Wall Decorations

An antique 19th Century Russian Orthodox hand-painted egg tempera & gilded icon of Saint Pelagia and Saint James, circa 1860. This very fine antique Russian icon is painted in the a...

This was a very old Japanese warehouse (kura) window sliding door. It was made during the Meiji period (1860s-1900s). The frame is made of cedar wood, and the base is hardened with s...

Victorian Blooms: Pair of Botanical Prints by Jane Wells Loudon, Plates 11 & 31, Circa 1843 This exquisite pair of hand-colored lithographs is by the celebrated botanical artist Jan...

IMPORTANT Collector's TAPESTRY for collectors! 17th-century Aubusson tapestry, The Entry of Alexander into Babylon after Charles Le Brun "This exceptional piece will be accompanied...

Mythological Seas: Pair of 18th-Century Portuguese Azulejo Mermen 18th Century This spectacular pair of 18th-century Portuguese tile pictures depicts two imposing mermen. Executed i...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkey Ready to go on a wall. ...

This beautiful tapestry is woven on a jacquard loom by skilled weavers, keeping alive the centuries old tradition of tapestry manufacturing from generation to generation. This tapest...

Wonderful image by Edmund Dulac Tipped in plate onto paper Lithograph. Published C.1930 The measurement given is the paper size not the actual coloured printed image. Free ship...

Very elegant handmade coat-hook. Literature: Waltraud Neuwirth, Wiener Werkstaette – Avant Garde Art Deco, Industrial Design, 1985 Vienna p. 49. Different hooks are available see pic...

This is a beautiful pair of oil on board paintings by Pieter Cornelis Dommersen (Dutch, 1833-1918), signed and dated 1904 and 1910. The paintings are titled "Fishermen and their fa...

Rare gothic revival wall cabinet with carved church-window doors France or Northern Europe, late 19th century. This exceptional and highly decorative Gothic Revival wall cabinet dat...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkiye Ready to go on a wall....

An Early 20th Century Chippendale Mirrored Back Mahogany Corner wall shelf or whatnot. It features a mirrored back and intricate pierce-cut scrollwork. Style: Chippendale, or what...

Bird’s-Eye View of Charleston, South Carolina – Panoramic City Engraving, 19th C. This impressive 19th-century engraving titled Bird’s-Eye View of Charleston presents a sweeping pan...

Osvaldo Borsani for Tecno, bookcase or wall unit, model 'E22', lacquered steel, lacquered aluminum, wood, glass, Italy, design 1957. This sleek, wall-mounted shelving unit, crafted ...

"Phytanthoza Iconographia": Set of Twelve Botanical Engravings by Johann Weinmann, Circa 1737–1745 A fine and historically significant set of twelve original copperplate engravings ...

Great images of mushrooms. Unframed. Published, circa 1900. The size given is for one print Free shipping

Small British Modern school abstract painting on board. Oil on canvas, laid on mahogany. Unsigned.

Fantastic first-year-of-release special promo poster for The Beatles much-loved classic Yellow Submarine. Printed in 1968 by King Features Syndicate Subafilms and featuring iconic an...

This dramatic wall hanging is an impressive statement piece for almost any room.Custom sizes and others colors available by request. Each piece is completely made to order and is ava...

Jesus Blessing the Children – Antique German Catholic Chromolithograph, c. 1890 This beautiful late 19th-century German chromolithograph depicts one of the most tender and beloved scenes in Christian iconography: Jesus blessing the children. Christ stands centrally in a serene pastoral landscape, gently extending his hands in a gesture of protection and compassion, while two children approach Him with trust and reverence. The soft light of the halo frames His head, reinforcing the sacred presence, while the surrounding greenery and distant buildings create a peaceful biblical setting. This image reflects the powerful theme from the Gospel of Matthew, “Let the little children come to me,” and was widely used in Catholic devotional culture for home altars, schools, and parish settings during the late Victorian period. The gentle facial expressions, flowing robes, and rich harmonious colors are all characteristic of high-quality German chromolithography from the late 19th century. Chromolithography allowed for exceptional depth of color and painterly effects, closely imitating oil painting. This example shows especially fine tonal transitions in the robes, sky, and landscape, as well as excellent detail in the figures and foliage. The overall visual impression is warm, calm, and deeply devotional, making this print particularly appealing to Catholic art collectors and religious interiors. Pieces of this type were often displayed in framed settings above prayer corners, in churches, or in Catholic family homes and have become increasingly collectible as surviving examples in good condition grow scarcer. Its subject matter gives it lasting spiritual and decorative appeal and makes it a timeless devotional artwork. CONDITION REPORT Good antique condition overall. Light even age toning to the paper, consistent with late 19th-century chromolithographs. Minor softening at the edges and faint handling traces visible upon close inspection. No major stains, no tears, and no restoration observed. The colors remain vibrant and well preserved. FRAMING TIPS This print would be beautifully enhanced with a classic gold-leaf or champagne-gilt wooden frame combined with a wide ivory or warm cream mat. For a more contemporary sacred interior, a soft walnut or dark oak frame with museum glass would provide excellent contrast and visual depth while keeping the devotional character intact. TECHNIQUE Chromolithography MAKER German devotional publisher, Germany, circa 1890 KEYWORD BLOCK Jesus blessing children, Jesus the Friend of Children, antique catholic print...

