Antonio Tempesta was born and trained in Florence and painted in a variety of styles, influenced to some degree by Counter-Maniera or Counter-Mannerism. He enrolled in the Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Flemish painter Johannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence.
The Lion - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The lion is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a...
Etching
Dog - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In good conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Etching
Goat - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Goat is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Etching
Mule - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Mule is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cre...
Etching
Cainus fratri necem molitur (Cain kills his brother), Plate I Battles from Old T
By Antonio Tempesta
Located in Middletown, NY
Rome: Nicolas van Aelst, 1613. Engraving on cream laid paper with a foolscap watermark, 8 x 11 1/4 inches (203 x 282 mm), thread margins. Scattered expert repairs including minor pu...
Laid Paper, Engraving
Stories from Genesis - Etching by Antonio Tempesta - 17th Century
By Antonio Tempesta
Located in Roma, IT
Stories from Genesis is an etching realized by Antonio Tempesta in the early 17th Century. It's part of series of three plates. it represents Isaac's sacrifice. 3 etching of 9 cm e...
Etching
$464Sale Price|20% Off
The Chariot of Gods - Etching by Antonio Tempesta - 17th Century
By Antonio Tempesta
Located in Roma, IT
The Chariot of Gods is anold master artwork realized by Antonio Tempesta in 17th Century. Black and white etching. Good condition. Ref. Bertela 801 Plate dimensions: 14 x 19 cm
Etching
Stories from Genesis - Etching by Antonio Tempesta - 17th Century
By Antonio Tempesta
Located in Roma, IT
Stories from Genesis is an etching realized by Antonio Tempesta in the early 17th Century. From left to right: Annunciation, City of Sodom burning. Lot who is saved with his daughte...
Etching
Hunting Scene - Original Etching by Antonio Tempesta - Early 17th Century
By Antonio Tempesta
Located in Roma, IT
Image dimensions: 20.4 x 27.5 cm. Hunting Scene is a wonderful black and white etching on thick laid paper, realized by the Italian master, Antonio Tempesta (1555-1630). Monogramm ...
Etching
Dog - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a crea...
Etching
Dog - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a crea...
Etching
Old Testament Plates - Original Etching by Antonio Tempesta - 17th Century
By Antonio Tempesta
Located in Roma, IT
Old Testament plates is a wonderful black and white set of prints realized by the Italian master Antonio Tempesta (1555-1630) in the XVII century. The eight plates depicting scenes of the Old testament with Inscriprions on plates They are mounted on a cardboard passepartout and in a gilded frame. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Etching
The Horse - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. Image Dimensions: 5 x 7 / 8 x 10 c...
Etching
The Monkey - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Monkey is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions, except for some stains. Image Dimensions: 5 x 7 / 8 x 10 cm. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Etching
The Horse - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including ...
Etching
The Donkey - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Donkey is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including...
Etching
Frontispiece for "Diversi Animali" - Etching by A. Tempesta - 17th Century
By Antonio Tempesta
Located in Roma, IT
Diversi Animali is an original Etching realized by Antonio Tempesta in the 17th Century. Good Conditions. The artwork is depicted through strong strokes with perfect Hatchings.
Etching
$883
Plates of Old Testament- Etching by Antonio Tempesta - 17th Century
By Antonio Tempesta
Located in Roma, IT
Plates of Old Testament is a wonderful black and white set of prints realized by the Italian master Antonio Tempesta (1555-1630) in the XVII century. The ten plates depicting scenes of the Old testament WITH Inscriprions on plates They are mounted on a cardboard passepartout and in a gilded frame. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Etching
Dog - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a crea...
Etching
The Horse - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Image Dimensions: 5 x 7 / 8 x 10 cm. Not signed....
Etching
The Buffalo - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Buffalo is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Etching
The Fawn - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The fawn is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Image Dimensions: 5 x 7 / 8 ...
Etching
Bull - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Bull is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Image Dimensions: 5 x 7 cm. 8 x 10 cm. Not signed. I...
Etching
Ox - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Ox is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Image Dimensions:...
Etching
Dog - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a crea...
