Frank Vincent Dumond Art

Frank Vincent DuMond The Train Trestle Signed lower left Oil on canvas 24 x 30 inches rank Vincent DuMond was one of the most influential teacher-painters in 20th-century America. He was an illustrator and American Impressionist painter of portraits and landscapes, and a prominent teacher who instructed thousands of art students throughout a career spanning over fifty years. Frank Vincent DuMond was born on August 20, 1865 in Rochester, New York, to Elisabeth and Alonzo DuMond, partner/owner of an ornamental iron works manufacturer. They also had a younger son, Frederick Melville DuMond (1867 - 1927). Frank DuMond was interested in drawing from a young age, and was involved in the local art scene in the early 1880s. He got a job creating illustrations for a sign painting business. After graduating from a Rochester public school, DuMond moved to New York City in 1884. From 1884 to 1888, he attended the Art Students League of New York, studying under Carroll Beckwith and William Sartain. DuMond financed his art education by taking a job creating illustrations for New York's Daily Graphic newspaper. As a result of his fine work there, he was offered a job at Harper's Weekly. He also later did work for such magazines as Century, McClure's, and Scribner's. He moved to Paris to continue his studies, as did his brother Frederick. From 1888 or 1889 to 1891, Frank DuMond attended the Académie Julian, where his instructors included Benjamin Constant, Jules Joseph Lefebvre, and Gustav Boulanger. He attained recognition in 1890 when a painting of his, Holy Family, exhibited at the Salon, was awarded a prestigious medal. His early work was in the Art Nouveau style, then in Paris he was influenced by the Barbizon school, later becoming an Impressionist. In 1895 he married Helen Savier of Portland, Oregon, another artist. They spent five years painting in France, where he also held summer classes for the Art Students League, painting landscapes outdoors from dawn until sunset. In 1900 he was elected into the National Academy of Design, and became a full Academician in 1906. DuMond exhibited at the Cotton States Exposition in Atlanta, the World's Columbian Exposition in Chicago, the Pan-American Exposition in Buffalo, and the Saint Louis Exposition. He served as director of fine arts at the Lewis and Clark Centennial Exposition in Portland in 1905, and he helped organize the first exhibition at the Portland Art Museum that year. For the 1915 Panama-Pacific Exposition, he prepared two huge murals, 12 feet high by 47 feet long, which now hang in the San Francisco Public Library. The editor of Harper's, who was also president of the Art Students League, convinced him to take a job teaching at the League. He still performed illustration work for a while in addition to teaching, including the artwork for Mark Twain's Personal Recollections of Joan of Arc. In a teaching career spanning more than fifty years, DuMond taught thousands of artists at the Art Students League. His students included Norman Rockwell, Georgia O'Keeffe, John Marin, Frank J. Reilly, Charles Webster Hawthorne, Frank Herbert Mason, Ogden Pleissner, Kenneth Hayes Miller, Louis Bouché, Eugene Speicher, Helen Winslow...

Frank Vincent DuMond Old Lyme Farm, Connecticut, circa 1900 Signed lower right; estate stamped on the frame Oil on board 10 x 14 inches Provenance: The artist Estate of the artist P...

Frank Vincent DuMond (1865 - 1951) Train Trestle Oil on canvas 24 x 30 inches Signed lower left; estate stamped on the reverse Provenance: Estate of the...

19th Century watercolor of a boy with a Horse drawn cart at feeding time, 1885 by Frank Vincent DuMond (American, 1865-1951). Signed on verso torn paper backing piece. Image with mat crop, 4.5"H x 7.5"W, Image full paper size, 5.13"H x 7.88"W. Cardboard size, 8.75"H x 8.75"L. paper has slight age toning, glued to irregular cardboard backing with losses to cardboard due to age: 1885. In a Giltwood frame. Born in Rochester, New York in 1865, Frank DuMond left his work as an illustrator at age 23 to study in the rigorous classical atelier tradition of the Academie Julian Paris in 1888. Upon his return to New York in 1892, DuMond embarked on a painting and teaching term at the Art Students League spanning nearly six decades until his death. A painter of diverse talents, he was an accomplished landscape, portrait and still life painter, muralist, and leader of the Tonalist then Impressionist art colonies of Lyme, Connecticut. In particular, DuMond was noted for his use of landscape green. American Impressionist expert William H. Gerdts wrote of DuMond, "As one might speak of Velazquez's blacks, one must speak of DuMond's greens." Scholars have described him as a deft painter of the American Impressionist landscape and the figure, but he will perhaps be remembered as among the most outstanding educators in American art history. Though an accomplished painter, he is said to have considered himself more of an educator than an artist. By all accounts, DuMond is described by his students as a man whose art and teaching methods were based on deeply held religious and philosophical beliefs. One student recalls, "There were occasions when DuMond revealed a clear intent to educate us on a deeper level than might casually be associated with painting." His students remember him fondly as "a genial, generous, and perceptive instructor…whose warmth and kindness pervaded everything he did." Under his tutelage, many prominent American artists were brought to recognition, including Georgia O'Keeffe, Norman Rockwell, and John Marin. Still other protégés of DuMond renown became influential teachers, such as Baroque-style painter Frank Mason, whose influence emerged in New York at the Art Students League; and Arthur Maynard...