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Gio Ponti Seating

Italian, 1891-1979

An architect, furniture and industrial designer and editor, Gio Ponti was arguably the most influential figure in 20th-century Italian modernism.

Ponti designed thousands of furnishings and products — from cabinets, mirrors and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan, and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in the spheres of modern art and design.

The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre.

In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern, but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged, and after the conflict, Ponti — along with designers such as Carlo Mollino, Franco Albini, Marco Zanuso — found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, and colorful; equally elegant and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes, and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo and others.

Ponti's signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.)

Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956.

Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph, which was written for the London show, offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic.

Find a range of vintage Gio Ponti desks, dining chairs, coffee tables and other furniture on 1stDibs.

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Color:  White
Creator: Gio Ponti
Gio Ponti Model 516 Pair of Lounge Chairs, Cream White Painted Walnut, 1950
By Figli di Amadeo Cassina, Gio Ponti, Cassina
Located in Brooklyn, NY
Pair of armchairs, model “516”, originally designed by Ponti for the furnishing of Tranatlantico Conte Biancamano, Manufactured by Figli di Amadeo Cassina (Cassina), Italy, c. 1950 pierced slat back, off-white cream painted walnut, white woven cotton textile. Provenance: Private Collection, Connecticut, USA. Measurements 78 cm x 62 cm x 79.5h cm 30 3/4 in x 24 3/8 in x 31 1/4 in height Literature Galleria Deposito A...
Category

Mid-20th Century Italian Mid-Century Modern Gio Ponti Seating

Materials

Textile, Walnut

Gio Ponti White Sofa from Casa & Giardino, circa 1938
By Gio Ponti
Located in Rome, IT
A Gio Ponti Casa & Giardino white sofa, circa 1938 walnut and fabric; white cotton and walnut feet fully rest orated and newly upholstered Measure: height 79, cm 152 x 82cm, high ...
Category

1930s Italian Modern Vintage Gio Ponti Seating

Materials

Cotton, Walnut

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Gio Ponti, Chair for Casa e Giardino, wood and wicker, Milan 1939 circa
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Set of 2 Armchairs and a Sofa in the style Gio Ponti for Casa E Giardino, 1940s
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Gio Ponti Lounge Chairs
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Previously Available Items
Gio Ponti Cassina Mod. 646 Leggera Chair Ash Wood White Padded Fabric Italy 1952
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Set of Ten "Leggera" Chairs by Gio Ponti
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Birchwood Easychair designed by Gio Ponti (Cassina, Milano) for Hotel Parco dei Principe, Sorrento, 1958, Italy. This chair has the original vinyl upholstery. Gio Ponti (1891-1979) Italy Gio Ponti was born in 1891 in Milan where he spent his childhood and enrolled for an architecture degree at the Politecnico. In 1921 he graduated having intrupted his studies during World War One. In 1923, instead of practising as an architect, Ponti became the Artistic Director of Richard-Ginori, the ceramics manufacturer for which he won the `Grand Prix` at the 1925 Paris Expo. From 1923 to 1930, he turned the company into a role model of industrial design excellence by decorating simple ceramic forms with elegant neo-classical motifs. `Industry is the style of the 20th century, its mode of creation,` are Ponti`s words. 1928 Ponti founded `Domus`, which he establishes as Europe`s most influential architecture and design magazine. in 1941 Ponti quit `Domus` to found `Stile`, an Italian art and architecture magazine. In 1947 Ponti left `Stile` to resume the editorship of `Domus`. Ponti insisted that decoration and modern ideas were not incompatible. His ideas about blending the old and the new did have supporters - among them the fascists of the 1930s. Mussolini and his ministers were enthusiastic about all things new, especially if they preserved cultural identity, and Ponti`s writings on the "Italianness" of his homes Publication of `Amate L`Architettura`, a new version of a book of essays which orginated in Ponti`s 1940 pamphlet, `Architecture is a crystal`. In 1933 Ponti organised the 5th Triennale exhibition (originally in Monza) in Milan and his work extended to stage sets and costumes for the opera house `La Scala` in Milan. Ponti was actively involved in the Industrial Design Association (ADI) and was one of the organizers of the Golden Compass promoted by the La Rinascente department store. fFom 1936 to 1961 he was Professor on the permanent staff of the Faculty of Architecture at the Milan Polytechnic. In 1934 he received the title of Commander of the Royal Vasa order in Stockholm being the art prize of the Accademia d`Italia. He also received an honorary doctorate from the Royal College of Art in London, Ponti dis-regarded conventional boundaries and explored a profound analogy between different fields of art and design, ranging from the minor arts and furniture to overarching architectural schemes. In 1946 he started a three year project to design Murano glassware for Venini. 1948 he unveiled the La Pavoni...
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1950s Italian Vintage Gio Ponti Seating

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Birch, Upholstery

Gio Ponti seating for sale on 1stDibs.

Gio Ponti seating are available for sale on 1stDibs. These distinctive items are frequently made of wood and are designed with extraordinary care. There are many options to choose from in our collection of Gio Ponti seating, although brown editions of this piece are particularly popular. We have 230 vintage editions of these items in-stock, while there is 20 modern edition to choose from as well. Many of the original seating by Gio Ponti were created in the mid-century modern style in europe during the 20th century. If you’re looking for additional options, many customers also consider seating by Arflex, Marco Zanuso, and Vico Magistretti. Prices for Gio Ponti seating can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $545 and can go as high as $61,186, while a piece like these, on average, fetch $7,823.

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