Adolphe Mouron (Cassandre) Normandie lithograph poster print made in Paris, France in 1979. The print shop used Cassandre's original design printed in 1935. The poster promoted the i...

Beautiful mid-20th-century French tapestry woven on Jacquard looms with wool, cotton and acrylic . .The "verdure" genre was very popular in the 17th century and gave rise to sumptuo...

Majolica dragonfly wall pocket by Fives Lille, circa 1900.   

This original 1964 French moyenne poster for The Pink Panther showcases the distinctive artwork of Clément Hurel (1927–2008), a prolific and respected figure in French cinema and adv...

Decorative wall tapestry

A beautiful French zinc decorative horse head trade sign from the late 19th century with great details on the mane and musculature. France, circa 1880-1900. Beautiful weathered and s...

This is a Danish original vintage oil on canvas landscape painting by Børge Ball (1906-1979). The motive is a cow in the field with a woman approaching with a milk pail. In the backg...

Marina Con Veliero signed and dated John Henry Mohrmann 1908, oil painting on canvas depicting the three-masted brig Giuseppina with Italian flag as she sails along the coast of the ...

Add a touch of whimsical sophistication to your collection with this enchanting limited-edition print by acclaimed contemporary artist Marti Somers. Titled 6 Limes Juggling, the piec...

Portuguese Majolica pears platter signed , circa 1930.

Original first-year-of-release country-of-origin The Beatles Let It Be UK Quad film poster. The poignant Beatles' documentary Let It Be which was filmed within the last 4 weeks befo...

This is an old tabune, thought to have been made in Japan from the Meiji period to around the Taisho period (approximately the 1890s to the 1920s). It is likely one of the everyday t...

Offered here is an exceptional Italian gilt wood wall shelf or wall console from the 1950s. Expertly hand carved from wood and finished with rich gold plating, this piece displays el...

Antique Chromolithograph Aurora Borealis Polar Lights, Meyers 1900 A beautifully composed and scientifically intriguing antique chromolithograph depicting the phenomenon of the Auro...

This American folk art painting, dated September 26, 1894, presents a charming trompe-l’œil composition depicting three fish suspended before a newspaper titled Cattaraugus Star, ref...

French Faience oyster platter Moustiers style, circa 1940. 15 inches diameter.

French Majolica asparagus plate Onnaing, circa 1890.

This 18th-century French Aubusson tapestry depicts a serene verdure landscape animated by birds, foliage, and pastoral scenery. Woven in wool and silk, the composition reflects the r...

The Seasons (Les Saisons) by Alphonse Mucha is among the most celebrated expressions of Art Nouveau printmaking: a suite of four poetic lithographs—Spring, Summer, Autumn, and Winter—each allegory embodied by an idealized female figure adorned with the flora and fauna of their eponymous season. Spring (Les Printemps) Spring emerges as an ethereal, blonde sylph—an air elemental—standing before a haze of apple blossoms. She is framed by a delicate wreath of blooming dogwood, a motif Mucha studied from life. She fashions a lyre-like instrument from a fresh green branch, her own flowing hair forming its strings, evoking the poetic ideal of the Aeolian harp—an instrument played not by human hands but by the wind itself. This association aligns her with Romantic notions of nature as an animating force, written by contemporaneous poets such as Samuel Taylor Coleridge. At her feet, songbirds—including the ortolan bunting, long associated in French culture with innocence, and the exotic red-billed leiothrix, prized for its melodious song—gather to animate the composition with sound. The floral border of her garment, composed of narcissi, asters, dianthus, and cuckoo flowers, reinforces the sense of the abundance that defines the season. Summer (L’Été) Summer is rendered in languid repose, seated beside a reflective pool, her body slackened by the heat. Crowned with vivid red poppies—flowers of both sleep and sensuality—she dips her feet into cool water, seeking relief from the oppressive warmth. Ivy curls around her form, her translucent white drapery appears to slip from her shoulders, heightening the sense of languor. Unlike the airiness of Spring, Summer is grounded in the body, evoking the sensuous, almost narcotic stillness of a long, sun-drenched afternoon. Autumn (L’Automne) Autumn is richly adorned, her deep auburn hair echoing the tones of fallen leaves that surround her. She turns her gaze not outward, but toward the ripe grapes she holds—a symbol of harvest and abundance. A crown of chrysanthemums, rendered in white and blue, rests upon her head, a flower closely associated with Mucha himself, who was known—according to his son Jiří Mucha—to wear one in his buttonhole. Her costume is elaborately detailed with filigree disk brooches inspired by the stage jewelry of Sarah Bernhardt, particularly in her role as Theodora. These jewelry designs by Mucha drew on historical sources ranging from Byzantine mosaics studied in Ravenna to the earlier Merovingian traditions of Frankish and Lombardic women, who wore paired brooches...

