Brodtmann, K.J.A. Prints

Wonderful set of 12 architectural prints Copper-plate engravings after the original drawings by L.Carter Published by H. Hogg. Undated but the watermarks on the paper showing date...

This set of four engravings in detail with compendium landscape details and related prey animals are done in steel engraved plates and come from the first quarter of the 19th century...

Limited edition lithograph entitled "Many Men" by Ben Shahn, circa late 1960s. "Many Men" depicts modernist black silhouette figures in business suits on a teeming street. Released b...

Modern lithograph by Hoi Lebadang featuring a lovers embrace and herding bird details. Beautiful red hues. Limited edition (301/375) with a collectors edition certificate of aut...

Antique map titled 'South America'. Map of South America with attractive topography, surrounded on three sides by text on the history, geography, and economy of the continent. Sh...

This lithograph by Karl Joseph Brodtmann presents a detailed portrait of a Tahitian dancer. The artwork is part of Brodtmann’s ethnographic series, capturing the attire, posture, and...

This original and authentic Mid-Century Modern French stone lithograph designed by Jean Cocteau from the 1950s is for a ceramic exhibition of his pieces at Galerie Pont de Arts in th...

Title: 18th Century Ethnological Engravings of Peruvians and Ecuadorians Description: These two 18th-century engravings, printed in 1756, are detailed depictions of the social and cultural life in Peru and Ecuador during the colonial era. Created by Quentin-Pierre Chedel (1705–1762), they are part of *Histoire générale des voyages* by Antoine François Prévost, a monumental collection that documented the world's exploration and cultural encounters. First Engraving (Residents of Peru): This print illustrates the residents of Lima, Peru, highlighting the various social classes and ethnic groups present in the region during the colonial period. The detailed engraving captures: A. Femme de Lima en Habit de Ville – A woman from Lima in formal city dress, representing the elite of society. B. Femme en Habit de Ménage – A woman in household dress, typical of a middle or upper-class domestic attire. C. Espagnol vêtu comme on l’est au Pérou – A Spanish man dressed as one would in Peru, showing the influence of Spanish colonial fashion on local attire. D. Mulatresse – A woman of mixed African and European descent, reflecting the diverse ethnic makeup of colonial Peru. E. Nègre Domestique – A domestic servant of African descent, showcasing the role of enslaved individuals in colonial households. The scene is set in a lush, natural landscape, with attention to the differences in social standing and attire. Second Engraving (Residents of Quito, Ecuador): The second engraving, although similar in style, depicts residents of Quito, Ecuador, and provides an ethnological view of the city’s diverse inhabitants. The composition shows: 1. Espagnole de Quito – A Spanish woman of high status, dressed elegantly, representing the colonial upper class in Quito. 2. Indienne de Distinction – An Indigenous woman of notable status, likely representing the local nobility or important community figures. 3. Barbier Indien – An Indigenous barber, reflecting the occupational diversity and social roles of the Indigenous population in colonial society. 4. Métive de Quito – A Métis woman from Quito, showing the mixed-race population that emerged during the colonial era. 5. Paysan Indien – An Indigenous farmer, indicating the essential role of agriculture and rural labor in the economy of colonial Ecuador. 6. Indienne du Commun – A common Indigenous woman, dressed in traditional attire, representing the majority of the Indigenous population. Like the first engraving, this print captures the varied ethnic and social dynamics in a colonial society, with figures placed in a landscape setting, emphasizing the connection between people and their environment. These engravings are not only artistic representations but also important historical records of colonial Latin America...

A large folio hand colored lithograph by Nathaniel Currier (1813-1888) and James Merritt Ives (1824-1895) titled "Camping Out Some of the Right Sort" published by Currier and Ives, New York, 1856. A charming and evocative composition depicting a group of mid-19th century men...

Richard Engelmann, 1868-1966 Etching: Reclining Woman, visable sheet dimensions 20 x 28 cm. Signed with a monogram and presented in a hand-painted gray Montparnasse frame. Germany, c...

An evocative hand colored lithograph by N. Currier (American 1813-1888), after a painting by A.F.Tait, titled "Arguing the Point", depicting a group of rural men engaged in an appare...

Set of two original antique prints titled 'Löwe aus der Barabarey (..) Löwin von der Barbarey'. Prints of a Barbary Lion and Lioness. Published by Karl Jo...