Frank Duveneck Drawings and Watercolor Paintings

Nude Laying Over the Edge of the Bed in Pastel on Paper Elegant pastel composition of a nude woman by an unknown artist (20th Century). The model is laying on her back, with her hea...

In this drawing, Milwaukee-based artist Joan Dvorsky presents a drawing after a sketch by Edgar Degas. Degas' original drawing was a study for an 1863 painting entitled 'Les malheurs...

Wonderful mid century figurative nude charcoal line drawing of a girl walking away by Moni (Mariellen) Ehlers (American, 1926-2007). Charcoal on...

Elegant mid century figure study in pastel on brown paper depicting a seated nude woman with a hat and rose, by by American artist Louis Nadalini (Italian, 1927-1995). Signed Nadalini upper right. Presented in a simple wood frame, with new mat and new foam core backing. Image size: 29"H x 19.5"W. Signed and dated "Nadalini 85" lower right. Unframed. ARTFORUM article: Louis Nadalini In the last couple of seasons, San Francisco has lost several of its galleries. Some others have just recently begun operating but often with an entirely new group of artists. Some members of those apparently secure gallery stables that went out of business have found their way into other stables, but a larger group is without a place to show. I decided to look into such a person’s studio in my endeavor to find out what is really happening in the Bay Area art world. I went to see Louis Nadalini. His latest painting continues with the lattice of slats protruding forward with two variations of the painting painted on the sides of the slats which are viewable when standing to either side. This was always a very abstract method and he had quite often painted pure abstractions which centered quietly into hypnotic devices of exceptional color richness, but which gave a kaleidoscopic change as you moved past it. Untitled #42 (the most recent painting) has subject matter and was done in a much more painterly way. The side variations were flat in color, and there were some elements seen only in the side views, a skeleton’s arm and a black hand, for example. Nadalini says that he may abandon the lattice altogether if it gets in his way, but so far it seems to work better than it did with the abstractions. He is enthusiastic about the work he is doing, felt very free about making changes, and was, at the same time still happy about work from several years ago and unwilling to think that older work and new work should not be exhibited together. He hasn’t been thinking about galleries for a while. Nadalini goes to sea periodically which gives him time for contemplation as well as for renewing his resources. by —Knute Stiles...

"Zoltan" - 1990 Male Nude Study Watercolor painting depicting a nude male figure. The brunette male figure is posing, seated on a purple cloth, his left hand gripping a table net to him, while he leans on his right elbow, his face looking straight ahead. The background is made up of hues of green. Signed "AG" lower left. Signed, titled and dated on verso. "Arnold Grossman, 'Zoltan' November 1990" Presented in a white mat. Image with mat: 19"H x 22"W Image: 10.5"H x 14.5"W Sheet: 12"H x 16"W Arnold A...

Seated Male Nude in Charcoal on Paper Figurative piece with a nude male by Santa Cruz and San Francisco artist Heather Speck (American, b. 1978). The...

Nude figure study of a female model by an unknown artist (American, 20th Century). Circa 1940. Unsigned. Unframed. Image size: 25"H x 19"W.

Mid century watercolor figure study, a lively depiction of a reclining nude woman by Bay Area Figurative Movement artist Hubert Buel (American, 1915-1984)....

Simkhovitch was a celebrated artist in New York City from the 1920's through the 1940's. Life Magazine did a story on him and he was having great success in the New York Galleries. ...

Rick Sindt's knowledge of the male physique is evident in this exquisite drawing of a nude male. The subject sits on the ground with his body twisted away from the viewer. We see the defined musculature of his posterior. The artwork is framed in white wood with a black mat. Rick Sindt The Body is a History graphite on archival paper 12h x 9w in 30.48h x 22.86w cm RIS026 Shifting the historic male gaze into a male-on-male gaze, this body of work anchors its exploration of queer culture in relationships and introspection. Beginning with a survey of several photo archives, I overwhelmingly encountered pictures that fit into two distinct categories: spectacular demonstrations or public displays of sexuality. All of these images were overtly political. Then, I began to find a subset of more intimate images. Typically, these were images submitted by loved ones or donated to foundations after someone’s death. These images depicted common, tender scenes. Working my way through these images, I reflected on D. A. Miller’s assertion that gay identity, to which we have entrusted our politics and ethics, stands in an essentially reductive relation to the queer desires on which it is based. And David Halperin’s argument that, “identity has become the preferred category for thinking about homosexuality. Moreover, it has been promoted at the direct expense of pleasure or feelings or subjectivity.” This left me asking the questions: how is queer culture transmitted if not genealogically? Is there a universal queer experience? What is queer sensibility and subjectivity and can it be visually represented? Rick Sindt b. 1990, Hastings, MN, EDUCATION 2013 North Park University, Chicago, IL - BFA Magna Cum Laude SOLO EXHIBITIONS 2016 Two Countries, Rogue Philanthropy, Chicago, IL 2013 Tides, Erosion or Catch, Pull, Recover; The-One-Right-Now, North Park University; Chicago, IL GROUP EXHIBITIONS 2016 Are We Not of Interest to Each Other, Uptown Arts Center, Chicago, IL Reinventing Ourselves From Another Point-of-View, Contemporary Gallery at Zhou B. Arts Center, Chicago, IL Collective: Process, Beans and Bagels, Chicago, IL 2015 Collective: for(a)ging, Hammond Art Center; Hammond, IN How We Make It, The Arts of Life, Chicago, IL Collective: One, Albany Park...

Nude figure study of a seated female model by an unknown artist (American, 20th Century). Circa 1940. Unsigned. Unframed. Image size: 25"H x 19"W.

Clyde Steadman's "Untitled 17" is an original, handmade watercolor painting that depicts an impasto painting of a nude female model.