A magnificent antique French tapestry depicting a hunting scene set within a lush verdure background. It features a beautiful colorway that enhances its artistic detail and timeless...

Antique Gemstone Prints Set of 4, Blue & Green Minerals, Bauer c.1900 Description: A refined and visually balanced set of four antique gemstone prints, published circa 1900 in Bauer...

Concave tinted glass. Similar to Anish Kapoor sculptures. Thermoformed and mirrored, hand polished. Mounted on a brass structure. Available in blue (as pictured), green, pink go...

Antique Black Forest Fallow Deer Trophy, Germany ca.1900 An impressive antique fallow deer (Dama dama) trophy dating to around 1900. The wide, palmate antlers display a beautifully ...

Antique Sugarcane Botanical Print – Saccharum officinarum, Hayne Plate 100 Description: This finely executed botanical engraving depicts Saccharum officinarum, the sugarcane plant, shown with scientific clarity and quiet elegance. The composition presents the full growth habit with segmented canes and flowering plume, accompanied by precise analytical details of the inflorescence and spikelets, as well as a separate cross-section of the cane. The balance between clarity and restraint is characteristic of early German academic botany at its best. The print originates from Friedrich Gottlob Hayne’s monumental work Getreue Darstellung und Beschreibung der in der Arzneykunde gebräuchlichen Gewächse, published in Berlin in the early 19th century. Hayne was one of the most important botanical authors of his time, and his work played a crucial role in standardizing the visual language of medicinal and economic botany across Europe. Each plate was engraved on copper and then carefully hand colored, combining scientific accuracy with refined aesthetic appeal. Sugarcane held enormous economic and medicinal importance in the 18th and 19th centuries, linked to global trade networks, colonial agriculture, and the production of sugar as both food and pharmaceutical ingredient. As such, this plate carries strong historical resonance beyond its botanical subject, appealing equally to collectors of natural history, economic botany, and early scientific illustration. Visually, the print works exceptionally well as a stand-alone sheet. The calm composition, generous margins, and soft hand coloring make it particularly attractive for interior settings, from classic libraries to contemporary spaces where natural history prints are used as architectural accents. Condition report: Good antique condition. Light, even age toning to the paper consistent with age. Minor surface marks and soft handling wear visible on close inspection. Plate impression visible. No major tears or losses. Framing tips: This print benefits from a wide mat to emphasize its scientific elegance. Recommended combinations include a black or dark walnut frame with an ivory or parchment mat for a classic look, or a slim natural oak frame with an off-white mat for a lighter, contemporary presentation. Avoid overly dark mats, which can overpower the delicate hand coloring. Technique: Copper engraving with original hand coloring Maker: Friedrich Gottlob Hayne, Berlin, early 19th century Keywords: antique botanical print, sugarcane print, sugar cane botanical, saccharum officinarum, antique plant illustration, hand colored botanical, 19th century botanical print, natural history wall art, framed botanical print, antique agricultural print, economic botany illustration, tropical plant artwork, colonial trade decor, kitchen botanical wall art...

Large Oil Painting in the Manner of Édouard-Leon Cortes, Paris France Stunning large oil painting in the manner of Edouard Léon Cortès depicting scenes of 19th century Paris, France...

Very beautiful mid century Egyptian tapestry probably by Wissa Wassef school, with beautiful native design and beautiful colors, handwoven tapestry with wool on cotton foundation, fe...

As found in France, an impressive oil on canvas painting of a French landscape scene, signed, circa 1920's-1930's. A very lifelike rendering of a French village. This oil painting fe...

