Gerhard Richter Art

"Heads Will Roll" Textile Fiber Art, Discarded Clothing This piece is unique, signed on recto and verso, and includes a certificate of authenticity Linda Friedman Schmidt is a German-born American artist known for her emotional narrative portraits created from discarded clothing. She was born stateless in a displaced persons camp, the first child of Holocaust survivors who discouraged her interest in art. Her artwork depicts a reality informed by social, political, and feminist issues as well as a traumatic family history. Through a process of unmaking and remaking, she explores the potential of art to mend, transform, and heal the self and society. Her earlier artworks continue to endure today as they address inequality, violence against women, and the general sense of unease and vulnerability that has been heightened by the pandemic. Her artwork has been exhibited extensively in the USA in group shows at venues such as the American Folk Art Museum, Allentown Art Museum, Montclair Art Museum, Morris Museum, and many others. It has been selected for exhibition by prestigious curators such as Judy Chicago, Faith Ringgold, and renowned art critic Donald Kuspit. Her work has been shown internationally in Japan...

"Seeing Double" Discarded Clothing This piece is unique, signed on recto and verso, and includes a certificate of authenticity Linda Friedman Schmidt is a German-born American artis...

This artwork was featured in The Untitled Space group show " UNRAVELED: Confronting The Fabric Of Fiber Art" at The Untitled Space from April 17 - May 28th, 2021. Linda Friedman Schmidt...

Paper Size: 54.25 x 37 inches ( 137.795 x 93.98 cm ) Image Size: 48.5 x 31.5 inches ( 123.19 x 80.01 cm ) Framed: No Condition: A: Mint Additional Details: This is a reproducti...

Jean-Michel Basquiat, Annina Nosei Gallery, New York, 1982: Rare Basquiat announcement card published by Annina Nosei Gallery to advertise the release of ‘Basquiat Anatomy’ (a suite ...

Roy Lichtenstein Kiss II, Reversible Beach Blanket/Towel, 2013 Cotton Terry LARGE: 59 × 70 × 3/10 inches (approx. 30 x 20 when folded) (note that the mea...

Paper Size: 35.5 x 27.5 inches ( 90.17 x 69.85 cm ) Image Size: 23.75 x 22 inches ( 60.325 x 55.88 cm ) Framed: No Condition: A: Mint Shipping and Handling: We ship Worldwide. For ...

Intenciones del Silencio VI, IV and II. Triptych, 2019 by Angélica Chavarro Franco From the series Intenciones del Silencio Mixed media (Oil paint and textile) on canvas Overall fra...

Artist: (after) Jasper Johns (American, 1930-) Title: "Painting with Two Balls I" Series: Facsimile Catalogue of Jasper Johns Prints *Issued unsign...

Louise Nevelson (Hand signed by BOTH the author, Arne Glimcher (founder of PACE gallery) and artist Louise Nevelson, and inscribed to Cy Nelson), 1972 Hardback monograph with dust ja...

Paper Size: 38 x 34.5 inches ( 96.52 x 87.63 cm ) Image Size: 26.5 x 33.5 inches ( 67.31 x 85.09 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: First edition exhibition poster designed by the artist for the Lincoln Center Poster...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...