Franco Albini Furniture

A chic and iconic and large, oval "French Riviera" style wicker wall mirror from the 1950s by Franco Albini for Bonacina. Handmade in Italy, handwoven of bamboo and rattan. In very g...

A beautiful, 4-unit wide shelving system desined by Franco Albini, manufactured by Poggi in Italy around 1960. This large piece is made of high quality dark stained wood with bras...

Large four-door sideboard designed by Franco Albini in the 1930s. The Art Deco sideboard is veneered on all sides and fitted with chrome half-moon handles and set off by means of ver...

Franco Albini Midcentury Rattan & Wicker Rocking Horse/Sculpture. Italy, circa 1960. Dimensions: H 24 in. x W 30 in. x D 18 in.

Franco Albini for Poggi table or desk, Italy, 1960s Walnut table TL22 model by Franco Albini for Poggi Italy 1960s. It is in excellent condition, with a minor patina on the wood parts. This unique table or desk would be an eye-catching addition to any interior, such as a living room, family room, screening room, or office. It also perfectly fits in a hospitality or corporate location like a boutique hotel lobby or luxury loft. When you choose for used mid...

Italian Bamboo Umbrella Stand / Cane Stand Attributed to Franco Albini for Vittorio Bonacina, 1970s Beautiful Italian bamboo umbrella stand attributed to Franco Albini for Vittori...

Italian Mid-Century Modern design credenza sideboard designed by Franco Albini and produced by Poggi Pavia from 1958, four doors with sliding shelves and a pull-out shelf / tray, sol...

In this listing you will find a Mid-Century Modern oval vintage rattan wall coat hook designed by Franco Albini (attr). The coat hook was designed and manufactured in Italy in 1960s. The rattan hooks...

Pair of Rosewood Chairs is an original design furniture realized in the 1950s. Original Velvet Upholstery chairs. In the style of Franco Alb...

Rare and important desk model Stadera designed by Franco Albini for the Poggi manufacture, in 1959. Model 840. Made of noble wood for its shelf, the desk is the perfect modernist ele...

Wooden dining table TL22 model by Franco Albini for Poggi 60s. Born in Milan in 1905, Franco Albini is an Italian architect, urban planner and furniture designer, active between the 1930s and 1960s. He studied at the Milan Polytechnic and completed his apprenticeship under the guidance of the architect and designer Gio Ponti, and played a key role in the formulation of the Italian Rationalist movement in the years before the Second World War. Albini works with several well-known mid-century manufacturers, among which Cassina, Arflex, Poggi, Arteluce, Brionvega, and Knoll stand out, and many of his designs are still in production today. He has received many honors for his work, including three Compasso d'Oro. The professional story of the furniture maker Roberto Poggi...

A flared goblet or lyre-shaped sofa in select walnut root. The lines echo the designs of Franco Albini, the fabrics are in the Bauhaus style. The sofa is dated 1925/30 on the back fa...

L'”AM1N ” est une lampe de table éditée par NEMO et créée par F. Albini, F. Helg, A. Piva, et M. Albini en 1969. Elle a une structure en métal chromé et un diffuseur en forme de b...

Five sconces in chrome steel designed by italian architects Franco Albini, Franca Helg and Antonio Piva as part of the AM/AS lamps series for the italian company Sirrah in 1969. They...

Italian rattan wall mirror by Franco Albini. The mirror has a complex weave of rattan in a series of horseshoe projections on the edge of the frame. There is a lovely aged patina on...

Rare and important Italian Mid-Century Modern rattan and glass bar or serving cart by Franco Albini. The piece is unique in linking traditional materials (rattan, bamboo) with an ope...

Early pair of black naugahyde and oak N°48 chair by Franco Albini produced by Knoll between 1948 and 1952. Good condition, 2 little damages on corners of the seat cushion ( picture ...

A two modular teak bookcase, Designed by Franco Albini and edited in 1956 by Poggi, Pavia, Marked. Composed of two modules with storages units an...

