di una puntuale figurazioni degli elmenti decorativi dell’abito e dell’acconciatura. Sempre coerente con i modi pittorici di Santi è poi la pittura compatta con la quale vengono definiti i piani semplificati del volto delle donna, che conservano una notazione di luce e di naturale sensibilità in linea con i dettami controriformati dei quali il pittore fu uno dei più fedeli osservanti nella scena fiorentina. Sempre tipica di Santi di Tito è poi la ferma e volumetrica rappresentazione del torso e dell’abito definito nei piccoli intagli della stoffa ma allo stesso tempo semplificato nei volumi delle maniche e del busto. Ancora di santi ci sembra la notazione luministica con la quale è rilevato il disegno dell’abito attraverso stesure compatte ma sottili e trasparenti, oppure è resa la gorgiera bianca che aggiunge una luce netta all’intero dipinto. Una simile scelta pittorica appare nel Ritratto di Guido Guardi coi figli, esposto alla mostra Il Cinquecento a Firenze, (Palazzo Strozzi, 21 settembre 2017 – 21 gennaio 2018, n. IV. 5, pp. 156-157), dove, pur in un ritratto maschile, Santi di Tito usa la medesima cifra formale nella resa dei volti e delle gorgiere. Pur nell'attenzione alle caratteristiche fisionomiche, Santi di Tito conserva, infatti, una cifra disegnativa sempre evidente e riconoscibile pur col passare degli anni, un carattere stilistico che sostiene, con volumi saldi, ogni sua differente prova pittorica. Ne sono un esempio dipinti quali il Ritratto di donna con Figlia, già in collezione Koelliker2, oppure il Ritratto di Lucrezia (Emilia) e Sinibaldo di Niccol Gaddi3, tutti databili agli anni settanta del Cinquecento proprio per la stereometrica definizione delle forma. Col passare degli anni, invece, tale carattere di ascendenza bronzinesca sembra cedere sempre più in favore di una pittura più morbida e sensibile, chiamata a raggiungere esiti di naturalezza sempre maggiore. Dipinto emblematico per seguire tale percorso rimane il già citato Ritratto di Guido Guardi con i figli , dove Santi di Tito ha effigiato il capofamiglia subito dopo il suo ritorno da Roma, fra il 1564 e il 1568, al tempo in cui il Guardi commission al pittore anche una pala con una Natività per la cappella di famiglia a San Giuseppe. L’uomo, seduto su uno scranno, sembra rimandare per la posa arcaizzante alla ritrattistica di primo Cinquecento, alla quale Santi di Tito s’ispira anche per le pieghe frante ma scultoree dell’abito. Sulla stessa tavola, probabilmente verso la fine degli anni settanta del Cinquecento, il pittore venne chiamato ad aggiungere le effigi di figli, quando probabilmente l’opera era già in cornice, e lo fece con una pittura più svolta e libera, in modo da raggiungere effetti naturalistici di maggiore sensibilità. Anche nel Ritratto di donna in esame, i volumi saldi e potenti della figura spiccano sul fondo monocromo della parete con un’evidenza che farebbe pensare alle figure eseguite dalla fine degli anni Settanta del Cinquecento, al pari, appunto dei due figli di Guido Guardi. Nato a Firenze nel 1536, Santi di Tito si form prima da Bastiano da Montecarlo per passare poi dal Bronzino, del quale conserv la preferenza per volumi luminosi e torniti, a cui aggiunse un'attenzione per la chiarezza compositiva e il naturalismo richiesti dai dettami della Controriforma, che lo portarono a guardare allo stile di Scipione Pulzone...

Bartolomeo Passerotti ( Bologna 1529 – 3 giugno 1592) Ritratto di Gentiluomo con cane Olio su tavola, Sec. XVI, cm 84x69; con cornice 101x87 // Bartolomeo Passerotti (Bologna 1529...

Sebastiano Mazzoni Andata al calvario Olio su tela, Sec. XVI, cm 130x143; con cornice 167x153x9 Il dipinto rappresenta un episodio della Passione di Cristo cui accennano appena i Van...

Early 20th Century oil on canvas still life of oranges, hops and flowers signed E Pritchard and dated 1904 bottom left, presented in period gilt ...

Mid 20th Century oil on board Post-Impressionist still life by Polish painter P Mostowski, signed bottom right, presented in modern contemporary frame. ...

