Brad Overton Animal Paintings

A collection of objet d'art sit upon a gleaming table, their reflections enhanced by the light of the gilt background which is hand applied using 23K gold leaf. The objects - a toy sailboat...

Edward Chalmers Leavitt (1842 - 1904) Rhode Island Artist Image Size: 36 x 28 Frame Size: 42.5 x 34.5 Newcomb Macklin Frame. Medium: Oil Dated 1889 "Duck Hunt" Mergansers Edward Chalmers Leavitt (1842 - 1904) Edward Chalmers Leavitt, artist, was born in Providence, Rhode Island, March 9, 1842, the son of Rev. Jonathan and Charlotte Esther (Stearns) Leavitt. His paternal ancestor was John Leavitt, who came to Massachusetts Bay in the first ship and settled in Hingham. On the maternal side, he is descended from John Alden and Priscilla Mullens, who came to Plymouth in the Mayflower. Leavitt was educated in private schools in Providence, and at Kimball Union Academy, Meriden, New Hampshire. During the Civil War in 1862 and 1863, he served in the navy on the U.S.S. Galena. In his profession of artist, Mr. Leavitt is especially noted as a painter of fruit, flowers and still life. He exhibited in the National Academy for several years and has made many successful exhibitions in Providence and Boston. He was a member of the Boston and Providence art clubs, and the Providence Press Club. He was also a member of the Grand Army of the Republic. In politics his proclivities are mainly Republican. He has been twice married: first, May 19, 1877, to Ellen M. Fuller; and second, April 22, 1880, to Elizabeth S. Chace. Submitted November 2004 by Edward Bentley, Art Collector and Researcher from Lansing, Michigan. Source is the publication "Men of Progress: Biographical Sketches and Portraits of Leaders in Business and Professional Life from the State of Rhode Island." New England magazine. 1896. Edward C. Leavitt, born in 1842, has been described as "Providence, Rhode Island's leading still-life painter" in the late 19th Century. (Zellman 324) His teacher, James Morgan Lewin, was a prominent still-life painter in Fall River, Massachusetts, a neighboring town. Leavitt, a detailed, sharp-focused, realistic painter, was in love with texture and light, and was prolific and successful, painting a variety of still life subjects including flowers, fruit and even fish and dead game animals. His objects, including costly antiques and household decorative items, were often placed on ornamental, gleaming surfaces. He was a frequent exhibitor at the National Academy of Design in the 1870s and 1890s. The artist, who died in 1904, moved from a position of success and popularity to being ignored for many years until the publication of William H. Gerdts and Russell Burke's American Still-Life Painting in 1971. It is uncertain whether this disastrous loss of respect took place because Leavitt's work declined in quality during the last decade of his life, or because he was a victim of the periodic shifts in taste and fashion that afflict the arts. Sources: Michael David Zellman, 300 Years of American Art Peter Hastings Falk, Editor, Who Was Who in American Art Biography from Roger King Fine Art Edward Leavitt was one of the leading still life artists of nineteenth century New England. He lived and worked in Providence, and studied with James Morgan Lewin, a leading painter of the Fall River School, which, in the late 19th Century, was one of the most important centers of still life painting. While Lewin branched out into other types of painting, Leavitt remained devoted to the art of the still life. His paintings are sharply focused, realistic, and carefully finished. Ornate objects such as urns, ewers, platters, cut glassware...

Aaron Bohrod Faun and Fawn, 1984 Signed lower right Oil on gesso board 16 x 12 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life, which comprised most of Bohrod's early work. Under Sloan's tutelage, Bohrod came to subscribe to the belief that painters should find the subjects of their art in the immediate world around them. These paintings emphasized architecture unique to north Chicago and featured Chicagoans engaged in such everyday activities as working, playing or going to the theatre. The romantic aspect was conveyed by the use of misty colors, and the realism by attention to detail. In 1936, Bohrod won the Guggenheim Fellowship award in creative painting...

Aaron Bohrod Gallimaufry, 1989 Signed on the right Oil on gesso panel 14 x 11 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism...

Aaron Bohrod Golden Girls, 1987 Signed lower right Oil on gesso panel 9 x 12 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...

Aaron Bohrod Complementary Angels, 1977 Signed lower center Oil on gesso panel 16 x 12 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...

This equestrian piece, "Saddle", is a 20x16 outdoor still life oil painting on canvas featuring a brown horse's saddle resting on a white fence. About the artist: The artwork of Janet Crawford depicts the equestrian lifestyle. Working from her studio in the Berkshires, Janet focuses on classic portraiture of horses, dogs and people. Her original artwork captures the candid moments of the horse world. A trademark of the artist's work is the portrayal of the true nature of the horse. Education: Bachelor of Fine Arts, Cum Laude Concentration: Painting Rhode Island College, 1991 Press: 2000 - Featured artist in Equine Image article, Aug/Sept issue, 2000. Selected Awards: 2012 - National Distinguished Service Award, American Hackney Horse Society 1995 - Horse World Magazine Morgan Artist of the Year 1993 - Harness Tracks of America Art Competition, 2nd Place 1991 - AMHA Art Contest 1st Prize, Morgan Art 1990 - Special Talent Award, Rhode Island College Special Projects: Present - Designer and Painter, Berkshire Carousel Project Present - Program Cover and Horse Show Poster Artist for the Fleet Jumper Classic, Sept. 2000. Present - Poster Artist for the Hampton Classic, Aug. 27-Sept. 3rd. Present - Program Cover Artist since 1996 for UPHA Spring Premiere Present - Illustrator, Horse World Magazine 2012 - Artist for the American Hackney Horse Society Logo 2011 - Cover Artist for the Pfizer Million Dollar Grand Prix Horse Show Program 1999 - Cover Artist, The Chronicle of the Horse 1999 - Cover Artist, Horse America (Horsemen's Yankee Pedlar) 1999 - Exhibition "The Horse in Art" Hartford Fine Art & Frame 1997 - Opening of the Equestrian Collection Gallery 1996 - New England Morgan Horse...

Aaron Bohrod The Beginning, 1990 Signed center Oil on gesso board 10 x 8 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalis...

David De Noter: 1818-1892. Well listed Belgian painter with auction results as high as $142,000. Most famous for his still lifes. This fantastic little gem of a curious cat skipping...

A Still Life with Sparrow and Grapes Artist 19th century European School Signature: Verso signed and dated 1883 Medium: Oil on panel Dimensions: Image size 23 x 18 cm, frame size 3...

Aaron Bohrod Knight Horrors, 1985 Signed lower left Oil on gesso panel 12 x 16 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...