Helder Batista Art

Gregor Turk’s new series titled “CONFLUX” features wall-mounted box-like maps of global choke points, strategic locations where passage by land or sea is constricted. Coastlines are ...

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This piece was created using carefully curated materials that were then bound together. The materials used were all discarded and would otherwise have gone to a landfill. I repurpose...

Collectors searching for a statement contemporary mixed media artwork with crushed crystals, mirrored surfaces, black textures, and metallic sculptural elements will be captivated by...

James Rosenquist (American, 1933-2017), Sketch for Forest Ranger, Screenprint in Colors on Plastic Film, 1967, from Ten from Leo Castelli portfolio, published by Tanglewood Press, In...

Los Angeles-based artist Amber Goldhammer creates dynamic and energetic abstract artworks, combining acrylic paint and mixed media into layered compositions that evoke a sense of movement and emotion. "Set Sail" is a stunning example of her ability to harmonize graffiti-inspired techniques with contemporary abstract expressionism. Featuring overlapping layers of vibrant greens, turquoise, earthy neutrals, and bold black brushstrokes, this painting draws viewers into its rhythmic flow, offering a sense of depth and spontaneity. Measuring 24 inches high by 18 inches wide, this original painting has grey-painted edges and does not require framing. It comes wired and ready to hang, adding a bold and modern touch to any space. Signed and titled by the artist on the back, "Set Sail" includes a certificate of authenticity, ensuring its value as a one-of-a-kind piece. Key Features: Medium: Acrylic and mixed media on canvas, creating richly textured, layered surfaces. Dimensions: 24" x 18", perfect for accent walls or gallery-style displays. Presentation: Ready to hang with neutral grey painted sides—no framing required. Authenticity: Signed by Amber Goldhammer with a certificate of authenticity included. Shipping Options: Convenient local delivery in Los Angeles, with affordable U.S. and international shipping available. About the Artist: Amber Goldhammer is renowned for her vibrant abstract works infused with street art influences and uplifting messages. Her creative journey began with pigments, powders, and waxes, evolving into her signature layered style that merges urban energy with abstract elegance. Frequently incorporating the phrase "I Love You" into her series, Goldhammer’s art spreads joy and connection, often transforming public spaces through her impactful murals. Each painting by Goldhammer is a process of discovery—a union of color, texture, and emotion, created instinctively without judgment. Her work bridges the gap between contemporary fine art and street art, appearing on everything from canvases and murals to clothing and accessories. "Set Sail" is more than a painting; it’s an expression of freedom, emotion, and bold creativity. Its interplay of colors and textures captures the imagination, making it a statement piece for collectors of original abstract art, graffiti-inspired works, and modern wall décor. Amber Goldhammer frequently draws inspiration for her palette from nature and the colors of the ocean, saying, “I get to take in the essence of the ocean every day, which fuels my creativity and brings me peace.” She draws a fascinating parallel between her highly coveted paintings and the diverse tapestry of the world around us. Just as a field of flowers may initially appear uniform, upon closer inspection, the intricate beauty of each unique blossom becomes evident. Her artwork mirrors this intricate beauty and complexity, offering a captivating journey for art enthusiasts in search of original, one-of-a-kind pieces that reflect the rich diversity of our surroundings. A worldwide collected young artist with ongoing concurrent exhibitions in galleries throughout the United States and Switzerland, Goldhammer's artworks have also been exhibited at major international art fairs. Her original paintings have been showcased in print and online publications and on such TV series as “Million Dollar Listing,” “Being Mary Jane,” “The Catch” as well as both multi-Emmy® nominated series, “Crazy Ex-Girlfriend”, and “Scandal.” Goldhammer’s art is also featured on Netflix’s original series, “G.L.O.W.” by “Weeds” creator, Jenji Kohan. Artspace Warehouse...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 12" x 12" x 2" (HxWxD). It is acrylic on canvas, Japanese paper, pa...

