Antonio Visentini Drawings and Watercolor Paintings

Figurative drawing with graphite, charcoal, and conte crayon on Arches paper 30 x 19 inches, unframed One piece of 30 x 19 inch Arches paper. Two drawings on opposite sides. These u...

Poster Sketch for fashion advertising for FACIS, Italian Pret-a-Porter company. Italian Pop art Water-colour, ink and pencil on paper. Size with black ...

The Archibald Russell. 1935. Pencil and watercolour on watercolour board. 20 7/8 x 28 5/8. Mat line from a previous mount; otherwise excellent condition. Signed and dated in ink, low...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

“What he has learned from the art of the museums, Cobb has fully assimilated and modified in the development of his own personal vision. And while enriched by these historical perspe...

Decorative Squirrel Design by Georges Manzana Pissarro (1871-1961) Pencil and watercolour on paper 45.4 x 32.4 cm (17 ⁷/₈ x 12 ³/₄) Signed lower right Manzana Pissarro This work is ...

Les prisonniers sur la plage “Mazagan” by Georges Manzana Pissarro (1871-1961) Charcoal, colour crayon and watercolour on paper 19.5 × 25 cm ( 7 ⁵/₈ × 9 ⁷/₈ inches) Signed with Estat...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE La Maison Rose, Les Andelys by Ludovic-Rodo Pissarro (1878-1952) Watercolour, ink and ...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

Attributed to Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Watercolor and graphite on paper Largest: 24 x 18 in. Smallest: 22 3/4 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

Investigation, Drawing by Kenneth Craft, 2021 Additional information: Medium: Pencil, watercolor, and colored pencil Dimension: 10 x 14 in About artist: Ken Craft (b. 1967 New Mex...

5 Sisters, Drawing by Kenneth Craft, 2022 Additional information: Medium: Pencil, watercolor, and colored pencil Dimension: 14 x 10 in About artist: Ken Craft (b. 1967 New Mexico) ...