Elena Narkevich Still-life Paintings

An unapologetic woman plays her ace card with the assured confidence of someone who takes her coffee strong and knows exactly what to do when life gives her lemons. ADDITIONAL INFOR...

Jean Paul Marsman (Dutch artist) Peony 20 x 20 cm (framed, included in price 23 x 23 cm) Oil paint on wood Craftsmanship: The work is painted so realistically that everything seems...

Still life with lemons, cruet and teaspoon is one of the best works by the artist Marco Fariello. It is made on wood panel, painted in oil in 2021. The subject of the work is the re...

A rich dark purple pansy fills the canvas in this engaging abstract floral by Vancouver artist, Pat Service. The bright white pistil/center provides contrast. Reminiscent of Andy War...

Heidi von Faber (Dutch artist) Tea Towels 70 x 70 cm (framed, included in price 75 x 75 cm) Acryl on canvas In the paintings of The Hague-based artist Heidi von Faber, light plays ...

Pat Service has painted florals throughout her long career. Here, a single blossom in a stunning celadon and yellow fills the canvas. Reminiscent of Andy Warhol, the Vancouver artist...

Julia Adams Sweet Things Happen Original Interior Painting Oil, Acrylic and Ink on Canvas Canvas Size: H 30cm x W 30cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look. Sweet Things Happen by Julia Adams is an original mixed media painting, it features an enticing looking traditional english afternoon tea setting in cheerful pastel colours. Discover original artworks by Julia Adams available to buy online and in our art gallery in Deddington. Julia Adams comments: I use a variety of mixed media to produce my work – household glosses, spray paints, acrylics, inks and various printing techniques, rarely using a paintbrush! I like to apply paint with real freedom and spontaneity to produce paintings that have energy and depth, exploring my passion for surface quality, colour, texture and tactility.” “My series of ‘Interior Spaces’ paintings have been very popular and are constantly evolving. As a starting point I use a found image or one of my own photographs, adding or removing elements as I feel necessary to enhance the composition. I then start to play with my materials, constantly adding and subtracting. I will often include abstract stencilling to add a sense of drama, and introduce rivets to add further interest. I also enjoy including text, whether stencilled or found words in magazines. Size: H:30 cm x W:30 cm Bon Appetit...

Acrylic & oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for se...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

James Wolanin’s paintings transport the viewer to an effervescent, candy coated world inspired by vintage advertisements, photographs, and the artist’s own personal history. The Russ...

Mitzy Renooy Yellow Roses 50 x 40 cm Frame included in price, size with frame: 55 x 45 cm Dutch artist Mitzy Renooy, a former camera woman for national television, did follow art ac...

When you look at this painting ''Bouquet of Roses'' by Dutch artist Sasja Wagenaar (1959) from a distance you see a perfectly painted image, but up close a generous paint streak is visible. She has a unique way of applying shadow and light effects in her paintings. Sasja Wagenaar is inspired by our classic masters from the seventeenth century, a flourishing period in Dutch painting. The century in which new continents, markets and arts were discovered. At that time in the Netherlands it was a real fad to collect chinoiserie. Originally porcelain, but also Dutch pottery, also known as Delft blue, inspired by Chinese and especially by Japanese bowls and vases. To quote Sasja Wagenaar: ‘Every platter, every bowl is already so much in itself. They were made with great care through hundreds of hands before they ended up here. Their character must be respected in composing the story that forms a still life. They are as alive as the blossom branches and I try to let them speak together. Slowly the image is created’. Although rooted in the 17th century Dutch tradition, her work shows her very own signature and is contemporary. As a true Modern Dutch Master...