Richard Smith Seven from Logo Suite (Pink Blue), 1971 Silkscreen on 3-D Molded Plastic Over Wood Pencil signed, dated and numbered 65 from the edition of 75 on the front 23 1/2 × 19 ...

This two panel stretched and dyed rubber piece was created by American contemporary artist John Drummer in the early 2000's. This work was featured in the exhibition "Jack Drummer" organized by BT&C Gallery and which coincided with the Burchfield Penney Art Center's exhibition "The Effects of Time". This is currently the only work available for acquisition. The Burchfield Penney exhibition that featured these rare pieces was voted one of the best 10 exhibitions that year in ArtForum's 2016 Top Ten by Matthew Higgs, who would later curate an exhibition of Drummers work for White Columns gallery that was reviewed by Art in America in 2017. John E. (aka “Jack”) Drummer (1935-2013) was an itinerant and mercurial figure. Self-taught as an artist, his earliest works from the late 1950s and early 1960s were included in several key exhibitions in Buffalo and New York City, including the first of Allan Kaprow’s legendary ‘New Forms, New Media’ exhibitions that he curated for Martha Jackson’s gallery in 1960. Drummer’s 1962 solo exhibition at the Gordon Gallery, New York received a rapturous review from critic Brian O’Doherty in The New York Times, who praised Drummer for his ability to “make something out of nothing”, describing his work from this time as “screens for the imagination,” a notion that could equally be applied to his later works on view at White Columns in a 2017 solo exhibition. Despite this early success, Drummer would soon leave New York City, returning initially to Buffalo, before moving to New Orleans and then California, before eventually settling in Hawaii. Very little of Drummer’s early work has survived, including almost none of the 300-odd, often large-scale, styrofoam-based sculptures he produced in Hawaii. On returning to his home-town of Buffalo in the early 1980s, Drummer would embark on an extraordinary body of work that would preoccupy him for the next two decades. Drummer’s late work is clearly related to, and expands upon, the histories of minimal, post-minimal and process-orientated art. His approach is empathetic with that of the Italian Arte Povera artists, sharing their interest and investment in ‘poor’ and quotidian materials. Working almost exclusively with ‘found’ materials, and specifically materials that had previously been employed and subsequently discarded in industrial and manufacturing processes, Drummer’s work of the 1980s-early 2000s was largely overlooked and unexhibited during his lifetime. Drummer’s late works employ the rubber ‘blankets’ – used in offset printing to remove excess ink during the printing process – as supports. These ‘ready-made’ supports often revealed aspects of their ‘histories’: their surfaces are typically marked with ghostly images and texts resulting from the printing process. Drummer would then work directly onto and into these ‘pre-prepared’ supports. Drummer’s late works often incorporate impressions taken directly from the surfaces of walls, floors, and fencing, etc. – ‘images’ created by laying the rubber sheets face down onto a desired surface, and then applying pressure from the back of the sheet to create a subsequent negative impression or image of that surface, likely a physically demanding process, akin to making a ‘brass rubbing...

Shuttleworth's work is noted for her use of traffic cones and other found materials. Lana describes her work as representing the "common ground aspirations for diverse societies by depicting idealized landscapes transforming cross-cultural bi-products into works of art. Across the global commons, once diverse landscapes and the societies they support are synchronizing with the ideology of progress in plastic consumption. Plastics are nature-transformed from ancient life remains buried deep beneath the foot of our cultural landscape. Born into service to progress, recovered water bottles, x-ray film and safety cones...

Composition of recovered bicycle wheel tyres on board. No frame needed as the thickness of the board is covered by the composition. 1.832 painted screws ...

Abstract expressionist found object assemblage on wood with highly expressive silver and gold paint by Bay Area artist Michael Pauker (American, b. 1957). Against the raw woodgrain, the artist has attached several objects, including paper fragments of ornithological illustrations of birds...