André Minaux Figurative Prints

Offset Lithograph (poster) Edition of Unknown Size 27.56 x 19.68 in (70.0 x 50.0 cm) This is an original, authorised David Hockney poster, produced by the Kunsthalle Helsinki for t...

Original Lithograph by Jean Cocteau Title: Europe's Diversity Signed in the plate Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sciaky 1961 Jean Coc...

Leonor Fini - Red-Hair - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris Unsigne...

André Planson - French Province Original Lithograph Handsigned Dimensions: 38 x 28 cm Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture...

Artist: Marc Chagall (Russian-French, 1887-1985) Title: "Cheval Bleu au Couple (Blue Horse with Couple)" Portfolio: Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght (No. 250) ...

JONAS WOOD Interiors, 2019 Offset lithograph in colors on wove paper Signed TWICE: Signed and dated in black marker lower right with the artist's distinctive flourish; hand signed ag...

Vintage poster for the 1982 Summer Festival season of the San Francisco Opera. David Hockney designed the whimsical sets and costumes for the San Francisco Opera's production of Igor...

After Pablo Picasso 1881 - 1973 The Dwarf Dancer (Barcelona Series) - 1966 Framed Offset Color lithograph signed, dated and dedicated at the bottom "For L...

Original 1972 exhibition poster: PICASSO, Galerie Louise Leiris Exhibition. Printer Moulot 1972. Henri Deschamps engraver. Translated, it is called: "The Painter & His Model" Fine condition. This was the last exhibition of Picasso's works before his death in 1973. The drawing of a young woman with an aging artist is typical of Picasso's concern with death towards the end of his life. This lithographic poster was designed to advertise an exhibition of 172 recent drawings by Pablo Picasso at the Galerie Louise Leiris in 1972. Lithography was authorized by Picasso and executed by French artist Henri Deschamps. Signed in the plate by Deschamps lower right. Printed by Mourlot in Paris, under Picasso's supervision, 1972. Catalogue Raisonne: Czwiklitzer 446; Rodrigo 241. Limited edition: 5,250. Sheet size: 28" x 19". Galerie Louise Leiris was a fine art gallery in Paris established by Daniel-Henry Kahnweiler in 1920. It was named after Kahnweiler's partner, André Simon. In 1940, the business was turned over to Louise Leiris, who was Kahnweiler's daughter. It was run under her name. Prominent among the artists who sold paintings...

This is a signed color lithograph by Bernard Buffet from the Don Quixote series printed in 1989 at the Atelier Mourlot, Paris. This particular image is of Don Quixote in his library....

Shading in bright turquoise above a Southwestern style thunderbird Kilim rug adorns this original exhibition poster for David Hockney's 1969 show at Andre Emmerich, New York. This po...

This charming vintage poster commemorated the publication of David Hockney's Six Fairy Tales from the Brothers Grimm. The poster advertises a miniature ...