Etching
$834
H 9.06 in W 7.49 in D 0.04 in
Woman In Front Of The Stove III - Engraving after Rembrandt - 19th Century
By Charles Amand Durand
Located in Roma, IT
Woman In Front Of The Stove III is an engraving on ivory-colored paper by Charles Amand Durand realized after Rembrandt (date of realization 1658). This wonderful piece of art belon...
Engraving
A Fierce Bull
By James McBey
Located in Plano, TX
A Fierce Bull. 1911. Drypoint. Hardie 108. 5 3/8 x 8 (sheet 8 5/16 x 11 7/8). Edition 8. An exceptional impression with rich drypoint burr printed on antique laid paper. A proof of t...
Drypoint, Etching
$350
H 14.89 in W 9.26 in
Abbey Church of Jumièges. Elevation and parts of the nave.
By John Sell Cotman
Located in Middletown, NY
Cornhill: J & A Arch, 1819. Etching and engraving on lightweight cream wove paper, 14 7/8 x 9 1/4 inches (378 x 235); sheet 18 3/4 x 13 1/8 inches (477 x 334 mm), full margin. In ve...
Handmade Paper, Engraving, Etching
Coenties Slip
By Charles Frederick William Mielatz
Located in Middletown, NY
Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...
Etching, Drypoint, Handmade Paper
$1,650
H 15.38 in W 14.75 in
'Portrait of a Young Woman' original Hollar engraving after Hans Holbein
By Wenceslaus Hollar
Located in Milwaukee, WI
In this print, Wenceslaus Hollar presents a portrait of an unidentified woman, copying a portrait by Hans Holbein the Younger. The identity of the sitter is a mystery: formerly, the portrait was believed to be of Catherine of Aragon, and the National Portrait Gallery in London identifies her as Queen Mary I...
Engraving
Night Time, Dieppe.
By Edmund Blampied
Located in Plano, TX
Night Time, Dieppe. 1926-27. Drypoint. Appleby 123. 7 7/8 x 11/ Edition 100. A fine impression printed on cream laid paper with full margins. Signed in penc...
Drypoint, Etching
$1,650
H 15.63 in W 13.88 in
'Portrait of Henrico van der Borcht, ' original W. Hollar engraving after Holbei
By Wenceslaus Hollar
Located in Milwaukee, WI
In this print, Wenceslaus Hollar presents a portrait of D. Henrico van der Borcht, copying a painting or drawing by Hans Holbein. Copying works of famous masters was a common task of...
Engraving
$600
H 3.75 in W 5.875 in
Tigre couché à l'entrée de son antre (Tiger Lying at the Entrance to its Lair)
By Eugène Delacroix
Located in Middletown, NY
Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...
Laid Paper, Drypoint, Etching
Revelations de Nozdriov
By Marc Chagall
Located in San Francisco, CA
This artwork titled "Revelations de Nozdriov" from the suite "Nicholas Gogol, Les Ames Mortes" created 1923-1937, published 1948, is an etching on paper by renown Russian/French arti...
Etching
$1,837Sale Price|25% Off
H 24 in W 20 in D 1 in
Seated Figure (framed hand signed etching)
By Henry Moore
Located in Aventura, FL
Etching on paper. Hand signed lower right by Henry Moore. Hand numbered 49/50 lower left. Sheet size 18.5 x 15 inches. Image size 8.625 x 6.5 inches. Frame size: approx. 24 x 2...
