(After) Anthony Van Dyck Portrait Paintings
Dutch, 1599-1641
Sir Anthony van Dyck (22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter for Charles I of England. Sir Anthony Van Dyck was born in the Netherlands and painted from an early age becoming a successful independent painter in his late teens, and a master in the Antwerp Guild in 1618. He painted in the studio of Peter Paul Rubens who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders and travelled to Italy, where he stayed until 1627, mostly in Genoa. He spent five years in Flanders after his return from Italy, and was court painter for the archduchess Isabella, Habsburg Governor of Flanders. In 1632 he returned to London to become the main court painter to Charles I of England.
After Holbein, van Dyck and his contemporary Diego Valezquez were the first painters of pre-eminent to work mainly as court portraitists, revolutionising the genre. Van Dyck is best known for his portraits of the royals and aristocracy, most notably Charles I, and his family and associates. Van Dyck widely influenced English portrait painting for the next 150 years. His portrait style changed considerably between the different countries he worked in, culminating in the relaxed elegance of his last English period. His influence extends into the modern period. During his lifetime, Charles I granted him a knighthood, and after his death Van Dyck was buried in St Paul’s Cathedral, an indication of his high standing at the time of his death.to
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Artist: (After) Anthony Van Dyck
Double Portrait Oil Painting Brothers George, 2nd Duke Buckingham & Lord Francis
By (After) Anthony Van Dyck
Located in London, GB
Aftrer Anthony VAN DYCK - maybe Studio (1599, Antwerp – 1641, London) Flemish
Double Portrait of George Villiers, 2nd Duke of Buckingham (1628-1687) & Lord Francis Villiers (1629-1648)
Oil on Canvas
170 x 147 cm
Anthony Van Dyck (1599-1641)
No painter has done more to define an era than Anthony van Dyck. He spent only seven and a half years of his short life (1599- 1641) in England. He grew up in Antwerp, where his precocious talent was recognised by Peter Paul Rubens, the greatest painter of his age. He worked in Rubens’s studio and imitated his style as a religious artist, painting biblical scenes redolent of the lush piety of the counter-reformation. But soon he was on the move. In 1620, he visited London for a few months, long enough to paint a history picture, The Continence of Scipio, for the royal favourite, George Villiers, Marquess of Buckingham, and a portrait of his other English patron, the great art collector, Thomas Howard, 2nd Earl of Arundel.
After a stint in Italy, making imposing portraits of the wealthy aristocracy and sketching and copying works by Titian, he returned to the Spanish Netherlands in 1627, becoming court artist to Archduchess Isabella before departing for The Hague in 1631 to paint the Dutch ruler Frederick Henry, Prince of Orange. Charles I’s invitation in 1632 led Van Dyck back to London where he was knighted, paid an annual salary of £200 and installed in a house in Blackfriars with a special jetty at which the royal barge might tie up when the King was visiting his studio. By this time Van Dyck was recognised as the leading court painter in Europe, with Velazquez at the court of Philip IV of Spain his only rival. He also excelled as a superbly observant painter of children and dogs.
Van Dyck’s notoriety in depicting children led to the introduction of groups of children without their parents as a new genre into English painting (amongst other new genres).
For the next 300 years, Van Dyck was the major influence on English portraiture. Nearly all the great 18th Century portraitists, from Pompeo Batoni and Allan Ramsay to Thomas Gainsborough and Joshua Reynolds, copied Van Dyck’s costumes, poses and compositions.
George Duke of Buckingham & his brother Francis Villiers
Painted in 1635, this double portrait was originally commissioned by Charles I, who raised the two brothers after their father, George Villiers, was assassinated in 1628. Together with their sister, Lady Mary Villiers, they enjoyed the King’s favour absolutely. Francis whose absolute ‘inimitable handsomeness’ was noted by Marvell (who was killed in a skirmish near Kingston upon Thames). The young duke who commanded a regiment of horse at the Battle of Worcester, remained closely associated with Charles II, held a number of high offices after the Restoration and was one of the most cynical and brilliant members of the King’s entourage, immortalised as ‘Zimri’ in Dryden’s Absalom and Achitopbel. As a young man he had sold his father’s great collection of pictures in the Spanish Netherlands, many of them to the Archduke Leopold Willhelm.
Painted for Charles I and placed near the portrait of their sister in the Gallery at St James’ Palace. The handling of both costumes is very rich, and the heads are very carefully and sensitively worked. That of the younger boy in particular is more solidly built up than the lower part of the figure. A preparatory drawing for the younger boy is in the British Museum.
There are copies at, e.g., Highclere Castle...
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17th Century Old Masters (After) Anthony Van Dyck Portrait Paintings
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Anthony van Dyck, Engraving Ernest de Mansfeld, c. 1654, Portrait, Iconographie
By (After) Anthony Van Dyck
Located in Greven, DE
A wonderfully detailed and charismatic portrait, this exquisite work illustrates the technical mastery and artistic vision of Van Dyck. Ernest de Mansfeld's stately yet approachable expression reflects Van Dyck's refined ability to comfort and relax his subjects, resulting in a realistic and acute portrait. Ernest de Mansfeld was a German military commander during the early years of the Thirty Years War. Donning his armor and an ornate, lace collar, de Mansfeld appears as a strong commander. Without a hint of a smile, he calmly gazes out, the definition of cool and collected. Van Dyck accurately captures the sense that de Mansfeld is a man who takes his job seriously, a man worthy of commanding an army in battle.
This portrait is a Mauquoy-Hendrickx State II (of II), engraved by Robertus van Voerst in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641) as part of his Iconographie series of engraved portraits of famous people...
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17th Century Baroque (After) Anthony Van Dyck Portrait Paintings
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Engraving, Laid Paper
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(after) Anthony Van Dyck portrait paintings for sale on 1stDibs.
Find a wide variety of authentic (After) Anthony Van Dyck portrait paintings available for sale on 1stDibs. You can also browse by medium to find art by (After) Anthony Van Dyck in canvas, engraving, fabric and more. Much of the original work by this artist or collective was created during the 18th century and earlier and is mostly associated with the Old Masters style. Not every interior allows for large (After) Anthony Van Dyck portrait paintings, so small editions measuring 8 inches across are available. (After) Anthony Van Dyck portrait paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $4,497 and tops out at $53,681, while the average work can sell for $29,089.
Questions About (After) Anthony Van Dyck Portrait Paintings
- 1stDibs ExpertOctober 30, 2024How much a van Dyck painting is worth varies based on its historical significance, condition and size. At a London auction in 2009, a self-portrait of the artist sold for $13.5 million. Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter for Charles I of England. He is best known for his portraits of royalty and aristocracy, most notably Charles I and his family and associates. His style changed considerably between the countries he worked in, culminating in the relaxed elegance of his last English period. Van Dyck widely influenced English portrait painting for the next 150 years, and his influence extended into the modern period. If you own a van Dyck piece, use the services of a certified appraiser or knowledgeable art dealer to learn how much it may be worth. On 1stDibs, find a variety of Baroque art.