Gerard ter Borch (II) (1617-1681), copy after, around 1700 'Boy Fleaing a Dog' Oil on canvas Professionally restored (cleaned and relined) In modern frame in 17th century style Dimensions excl. frame: 33 x 27,5 cm. Dimensions incl. frame: approx. 50 x 45,5 cm. Depcited is a boy busy fleaing a dog. The boy sits on a chair with the dog on his lap. On a table on the right there is a book and a pen. On a wooden bench lies the boy's hat. What is unique about this painting by Ter Borch, is the relationship that is depicted between human and animal. Mostly animals like dogs where depicted as an attribute in paintings in the 17th century, and sometimes used to symbolize certain character traits. This boy is lovingly caring for his dog, which he is giving his full attention. Another interesting detail is that Ter Borch's brother Moses, was probably the model for this painting. Ter borch often used family members as models for his paintings. Moses was also a very talented painter and draughtsman. Several copies of this work by Ter Borch are known. One of these copies is in the collection of the Dutch Rijksmuseum (Image included in the image gallery (last image)). The original painting is in the collection of the Alte Pinakothek museum in Munich, Germany. Gerard ter Borch, also known as Gerard Terburg, was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu...

Dedication to Picasso. 1991, assemblage, cardboard, wood, acrylic, 49,5x59,5 cm Georgs Barkans (1925-2010) Textile artist, architect, artist Professional education: University of La...

Purple irises. 1998, canvas, oil, 35x25 cm Juris Jurjans (1944-2023) - Painter Juris Jurjāns graduated from J. Rozentals School of Art in Riga (1962), and Painting Department of La...

Butterflies 1974, oil on cardboard, 60x60 cm Lidija Auza (1914. 24. 02 Vitebsk, Belarus – 1989. 13. 12 Riga, Latvia) Painter She studied at the Art Academy of Latvia (1936-1938...

Large scale mid 20th Century French, oil on board, still life, tablescape, interior view, by Claude Barthélémy. Signed bottom left, presented in fine carved wood and gilt frame, with...

Religious Painting, depicting Madonna and the Child, surrounded by Angels by the Circle of Carlo Maratta (Maratti). This painting is wonderful example of...

Attributed to Peter Candid / Pieter de Witte (Bruges c. 1540 - 1628 Munich) Sacra Conversazione Oil on wood, 29 x 37 cm The painter, sculptor and architect Peter Candid, known in Italy as Pietro Candido, was born in Bruges between 1540 and 1548. In the 1560s he stayed in Florence, where he worked in the workshop of Giorgio Vasari, with whom he collaborated on a number of commissions for the House of Medici. After a brief stay in Volterra, he went to Munich in 1586. For the next 42 years, until his death, he remained court painter to Duke William V...

L. Franssen Mother and child with a rose Oil on wood, 44,5 x 33,5 cm signed The artist of this outstanding painting is completely unknown so far. There is no entry under "L. Franssen" in any encyclopaedia or reference work. There was a Dutch artist, Jan Fransen (1604/5 - ca. 1646), who was mainly based in Amsterdam. According to Thieme/Becker, he created numerous paintings with biblical depictions, study heads and still lifes. However, it could also have been Jan Franssen or Frantzen, who was not born until 1644 but was also active in Amsterdam. However, no confirmed works by either artist are known. Just as interesting as the attribution is the depiction: a young woman holds her child on her lap while she prepares a meal on a hob. At the same time she holds a rose in her hand. Most likely, Mary is depicted here with the young Jesus...