Tapestry Signed From The Rambouillet Workshop, The King Carried - Indian Tapestry - No. 1632 Artist: After Albert Eckhout Period: 20th century Condition: Perfect condition Material: Wool A superb 20th-century decorative tapestry from the Rambouillet workshop (printed reproduction), entitled “The King Carried,” from the famous Indian Tapestry Series, an emblematic series produced by the Beauvais manufactory in the 18th century, reflecting the exotic taste so popular during the reign of Louis XV. This piece is an art edition produced in the 20th century by the Rambouillet Tapestry...

We are pleased to present this early 20th-century oil on canvas painting. This splendid portrait of a young woman is signed lower right in red: G. Maldarelli and dated 1917, likely b...

Märta Måås-Fjetterström 1873–1941. This is an important early Large Juniblommor wall hanging / rug/ hand woven tapestry, created in 1928, executed between 1928 and 1942, hand-woven ...

Background: Red Classic Burgundy Subjects: Beige Onyx Designer: Marika Tardio Designed by hand in Digital Art Made in: Italy Printing support: Fine Art ( front 50% cellulose, back n...

As found in Copenhagen, an impressive oil painting on canvas capturing a serene, muted-color landscape with houses and snow. It certainly is a realist take on a countryside winter sc...

Jesus Appears to Mary Magdalene – Antique German Chromolithograph, c. 1895 This striking late 19th-century German chromolithograph depicts the moving biblical moment in which the risen Christ appears to Mary Magdalene following the Resurrection. Christ is shown standing in quiet majesty, halo radiant with divine light, His right hand placed gently over His heart in a gesture of compassion and reassurance. Mary Magdalene kneels before Him with deep devotion, her long flowing hair and rich garments emphasizing both humility and reverence. The composition is set within a tranquil garden landscape, traditionally associated with the Resurrection narrative, reinforcing the spiritual symbolism of rebirth, forgiveness, and divine mercy. Christ’s red tunic and deep blue mantle radiate warmth and solemnity, while the soft golden halo creates a luminous focal point that draws the eye immediately to His face. This scene, known in Christian tradition as *Noli Me Tangere* (“Touch Me Not”), represents one of the most emotionally powerful moments of the Gospel story. It became a highly favored subject in Catholic devotional art of the late 19th century, commonly displayed in prayer corners, chapels, religious schools, and family interiors. Produced using high-quality chromolithography, this print achieves exceptional painterly depth, with delicate shading in the flesh tones, refined folds in the drapery, and beautifully layered landscape colors. The gold highlights of the halos and the saturated reds and blues are especially well preserved, reflecting the superior production standards of German devotional publishers during this period. This is a visually commanding and spiritually meaningful artwork, highly desirable for Catholic collectors, sacred art interiors, and serious devotional art collections. CONDITION REPORT Good antique condition overall. Light, even age toning to the paper consistent with late 19th-century chromolithographs. Minor edge wear and very gentle corner softening visible upon close inspection. No major stains, no tears, and no restoration observed. Colors remain strong and vivid. FRAMING TIPS This print will display beautifully in a classic gilt or softly antiqued gold wooden frame to echo the sacred halo tones. For a more restrained interior, a dark walnut or black lacquer frame with a wide ivory mat and museum glass will create a dramatic devotional presentation. TECHNIQUE Chromolithography MAKER German devotional publisher, Germany, circa 1895 KEYWORD BLOCK Jesus and Mary Magdalene, Noli Me Tangere, resurrection scene, antique catholic print...

Rare vintage original CBGB club poster published in 1983 to commemorate the historic venue's 10 year anniversary. Offset lithograph. 1983. Measures: 23x35 inches. Good overall vint...

John Charlton (1849–1917): "Wee Busbie (1897)" A Magnificent Edwardian Equestrian Portrait This exceptional oil on canvas by the renowned British artist John Charlton, R.B.A., R.I.,...

Framed 1960s Italian pietra dura plaque with Inlaid semi-precious hard stones mosaic technique creating a picture. A landscape work depicting a view of Florence with rolling hills, t...

Beautiful console for displaying with saint statuette. This finely carved wooden wall console presents a richly detailed devotional shrine, centered around a sculpted figure believe...

Elegant early 20th-century Aubusson tapestry, showcasing a charming pastoral scene in soft, muted tones. The composition features a serene countryside landscape with lush trees, a fl...

This is an exquisite pair of large Art Nouveau, cast iron, gilded shelf brackets from the early part of the twentieth century, most probably French. These fabulous shelf brackets e...