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Alan Alldredge Art

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Artist: Alan Alldredge
Digitus Formatae
By Alan Alldredge
Located in Tulsa, OK
ALAN ALLDREDGE Digitus Formatae 33.00w x 33.00h x 3.00d in $3,300.00
Category

2010s Abstract Alan Alldredge Art

Materials

Mixed Media

PERPLEXUM
By Alan Alldredge
Located in Tulsa, OK
Alan Alldredge PERPLEXUM Taking cues from the natural world, he aims to reinforce the belief that beauty is part of the sacred through his work. cast plaster on cotton duck 22.00...
Category

2010s Contemporary Alan Alldredge Art

Materials

Mixed Media

CATICUM I
By Alan Alldredge
Located in Tulsa, OK
CATICUM I by artist Alan Alldredge is a contemporary abstract made of chocolate brown resin, and taupe voile that measures 44 x 44 and is priced at $4,800. Alan Alldredge investigat...
Category

2010s Abstract Alan Alldredge Art

Materials

Resin, Acrylic Polymer

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As his working apprentice, Bayer first learned about the design of packages – something entirely new at the time – as well as the design of interiors and graphics of a decorative expressionist style, all of which later figured in his professional career. While at Darmstadt, he came across Wassily Kandinsky’s book, Concerning the Spiritual in Art, and learned of the new art school, the Weimar Bauhaus, in which he enrolled in 1921. He initially attended Johannes Itten’s preliminary course, followed by Wassily Kandinsky’s workshop on mural painting. Bayer later recalled, “The early years at the Bauhaus in Weimar became the formative experience of my subsequent work.” Following graduation in 1925, he was appointed head of the newly-created workshop for print and advertising at the Dessau Bauhaus that also produced the school’s own print works. During this time he designed the “Universal” typeface emphasizing legibility by removing the ornaments from letterforms (serifs). Three years later he left the Bauhaus to focus more on his own artwork, moving to Berlin where he worked as a graphic designer in advertising and as an artistic director of the Dorland Studio advertising agency. (Forty years later he designed a vast traveling exhibition, catalog and poster -- 50 Jahre Bauhaus -- shown in Germany, South America, Japan, Canada and the United States.) In pre-World War II Berlin he also pursued the design of exhibitions, painting, photography and photomontage, and was art director of Vogue magazine in Paris. On account of his previous association with the Bauhaus, the German Nazis removed his paintings from German museums and included him among the artists in a large exhibition entitled Degenerate Art (Entartete Kunst) that toured German and Austrian museums in 1937. 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Bayer’s designs for “Modern Art in Advertising” (1945), an exhibition of the Container Corporation of America (CAA) at the Art Institute of Chicago, earned him the support and friendship of Walter Paepcke, the corporation’s president and chairman of the board. Paepcke, whose embrace of modern currents and design changed the look of American advertising and industry, hired him to move to Aspen, Colorado, in 1946 as a design consultant transforming the moribund mountain town into a ski resort and a cultural center. Over the next twenty-eight years he became an influential catalyst in the community as a painter, graphic designer, architect and landscape designer, also serving as a design consultant for the Aspen Cultural Center. In the summer of 1949 Bayer promoted through poster design and other design work Paepcke’s Goethe Bicentennial Convocation attended by 2,000 visitors to Aspen and highlighted by the participation of Albert Schweitzer, Arthur Rubenstein, Jose Ortega y Gasset and Thornton Wilder. The celebration, held in a tent designed by Finnish architect Eero Saarinen, led to the establishment that same year of the world-famous Aspen Music Festival and School regarded as one of the top classical music venues in the United States, and the Aspen Institute for Humanistic Studies in (now the Aspen Institute), promoting in Paepcke’s words “the cross fertilization of men’s minds.” In 1946 Bayer completed his first architecture design project in Aspen, the Sundeck Ski Restaurant, at an elevation of 11,300 feet on Ajax Mountain. Three years later he built his first studio on Red Mountain, followed by a home which he sold in 1953 to Robert O. Anderson, founder of the Atlantic Richfield Company who became very active in the Aspen Institute. Bayer later designed