Georges Dola Figurative Prints

Color lithograph, Edition 20. Don Ed Hardy’s lithographs, created in the spring of 2007, continue the “look” of his Ghost Writer painting series which has been developed over the past five years. They are evocative of ancient Chinese stone rubbings, or x-rays. Both prints refer to earlier images from Japanese art history. Floater, a meditating skeleton poised above surging waves, was done from memory after a 19th century Japanese painting...

"Interieur" is a Plate-Signed Print by Emile Bellet. It measures 9 x 10.5 inches, unframed. The date of creation is unknown, but is believed to be within ...

From the Vargas Portfolio **Portfolio Cover Not Included** Lithograph Only Alberto Vargas (1896-1982) was born in Arequipa, Peru, in 1896, the son of...

Original WW1 poster. Put Fighting Blood in Your Business. Here’s his record! Does he get a Job? Arthur Woods, Assistant to the Secretary of...

Larry Clark The Smell of Us, 2015 Limited Edition softcover book printed on heavy paper stock in oblong binding (Edition: 250) 5 1/2 × 8 inches This first edition book by Larry Clark...

The Jewish Welfare Board. Original World 1 vintage poster, excellent condition; archival linen backed and ready to frame. Printer: Alco-Gravure, Inc., N. Y. Civilians: When we...

"The Putting Green" - Figurative Landscape 20th century lithograph copy (restrike) of an original painting by British artist Douglas Adams (English, 185...

Artist: (after) Jean-Michel Basquiat (American, 1960-1988) Title: "FAE Musée d'Art Contemporain (Sans titre)" Year: 1993 Medium: Original Offset-Lithograph, Exhibition Poster on light wove paper Limited edition: Unknown Printer: likely Multigraphic Lauber & Romagnoli, Renens, Switzerland Publisher: FAE Musée d'Art Contemporain, Pully-Lausanne, Switzerland Reference: "Jean-Michel Basquiat" - FAE Musée d'Art Contemporain, page 39 (illustrated) Sheet size: 50.13" x 35.63" Condition: Scattered mild handling creases to sheet. In otherwise excellent condition with full margins and clean edges We cannot find a single other example of this poster to have appeared on the secondary market or at auction ever before. Extremely rare Provenance: private collection - Hamburg, Germany. Poster produced for a special posthumous solo exhibition of Basquiat's work "Jean-Michel Basquiat" at FAE Musée d'Art Contemporain, Pully-Lausanne, Switzerland from July 10 to November 7, 1993. The image featured on this poster is Basquiat's 1982, 72" x 84.25", acrylic and oil stick on canvas painting which is untitled. Poster designed by Pierre Neumann (Swiss, 1951-). GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Jean-Michel Basquiat (December 22, 1960 - August 12, 1988) was an American artist who rose to success during the 1980's as part of the Neo-expressionism movement. Basquiat first achieved notoriety in the late 1970s as part of the graffiti duo SAMO, alongside Al Diaz, writing enigmatic epigrams all over Manhattan, particularly in the cultural hotbed of the Lower East Side where rap, punk, and street art coalesced into early hip-hop music culture. By the early 1980s, his paintings were being exhibited in galleries and museums internationally. At 21, Basquiat became the youngest artist to ever take part in Documenta in Kassel, Germany. At 22, he was one of the youngest to exhibit at the Whitney Biennial in New York. The Whitney Museum of American Art held a retrospective of his artwork in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. He used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the black community, as well as attacks on power structures and systems of racism. His visual poetics were acutely political and direct in their criticism of colonialism and support for class struggle. Since his death at the age of 27 in 1988, Basquiat's work has steadily increased in value. In 2017, "Untitled", a 1982 painting depicting a black skull with red and yellow rivulets, sold for a record-breaking $110.5 million, becoming one of the most expensive paintings...

KAWS Tokyo First Exhibit Poster 2001: 2001 KAWS Parco Gallery exhibition poster featuring a photograph by fashion photographer David Sims reimagined by KAWS in his classic 1990's interventionist style. A KAWS Kimpsons Krusty the Clown graces the background while a signature iconic KAWS Bendy wraps itself around the model. Reverse side features exhibition info from Parco Gallery, including Supreme and A Bathing Ape...

From the Vargas Portfolio **Portfolio Cover Not Included** Lithograph Only Alberto Vargas (1896-1982) was born in Arequipa, Peru, in 1896, the son of...

Artist/Designer; Manufacturer: Massimo Vitali (Italian, b. 1944) Marking(s); notes: artist's stamp verso; ed. 50/120; 2006 Materials: offset lithograph Dimensions (H, W, D): 26.75"h,...

Artist: Teo Tobiasse (French/Israeli, 1927-2012) Title: "The Songs of Songs of King Solomons" Year: 1975 Medium: Color lithograph Edition: Numbered LVII/C in pencil Paper: Jap...