Aleksandra Mato Figurative Paintings

This delicate green and black dress is an artwork on paper blending paint, color pencil and collage elements. Intuitive mark-making and loose textured detail create an impressionisti...

Gobardhan Ash - Untitled - Gouache on Paper 10 x 15 inches (unframed size) Style : Regarded as a pioneer of modern Indian art, Ash’s contribution at the time when India witnessed the advent of Western modernism is significant and colossal. His work was exploratory, visionary and inspiring. He printed with bold courage and a free spirit, never yielding to the rules set by official art. He rejected the preconceived notions of how an artist ought to render his subjects and inevitably rebelled against the academic rules “ If we look at nature in the open, we do not see individual objects each with its own colors but rather a bright medley of tints which blend in our eyes, in our minds.” – Gobardhan Ash (The Statesman, April 24, 1994). His verbal imagery alluded to what was real and relevant in India yet transcended to communicate a deeper, universal message about the human spirit. Disillusioned with the limits and constraints he faced, Ash withdrew into his private introspective world to explore his own mode of artistic expression. And although it was the convention then to paint divinities or exotic female figures on their way to the temple, Ash embarked on a new approach altogether to paint farmers toiling in the fields, workers engaged in intense labor to earn their living, thereby setting a new trend of socio-realistic art in India. In 1945, Ash was brought into the public eye when the progressive writers Association discovered his series of paintings on the Bengal famine. The paintings depict, if not document, the ravages of the 1943 catastrophe. In juxtaposition to the famine series, his impressionist and post impressionist gouaches during the late 40s come as an interesting antithesis. Colors, rich and vibrant, come alive in a pulsating tone to dominate the entire painting. Ash never subscribed to a stringent artistic form or technique. Rather, his works from the 80s display yet another intriguing and jarringly different style in his treatment of portraiture. His colors, with the exception of the apparent outlines, are reduced to smudges and smears so that the painting appear to originate from stained canvas. His subjects, spectral figures that engage and draw us within their profound state of despair and helplessness. To characterize the life works of Gobardhan Ash is to recognize the complexity and spontaneity of his ideas and the enormous richness of his style. An artist who devoted his entire life to art, his paintings have transited and evolved from monochromatic sketches and landscape to portraiture; from naturalistic real-life depictions to abstract expressionism. Whatever the genre style-Ash has demonstrated an eloquent mastery over the diverse style, techniques and medias employed, as evident in the vast retrospective collection. His paintings are conceptual and purposeful, displaying a unique individuality. His art expounds a frank desire to convey the value of uncompromising artistic sincerity. Gobardhan Ash remains today a prolific artist of his time. About the Artist & his works : Born : Regarded as a pioneer of modern Indian art, Gobardhan Ash (1907-1996) was born at the village of Begampur in Hoogly district of West Bengal.. Family : His father was Haricharan Ash and mother Gouri Devi. He spent all his life in this village and died here in 1996 at the matured age...

A fine impressionist pastel painting of a ballerina by American artist Louis Kronberg (1872-1965). The painter, dealer and art advisor Louis Kronberg was born in Boston, Massachusetts. He studied at the Arts Student League in New York and at the Boston Museum of Fine Arts School, where he was influenced by Edmund Tarbell...

Chhotu Lal - Untitled, 10.25 x 14 inches Gouache and Gold on Acid Free Paper, 2020 ** Shipped in roll form. Born in 1957, Chhotu lal is an acclaimed artist based in Udaipur, Rajasth...

Gobardhan Ash - Untitled - Gouache on Paper 9.5 x 10 inches (unframed size) (Unframed Delivered) Style : Regarded as a pioneer of modern Indian art, Ash’s contribution at the time when India witnessed the advent of Western modernism is significant and colossal. His work was exploratory, visionary and inspiring. He printed with bold courage and a free spirit, never yielding to the rules set by official art. He rejected the preconceived notions of how an artist ought to render his subjects and inevitably rebelled against the academic rules “ If we look at nature in the open, we do not see individual objects each with its own colors but rather a bright medley of tints which blend in our eyes, in our minds.” – Gobardhan Ash (The Statesman, April 24, 1994). His verbal imagery alluded to what was real and relevant in India yet transcended to communicate a deeper, universal message about the human spirit. Disillusioned with the limits and constraints he faced, Ash withdrew into his private introspective world to explore his own mode of artistic expression. And although it was the convention then to paint divinities or exotic female figures on their way to the temple, Ash embarked on a new approach altogether to paint farmers toiling in the fields, workers engaged in intense labor to earn their living, thereby setting a new trend of socio-realistic art in India. In 1945, Ash was brought into the public eye when the progressive writers Association discovered his series of paintings on the Bengal famine. The paintings depict, if not document, the ravages of the 1943 catastrophe. In juxtaposition to the famine series, his impressionist and post impressionist gouaches during the late 40s come as an interesting antithesis. Colors, rich and vibrant, come alive in a pulsating tone to dominate the entire painting. Ash never subscribed to a stringent artistic form or technique. Rather, his works from the 80s display yet another intriguing and jarringly different style in his treatment of portraiture. His colors, with the exception of the apparent outlines, are reduced to smudges and smears so that the painting appear to originate from stained canvas. His subjects, spectral figures that engage and draw us within their profound state of despair and helplessness. To characterize the life works of Gobardhan Ash is to recognize the complexity and spontaneity of his ideas and the enormous richness of his style. An artist who devoted his entire life to art, his paintings have transited and evolved from monochromatic sketches and landscape to portraiture; from naturalistic real-life depictions to abstract expressionism. Whatever the genre style-Ash has demonstrated an eloquent mastery over the diverse style, techniques and medias employed, as evident in the vast retrospective collection. His paintings are conceptual and purposeful, displaying a unique individuality. His art expounds a frank desire to convey the value of uncompromising artistic sincerity. Gobardhan Ash remains today a prolific artist of his time. About the Artist & his works : Born : Regarded as a pioneer of modern Indian art, Gobardhan Ash (1907-1996) was born at the village of Begampur in Hoogly district of West Bengal.. Family : His father was Haricharan Ash and mother Gouri Devi. He spent all his life in this village and died here in 1996 at the matured age...

