Skip to main content

Barbara Rachko Art

to
5
5
3
1
Impresario
By Barbara Rachko
Located in Santa Monica, CA
Original Soft Pastel on Sandpaper
Category

21st Century and Contemporary Abstract Expressionist Barbara Rachko Art

Materials

Pastel

Practical Advice on Waiting, bright colors, domestic, Latin objects
By Barbara Rachko
Located in Brooklyn, NY
Works Her pastel-on-sandpaper series, "Domestic Threats" and "Black Paintings", both use cultural objects as surrogates for human beings acting in mysterious, highly charged narratives.[9][10] Rachko also has created a series of photographs entitled "Gods and Monsters".[11] In these chromogenic prints, she is "painting with a camera," creating variations that free the camera from being a mechanical recording device of what lies before it. She prints all of these images by hand. The earlier "Domestic Threats" pastel-on-sandpaper paintings used her West Village apartment or her 1932 Sears house in Virginia as a backdrop. The "Black Paintings" series grew directly from "Domestic Threats". In the "Black Paintings," the figures (actors) take center stage. All background details, furniture, rugs, etc. have been eliminated and replaced by intense dark black pastel. Each painting takes months to complete as she slowly builds up as many as 30 layers of soft pastel. Her long-standing fascination with traditional masks progressed in the spring of 2017 when she visited the National Museum of Ethnography and Folklore in La Paz, Bolivia where one exhibition included more than fifty festival masks. The resulting series is entitled “Bolivianos”.[12] She has also written an e-book, From Pilot to Painter[13] and writes a regular blog, Barbara Rachko...
Category

Early 2000s Fauvist Barbara Rachko Art

Materials

Pastel

He Was So in Need of Botany, bright colors, domestic, Latin objects
By Barbara Rachko
Located in Brooklyn, NY
Price and size includes frames (maple wood with white mats). Artwork 58" x 38" Her pastel-on-sandpaper series, "Domestic Threats" and "Black Paintings", both use cultural objects as surrogates for human beings acting in mysterious, highly charged narratives.[9][10] Rachko also has created a series of photographs entitled "Gods and Monsters".[11] In these chromogenic prints, she is "painting with a camera," creating variations that free the camera from being a mechanical recording device of what lies before it. She prints all of these images by hand. The earlier "Domestic Threats" pastel-on-sandpaper paintings used her West Village apartment or her 1932 Sears house in Virginia as a backdrop. The "Black Paintings" series grew directly from "Domestic Threats". In the "Black Paintings," the figures (actors) take center stage. All background details, furniture, rugs, etc. have been eliminated and replaced by intense dark black pastel. Each painting takes months to complete as she slowly builds up as many as 30 layers of soft pastel. Her long-standing fascination with traditional masks progressed in the spring of 2017 when she visited the National Museum of Ethnography and Folklore in La Paz, Bolivia where one exhibition included more than fifty festival masks. The resulting series is entitled “Bolivianos”.[12] She has also written an e-book, From Pilot to Painter[13] and writes a regular blog, Barbara Rachko...
Category

Early 2000s Fauvist Barbara Rachko Art

Materials

Pastel

Scene Twentyone: Living Room bright colors, domestic, Latin objects
By Barbara Rachko
Located in Brooklyn, NY
Price and size includes frames (maple wood with white mats). Artwork 20" x 26" Her pastel-on-sandpaper series, "Domestic Threats" and "Black Paintings", both use cultural objects as surrogates for human beings acting in mysterious, highly charged narratives.[9][10] Rachko also has created a series of photographs entitled "Gods and Monsters".[11] In these chromogenic prints, she is "painting with a camera," creating variations that free the camera from being a mechanical recording device of what lies before it. She prints all of these images by hand. The earlier "Domestic Threats" pastel-on-sandpaper paintings used her West Village apartment or her 1932 Sears house in Virginia as a backdrop. The "Black Paintings" series grew directly from "Domestic Threats". In the "Black Paintings," the figures (actors) take center stage. All background details, furniture, rugs, etc. have been eliminated and replaced by intense dark black pastel. Each painting takes months to complete as she slowly builds up as many as 30 layers of soft pastel. Her long-standing fascination with traditional masks progressed in the spring of 2017 when she visited the National Museum of Ethnography and Folklore in La Paz, Bolivia where one exhibition included more than fifty festival masks. The resulting series is entitled “Bolivianos”.[12] She has also written an e-book, From Pilot to Painter[13] and writes a regular blog, Barbara Rachko...
Category

