Carol Wax Abstract Prints
American, b. 1953
Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting.
Recognition of Carol's art includes an Individual Support Grant from the Adolph and Esther Gottlieb Foundation, Inc., two Artist Fellowships from the New York Foundation for the Arts, a Concordia Career Advancement Award from NYFA, The Louise Nevelson Award for Excellence in Printmaking from the American Academy of Arts and Letters, and residences at The MacDowell Colony and Marie Walsh Sharpe Art Foundation's Space Program. A selection of the many collections that own her prints are The Metropolitan Museum of Art, The New York and Boston Public Libraries, The Philadelphia Museum of Art, The Library of Congress, and The National Museum of American Art, Smithsonian Institution.(Biography provided by Stone and Press Gallery)
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Artist: Carol Wax
Deerflake (The artist's first work celebrating the Solstice / deer as snowflake)
By Carol Wax
Located in New Orleans, LA
Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the deer. T...
Category
Late 20th Century American Modern Carol Wax Abstract Prints
Materials
Mezzotint
Remington Strip Tease
By Carol Wax
Located in New Orleans, LA
Remington Strip Tease had a black iron dome covering the moving parts and suppressing noise. It is presented in a light that suggests a monument. It is f...
Category
Late 20th Century American Modern Carol Wax Abstract Prints
Materials
Mezzotint
Frog Cog
By Carol Wax
Located in New Orleans, LA
Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the frog. T...
Category
Late 20th Century American Modern Carol Wax Abstract Prints
Materials
Mezzotint
The Oliver (This image is being used to promote an upcoming show at the MET )
By Carol Wax
Located in New Orleans, LA
The Oliver which is in several museum collections and has won numerous awards) is being used to promote the show, Printed Ladies, opening March 1st at The Metropolitan Museum of Art, and will be reproduced on the cover of the upcoming revised second edition of Carol's book, The Mezzotint: History and Technique which is due out in early 2024
Thomas Oliver invented the first double-sided lateral top stroke machine. This was No. 9 introduced in 1916. With light focused on the machine it suggested the logo of the Bugs Bunny Looney Tunes series - giving off an anima-like aura. The print was issued in an edition of 75.
Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer...
Category
Early 2000s Contemporary Carol Wax Abstract Prints
Materials
Mezzotint
Zebragram (a stylized circular design created by repeated imagery of a zebra)
By Carol Wax
Located in New Orleans, LA
Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the zebra. ...
Category
Late 20th Century American Modern Carol Wax Abstract Prints
Materials
Mezzotint
Birds of Paradigm
By Carol Wax
Located in New Orleans, LA
Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the elephan...
Category
1980s American Modern Carol Wax Abstract Prints
Materials
Mezzotint
Trunk Lines (Interweaved faces, ears and the trunks of elephants form design)
By Carol Wax
Located in New Orleans, LA
Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the elephan...
Category
1980s American Modern Carol Wax Abstract Prints
Materials
Mezzotint
Vertical Zydeco (Making Cajun music with rhythmic patterns of light and shadow)
By Carol Wax
Located in New Orleans, LA
Carol Wax's "Vertical Zydeco" reflects a fascination with ways to suggest sound and movement through rhythmic patterns of light and shadow. It is an edition of 75. The image is real...
Category
1990s American Modern Carol Wax Abstract Prints
Materials
Mezzotint
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Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן, born 1939) is an artist and a poet working in Israel and Russia. He is father to Hollywood producer Lati Grobman and Israeli architect Yasha Jacob Grobman.
Biography
1939 – Born in Moscow.
1960s – Active member of The Second Russian Avant-Garde movement in the Soviet Union.
1967 – Member of Moscow Artists Union.
1971 – Emigrates to Israel and settles in Jerusalem.
1975 – Founded the Leviathan group and art periodical (in Russian).
Since 1983, he lives and works mainly in Tel Aviv.
Awards
In 2001, Grobman was a co-recipient of the Dizengoff Prize for Painting.