In 2001 the German art historian Art historian and Raphael Expert, Prof. Jürg Meyer zur Capellen, published the painting "Die Heilige Familie" in a monographic article, ascribing the present work to the Venetian painter Giovanni Battista Pittoni (1687 -Venice - 1767). (Newspaper "Weltkunst", October 2001, No 12, p. 1850 f. ill.) He describes it as a typical work by this artist. Pittoni was one of the most influential and successful artists of the Venetian Settecento. He was a pupil of the Veronese Master Giovanni Balestra (1666-1740). His style is influenced by Sebastiano Ricci (1659-1734) and Giambattista Tiepolo (1696-1770). Giovanni Battista Pittoni was already successful at a young age and soon lead his own workshop. He created large-scale hitoria paintings, as well as large, religious altarpieces. In addition to Venetian and Upper Italian patrons, Pittoni also had many interested parties from Europe. His work is accordingly scattered in many different museums and private collections today. Pittoni - like other painter colleagues of his time - repeated his own compositions both by hand and with the help of his workshop. He repeatedly incorporated details into other pictures and contexts. Prof. Meyer zur Capellen noted the very good condition of the present work and the high quality of the paint with fine graduations and the vivid brushstrokes. Provenance: The panting has not been on the art market for at least 300 years. In the year 2000 the work was donated by the Münster-based, Noble Family Ketteler zu Harkotten to a private collection in Westphalia. Most probably the canon Nikolaus Hermann von Ketteler zu Harkotten bought the piece in Venice in 1750 together with the altarpiece of the Clemens Church in Münster. On the reverse of the work is a fideicommissum number by Ketteler zu Harkotten. As it belonged to the family commission, the painting was inalienable until 1919, when the corresponding law was repealed, and after that time it remained in the family's possession without interruption. Pittoni's only direct relationship to Münster is the commission for the high altar painting of the Baroque St. Clemens Church. It can be assumed that then canon von Ketteler saw this painting in the artist's workshop during his stay in Venice and acquired it for himself. This would also explain the discrepancy in dating. (ca. 1735/1750). However, it is also possible that the painting originated in the possession of Ferdinand von Plettenberg...

A Tavern Interior - 18th Century Old Master, Figurative Oil Painting by Schaak Little is known about the artist J.S.C. Schaak. He was active in England as a portraitist between 1760-1770. His name indicates his German or Dutch origin. Especially portraits of generals...

Circle of Maratta, Maria and Child, in a Roman 18th century hand carved and gilded wooden frame, uncut Images of the Virgin and Child were for centuries the most common subject for Christian religious...

Tankpetrol, Lost, 2023 Acrylic, hand-cut stencils, spray paint copper paint on deep edge canvas Original artwork 100 x 150 cm (39.37 x 59.05 in) Tankpetrol is a Polish street ar...

Cloaks 1: Conceal is an original painting by Victor Chigozie. Victor created Cloaks 1: Conceal Acrylic on a 35.4W by 47.2H inches primed canvas. "Cloaks 1: Conceal" is a thought-pro...

The artwork titled "Nature Call 1" is a striking representation of a man sitting in the middle of two women, with each woman placing a hand on his shoulde...

"Enamelled With Grace" is a captivating artwork created by the talented artist Kehinde Mayowa. Depicting a young woman, the piece exudes elegance and po...

This oil painting called The Old Stone Stairway by Ferdinand Fagerlin offers an intimate glimpse into a quiet interior space, where the stillness of...

Sophie Dumont's abstract art transcends mere conceptualization; it is an immersive journey into a realm where each canvas is a carefully orchestrated interplay of graphics and color....

Artist Motivation: FEEL the hip, funky, cool "Street Vibe" of this painting! Created in a "Street Art" Style, this piece is compelling, edgy, chic and beautiful! " AND, it's not ju...

MIDNIGHT BLUES Size: 59 x 82 cm (including frame) Oil on Canvas A large and atmospheric mid-century composition captures the enchanting ambiance of nightfall, executed in oil onto c...

In the realm of discourse, rhetoric reigns, A symphony of words that stirs and strains. With a persuasive power, it paints the scene, Crafting arguments, sharp and keen. Through rhetorics's lens, ideas collide, In the marketplace of thoughts, they reside. Pathos, logos, ehtos entwine, in the dance of life, they intertwine. With eloquence and chart, it captivates, Through eloquence, ideas take flight, Shaping minds, in the realm of light. Leading minds through vast, intellectual states. In the art of rhetoric, stories are untold, and truths unfold. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Orioye Samuel...

"Insight" is a captivating artwork created by the talented artist Kehinde Mayowa. The piece features a young woman depicted with striking detail and depth. Her gaze is intense, sugge...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

Signed lower right with monogram "MD" - in Cyrillic, leads to the Russian - Lithuanian artist Mstislav Valerianovich Dobuzhinsky (Mstislavas Dobužinskis; 1875 - 1957). Fascinating d...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Huma...

to confront the arts, to merge them, to mix writing and brush, such is the challenge of the artist. Table of a library with collage of fabric allowing the painting to vibrate more. C...

This exquisite portrait by Gunnar Hallström, titled "Portrait of a Girl with a Pearl Earring" invites viewers into a moment of quiet introspection. Painted in the 1920s, the subject ...