Gobardhan Ash - Untitled - Gouache on Paper 15 x 9 inches (unframed size) ( Unframed & Delivered ) Style : Regarded as a pioneer of modern Indian art, Ash’s contribution at the time...

Gobardhan Ash - Untitled - Gouache on Paper 15 x 9 inches, 18-12-1985 ( Unframed & Delivered ) Style : Regarded as a pioneer of modern Indian art, ...

Uday Mondal - Untitled, 13 x 19 inches (unframed size) Acrylic & Pastel on Paper Inclusive of shipment in roll form. Style : His paintings present details of the society in a responsible, lucid and coherent fashion. They are thought-provoking and give a new perspective to art. The most interesting things about his artworks are that they transcend politics, religion, and gender striking a chord with the viewers. About the Artist and his work : Born : 1976. Education : 1999 : BFA in Painting from the Indian Art College, Rabindra Bharati University, Kolkata 2002 : MFA in Painting from MS University, Baroda. Solo Shows : 2006 : Gallery Beyond, Mumbai 2005 : Jehangir Art Gallery, Mumbai 2001 : Solo Show at Baroda. Group Shows : 2010 : IMA Foundation, London & Jehangir Art Gallery by Pink Ginger Arts, Mumbai 2009 : ‘Art Expo’ Mumbai ; ‘Cutting Chai’ curated by Sandhya Bordewekar, Sarjan Art Gallery, Baroda & Online show ‘IMA foundation’ London. 2008 & 09 : ‘Spandan IV’ Gallery Articulate, Yash Birla Group, Mumbai 2006,07 & 08 : ‘Summer Show’ CIMA Art Gallery, Kolkata 2008 : ‘Emerging India’ Henry Moore Gallery, London by Art Alive Gallery 2007 : ‘Singapore Art Fest’, Singapore ; “Synchrome 4’ Tao Art Gallery, Mumbai & Akar Prakar, Kolkata & ‘Reality Bytes’ three men show...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...

Uday Mondal - Untitled, 20 x 14 inches (unframed size) Acrylic & Pastel on Paper Inclusive of shipment in roll form. Style : His paintings present details of the society in a responsible, lucid and coherent fashion. They are thought-provoking and give a new perspective to art. The most interesting things about his artworks are that they transcend politics, religion, and gender striking a chord with the viewers. About the Artist and his work : Born : 1976. Education : 1999 : BFA in Painting from the Indian Art College, Rabindra Bharati University, Kolkata 2002 : MFA in Painting from MS University, Baroda. Solo Shows : 2006 : Gallery Beyond, Mumbai 2005 : Jehangir Art Gallery, Mumbai 2001 : Solo Show at Baroda. Group Shows : 2010 : IMA Foundation, London & Jehangir Art Gallery by Pink Ginger Arts, Mumbai 2009 : ‘Art Expo’ Mumbai ; ‘Cutting Chai’ curated by Sandhya Bordewekar, Sarjan Art Gallery, Baroda & Online show ‘IMA foundation’ London. 2008 & 09 : ‘Spandan IV’ Gallery Articulate, Yash Birla Group, Mumbai 2006,07 & 08 : ‘Summer Show’ CIMA Art Gallery, Kolkata 2008 : ‘Emerging India’ Henry Moore Gallery, London by Art Alive Gallery 2007 : ‘Singapore Art Fest’, Singapore ; “Synchrome 4’ Tao Art Gallery, Mumbai & Akar Prakar, Kolkata & ‘Reality Bytes’ three men show...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Womenswear. There, he tutored many contemporary greats, including John Galliano, Stella McCartney, Christopher Kane, Wes Gordon, Zac Posen and Hussein Chalayan. Examples of Tangye’s portraits are held in many important collections, both public and private, including the Victoria and Albert Museum (V&A), Harvard University and London’s National Portrait Gallery. Throughout his teaching career Tangye quietly developed a particularly idiosyncratic art practice. By employing a decisive line with bold applications of richly layered materials, Tangye explores the nuances of the human form in an effort to expose his subjects’ true essence and energy. — Howard Tangye Natasha (Sitting), 2012 Mixed media on Pergamenata parchment 100 x 70 cm (39.37 x 27.55 in) (signed) (unframed) — This portrait shows Natasha, an ex-student and model. Here she’s posed in Howard’s studio wearing a look from Louise Gray’s S/S 2013 collection. The collection featured headwear by Stephen Jones, the renowned British milliner who created the cut-out plexiglass fascinator Natasha wears here. This work hails from a series commissioned by Dan Thawley, director of “A Magazine Curated By” for the edition guest edition by Jones who dedicated his issue to Anna Piaggi...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...