Anderson’s terrace home in Aspen (1962) and a private chapel for the Anderson family in Valley Hondo, New Mexico (1963). Transplanting German Bauhaus design to the Colorado Rockies, Bayer created along with associate architect, Fredric Benedict, a series of buildings for the modern Aspen Institute complex: Koch Seminar Building (1952), Aspen Meadows guest chalets and Center Building (both 1954), Health Center and Aspen Meadows Restaurant (Copper Kettle, both 1955). For the grounds of the Aspen Institute in 1955 Bayer executed the Marble Garden and conceived the Grass Mound, the first recorded “earthwork” environment In 1973-74 he completed Anderson Park for the Institute, a continuation of his fascination with environmental earth art. In 1961 he designed the Walter Paepcke Auditorium and Memorial Building, completing three years later his most ambitious and original design project – the Musical Festival Tent for the Music Associates of Aspen. (In 2000 the tent was replaced with a design by Harry Teague.) One of Bayer’s ambitious plans from the 1950s, unrealized due to Paepcke’s death in 1960, was an architectural village on the outskirts of the Aspen Institute, featuring seventeen of the world’s most notable architects – Walter Gropius, Marcel Breuer, I.M. Pei, Minoru Yamasaki, Edward Durrell Stone and Phillip Johnson – who accepted his offer to design and build houses. Concurrent with Bayer’s design and consultant work while based in Aspen for almost thirty years, he continued painting, printmaking, and mural work. Shortly after relocating to Colorado, he further developed his “Mountains and Convolutions” series begun in Vermont in 1944, exploring nature’s fury and repose. Seeing mountains as “simplified forms reduced to sculptural surface in motion,” he executed in 1948 a series of seven two-color lithographs (edition of 90) for the Colorado Springs Fine Arts Center. Colorado’s multi-planal typography similarly inspired Verdure, a large mural commissioned by Walter Gropius for the Harkness Commons Building at Harvard University (1950), and a large exterior sgraffito mural for the Koch Seminar Building at the Aspen Institute (1953). Having exhausted by that time the subject matter of “Mountains and Convulsions,” Bayer returned to geometric abstractions which he pursued over the next three decades. In 1954 he started the “Linear Structure” series containing a richly-colored balance format with bands of sticks of continuously modulated colors. That same year he did a small group of paintings, “Forces of Time,” expressionist abstractions exploring the temporal dimension of nature’s seasonal molting. He also debuted a “Moon and Structure” series in which constructed, architectural form served as the underpinning for the elaboration of color variations and transformations. Geometric abstraction likewise appeared his free-standing metal sculpture, Kaleidoscreen (1957), a large experimental project for ALCOA (Aluminum Corporation of America) installed as an outdoor space divider on the Aspen Meadows in the Aspen Institute complex. Composed of seven prefabricated, multi-colored and textured panels, they could be turned ninety degrees to intersect and form a continuous plane in which the panels recomposed like pieces of a jigsaw puzzle. He similarly used prefabricated elements for Articulated Wall, a very tall free-standing sculpture commissioned for the Olympic Games in Mexico...
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Previously Available Items
ANTE FACIEM II
By Alan Alldredge
Located in Tulsa, OK
Alan Alldredge ANTE FACIEM II Taking cues from the natural world, he aims to reinforce the belief that beauty is part of the sacred through his work. cast resin on linen 45.00 X 3...
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2010s Contemporary Alan Alldredge Art

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Mixed Media

DIGITUS FORMATAE VI
By Alan Alldredge
Located in Tulsa, OK
Alan Alldredge DIGITUS FORMATAE VI Taking cues from the natural world, he aims to reinforce the belief that beauty is part of the sacred through his work. cast plaster on cotton ...
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2010s Contemporary Alan Alldredge Art

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Mixed Media

CIRCUMACTUS I
By Alan Alldredge
Located in Tulsa, OK
Alan Alldredge CIRCUMACTUS I Taking cues from the natural world, he aims to reinforce the belief that beauty is part of the sacred through his work. cast resin on linen 45.00 X 36...
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2010s Contemporary Alan Alldredge Art