This work is part of the artist's Les Naturenales series which celebrates the contemplation of nature through sensual artworks on paper. The background of the work, realized on water...

Juris Dimiters is among the most intellectual and witty artists of his generation. The characters of his works – paintings and posters – mostly are anth...

Red tango. 2018, oil on canvas, 100x120 cm Abstract composition in red colors Igor Leontiev (1957) - one of the leading independent painters in Latvia ...

Musical cafe 2020. Cardboard, oil, acrylic, 70x50 cm

Shining. 2020. Oil on canvas, 130x130 cm Published in the anniversary catalog "We and works: Jelgava Artists' Society 50" 2022, on page nr. 123. Alyona Prokofyeva (1988) From 2016 ...

"Very Large Oil On Canvas - Fricheteau René. French School Early Twentieth." FRICHETEAU Rene. FRENCH SCHOOL early 20th century. “Flower Pier and Still L...

Oleksandr Khrapachov "HUTSULSKA HOUSE."

Gates to your dreams. 2023., oil on linen, 140x120 cm Modul artworks from 4 pcs. - 70x60 cm Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona graduated Riga art sch...

Way to the top. 1992, canvas, acrylic, 48.5x56 cm Abstract composition Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Riga, Latvia. Studied in the Art School of Rozental, the Latvian Academy of Arts and private studios of the famous painters and teachers Abram Bikov and Vitaly Karkunov. Participates in exhibitions since 1987. Awards: 1991 – One of the main grants at the International Art Project «Golden Brush» at the Central Painters' House, Moscow, Russia Solo Shows: 2008- Gallery "Antonia", Riga. exhibition "Dream City" 2002 – Open exhibition “Genesis” Austria, Vienna 2002 - «Painting», Blackhead's House, Riga (printed brochure) 2000 - Personal exhibition in Austria, Vienna “Gallery Atelier T” 2000 – Personal exhibition in Riga, Latvia 2000 - Institute of Practical Psyhogy, Riga (printed brochure) 2001 - Gallery «AtelierT», Vienna, Austria 1998 – Joined exhibition with N.Bessonova «Garant», Vienna, Austria 1998 - Gallery «Nelliya», Riga 1998 - Co-project with N.Bessonova «Birds and Fish», Gallery «Nelliya», Riga 1997 - Gallery «Dzintars», Riga 1997 - Insurance Company «New Re» Gallery, Geneva, Switzerland 1997 - Gallery «Rigas Vini», Riga 1997 - Gallery «Goldshidhaus», Gilzenkirken, Germany, with N.Bessonova 1996 – Personal exhibition in “Rigas vini” Gallery, Riga 1996 - Gallery «Sofia», Gilzenkirken, Germany 1991 - Russian Culture Fund, Riga 1991 – Last personal exhibition in Riga Group Shows: 2007 - Museum der stad Bad Ischl”Genesis2000” 2007 -“Art Innsbruck” International Messe. 2004 - Showcase of Latvian painters...

In this painting, I wanted to show frivolous people who take loans, spend money on fake values, and then lie down, meditate and wait for all the problems to be solved by themselves. ...

Stillness. 2022. Oil on canvas, 55x38 cm Contemporary painting with gondolas by artist Clara M. Aguasca in pink colors

"Claesz Peter (1596-1660) (workshop Of)" "Still life with glass and lemon". Oil on panel (repanelled) H50. L90

Large abstract expressionist painting. The palette of blue colour tones with a light textured surface and black ink line work. Contemporary art directly from the artist's studio. This painting is stretched, signed on the back of the canvas and unframed. Framing options are available, please get in touch. The artwork is part of the Interior Of The Mind series by Anna Sudbina...

Bouquet of flowers in a vase. Oil on cardboard 70x62 cm impasto painting in earth color gamma

A very characterful image of a farrier or blacksmith enjoying a drink in an interior. Alfred H Green (working 1844-1878) A farrier in an interior enjoying a drink Signed Oil on boar...