Large executive desk by Franco Albini from Italy, ca the 1950s. The desk has a small cabinet at the front of the desk with some shelves giving it a very attractive design from all si...

1960s Gorgeous magazine rack in bamboo and rattan by Franco Albini. It's in excellent condition. Made in Italy. 19,68" x 9,84" x 23,62" H inches cm 50 x cm 25 x cm 60 H.

Stickers.Stunning Franco Albini '1928' desk for Knoll international, this example 1958. A pebbled glass top and stunning patina really take this piece...

Franco Albini Rare prototype Brass Dish or Ashtray. Manufactured by Vanzetti Milano, Italy 1931/33 Unmarked. Reference: A. Piva, V. Prina, - Franco Albini 1905-1977 1998, pg. 4...

A maple and cream fabric "Luisa" chair, model 48, designed by Franco Albini and produced by Knoll Associates between 1949 and 1955, Italy-USA.

A rare mahogany version of the Cavaletto or TL2 table designed by the great neo-rationalist designer, Franco Albini. Designed in 1950 for manufacturers Poggi...

Iconic table designed by the great Italian maestro Franco Albini in the 50s. The model is TL2 better known as "Cavalletto" (in english "Trestle") since it reminds of lightness and wi...

Round table model TL30 with black lacquered metal base and a wooden top. Designed by Franco Albini for Poggi, Pavia in 1950s.   After spending his childhood and part of his youth in Robbiate in Brianza, where he was born in 1905, Franco Albini moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He starts his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborates for three years. He probably had his first international contacts here In those three years, the works carried out are admittedly of a twentieth-century imprint. It was the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the rapprochement with the group of editors of “Casabella”. The new phase that that meeting provoked starts with the opening of the first professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca neighborhood in San Siro in 1932 and then creating the Ifacp neighborhoods: Fabio Filzi (1936/38), Gabriele D’Annunzio and Ettore Ponti (1939). Also in those years Albini worked on his first villa Pestarini. But it is above all in the context of the exhibitions that the Milanese master experiments his compromise between that “rigor and poetic fantasy” coining the elements that will be a recurring theme in all the declinations of his work – architecture, interiors, design pieces . The opening in 1933 of the new headquarters of the Triennale in Milan, in the Palazzo dell’Arte, becomes an important opportunity to express the strong innovative character of rationalist thought, a gym in which to freely experiment with new materials and new solutions, but above all a “method”. Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano sets up the steel structure house, for which he also designs the ‘furniture. At the subsequent Triennale of 1936, marked by the untimely death of Persico, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini takes care of the preparation of the exhibition of the house, in which the furniture of three types of accommodation. The staging of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach that is part of Albini, as a man and as a designer: the theme addressed is that of the existenzminimum and the reference of the project is to the fascist myth of the athletic and sporty man, but it is also a way to reflect on low-cost housing, the reduction of surfaces to a minimum and respect for the way of living. In that same year Albini and Romano designed the Ancient Italian Goldsmith’s Exhibition: vertical uprights, simple linear rods, design the space. A theme, that of the “flagpole”, which seems to be the center of the evolution of his production and creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian planning: in the setting up of the Scipio Exhibition and of contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases are hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take on the V shape; in the Olivetti store in Paris (1956) the uprights in polished mahogany support the shelves for displaying typewriters and calculators. The reflection on this theme arises from the desire to interpret the architectural space, to read it through the use of a grid, to introduce the third dimension, the vertical one, while maintaining a sense of lightness and transparency. The flagpole is found, however, also in areas other than the exhibition ones. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing spaces. The Veliero bookcase...

A pair of "Luisa" chairs in maple and cream fabric, model 48, designed by Franco Albini and produced by Knoll Associates between 1949 and 1955, Italy-USA.

Franco Albini for Poggi, Italy, circa 1950. A folding chair of wooden construction in completely original untouched vintage condition. Mech...

Original 1960s rocking horse made of bamboo and rattan. Design attributed to the well-known architect and designer Franco Albini (1905-1977). Made in Italy. Wonderful decoration fo...