Solo exhibitions
2007 – Last Skies, Loushy & Peter Art & Projects, Tel Aviv (cat. text: Marc Scheps)
2006 – Creation From Chaos to Cosmos, Bar-David Museum of Fine Art and Judaica, Kibbutz Baram (cat. text: Sorin Heller)
2002 – The Last Sky, installation, Tsveta Zuzoritch pavilion, Belgrad (cat. text: Irina Subotitch)
1999 – Mikhail Grobman: Works 1960–1998, The State Russian Museum, St. Petersburg (cat. texts: Evgenija Petrova, Marc Scheps, Lola Kantor-Kazovsky, Michail German)
Michail Grobman was born in Moscow. He grew up writing poetry, essays and literary prose. In the 1960s, he was active in the Second Russian Avant-garde movement in the Soviet Union. In 1971, he immigrated to Israel. In 1975, he established the Leviathan school together with Avraham Ofek and Shmuel Ackerman, seeking to combine symbolism, metaphysics and Judaism in an all-inclusive “national style.”
Grobman’s lithograph work employs images and symbols from Jewish mysticism and Kabbalah. His paintings incorporate texts in Russian and Hebrew. In addition to his artistic endeavors, he writes about art and aesthetics. The group combined conceptual art and "land art" with Jewish symbolism. Of the three of them Avraham Ofek had the deepest interest in sculpture and its relationship to religious symbolism and images. In one series of his works Ofek used mirrors to project Hebrew letters, words with religious or cabbalistic significance, and other images onto soil or man-made structures. In his work "Letters of Light" (1979), for example, the letters were projected onto people and fabrics and the soil of the Judean Desert. In another work Ofek screened the words "America", "Africa", and "Green card" on the walls of the Tel Hai courtyard during a symposium on sculpture
Part of the generation of emigre Russian artists, many Jewish, that included Yuri Kuper, Komar and Melamid, Eduard Steinberg, Erik Bulatov, Viktor Pivovarov, Vladimir Yankilevsky, Ilya Kabakov and Grisha Bruskin.
Date of Birth: 1939, Moscow
1960s Active member of The Second Russian Avant Garde
1967 Member of the Moscow Painters Association
1971 Immigrated to Israel and settled in Jerusalem
1975 Founded the Leviathan group and art periodical (in Russian)
Since 1983 Lives and works in Tel Aviv
.
Selected Solo Exhibitions:
2002 Pavilion Zveta Zuzovich, "The Last Sky", Belgrad (cat: Irena Subotitch)
1999 The State Russian Museum, ST. Petersburg
1998 "Picture = Symbol + Concept", Herzliya Museum of Art, Herzliya
1995 "Password and Image", University Gallery, Haifa University
1990 Tova Osman Gallery, Tel Aviv
1989 "The Beautiful Sixties in Moscow", The Genia Schreiber University Art Gallery, Tel Aviv University (with llya Kabakov; cat. text: Mordechai Omer]
Spertus Museum, Chicago
Beit Rami and Uri Nechushtan, Ashdot Yaacov (leaflet)
1972 Nora Gallery, Jerusalem 1973 - Negev Museum, Beer Sheva
1971 Tel Aviv Museum of Art (cat. text: Haim Gamzu)
1966 Mos-lng-Projekt, Moscow
1965 Artist's House, Moscow
Energy Institute, Moscow
History Institute, Moscow
Usti-nad-Orlicy Theatre,Czechoslovakia (leaflet text: Dushan Konetchni)
1959 Mukhina Art Institute, Leningrad
.
Selected Group Exhibitions:
2003 "Yes do yourself...", Regeneration of Judaism in Israeli art, Zman Omanut Tel Aviv (cat: Gideon Ofrat)
1999 "Russian post-war avantgarde", The Trajsman Collection in the State Russian Museum, St. Petersburg Tretjakov National Gallery, Moscow (cat. text: Yevgenij Barabanov, John...
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20th Century Modern Carol Wax Abstract Prints
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Screen
Hybrid Fertility
By Jane Martin VonBosse
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Mid-20th Century American Modern Carol Wax Abstract Prints
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Carol Wax abstract prints for sale on 1stDibs.
Find a wide variety of authentic Carol Wax abstract prints available for sale on 1stDibs. You can also browse by medium to find art by Carol Wax in engraving, mezzotint and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Carol Wax abstract prints, so small editions measuring 5 inches across are available. Customers who are interested in this artist might also find the work of Bruce Weinberg, Richard Florsheim, and Dennis Ray Beall. Carol Wax abstract prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $300 and tops out at $3,000, while the average work can sell for $500.