Composition 1992., Canvas, oil, 50x60 cm Abstract composition "Composition" is an abstract artwork created in 1992. The medium used is oil on canvas, and the dimensions of the artwork are 50x60 cm. As an abstract composition, the artwork does not represent specific objects or subjects in a realistic manner. Instead, it focuses on elements such as color, form, line, and texture to create a visual expression of the artist's ideas and emotions. The oil medium provides a rich and vibrant quality to the artwork, allowing for the blending of colors and the creation of various textures. This creates depth and visual interest within the composition. Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Riga, Latvia. Studied in the Art School of Rozental, the Latvian Academy of Arts and private studios of the famous painters and teachers Abram Bikov and Vitaly Karkunov. Participates in exhibitions since 1987. Awards: 1991 – One of the main grants at the International Art Project «Golden Brush» at the Central Painters' House, Moscow, Russia Solo Shows: 2008- Gallery "Antonia", Riga. exhibition "Dream City" 2002 – Open exhibition “Genesis” Austria, Vienna 2002 - «Painting», Blackhead's House, Riga (printed brochure) 2000 - Personal exhibition in Austria, Vienna “Gallery Atelier T” 2000 – Personal exhibition in Riga, Latvia 2000 - Institute of Practical Psyhogy, Riga (printed brochure) 2001 - Gallery «AtelierT», Vienna, Austria 1998 – Joined exhibition with N.Bessonova «Garant», Vienna, Austria 1998 - Gallery «Nelliya», Riga 1998 - Co-project with N.Bessonova «Birds and Fish», Gallery «Nelliya», Riga 1997 - Gallery «Dzintars», Riga 1997 - Insurance Company «New Re» Gallery, Geneva, Switzerland 1997 - Gallery «Rigas Vini», Riga 1997 - Gallery «Goldshidhaus», Gilzenkirken, Germany, with N.Bessonova 1996 – Personal exhibition in “Rigas vini” Gallery, Riga 1996 - Gallery «Sofia», Gilzenkirken, Germany 1991 - Russian Culture Fund, Riga 1991 – Last personal exhibition in Riga Group Shows: 2007 - Museum der stad Bad Ischl”Genesis2000” 2007 -“Art Innsbruck” International Messe. 2004 - Showcase of Latvian painters dedicated to Latvia joining the EU, museum «Horst Shloss», Germany 2004 - «Hungary by the Latvian Painters», Moscow House, Riga 2003 - «Autumn-2003», Latvian State Art Museum 2003 - Autumn exhibitions of Latvian Painters, Gallery «Nelliya», Riga 2003 - «Abstract Art in Latvian Painting», Latvian State Art Museum 2000-2006 - International Project dedicated to the Book «Genesis», Austria 2002 - «Autumn», Latvian State Art Museum 1999 - Participation in exhibition “Gold of Russian Art” Austria, Vienna, “Gallery Atelier T” 1999 – Participation in projects “Genesis” Austria, Vienna, “Gallery Atelier T” 1997 - «Art Expo» New York, USA 1996 - «Art of the Chosen Ones», Latvian State Art Museum «Arsenal» 1995 - «Surrealism in Works of Latvian Painters», Russian Culture Fund, Riga 1994 - «Christmas Exhibition», Embassy of Poland in Latvia, Riga 1993 - «Art of the Russian Painters», Embassy of Russia in Latvia, Riga 1993 - «Golden Brush», Central Painters' House, Moscow, Russia 1993 - «Latvian Painters», Gallery «Sofia», Germany 1992 – sept.,Oct. – exhibition in Baad Goseberg, Germany 1992 - «Artmyth», International Art Festival, Manezh, Moscow, Russia 1992 - «Latvian Art», Berlin, Germany 1991 – «Reshaping», exhibition in Moscow 1991 - «Golden Brush», Central Painters' House, Moscow, Russia 1991 - «Transformation», Youth Palace, Moscow, Russia 1991 - «Latvian Painters», Belver, Germany 1989 - «Artcontact» National Art Project, Culture House of Railroad workers, Riga 1989 - «Artist and Religion», Riga - Moscow 1988 - «Free Art», Rigas Modes, Riga 1987 - First exhibition with painters A.Alekperov and G.Huckivadze in the Culture House of Railroad workers, Riga Auctions: 2002 - «Doroteum» Vienna, Austria - paintings «Russian Art» and «Portrait of Olga...

ARTIST: Harold Williamson (1898-1972) Brtiish TITLE: " A Geneva Window" SIGNED: lower right MEDIUM: oil on board SIZE: 43cm x 36cm inc frame CONDITION: excellent DETAIL: Painter...

Belgium, 1805 – 1860 Victor-Jules Génissson was born in Sint-Omer (Belgium) on February 24, 1805. He was the son of Jules and Julie Paulmier. And married Reine Marie Van Bree in 183...