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André Derain Landscape Prints

French, 1880-1954

André Derain is best known as a leading figure of the avant-garde movement and — alongside Henri Matisse — a cofounder of Fauvism at the turn of the 20th century. Derain’s innovative use of expressive colors and simplified forms in his figurative paintings, landscapes and portraits continue to dazzle collectors and art enthusiasts everywhere.

Born in 1880 in Chatou, France, Derain began his formal art training at age 18 at the Académie Camillo, where he met Matisse and Maurice de Vlaminck. In 1905, Derain, Matisse and de Vlaminck exhibited their works at the Salon d’Automne in Paris, where critic Louis Vauxcelles used the word fauves (wild beasts) to describe the loosely connected collective of artists’ prioritization of audacious, vivid color in their energetic works, eventually leading to wide adoption of the term Fauvism.

In 1905 and 1906, Derain traveled to London, where he produced a series of Fauvist “form through color” paintings. These included The London Bridge, Charing Cross Bridge and A Corner of Hyde Park. After seeing a retrospective of Paul Gauguin’s work, Derain painted The Dance, a nude that is demonstrative of Gauguin’s influence in its bold, flat colors and in Derain’s depiction of primitive dancing figures.

In 1910, Derain destroyed many of his unsold works and began painting landscapes in the Cubist style of Paul Cézanne. He befriended Pablo Picasso and grew interested in African tribal art. After World War I, he focused on figurative and nude drawings and, in the early 1920s, abandoned Fauvism and Cubism altogether in favor of classical art. In 1930, the artist publicly condemned modernism, leading to his ostracization by the avant-garde community. 

Derain was later honored with a retrospective of his works at the Kunsthalle in Bern, Switzerland. Additionally, the Exposition des Artistes Independants invited Derain to exhibit in 1937.

Derain’s wide range of styles — from Fauvism and Cubism to classicism and Postimpressionism — influenced many artists throughout his lifetime. Today, Derain’s work is held in the permanent collections of the Museum of Modern Art in New York, the Tate gallery in London, the Musée d’Orsay in Paris and the State Hermitage Museum in St. Petersburg. 

On 1stDibs, discover original André Derain prints, drawings and paintings.

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Artist: André Derain
Au Jardin d'Allah, Verve: Revue Artistique et Littéraire
By André Derain
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...
Category

1930s Fauvist André Derain Landscape Prints

Materials

Lithograph

Au Jardin d'Allah, Verve: Revue Artistique et Littéraire
By André Derain
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...
Category

1930s Fauvist André Derain Landscape Prints

Materials

Lithograph

Au Jardin d'Allah, Verve: Revue Artistique et Littéraire
By André Derain
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...
Category

1930s Fauvist André Derain Landscape Prints

Materials

Lithograph

Au Jardin d'Allah, Verve: Revue Artistique et Littéraire
By André Derain
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...
Category

1930s Fauvist André Derain Landscape Prints

Materials

Lithograph

Le Pont Neuf, A La gloire à Paris, André Derain
By André Derain
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category

1930s Modern André Derain Landscape Prints

Materials

Etching

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Previously Available Items
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Andre Derain (1880-1954) etching and drypoint Paysage (le Morin), 1911, signed and numbered 50/50 (although edition size is not known). Reference: Adhemar 49. In good condition apart from some defects in the wide margins (a few nicks, and repaired tears at edges, not near image), with full margins with deckle edges, 11 1/2 x 14 1/4 (the sheet 17 1/2 x 24 1/2) inches, archival matting, on cream laid Arches paper (with the Arches watermark). Andre Derain was born in Chatou, near Paris in 1880. He worked with Henri Matisse in 1905 at Collioure, and participated in the 1905 Salon d’Automne with Matisse, Vlaminck, and Braque, the exhibition in which this group was labeled as Fauves, or Wild Beasts. Derain moved to the Montmartre section of Paris in 1907 where he met Picasso. He had his first one-person exhibition in Paris in 1916, and received many honors and exhibitions until his death in 1954. This important print, showing evidence of both the Fauve and Cubist styles, was entitled Paysage dan la gout Italien, and given a date of 1913 in the Jean Adhemar catalogue of 1955, which has come to be regarded as the Derain catalogue raisonne for his prints. But Jane Lee...
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