Original Franco Albini Mid-Century Modern Rattan and Bamboo Rocking Horse, Animal Sculpture. Rattan and bamboo rocking horse core with basket we...

Rare and important Italian Mid-Century Modern rattan and glass bar or serving cart by Franco Albini. The piece is unique in linking traditional materials (rattan, bamboo) with an ope...

Beautiful ceiling lamp designed by Franco Albini and Franca Helg in the 1950s for the fine Sirrah manufacture. Model AM4Z. The lamp by Franco Albini is made of totally chromed metal...

Ottoman stool Franco Albini ottoman large Pouf in Rattan from Italy Unmarked Measures: 23.5 diameter x 15.75 height inches Preowned original unrestored v...

Mid-Century Modern Armchair Fiorenza by Franco Albini for Arflex, Italy.

Mid-Century Modern TL2 Cavalletto desk/dining table by Franco Albini for Poggi, 1950s.

Beautiful ceiling lamp designed by Franco Albini and Franca Helg in the 1950s for the fine Sirrah manufacture. The lamp is made of totally chromed metal, the hat is a half sphere in...

Elegant chair model "47" with renewed high quality woolen fabric, designed by Franco Albini in 1949 and manufactured by Knoll international, Belgium. Very elegant and rational design...

Franco Albini for Knoll, desk model '1928', glass, wood, chromed steel, Italy, design 1949 Franco Albini’s '1928' desk combines glass, steel...

The vintage Italian floor lamp is attributed to the great Designer Franco Albini. The lamp is from the 1950s. The vintage floor lamp has a wooden frame with V-shaped feet to make it ...

"Fiorenza" Armchair by Franco Albini for Arflex. Walnut, brass, mohair upholstery. Early variant of this wing chair with x-cross sides, brass caps and straps. One of the earliest va...

Stunning large table lamp model 524 designed by duo Franco Albini and Franca Helg and manufactured by Arteluce, Italy 1963. This beautiful geometric table lamp is made of several lay...

Cavalletto or TL2 dining or working table designed in 1950 by italian architect Franco Albini, old Poggi edition. Wood construction with beveled edges tabletop and crossed legs with ...

Rare floor lamp designed by italian architects Franco Albini, Franca Helg and Antonio Piva as part of the AM/AS lamps series for the italian company Sirrah in 1969. Chromed steel str...

Designed by Franco Albini and made by Knoll International.

A rare and early "PS16", cotton, cord and sycamore rocking chaise lounge designed by Franco Albini and produced by Poggi, Italy, 1950s-1960s.

An architectural wood framed armchair with beautifully shaped seat and back upholstered in brushed velour. Published: Reportorio del design. G.Gramiguria pg.28.    

Born near Milan in 1905, Franco Albini was an Italian architect, urban planner, and furniture designer active between the 1930s and the 1960s. He studied architecture at Milan’s famo...

Rare and Exquisite "Fiorenza" Armchair by Franco Albini, Italy, c. 1953. This highly collectible model was manufactured by Arflex for one single year. An early variant of the iconi...

Armchair "Fiorenza," designed by Franco Albini in 1952 for Arflex, Italy. A highly collectible model produced for only one year by Arflex. This stunning pair of armchairs features sc...

Franco Albini "Fiorenza" lounge chair, Italy, circa 1990s. This chair was originally designed by Albini in the 1950s. This example is an authorized re-edition made by Arflex, circa 1...

Cicognino coffee table entirely made in teak wood designed by Franco Albini in 1952 and firstly produced by the Italian company, Poggi Pavia from the 1950s. The Cicognino coffee t...

A set of six "Luisa" chairs designed by Franco Albini for Poggi, Italy, 1950. Beautifully reupholstered in pale rose color Patricia Urquiola fabrics. Excellent condition. Prix "Comp...

Elegant wall lamps designed by Franco Albini, manufactured by Sirrah in Italy, circa 1960. Designed for the AM/AS series. Made of high quality chrome plated metal. The lamp is des...