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Mixed Media

MANUS DEI ORG I
By Alan Alldredge
Located in Tulsa, OK
MANUS DEI ORG I by Alan Alldredge is a Dull White Resin Two layers voile (white/taupe) that measures 36.00 X 30.00 in and is priced at $3,500.00. Alan Alldredge investigates process...
Category

2010s Abstract Alan Alldredge Art

Materials

Resin

  • MANUS DEI ORG I
  • MANUS DEI ORG I
  • MANUS DEI ORG I
  • MANUS DEI ORG I
H 36.00 in. W 30.00 in.
DEBITUM I VE
By Alan Alldredge
Located in Tulsa, OK
DEBITUM I VE by Alan Alldredge is a cast plaster on cotton duck measuring 22.00 X 22.00 in and is priced at $1,240.00. Alan Alldredge investigates processual abstraction with flowi...
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2010s Abstract Alan Alldredge Art

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Resin, Plaster

  • DEBITUM I VE
  • DEBITUM I VE
  • DEBITUM I VE
  • DEBITUM I VE
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SEATED FIGURE RIGHT VE 1/7
By Alan Alldredge
Located in Tulsa, OK
SEATED FIGURE RIGHT VE 1/7 by Alan Alldredge is a Cast Monoprint / Resin on Organza measuring 36.00 X 30.00 in and is priced at $3,500.00. Alan Alldredge investigates processual abs...
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2010s Abstract Alan Alldredge Art

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PARA MOIRE
By Alan Alldredge
Located in Tulsa, OK
Para Moire by artist Alan Alldredge is a gold contemporary abstract dual cast made with gold leaf that measues 48 x 48 and is priced at $6,500. Alan Alldredge investigates processua...
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2010s Contemporary Alan Alldredge Art

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Gold Leaf

CATICUM I VE 2/5
By Alan Alldredge
Located in Tulsa, OK
CATICUM I VE 2/5 by artist Alan Alldredge is a contemporary gold transparent cast monoprint that measures 44 x 44 and is priced at $4,800. This piece features a delicate use of gold...
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2010s Contemporary Alan Alldredge Art

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Resin, Acrylic Polymer

MANUS DEI ORG II
By Alan Alldredge
Located in Tulsa, OK
S T A T E M E N T: I remember, as a five year old boy, sitting at a kindergarten table with an emptied box of crayons before me. My mind sees 2, 0, 3-4, 9, and 7. This was the fir...
Category

21st Century and Contemporary Abstract Alan Alldredge Art

Materials

Mixed Media, Resin, Walnut

MANUS DEI ORG II
H 36 in. W 30 in. D 1.5 in.
Manus Dei I
By Alan Alldredge
Located in Tulsa, OK
The first cast monoprint from the manus dei pattern series. Opalescent white resin, roughly cast on white organza, this piece has an action panting feel while maintain...
Category

21st Century and Contemporary Modern Alan Alldredge Art

Materials

Mixed Media

Manus Dei I
H 33 in. W 75 in. D 1.5 in.
MANUS DEI I
By Alan Alldredge
Located in Tulsa, OK
The first cast monoprint from the manus dei pattern series. Opalescent white resin, roughly cast on white organza, this piece has an action panting feel while maintain...
Category

21st Century and Contemporary Modern Alan Alldredge Art

Materials

Mixed Media, Resin

MANUS DEI I
H 33 in. W 75 in. D 1.5 in.

Alan Alldredge art for sale on 1stDibs

1stDibs offers a wide variety of authentic Alan Alldredge art available for sale. You can also browse by medium to find art by Alan Alldredge in mixed media, organic material, resin and more. Much of this artist's original work was created during the 21st Century and Contemporary, and is mostly associated with the Contemporary style. Not every interior allows for large Alan Alldredge art, so small editions measuring 22 inches across are available. Customers who are interested in this artist might also find the works of Anthony Reans, Ronald Johnson and Peter Kuttner. On 1stDibs, the price for these items starts at US$3,500 and tops out at US$4,800, while the average work can sell for US$4,050.

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