Paper, Etching
$356Sale Price|25% Off
H 18 in W 15 in
Alice In Wonderland: Hookah Smoking Caterpillar, Hand signed Etching, Erotica
By Knox Martin
Located in Union City, NJ
Alice In Wonderland:Hookah Smoking Caterpillar is an original hand made etching by the American abstract painter Knox Martin. Printed in black ink on archival printmaking paper, 100% acid free. Erotic fantastical interpretation of “Alice’s Adventures in Wonderland”, where Alice first meets the Catepillar while he is sitting on a mushroom smoking a hookah. He helps her by advising her to eat from the mushroom if she wants to change her size. Print size- 18" x 15", Image size - 8.25" x 6.75" Edition size - 50 About the artist- Knox Martin (1923-2022) was an esteemed New York School painter. Knox Martin was born in 1923 in Barranquilla, Colombia. He was the son of the aviator, painter, and poet William Knox Martin, the first man to fly over the Andes mountains. After serving in World War II, Knox Martin attended the Art Students League of New York on the G.I. Bill from 1946-1950, where he studied with Harry Sternberg, Vaclav Vytlacil, Will Barnet, and Morris Kantor. In 1954, Knox Martin's friend Franz Kline placed a painting of his in the Stable Gallery Annual. Charles Egan of the renowned Charles Egan Gallery saw Knox Martin's painting at the Stable Gallery and asked Martin to show his work in a one-man show for the tenth anniversary of the Egan Gallery. Since then, Knox Martin was a celebrated painter, sculptor and muralist. Knox Martin had an extensive exhibition record and his work is in museum, corporate and private collections worldwide. His two best-known murals in NYC are Venus and Woman with Bicycle...
Etching
The Great Draughtsman Sitting (Self-Portrait)
By Jacques Villon
Located in Chicago, IL
This etching is signed and numbered by the artist and was printed in an edition of 50. The references for this work are: Auberty & Perussaux 266 and Ginestet & Pouillon E. 3...
Etching
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H 20.87 in W 26.78 in D 0.6 in
17th Century "Diana's Deer and Boar Hunt" Etching by Antonio Tempesta
By Antonio Tempesta
Located in Cagliari, IT
A fine mythological etching by the great Italian engraver Antonio Tempesta (Florence, 1555 – Rome, 5 August 1630) printed by François L'Anglois or Langlois (12 May 1589 (baptised) – 13 January 1647),also called F. L. D. Ciartres (" Francois Langlois from Chartres"). Beautiful sheet , very sharp . The dimensions below are inclusive of the frame, the print without the frame measures 27x19 cm Antonio Tempesta, also called il Tempestino (1555 – 5 August 1630), was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp. Much of his work depicts major battles and historical figures. He was born and trained in Florence and painted in a variety of styles, influenced to some degree by "Counter-Maniera" or Counter-Mannerism. He enrolled in the Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Flemish painter Joannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence. His favourite subjects were battles, cavalcades, and processions. He relocated to Rome, where he associated with artists from the Habsburg Netherlands, which may have led to his facility with landscape painting. Among his followers was Marzio di Colantonio. Tempesta and the Flemish painter Matthijs Bril were commissioned by Pope Gregory XIII to paint wide panoramas of the Procession to Transfer the Relics of St. Gregory of Nazianzus (1572) for the loggias on the third floor of the Vatican Palace. He completed frescoes in the Palazzina Gambara at the Villa Lante in Bagnaia (1578-1609). From 1579–83, Tempesta participated in the decoration of the Villa Farnese in Caprarola, notably of this villa's Scala Regia. He is also known to have collaborated on frescoes in the Villa d'Este at Tivoli and the Palazzina Gamara at Villa Lante, Bagnaia. He painted a series of turbulent and crowded battle scenes for the Medici. He also completed a series of engravings on outdoor courtly hunting scenes. Tempesta painted frescoes for the Palazzos Colonna, the Doria Pamphilj, and for the Marchese Giustiniani in his Roman palace, where Tempesta collaborated with Paul Bril, and at Bassano di Sutri. He painted a Massacre of the Innocents for the church of Santo Stefano Rotondo in Rome. Tempesta is now best known as a printmaker in etching and engraving. He also left numerous etchings, among them: Plates from the Old Testament; twenty-four plates from the Life of St. Anthony; a set of 150 prints from Ovid’s Metamorphoses; 13 plates on The Labours of Hercules and four plates on respectively The ages of man; The entry of Alexander into Babylon; Diana and Actaon, and The crucifixion (1612). In 1612 he engraved a series of plates under the title "Batavorum cum Romanis Bellum" after designs of the Netherlandish artist Otto van Veen, also known as Vaenius (1556-1629) and court painter to Alessandro Farnese. Van