Professionally restored pair of 1950s bamboo and rattan Margherita chairs, designed by Franco Albini for Vittorio Bonacina, in their original vintage cream painted finish with new bo...

Steel centrepiece by Franco Albini for Sirrah. Removable top with double layer of holes for flowers.

Pendant made of hand blown opal and flashed glass in warm gray. Metal mounting. Design: Venini Murano Dimensions: H. 23cm, ø 24,5cm Manufacturer: Venini Murano.    

Franco Albini & Franca Helg. Dining table model no. TL22. Manufactured by Poggi, Italy, 1958. Mahogany. Measurements: 180.3 cm x 104.1 cm x 73 H cm. 70.98 in x 40.98 in x 28.74 in. Literature: Giuliana Gramigna, Repertorio 1950/1980, Milan, 1985, p. 123. Franco Albini, was born in 1905 and died in 1977. He spent his childhood and part of his youth in Robbiate in Brianza, where he was born. Albini, as an adolescent moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He started his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborated for three years. At the 1929 International Exhibition in Barcelona (where Gio Ponti curated the Italian pavilion and Mies van der Rohe realized that of Germany) and in Paris where, as Franca Helg recounted, he had the opportunity to visit the studio by Le Corbusier. In those three years, the works he carried out are admittedly of the twentieth century imprint. It is the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the approach to the group of editors of "Casabella". The partly ironic and partly very harsh comments of the Neapolitan critic to a series of drawings, made by Albini for the design of some office furniture, caused him a great disturbance. “I spent days of real anguish - Albini recalls - I had to answer all the questions. I also had a fever, a large and long fever. " The meted provoked Albini to openen a professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca district in San Siro in 1932 and then building the IFACP neighborhoods: Fabio Filzi (1936/38), Gabriele D'Annunzio and Ettore Ponti (1939). During this period, Albini also worked on his first villa (Pestarini), which Giuseppe Pagano, architect and critic of the time, presented as follows: “This coherence, which the superficial rhetoric of fashionable jugglers calls intransigence, and which is instead the basis of understood between the fantasy of art and the reality of the craft, in Franco Albini, it is so rooted that it transforms theory into a moral attitude ". But it is above all in the context of the exhibitions that the Milanese master experienced his compromise between that "rigor and poetic fantasy" of which Pagano speaks, coining the elements that became a recurring theme in his . The opening in 1933 of the new Triennale headquarters in Milan, in the Palazzo dell'Arte, was an important opportunity to express the strong innovative character of rationalist thinking, a gym in which to freely experiment with new materials and new solutions, but above all a "method". "Cultivated as a communication laboratory, the art of setting up was for the rationalists of the first generation what the perspective had been for the architects of humanism: the field open to a hypothesis of space that needed profound reflections before landing the concreteness of the construction site ". Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano set up the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and with the coordination of G. Pagano), for which he also designed the 'furniture. At the following Triennale of 1936, Persico dided, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini took care of the preparations of the home exhibition. The setting up of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach of Albini, as a man and as a designer: "Celebrating the beauty of mechanics was the imperative to which, for example, the surprising displays by Franco Albini who managed, in the subtle way of a refined and rarefied style, to sublimate their practical content in the metaphysics of daring still lifes: flying objects which marked in the void refined frames and metal intricacies the nodes of a fantastic cartography where industry finally became art free from purpose ". That same year Albini and Romano designed the exhibition of the Ancient Italian Goldsmithery: vertical uprights, simple linear rods, designed the space. A theme, of the "flagpole", seemed to be the center of the evolution of production and the creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian design: in the preparation of the Scipione Exhibition and contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases were hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take the V-shape; in the Olivetti shop in Paris (1956) the polished mahogany uprights support the shelves for the display of typewriters and calculators. The flagpole is found, however, also in other areas. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing the spaces. The Veliero bookcase...

Franco Albini (1905-1977) Set of six dining chairs with arms (Price per chair) Manufactured by Forma Brazil Brazil, 1950s Solid jacaranda wood and fabric Measurements 58 cm x 55 c...