Early 2000s Folk Art Barbara Rachko Art

Materials

Pastel

Scene Fourteen: Kitchen, bright colors, domestic, Latin objects
By Barbara Rachko
Located in Brooklyn, NY
Price and size includes frames (maple wood with white mats). Artwork 58" x 38" Her pastel-on-sandpaper series, "Domestic Threats" and "Black Paintings", both use cultural objects as surrogates for human beings acting in mysterious, highly charged narratives.[9][10] Rachko also has created a series of photographs entitled "Gods and Monsters".[11] In these chromogenic prints, she is "painting with a camera," creating variations that free the camera from being a mechanical recording device of what lies before it. She prints all of these images by hand. The earlier "Domestic Threats" pastel-on-sandpaper paintings used her West Village apartment or her 1932 Sears house in Virginia as a backdrop. The "Black Paintings" series grew directly from "Domestic Threats". In the "Black Paintings," the figures (actors) take center stage. All background details, furniture, rugs, etc. have been eliminated and replaced by intense dark black pastel. Each painting takes months to complete as she slowly builds up as many as 30 layers of soft pastel. Her long-standing fascination with traditional masks progressed in the spring of 2017 when she visited the National Museum of Ethnography and Folklore in La Paz, Bolivia where one exhibition included more than fifty festival masks. The resulting series is entitled “Bolivianos”.[12] She has also written an e-book, From Pilot to Painter[13] and writes a regular blog, Barbara Rachko...
Category

2010s Folk Art Barbara Rachko Art

Materials

Pastel

Related Items
Abstract Still Life with Fruit in Watercolor on Paper
By Les Anderson
Located in Soquel, CA
Abstract Still Life with Fruit in Watercolor on Paper Colorful still life with fruit by Les (Leslie Luverne) Anderson (American, 1928-2009). Several pieces of fruit appear to be sitting on a table with a purple cloth. The scene is highly abstracted, straddling the line between impressionism and non-representational. The background is brightly colored, adding vibrancy to the scene. Signed on verso and acquired from the estate of Les Anderson in Monterey, California. Unframed. Paper size: 14"H x 20"W Les (Leslie Luverne) Anderson(American, 1928-2009) owned and operated the Bear Flag Gallery in San Juan...
Category

1980s Abstract Impressionist Barbara Rachko Art

Materials

Watercolor, Laid Paper

Projet de Tissus - Fauvist Flowers Watercolor & Gouache by Raoul Dufy
By Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design. Dimensions: Framed: 19.5"x19.5" Unframed: 12"x12" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category

1920s Fauvist Barbara Rachko Art

Materials

Paper, Watercolor, Gouache

Fauvist Style Illustration Painting, Tropical Hibiscus Bloom, Coral Tones, Paper
Located in Barcelona, ES
"Tropical Hibiscus Bloom II" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. R...
Category

2010s Fauvist Barbara Rachko Art

Materials

India Ink, Acrylic, Watercolor

"Sensuality" ( contemporary figurative expressive colorful woman oil on canvas)
Located in VÉNISSIEUX, FR
This artwork makes part of my new period in my artistic expression. This painting dedicated to "Women" series is a special one since it is all about my strong deep personal transfor...
Category