Veen was influenced by the Italian mannerists but had developed his own style anticipating the Flemish baroque of his pupil Peter Paul Rubens. The series consists of 36 numbered engraved plates and illustrates the armed struggle between the ancient Dutch tribes and their Roman oppressors as narrated in Tacitus' Histories. Each plate bears at the bottom an engraved legend in Flemish and in Latin while a detailed explanation is printed on the otherwise blank verso. Plate I, signed 'Ant.Tempesta f. Anno 1611', shows 'Roma' and 'Batavia' in battle dress with respective scenic backgrounds, symbolizing the two nations. Fifteen other plates bear Tempesta's monogram. The plates depict heroic events, sieges, and battle scenes. This historicist work was very popular in its time. Tempesta also drew many designs for tapestries. François L’Anglois or Langlois (12 May 1589 (baptised) – 13 January 1647), also called F. L. D. Ciartres ("François Langlois from Chartres"), was a French print publisher, print seller, engraver, bookseller, art dealer, and painter. He is widely considered to have been the first important print publisher in France and to have contributed significantly to spreading awareness of contemporary artists' work throughout Europe. François L’Anglois was born in Chartres and baptised there on 12 May 1589. He visited Italy on several occasions: Rome in 1613 and 1614 and Genoa, Florence, and Rome again in 1621. On these trips he met Anthony van Dyck and Claude Vignon, who both painted his portrait. He also became acquainted with the engravers Stefano della Bella and François Collignon. It was probably around this time that he acquired the nickname of Chartres (Ciartres in Italian). In 1624–1625 he was associated with Vignon as an art dealer (paintings) and acted as a print collector for Thomas Howard, 14th Earl of Arundel, and Charles I of England...
Paper
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H 13.39 in W 19.3 in D 0.04 in
The Cinghi - Original Etching by Antonio Tempesta - 1610
By Antonio Tempesta
Located in Roma, IT
The Cinghi is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions, except for...
Etching
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H 13.39 in W 19.3 in D 0.04 in
The Monkey - Original Etching by Antonio Tempesta - 1610
By Antonio Tempesta
Located in Roma, IT
The monkey is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions, except for...
Etching
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H 13.39 in W 19.69 in D 0.04 in
The Elephant - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Elephant is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Image Dimensions: 7 x 10/ 9 x 11.5 cm. Not signed. In excellent conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Etching
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H 13.39 in W 19.69 in D 0.04 in
The Cheetah - Original Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Cheetah is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In exce...
Etching
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H 13.39 in W 19.69 in D 0.04 in
The Monkey - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The monkey is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In very good conditions, except for...
Etching
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H 13.39 in W 19.3 in D 0.04 in
The Lioness - Original Etching by Antonio Tempesta - 1630
By Antonio Tempesta
Located in Roma, IT
The lioness is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Includin...
Etching
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H 13.39 in W 19.3 in D 0.04 in
Bear - Original Etching by Antonio Tempesta - 1610
By Antonio Tempesta
Located in Roma, IT
Bear is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cre...
Etching
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H 13.39 in W 19.69 in D 0.04 in
The Goat - Original Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Goat is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a...
Etching
Adoration of the Magi
By Antonio Tempesta
Located in New York, NY
Antonio Tempesta (Florence 1555 - 1630 Rome) Adoration of the Magi Signed on the quiver-strap of the black soldier holding the two white horses...
Alabaster
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H 11 in W 8.13 in D 1 in
Illustrations for Canto I from Tasso's Jerusalem Delivered III
By Antonio Tempesta
Located in Petworth, West Sussex
Antonio Tempesta (Italian, 1555-1630) Illustrations for Canto I from Tasso's Jerusalem Delivered III etchings, ( a set of 5) each 11 x 8.1/8 in. (28cm x 20.5c...
Etching
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H 35 in W 40 in D 6 in
Old Master Oil on canvas 'Manner of 'Antonio Tempesto' Circa 1700
By Antonio Tempesta
Located in Uppingham, GB
Old Master Oil on canvas 'Manner of 'Antonio Tempesta' Circa 1700 Depicting Turkish Riders in a Landscape & framed in a very high quality Swept Gilt Frame.,
Oil