Anthony Quinn Prints

A contemporary figurative serigraph with silver embossed embellishments titled "In the Evening" by the Father of Art Deco, Erte. Hand signed in pencil on the lower right with an anno...

Leonor Fini, rare original serigraph on Rives paper, circa 1970 Rare print handsigned by surrealist artist Leonor Fini, inscreasingly esteemed with the movement of rediscovering art...

A contemporary serigraph on paper titled "Liza's Wedding" by Guy Buffet. Hand signed in pencil on the bottom right with an annotation of H.C. III/XX on the bottom left. A whimsical c...

Fabio Hurtado (Spanish, b. 1960), "Montreaux Crossing" is a limited edition serigraph on deckle edge paper, numbered 94/385. It is nicely framed and matt...

Original signed Serigraph "Les Fleurs No.3" by Lyn Howley. Produced in the USA, circa 1950s. Lyn Howley's work was produced by Van Amstel Co. Studio Editi...

Erté was born Romain de Tirtoff in St. Petersburg, Russia on November 23rd, 1892 and was raised amidst Russia's social elite. At the age of five he created an evening gown for his mo...

A richly expressive work by American artist Jim Dine, this Untitled piece comes from the celebrated portfolio Self-Portrait in a Convex Mirror, inspired by John Ashbery’s Pulitzer Pr...

Jack Duganne (American, 1942-2020), "Hebridas", a serigraph on heavyweight wove paper. An ethereal mountainscape in colors ranging from golden yellow to brownish mauve. It is pencil ...

In this silkscreen by Arthur Secunda, the landscape artist has developed his own iconography in representing nature, the land and its forms, as well as corresponding inner landscapes. Signed on the bottom right with an AP annotation and title on the bottom left. A beautiful color gradation and blending of forms in many media. His work tends to oscillate between the serene--striated colors in landscapes--to the expressive, as in many of his oil paintings. Dimensions: 19.25"w x 1"d x 43.25"h (framed). In very good vintage condition. Arthur Secunda (1927- ) is an internationally renowned artist whose career has spanned eight decades. His one man shows have been seen worldwide in numerous galleries and museums in France, Sweden, Belgium, Holland, Spain, Israel, and Japan. In the United States, he is represented in most major museums of the country, including the National Gallery of Art and the Smithsonian Museum in Washington D.C., the Museum of Modern Art in New York, the UCLA Museum, the Detroit Art...

Jan-Harry Persson. Self-portrait Graphic sheet dimension: 12 x 12.5 cm. Provenance: Arne Lindqvist's collection of artist self-portraits which included this one by Jan Harry Persson,...

Woodblock print and serigraph on paper by artist Tetsuya Noda depicting two barns one in the middle ground and one in the background. Signed on the lower ...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...