2010s Abstract Expressionist Barbara Rachko Art

Materials

Canvas, Oil, Oil Pastel

'Historic English Chapel Interior, ' by Unknown, Watercolor Painting
Located in Oklahoma City, OK
This framed and matted 16" x 19" watercolor painting by an Unknown artist depicts an historic English chapel interior. The interior of the church features the large stained glass window pane...
Category

19th Century Realist Barbara Rachko Art

Materials

Watercolor

"Frammenti" Original Drawing Large Size- Art by Marilina Marchica
By Marilina Marchica
Located in Agrigento, AG
Title: Fragments Artist: Marilina Marchica (1984, Agrigento – Italy) Year: 2024 Medium: Charcoal on high-quality Fabriano paper Size: 50 x 70 cm Frame: Custom handmade frame availabl...
Category

2010s Contemporary Barbara Rachko Art

Materials

Charcoal, Pastel, Paper

Contemporary abstract expressive figurative painting woman on canvas "No limits"
Located in VÉNISSIEUX, FR
This contemporary, expressive figurative oil painting titled "No Limits" was created by French artist Natalya Mougenot and marks a significant shift in her artistic journey. Part of ...
Category

2010s Abstract Expressionist Barbara Rachko Art

Materials

Canvas, Oil, Oil Pastel, Acrylic

Fauvist Style Illustration Painting of Autumn Harvest IV, Warm Tones on Paper
Located in Barcelona, ES
"Autumn Harvest IV" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Mil...
Category

2010s Fauvist Barbara Rachko Art

Materials

Acrylic, Watercolor, India Ink

Bay Area Abstract Expressionist Figurative -- Summer Coming of Age Scene
By Honora Berg
Located in Soquel, CA
Mid Century Bay Area Abstract Expressionist Figurative - Summer Scene by Honora Berg Compelling figurative of two teenagers sitting on dock in a summer coming-of-age scene by Honora...
Category

1950s Abstract Expressionist Barbara Rachko Art

Materials

Paper, Pastel

Antique Floral Still Life with Tulips and Irises in Gouache on Paper
Located in Soquel, CA
Antique Floral Still Life with Tulips and Irises in Gouache on Paper Finely detailed still life by Charlotte Siemers (19th Century). Several flowers are shown in a lush bouquet. Flo...
Category

1860s Rococo Barbara Rachko Art

Materials

Paper, Gouache

Frammento – Original Abstract Wall Art, Charcoal & Pure Pigment on Canvas, large
By Marilina Marchica
Located in Agrigento, AG
Artist: Marilina Marchica (b. 1984, Italy) Title: Frammento Year: 2024 Medium: Charcoal and pure mineral pigment on cotton canvas Size: 60 × 130 cm (23.6 × 51.2 in) Signature: Signed...
Category

2010s Abstract Barbara Rachko Art

Materials

Canvas, Pigment, Carbon Pigment

Original Painting. New Yorker Magazine Published 1935 American Scene Modern WPA
By Antonio Petruccelli
Located in New York, NY
Original Painting. New Yorker Magazine Published 1935 American Scene Modern WPA Antonio Petruccelli (1907 - 1994) Movers New Yorker published, September 20, 1935 18 X 11 1/2 inches...
Category

1930s American Realist Barbara Rachko Art

Materials

Gouache, Board

Barbara Rachko art for sale on 1stDibs.

Find a wide variety of authentic Barbara Rachko art available for sale on 1stDibs. You can also browse by medium to find art by Barbara Rachko in crayon, pastel, oil pastel and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the Post-Impressionist style. Not every interior allows for large Barbara Rachko art, so small editions measuring 20 inches across are available. Customers who are interested in this artist might also find the work of Stone Roberts, Achille-Émile Othon Friesz, and Erik Johnsen. Barbara Rachko art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $8,000 and tops out at $25,000, while the average work can sell for $16,500.

Artists Similar to Barbara Rachko

Recently Viewed

View All